Dbx stereo

DBX 162SL Stereo Compressor Limiter The same familiar striking front panel, machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis mark the 162SL as a leader for decades to come. The 162SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 162SL offers Auto-Velocity manual mode, in addition to our classic dbx Over-Easy mode, made standard by the legendary dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx's latest limiting algorithm Peak-Stop-Plus, are included in the 162SL.

DBX Compressor After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard" limiters. Selectable Hard-Knee or OverEasy characteristics make the ideal for your gain control needs, whether you're looking for "heavy" almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the is designed for perfectly simple operation. The allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the is our new dbx V2 VCA. Developed especially for the and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx perform better than compressors selling for hundreds more. State-of-the art-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx is the latest in a long line of pedigreed dbx signal processors.

DBX - DBX-160/A Compressor/Limiter The dbx® 160A is a legendary dbx® 160 family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough. The dbx® 160A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments mic'd in stereo, without shifting the left/right image. Its musical sound, easy operation and unequaled versatility made the original dbx® 160 a world standard. The 160A follows that tradition, while meeting the challenges of a digital world.ent in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 160A is for you.

DBX - DBX-266/XSV Compressor Gate Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors. after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

DBX - DBX-1066V Valve Compressor Limiter Gate After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx®. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.

DBX 166XL Compressor Limiter Gate The dbx 166XL delivers super-fine compression as a price you can afford! It's also incredibly easy to operate! Advanced gate circuitry uses new timing algorithms so release characteristics are smooth and natural - no awkward cut-offs or abrupt closings, even with complex signals. A comprehensive list of features, from stereo or dual-mono operation to the 166XL's ability to use hard knee or OverEasy compression algorithms, make the 166XL the dynamics processor of choice for recording artists and musicians ready to take their audio to the next level. Superior sound and precision performance from the company that knows dynamics processors!

Stereo 2/3-way; Mono 4-way Crossover: Variable Crossover; Points (45Hz-9.6kHz); 40Hz HPF; 24dB Linkwitz Riley;XLR Balanced Inputs & Outputs

Instantly Improve Your PA! Here's a way to instantly get better results from your PA system. In fact, having the dbx DriveRack PX is like permanently hiring an experienced Live Sound Engineer! This Powered Speaker Optimizer can intelligently set itself up to get the best sound possible from your PA. Just bring the included measurement microphone with you to your next gig, run the "Wizard" setup, and let the DriveRack PX take it from there! It can instantly configure itself to get optimized EQ settings for the room, and an Advanced Feedback Suppression system kills nasty feedback before it ever starts. What's more, the patented Subharmonic Synthesizer onboard helps you extend bass response, so you get a full and rich bottom end, without the mud. Beyond that, the dbx DriveRack PX also offers out-of-the-box support for a wide range of the most popular PA speakers out there. Just tell it what speakers you're using and your DriveRack PX will tailor itself to your specific setup. You've also got dbx "classics" onboard, so you can fine-tune your sound using some of the most respected tools in the industry. There's dbx compression, PeakStopPlus limiting, and even a tweakable dual 28-band graphic EQ. Better yet, once you've dialed in a sound you love, you can save it as one of 25 user presets. That way, if your band or rig ever goes back to the same venue, you're instantly ready to go! With its array of "smart" built-in features and classic dbx sound, the DriveRack PX is an easy choice for any gigging band or FOH engineer. You'll enjoy louder, cleaner, better sound than you thought possible from your powered speakers! dbx DriveRack PX Features at a Glance: Powered Speaker Optimizer Stereo Feedback Elimination with 12 feedback notch filters Dual 28-band Graphic EQ Classic dbx Compressor 120A Subharmonic Synthesizer Stereo Multi-band Parametric EQ Stereo PeakPlus Limiters Pink Noise Generator Auto-EQ with 28-Band RTA JBL and other popular powered speakers included in Setup Wizard dbx M2 Measurement Mic and zippered pouch included Front panel RTA-Mic XLR input with phantom power 25 User Programs / 25 Factory Programs 2 Channel XLR Input 2 Channel XLR Output 2 Channel XLR Sub Output 24-Bit ADC/24-Bit DAC, >110 dB Dynamic Range dbx Type IV Conversion System Full Graphic LCD Display

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features: Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4" TRS and XLR connectors Side Chain insert Classic dbx® "Auto" mode Specifications: Input Connectors    1/4" TRS and female XLR (pin 2 hot) Input Type    Electronically balanced/unbalanced, RF filtered Input Impedance    40kΩ balanced/unbalanced Max Input    >+22dBu Balanced or Unbalanced Output Connectors    1/4" TRS, female XLR (pin 2 hot) Output Type    Impedance-balanced/unbalanced, RF filtered Output Impedance    +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced Max Output    >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) Sidechain    1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) Sidechain Impedance    Tip = >10kΩ (Input), Ring = 2kΩ (Output) Sidechain Max Input Level    Tip = >+22dBu (Input) Sidechain Max Output Level    Ring = >+20dBu (Output) Compressor Threshold Range    -40dBu to +20dBu Compressor Threshold Characteristic    Selectable OverEasy® or hard knee Compressor Ratio    1:1 to Infinity:1 Compressor Attack Time    Scalable Program-Dependent AutoDynamic™ Compressor Release Time    Scalable Program-Dependent AutoDynamic™ Expander/Gate Threshold Range    -60dBu to +15dBu Expander/Gate Ratio    1:1 to 4:1 Expander/Gate Attack Time    Expander/Gate Release Time    Program-dependent Bandwidth    0.35Hz - 90kHz, +0/-3dB Frequency Response    Flat: 20Hz-20kHz, +0, -0.5dB Noise    THD+Noise    Typically IMD    Typically Dynamic Range    >114 dB, unweighted Interchannel Crosstalk    CMRR    >40dB, typically >55dB at 1kHz Stereo Coupling    True RMS Power Summing™ Power Consumption    15 Watts Maximum Operating Voltage    100VAC Hz; 120VAC 60Hz; 230VAC Hz Operating Temperature    0°C to 45°C (32°F to 113°F) Dimensions    1.75" x 5.75" x cm x 14.6 cm x cm) Unit Weight    4.84 lbs (2.19 kg) Shipping Weight    6.6 lbs (2.99 kg) Reference    0dBu = Vrms 1 year limited guarantee For more info on this product please click here

After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the 'Auto' button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other 'hard' limiters. Selectable Hard-Knee or OverEasy characteristics make the 1066 ideal for your gain control needs, whether you're looking for 'heavy' almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the 1066 both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more. State-of-the-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx 1066 is the latest in a long line of pedigreed dbx signal processors.

More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. Features: XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx® 2 year parts and labor as standard CSA NRTL/C approved CE compliant 1 year limited guarantee For more info on this product please click here

More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx 223xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. Recommended for: Portable.

Hear No Evil and See no Evil. The AFS2 Advanced Feedback Suppression processor has been completely re-designed to take the foundation of the best selling AFS224 and bring it to thte next level. The AFS2 now offers the highly-intuitive Wizard function that takes all of the guesswork out of setting up any room. The AFS2 also incorporates a completely re-designed Advanced Feeback Supression module. Best of all, the AFS2 now provides the user with a full LCD display setup and monitoring. With its powerful DSP module, the AFS2 provides all the processing and control necessary for both installation and live use. Ten and twelve filter feedback elimination processors are the de facto standard, but the AFS2 offers a dedicated feedback suppression processor that offers up to 24 filters per channel with filter Qs up to 1/80 of an octave. To achieve these staggering numbers dbx utilized their improved AFS technology that had previously only been available in the upper echelon line of products and made it available in this stand-alone processor. In addition to the plethora of feedback suppression filters available, the AFS2 also offers selectable modes, live filter lift, and types of filtration, which are all readily available via the intuitive user interface front panel. With all of these state-of-the-art features in place, not only do you hear no evil, but you will now be able to see no evil. Features Wizard Setup Function Full LCD Display dbxs patented (Advanced Feedback Suppression) AFS technology 24 Programmable Filters per Channel Stereo or Dual Independent Channel Processing Live and Fixed Filter Modes Selectable Filter Lift Times Application-specific filter types include: Speech and Music Low, Med and High Input channel Metering 24 LED per Channel Filter Metering XLR and TRS Inputs and Outputs

Quad Noise Gate: 4 Independent Gate chs; Differentially Balanced XLR 6.5mm (¼") In/Outputs; Independent Key filtering; Independent Threshold/Release Controls; RMS Level Detection; Stereo Coupling Mode; Sw. +4dBu/-10dBc per ch;

Compressor/Limiter/Expander/Gate: 2 ch Stereo or Dual Mono Operation; OverEasy® or Hard-knee Compression; Adjustable attack & Release; PeakStop® Limiter; Balanced XLR & TRS Inputs & Outputs

Features Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mode operation Balanced inputs and outputs on 1/4" TRS and XLR Side Chain insert Classic dbx® "Auto" mode Full Specifications Available Online EXCELLENT CONDITION

HiSense 32" HD Ready Direct LED Backlit Smart TV - Built-in Wi-Fi, Resolution 1366 x 768, Viewing Angle [Degrees] 178 / 178, Built-in Wi-Fi 802.11b/g/n, Ethernet Lan port (RJ45 connector), Opera Web Browser, 2x HDMI inputs, 2x USB 2.0 ports, USB Playback, Earphone jack, Retail Box, 3 year Limited Warranty. Specifications: Panel Performance: • Panel Aspect Ratio: 16:9 • Screen Size (diagonal): 32inch • Screen Size (diagonal): CM 80 • Max. Resolution HD: 1366x768 • Angle of visibility: 178 degree • Display Colour Depth 8bits • TCON colour depth 8bits • Sync Frequency 60Hz • Contrast 1200:1 • Backlight technology: DLED • Improving Engines • Processor Quad Core • Decoder HEVC (H.265), H.264, MPEG4, MPEG2,VC1,MVC • MPEG noise reduction: Yes • Mosquito noise reduction: Yes Sound: • Sound output power 2x6W • Sound Technology DBX Total Sonics, Total Surround, Total Volume • NICAM / A2 Stereo NICAM Stereo • Sound - Special Dolby Audio(TBD),DBX,etc Convenience: • Media Player Yes (Video, Audio, Picture) • Language OSD English • Hotel TV: Yes • User Interface VIDAA U2.5 Internet: • Important Apps (all countries) Netflix, YouTube, Showmax • Web browser Opera MHEG support: No • Anyview Cast: Yes • Anyview Stream: Yes (DMP,DMR) Reception and TV Features • Digital and Analog Tuner DVB-T2/T/C/S2/S • LCN Support: Yes (Depending on location and operator) • Teletext Support:Yes Parental Control Yes • Channel sorting Build-in and exportable for PC edit (ChSort) Connectivity • Common Interface (CI+) Yes (V1.4) • HDMI1 HDMI1.4 • HDMI2 HDMI1.4, ARC • USB (2.0):2 • S/PDIF Output 1 (optical) • Audio (L/R) Input 1 • Headphone Output 1 • RF Tuner 2 Composite (AV) Input 1 • Component YPb(Cb)/Pr(Cr) Input: • Ethernet RJ45 port: Yes • Wireless LAN adapter • Support:Yes • Wi-Fi technology 802.11bgn,2.4G • Bluetooth Support

NO COMPROMISE for live applications and professional installations IVM IEM Set is a reference wireless in-ear monitoring system featuring binaural room simulations, providing musicians, vocalists and presenters with a unique natural listening experience. The set includes an SST IEM wireless stereo transmitter with built-in audio effects such as a dbx compressor and EQ, an SPR IEM stereo wireless receiver and IP2 in-ear headphonesThe IVM IEM Set package includes: 1 x SST IEM Wireless stationary transmitter 1 x SPR IEM Wireless body-pack receiver 1 x IP2 In-Ear headphones 1 x UHF antenna, 1 x Rack mount kit, 1 x Universal power supply with US/UK/EU adaptor, 2 x AA size battery, 1 x Belt clip

FEATURES Omega Desktop: 2 XLR microphone inputs dbx Silver Series mic preamps +48V phantom power 2 TRS insert inputs 4 TRS balanced/unbalanced line inputs 1/4" mono instrument input 2 TRS line outputs MIDI Interface 5 pin DIN connectors for MIDI in and MIDI out Coaxial RCA S/PDIF I/O 24-bit D/A and A/D conversion Integrated multitrack recording, editing, and mixing of audio and MIDI 32 stereo audio tracks 32 plug-ins at one time Unlimited MIDI tracks Professional 24-bit recording, mixing, processing Full-featured editing capabilities DXi soft synth support Support for custom screen layouts and keyboard shortcuts Polish your products with the included suite of DirectX plug-ins Apply morphing effects to your mix with the included FXPad joystick-controlled multi-effects module Add analog synth color to your production with the included AAS Tassman SE analog synth module Produce and burn professional quality CDs from your projects using included project-management utilities Encode audio for internet delivery Import general MIDI files Unlimited realtime locate markers Reverb Plug-In Classic Lexicon reverb known throughout the recording world 35 factory presets, plus a powerful editor for creating additional presets 6 reverb types including Hall, Chamber, Plate, Room, Ambience, and Custom 16 user-adjustable parameters for fine tuning the reverb Advanced yet easy-to-use interface Floating-point DSP processing Mono and stereo operation 16- and 24-bit compatible Efficient CPU utilization

Lexicon Omega Studio USB Audio Interface Pure Inspiration The recording professionals at Lexicon Pro know a thing or 2 about great audio -- that famed Lexicon reverb 'sound' has been on just about every hit recording since Lexicon invented digital reverb more than 30 years ago. So when they set out to bring that sound home -- they got truly inspired. The Complete System Nothing is more frustrating than buying a 'recording system', only to find out that you need a gaggle of extras just to make it all work. Omega Studio is a completely integrated computer recording system that includes the Omega 8x4x2 USB I/O Mixer, Steinberg's Cubase LE audio and MIDI recording software, and Lexicon's world-class Pantheon VST Reverb plug-in. The Omega Desktop Recording Studio quite literally contains all the necessary components to transform your computer into a professional 24-bit recording studio - all in one box. A Real Mixer Unlike standard computer I/O boxes based on a patch bay concept, the Lexicon Omega Studio is designed and built around the same paradigm as large-format recording consoles. An 8-input, 4-Bus, 2-output USB I/O mixer with inserts, instrument input, MIDI I/O and complete metering and monitoring functions gives you the freedom to record up to 4 tracks at once and mix without the need for additional mixing hardware. Two dbx Silver Series mic preamps with 48V phantom power provide a pristine front end for high-end condenser or more common dynamic microphones, insuring premium sound quality from the first take to the last. TRS insert points allow you to plug in your favorite dynamic processors before the signal reaches 1 of the 4 busses, where 24-bit converters transform the analog signal into a digital masterpiece. Four servo-balanced TRS line inputs with up to +22dBu input levels let you hook up everything from keyboards to guitar preamps, including high-output professional gear. Stereo digital inputs are available via SPDIF jacks, and an additional high-impedance instrument input is included on the front panel for easy access to guitars and basses. Finally, a fully opto-isolated MIDI input to ensures that there is no annoying ground loop hum or MIDI talk-through noise common with many I/O boxes and sound cards; MIDI output has rock-solid synchronization to USB frame rate to support applications requiring critical sync. The Omega I/O mixer also features channel peak indicators for each analog input as well as an assignable bargraph meter for the 4 busses. By monitoring the signal before the A/D converters, clipping and distortion can be averted, unlike software-only level monitoring that can miss 'overs', ruining the track. All these gazintas and getoutzas are put together just like a big recording console, with input gain controls, four recording busses, and full monitoring features, in one attractive, portable I/O Mixer. Just plug it into your Mac or PC computer with the included USB cable, and you're instantly ready to capture the moment. Steinberg Cubase LE Multi-Track Recording Software Steinberg is a leader in computer-based recording. From the first idea to complete compositions, Cubase is the virtual studio for all musicians and producers looking for a creative way to realize their projects. Cubase LE integrates seamlessly with the Omega I/O Mixer to achieve an easy-to-use, 48-track complete recording solution that includes all of the modules that you need to track, edit and mix your masterpiece.

MX400XL 4-in/4-out Reverb/Effects Processor with USB “Hardware Plug-In” Capability Features: 17 legendary Lexicon® reverbs Lexicon delays & modulation effects dbx® compression and de-essing Quad-processor design 7 effect routing options 99 Factory/99 user programs for Stereo mode 99 Factory/99 user programs for Dual-Stereo mode 25 Factory/25 user surround programs USB "Hardware Plug-In" feature with VST™ (PC only) and Audio Units (Mac only) plug-in software MX-Edit™ Editor/Librarian software Dual S/PDIF Digital Input/Output 24 bit, 48kHz/44.1kHz sample rates Large front panel LCD display MIDI IN and THRU Balanced XLR inputs and outputs 1 year limited guarantee For more info on this product please click here