Dbx dual

DBX Dual 31-Band Graphic Equaliser It's amazing. One little button. It has so much effect. The Type III Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQ's possible, boxes with the heritage and performance to rival our famous 30 Series EQ's. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQ's sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

DBX - DBX-231SV Dual channel 31 Band Graphic EQ When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

DBX - DBX-IEQ15 Dual 15 Band Digital Graphic EQ With an EQ heritage that has produced countless industry standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-15 also offers the built-in necessities which include AFS¿ feedback Suppression, Type V¿ noise reduction and PeakStopPlus® limiting. Besides including two 15-band channels of 2/3-octave equalization, the iEQ-15 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability. The iEQ series represents a major step forward in the performance of EQs. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS¿), dbx proprietary Type V¿ noise reduction and PeakStopPlus® limiting, the iEQ-15 offers out of this world specifications with a downto- earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the iEQ-15 is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional¿s choice in signal processing. With such pristine design and quality, the iEQ-15 offers the maximum sonic flexibility in a straight forward interface and rock-solid construction.

DBX - DBX-1215 Dual channel 15 Band Graphic EQ The dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1215 provides standard features like dual channels, 15 2/3 octave bands, ISO frequency centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other thoughtful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.

DBX - DBX-IEQ31 Dual 31 Band Digital Graphic EQ With an EQ heritage that has produced countless industry-standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx® legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-31 also offers the built-in necessities which include AFS¿ feedback Suppression, Type V¿ noise reduction and PeakStopPlus® limiting. Besides including two 31-band channels of 1/3-octave equalization, the iEQ-31 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability.

DBX 386 Dual Vacuum Tube Preamp The Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx Type IV conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats.

DBX Compressor After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard" limiters. Selectable Hard-Knee or OverEasy characteristics make the ideal for your gain control needs, whether you're looking for "heavy" almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the is designed for perfectly simple operation. The allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the is our new dbx V2 VCA. Developed especially for the and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx perform better than compressors selling for hundreds more. State-of-the art-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx is the latest in a long line of pedigreed dbx signal processors.

DBX 2231 Dual 31-Band Graphic Equaliser It's amazing. One little button. It has so much effect. The Type III Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQ's possible, boxes with the heritage and performance to rival our famous 30 Series EQ's. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQ's sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

Dual channel 31 Band Graphic EQ: 1/3 Octave Constant Q Frequency bands; Switchable Boost/cut ranges of ±6 or ±12dB; 12dB per octave, 3dB down @ 40Hz low-cut filter; XLR & TRS Inputs & Outputs; 2 RU

Dual 15 Band Digital Graphic EQ: 2/3 Octave Constant Q frequency bands; built in limiters; Built in noise reduction; Advanced Feedback Suppression; 6 or 15dB switchable Boost/Cut; XLR, TRS & Euroblock Inputs & Outputs; 2RU

Dual channel 31 Band Graphic EQ: 2 ch; 6 or 12dB Switchable Boost/cut; Hardwire Bypass; Balanced Barrier; XLR & TRS Inputs & Outputs; 3RU

Dual channel 15 Band Graphic EQ: 2 ch; 6 or 15dB Switchable Boost/cut 40Hz 18dB/oct Bessel HPF; EQ Bypass; Balanced Barrier; XLR & TRS Inputs & Outputs; 2 RU

Exceptional sound and rugged reliability When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dbx 231s includes two 31-band channels of 1/3-octave equalization, 12 dB input gain, switchable 6 dB or 12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound. Recommended for: Portable, Tour. Features Dual 31-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of 6 or 12 dB Front panel bypass switch 12 dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS Inpts and Outputs Frequency Response of 50kHz Dynamic range of greater than 108dB

Instantly Improve Your PA! Here's a way to instantly get better results from your PA system. In fact, having the dbx DriveRack PX is like permanently hiring an experienced Live Sound Engineer! This Powered Speaker Optimizer can intelligently set itself up to get the best sound possible from your PA. Just bring the included measurement microphone with you to your next gig, run the "Wizard" setup, and let the DriveRack PX take it from there! It can instantly configure itself to get optimized EQ settings for the room, and an Advanced Feedback Suppression system kills nasty feedback before it ever starts. What's more, the patented Subharmonic Synthesizer onboard helps you extend bass response, so you get a full and rich bottom end, without the mud. Beyond that, the dbx DriveRack PX also offers out-of-the-box support for a wide range of the most popular PA speakers out there. Just tell it what speakers you're using and your DriveRack PX will tailor itself to your specific setup. You've also got dbx "classics" onboard, so you can fine-tune your sound using some of the most respected tools in the industry. There's dbx compression, PeakStopPlus limiting, and even a tweakable dual 28-band graphic EQ. Better yet, once you've dialed in a sound you love, you can save it as one of 25 user presets. That way, if your band or rig ever goes back to the same venue, you're instantly ready to go! With its array of "smart" built-in features and classic dbx sound, the DriveRack PX is an easy choice for any gigging band or FOH engineer. You'll enjoy louder, cleaner, better sound than you thought possible from your powered speakers! dbx DriveRack PX Features at a Glance: Powered Speaker Optimizer Stereo Feedback Elimination with 12 feedback notch filters Dual 28-band Graphic EQ Classic dbx Compressor 120A Subharmonic Synthesizer Stereo Multi-band Parametric EQ Stereo PeakPlus Limiters Pink Noise Generator Auto-EQ with 28-Band RTA JBL and other popular powered speakers included in Setup Wizard dbx M2 Measurement Mic and zippered pouch included Front panel RTA-Mic XLR input with phantom power 25 User Programs / 25 Factory Programs 2 Channel XLR Input 2 Channel XLR Output 2 Channel XLR Sub Output 24-Bit ADC/24-Bit DAC, >110 dB Dynamic Range dbx Type IV Conversion System Full Graphic LCD Display

With an EQ heritage that has produced countless industry-standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-31 also offers the built-in necessities which include AFS feedback Suppression, Type V noise reduction and PeakStopPlus limiting. Besides including two 31-band channels of 1/3-octave equalization, the iEQ-31 also offers +12 dB input gain range, switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders, and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability. The iEQ series represents a major step forward in the performance of graphic equalizers. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS), dbx proprietary Type V noise reduction and PeakStopPlus limiting, the iEQ-31 offers out of this world specifications with a down-to-earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the iEQ-31 is destined to take its rightful place in the lineage of great dbx signal processors that are the professionals choice in signal processing. With such pristine design and quality, the iEQ-31 offers the maximum sonic flexibility in a straight forward interface and rock-solid construction. Recommended for: Portable, Tour. Features Advanced Feedback Suppression (AFS) Type V Noise Reduction PeakStopPlus Limiting 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of +6 or +15dB 18 dB per octave 40Hz low-cut filter +12dB input gain range XLR, TRS and Euroblock Inputs and Outputs Internal Toroidal Transformer Dyanmic range of greater than 113dB User Power Up Features Relay Bypass for Power Failure System Protection

After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the 'Auto' button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other 'hard' limiters. Selectable Hard-Knee or OverEasy characteristics make the 1066 ideal for your gain control needs, whether you're looking for 'heavy' almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the 1066 both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more. State-of-the-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx 1066 is the latest in a long line of pedigreed dbx signal processors.

More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. Features: XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx® 2 year parts and labor as standard CSA NRTL/C approved CE compliant 1 year limited guarantee For more info on this product please click here

More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx 223xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. Recommended for: Portable.

Hear No Evil and See no Evil. The AFS2 Advanced Feedback Suppression processor has been completely re-designed to take the foundation of the best selling AFS224 and bring it to thte next level. The AFS2 now offers the highly-intuitive Wizard function that takes all of the guesswork out of setting up any room. The AFS2 also incorporates a completely re-designed Advanced Feeback Supression module. Best of all, the AFS2 now provides the user with a full LCD display setup and monitoring. With its powerful DSP module, the AFS2 provides all the processing and control necessary for both installation and live use. Ten and twelve filter feedback elimination processors are the de facto standard, but the AFS2 offers a dedicated feedback suppression processor that offers up to 24 filters per channel with filter Qs up to 1/80 of an octave. To achieve these staggering numbers dbx utilized their improved AFS technology that had previously only been available in the upper echelon line of products and made it available in this stand-alone processor. In addition to the plethora of feedback suppression filters available, the AFS2 also offers selectable modes, live filter lift, and types of filtration, which are all readily available via the intuitive user interface front panel. With all of these state-of-the-art features in place, not only do you hear no evil, but you will now be able to see no evil. Features Wizard Setup Function Full LCD Display dbxs patented (Advanced Feedback Suppression) AFS technology 24 Programmable Filters per Channel Stereo or Dual Independent Channel Processing Live and Fixed Filter Modes Selectable Filter Lift Times Application-specific filter types include: Speech and Music Low, Med and High Input channel Metering 24 LED per Channel Filter Metering XLR and TRS Inputs and Outputs

Compressor/Limiter: Latest Version of the Classic dbx160; OcerEasy® or Hard-Knee Compression; Large Dual RMS Level Meters; Balanced XLR & TRS Inputs & Outputs

ZonePro Digital Audio Processor, 12 in / 6 out; Active Front Panel, RS232/Ethernet PC configured Panel, RS232/Ethernet PC cofnigured, Compat with ZC Series.Wall Remotes, 2 BAL Mic/Line Euro, 8 Dual RCA, 1 SPDIF in, 6 BAL Line Euro Out

ZonePro Digital Audio Processor, 12 in / 6 out; Blank Front Panel, RS232/Ethernet PC Configured,Compat with ZC series Wall Remotes, 2 BAL Mic/Line Euro, 8 Dual RCA 1 SPDIf in, 6 BAL Line Euro out

Compressor/Limiter/Expander/Gate: 2 ch Stereo or Dual Mono Operation; OverEasy® or Hard-knee Compression; Adjustable attack & Release; PeakStop® Limiter; Balanced XLR & TRS Inputs & Outputs

When it comes to quality with compression the name dbx comes to mind. As a sister company to DigiTech, we were able to incorporate studio quality dbx OverEasy compression technology that provides near-transparent compression, and delivers long, real-sounding sustain for your guitar. No more having to worry about choppy compression release and sustain problems found on other pedals. And with the added EQ control, you can perfectly tune your compressed sound so you won't have the thin and lifeless compression that people have come to expect from other pedals. As always, DigiTech provides you with a rugged durable metal chassis and dual amp and speaker compensated mixer outputs.dbx® compression technology EQ optimization control Normal & CIT™ Cabinet Modeling outputs

MX400XL 4-in/4-out Reverb/Effects Processor with USB “Hardware Plug-In” Capability Features: 17 legendary Lexicon® reverbs Lexicon delays & modulation effects dbx® compression and de-essing Quad-processor design 7 effect routing options 99 Factory/99 user programs for Stereo mode 99 Factory/99 user programs for Dual-Stereo mode 25 Factory/25 user surround programs USB "Hardware Plug-In" feature with VST™ (PC only) and Audio Units (Mac only) plug-in software MX-Edit™ Editor/Librarian software Dual S/PDIF Digital Input/Output 24 bit, 48kHz/44.1kHz sample rates Large front panel LCD display MIDI IN and THRU Balanced XLR inputs and outputs 1 year limited guarantee For more info on this product please click here

The third generation products of MS series are high cost-effective engineering series loudspeakers. From the processes of appearance and technologies, Real Sound has made further improvements so that the series can take care of widely different types of activities. Particularly for those users who do not want to put too much funds for the present, this series of speakers is the most suitable product. In the aspects of horn and high-frequency, engineers have made larger improvements. In addition, it increases diver sustainable power, replaces noble units at all costs, and adds a CTL treble protection device at the sound board. The device not only protects the head from burning, but also allows speakers to continue to work at the time of overloading. Engineers employed the most advanced CAD/CAM technology in designing, trying to make speakers design at the highest requirements.Combined with multi-functional compact 15-inch reflective woofer and 1-inch horn tweeter, it can be used as the ordinary main PA loudspeakers. All the horns used equipped with mounting jacks and hoists points are fluty and clear vertical-shaped horn, which is ideal for voice players. Features & Benefits Compact two-frequency system Rotatable, 90 degree×50 degree Superior Analysis, Saving space, Strong power Integrity and professional rigging system Applications Speech PA Clubs, Karaoke Conference Sound stage and Stage monitor Specifications: Frequency response 50 Hz - 20 kHz (± 3dB) Driver 15inch Low frequency driver 1inch High frequency compression driver Power 350W AES,1400W peak On-Axis Sensitivity 100dB Maximum SPL 133dB Nominal Impedance 8 ohms Coverage Patter 90° horizontal,55° vertical Enclosure Material 18 mm high-quality 11-story wood plywood Finish Black Dual Component Polyurethane Resin Protective Grille 1.2mm hexagon steel net, acoustic transaudient sponge stacked front Input Connector 2xNeutrik NL4 Dimensions 478mm×535mm×780mm 18.82inx22.06inx37.71in Wight 36Kg Fittings 12 x M10 threaded inserts 1 x mounting pole socket 1x pock handles Controller XTA¿DBX etc., REAL SOUND can provide the necessary parameter settings Material Selection All adoption with the European environmental ROHS standard

The third generation products of MS series are high cost-effective engineering series loudspeakers. From the processes of appearance and technologies, Real Sound has made improvements so that the series can take care of widely different types of activities. Particularly for those users who do not want to put too much funds for the present, this series of speakers is the most suitable product. The MS series is a multi-functional loudspeaker which suits for various PA indoors and stage monitor. It has scientific flying point and mounting. REAL aim at producing a series of products of high quality, high cost-effective and high performance under the strictest requirement to meet the needs of designs for audio system. MS-12/1+ - Multi-functional Loudspeakers System In the aspects of horn and high-frequency, engineers have made larger improvements. In addition, it increases diver sustainable power, replaces noble units at all costs, and adds a CTL treble protection device at the sound board. The device not only protects the head from burning, but also allows speakers to continue to work at the time of overloading. Engineers employed the most advanced CAD/CAM technology in designing, trying to make speakers design at the highest requirements.Combined with multi-functional compact 12-inch reflective woofer and 1-inch horn tweeter, it can be used as the ordinary main PA loudspeakers, besides stage monitor speakers. All the horns used equipped with mounting jacks and hoists points are flutey and clear vertical-shaped horn, which is ideal for voice players. Features & Benefits Compact two-frequency system Rotatable, 90 degree×50 degree Superior Analysis, Saving space, Strong power Integrity and professional rigging system Applications Speech PA Clubs, Karaoke Conference Sound stage and Stage monitor Specifications: Frequency response 55 Hz - 20 kHz (± 3dB) Driver 12inch Low frequency driver 1inch High frequency compression driver Power 250W AES,1000W peak On-Axis Sensitivity 98dB Maximum SPL 128dB Nominal Impedance 8 ohms Coverage Patter 90° horizontal,50° vertical Enclosure Material 18 mm high-quality 11-story wood plywood Finish Black Dual Component Polyurethane Resin Protective Grille 1.2mm hexagon steel net, acoustic transaudient sponge stacked front Input Connector 2xNeturik NL4 Dimensions 360mm×350mm×615mm 14.17inx13.78inx24.21in Wight 21Kg Fittings 12 x M10 threaded inserts 1 x mounting pole socket 1x pock handles Controller XTA¿DBX etc., REAL SOUND can provide the necessary parameter settings Material Selection All adoption with the European environmental ROHS standard

Beginner guitar bundle: SX Strat, great sounding entry level electric guitar plus Behringer V-Amp 2 virtual amp. Can be used with amp, powered speaker or with headphones. R2500 for both. Best acoustic guitar at this price: Yamaha CPX-8. Onboard blendable pickup and mic. Fantastic acoustic sound. With hard case. R5000. High end valve pre-amp: dbx 586 Dual Vacuum Tube Preamp. Great transparent sound, or dial in the drive. R5000. Will also consider trades for reference monitors, 4 in soundcard or mics of similar value, or trades + cash.

The third generation products of MS series are high cost-effective engineering series loudspeakers. From the processes of appearance and technologies, Real Sound has made further improvements so that the series can take care of widely different types of activities. Particularly for those users who do not want to put too much funds for the present, this series of speakers is the most suitable product. In the aspects of horn and high-frequency, engineers have made larger improvements. In addition, it increases diver sustainable power, replaces noble units at all costs, and adds a CTL treble protection device at the sound board. The device not only protects the head from burning, but also allows speakers to continue to work at the time of overloading. Engineers employed the most advanced CAD/CAM technology in designing, trying to make speakers design at the highest requirements.Combined with multi-functional compact 15-inch reflective woofer and 1-inch horn tweeter, it can be used as the ordinary main PA loudspeakers. All the horns used equipped with mounting jacks and hoists points are fluty and clear vertical-shaped horn, which is ideal for voice players. Features & Benefits Compact two-frequency system Rotatable, 90 degree×50 degree Superior Analysis, Saving space, Strong power Integrity and professional rigging system Applications Speech PA Clubs, Karaoke Conference Sound stage and Stage monitor Specifications: Frequency response 50 Hz - 20 kHz (± 3dB) Driver 15inch Low frequency driver 1inch High frequency compression driver Power 350W AES,1400W peak On-Axis Sensitivity 100dB Maximum SPL 133dB Nominal Impedance 8 ohms Coverage Patter 90° horizontal,55° vertical Enclosure Material 18 mm high-quality 11-story wood plywood Finish Black Dual Component Polyurethane Resin Protective Grille 1.2mm hexagon steel net, acoustic transaudient sponge stacked front Input Connector 2xNeutrik NL4 Dimensions 478mm×535mm×780mm 18.82inx22.06inx37.71in Wight 36Kg Fittings 12 x M10 threaded inserts 1 x mounting pole socket 1x pock handles Controller XTA，DBX etc., REAL SOUND can provide the necessary parameter settings Material Selection All adoption with the European environmental ROHS standard