Dbx gate

DBX - DBX-266/XSV Compressor Gate Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors. after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

DBX Quad Gate The latest addition to the 10 Series product line, the dbx QuadGate, is the perfect companion to the and . The offers 4 channels of gating with threshold, depth and release controls on each channel. The , like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4" side-chain input. In addition to an external key input per channel, the also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed.

DBX - DBX-1066V Valve Compressor Limiter Gate After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx®. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.

DBX 166XL Compressor Limiter Gate The dbx 166XL delivers super-fine compression as a price you can afford! It's also incredibly easy to operate! Advanced gate circuitry uses new timing algorithms so release characteristics are smooth and natural - no awkward cut-offs or abrupt closings, even with complex signals. A comprehensive list of features, from stereo or dual-mono operation to the 166XL's ability to use hard knee or OverEasy compression algorithms, make the 166XL the dynamics processor of choice for recording artists and musicians ready to take their audio to the next level. Superior sound and precision performance from the company that knows dynamics processors!

DBX 266XL Compressor/Gate Most compressor/gates provide less than musical compression, coupled with gating that swallows transients - or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

DBX Compressor After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard" limiters. Selectable Hard-Knee or OverEasy characteristics make the ideal for your gain control needs, whether you're looking for "heavy" almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the is designed for perfectly simple operation. The allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the is our new dbx V2 VCA. Developed especially for the and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx perform better than compressors selling for hundreds more. State-of-the art-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx is the latest in a long line of pedigreed dbx signal processors.

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features: Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4" TRS and XLR connectors Side Chain insert Classic dbx® "Auto" mode Specifications: Input Connectors    1/4" TRS and female XLR (pin 2 hot) Input Type    Electronically balanced/unbalanced, RF filtered Input Impedance    40kΩ balanced/unbalanced Max Input    >+22dBu Balanced or Unbalanced Output Connectors    1/4" TRS, female XLR (pin 2 hot) Output Type    Impedance-balanced/unbalanced, RF filtered Output Impedance    +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced Max Output    >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) Sidechain    1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) Sidechain Impedance    Tip = >10kΩ (Input), Ring = 2kΩ (Output) Sidechain Max Input Level    Tip = >+22dBu (Input) Sidechain Max Output Level    Ring = >+20dBu (Output) Compressor Threshold Range    -40dBu to +20dBu Compressor Threshold Characteristic    Selectable OverEasy® or hard knee Compressor Ratio    1:1 to Infinity:1 Compressor Attack Time    Scalable Program-Dependent AutoDynamic™ Compressor Release Time    Scalable Program-Dependent AutoDynamic™ Expander/Gate Threshold Range    -60dBu to +15dBu Expander/Gate Ratio    1:1 to 4:1 Expander/Gate Attack Time    Expander/Gate Release Time    Program-dependent Bandwidth    0.35Hz - 90kHz, +0/-3dB Frequency Response    Flat: 20Hz-20kHz, +0, -0.5dB Noise    THD+Noise    Typically IMD    Typically Dynamic Range    >114 dB, unweighted Interchannel Crosstalk    CMRR    >40dB, typically >55dB at 1kHz Stereo Coupling    True RMS Power Summing™ Power Consumption    15 Watts Maximum Operating Voltage    100VAC Hz; 120VAC 60Hz; 230VAC Hz Operating Temperature    0°C to 45°C (32°F to 113°F) Dimensions    1.75" x 5.75" x cm x 14.6 cm x cm) Unit Weight    4.84 lbs (2.19 kg) Shipping Weight    6.6 lbs (2.99 kg) Reference    0dBu = Vrms 1 year limited guarantee For more info on this product please click here

After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the 'Auto' button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other 'hard' limiters. Selectable Hard-Knee or OverEasy characteristics make the 1066 ideal for your gain control needs, whether you're looking for 'heavy' almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the 1066 both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more. State-of-the-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx 1066 is the latest in a long line of pedigreed dbx signal processors.

The latest addition to the 10 Series product line, the dbx 1074 QuadGate, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4 side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed. From the company that has been redefining the standard of signal processing for more than 30 years, dbx Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074s independent channel design with key filtering capabilities make it the perfect tool for countless applications.

Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

Features Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mode operation Balanced inputs and outputs on 1/4" TRS and XLR Side Chain insert Classic dbx® "Auto" mode Full Specifications Available Online EXCELLENT CONDITION

Quad Noise Gate: 4 Independent Gate chs; Differentially Balanced XLR 6.5mm (¼") In/Outputs; Independent Key filtering; Independent Threshold/Release Controls; RMS Level Detection; Stereo Coupling Mode; Sw. +4dBu/-10dBc per ch;

Compressor Gate: 2 ch Classic dbx Compression with Auto Dynamic™ Attack & Release; Program-Adaptive Expander Gates; Balanced Inputs; XLR Ins & Outs

Compressor/Limiter & Expander/Gate: 2 ch with PeakStopPlus™; Switchable OverEasy® or Hard knee; Hardwire Bypass; Input/Output Meter; & Gain Reduction Meters; dbx V2™ VCA; Balanced XLR Inputs & Outputs

  Features Studio quality Mic Preamp/Channel Strip Processor Classic dbx Compression puts great sound within easy reach Frequency tunable De-Esser reduces sibilance and high frequency distortion Enhancer increases the detail and definition of the high and low frequencies Program adaptive Expander/Gate Insert jack allows you to add an external processor Full compliment of meters and status LEDs +48V Phantom Power Precision detented controls

Compressor/Limiter/Expander/Gate: 2 ch Stereo or Dual Mono Operation; OverEasy® or Hard-knee Compression; Adjustable attack & Release; PeakStop® Limiter; Balanced XLR & TRS Inputs & Outputs

1.Embrace" (featuring Eric Vloeimans)7:36 2.Another You" (featuring Mr. Probz)3:103.Strong Ones" (featuring Cimo Fränkel)3:084.Make It Right" (featuring Angel Taylor)5:415.Face of Summer" (featuring Sarah Decourcy)6:386.Heading Up High" (featuring Kensington)3:527.Gotta Be Love" (featuring Lyrica Anderson)6:418.Hands to Heaven" (featuring Rock Mafia)6:029.Caught in the Slipstream" (featuring BullySongs)5:0710.Embargo" (with Cosmic Gate)5:1911.Freefall" (featuring BullySongs)3:1912.Indestructible" (featuring DBX)3:1613.Old Skool3:5614.Off the Hook" (with Hardwell)5:4415.Looking for Your Name (featuring Gavin DeGraw)