Dbx limiter

DBX - DBX-160/A Compressor/Limiter The dbx® 160A is a legendary dbx® 160 family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough. The dbx® 160A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments mic'd in stereo, without shifting the left/right image. Its musical sound, easy operation and unequaled versatility made the original dbx® 160 a world standard. The 160A follows that tradition, while meeting the challenges of a digital world.ent in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 160A is for you.

DBX - DBX-1066V Valve Compressor Limiter Gate After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx®. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.

DBX 162SL Stereo Compressor Limiter The same familiar striking front panel, machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis mark the 162SL as a leader for decades to come. The 162SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 162SL offers Auto-Velocity manual mode, in addition to our classic dbx Over-Easy mode, made standard by the legendary dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx's latest limiting algorithm Peak-Stop-Plus, are included in the 162SL.

DBX 166XL Compressor Limiter Gate The dbx 166XL delivers super-fine compression as a price you can afford! It's also incredibly easy to operate! Advanced gate circuitry uses new timing algorithms so release characteristics are smooth and natural - no awkward cut-offs or abrupt closings, even with complex signals. A comprehensive list of features, from stereo or dual-mono operation to the 166XL's ability to use hard knee or OverEasy compression algorithms, make the 166XL the dynamics processor of choice for recording artists and musicians ready to take their audio to the next level. Superior sound and precision performance from the company that knows dynamics processors!

DBX Compressor After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard" limiters. Selectable Hard-Knee or OverEasy characteristics make the ideal for your gain control needs, whether you're looking for "heavy" almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the is designed for perfectly simple operation. The allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the is our new dbx V2 VCA. Developed especially for the and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx perform better than compressors selling for hundreds more. State-of-the art-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx is the latest in a long line of pedigreed dbx signal processors.

DBX - DBX-266/XSV Compressor Gate Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors. after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the 'Auto' button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other 'hard' limiters. Selectable Hard-Knee or OverEasy characteristics make the 1066 ideal for your gain control needs, whether you're looking for 'heavy' almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the 1066 both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more. State-of-the-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx 1066 is the latest in a long line of pedigreed dbx signal processors.

Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features: Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4" TRS and XLR connectors Side Chain insert Classic dbx® "Auto" mode Specifications: Input Connectors    1/4" TRS and female XLR (pin 2 hot) Input Type    Electronically balanced/unbalanced, RF filtered Input Impedance    40kΩ balanced/unbalanced Max Input    >+22dBu Balanced or Unbalanced Output Connectors    1/4" TRS, female XLR (pin 2 hot) Output Type    Impedance-balanced/unbalanced, RF filtered Output Impedance    +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced Max Output    >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) Sidechain    1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) Sidechain Impedance    Tip = >10kΩ (Input), Ring = 2kΩ (Output) Sidechain Max Input Level    Tip = >+22dBu (Input) Sidechain Max Output Level    Ring = >+20dBu (Output) Compressor Threshold Range    -40dBu to +20dBu Compressor Threshold Characteristic    Selectable OverEasy® or hard knee Compressor Ratio    1:1 to Infinity:1 Compressor Attack Time    Scalable Program-Dependent AutoDynamic™ Compressor Release Time    Scalable Program-Dependent AutoDynamic™ Expander/Gate Threshold Range    -60dBu to +15dBu Expander/Gate Ratio    1:1 to 4:1 Expander/Gate Attack Time    Expander/Gate Release Time    Program-dependent Bandwidth    0.35Hz - 90kHz, +0/-3dB Frequency Response    Flat: 20Hz-20kHz, +0, -0.5dB Noise    THD+Noise    Typically IMD    Typically Dynamic Range    >114 dB, unweighted Interchannel Crosstalk    CMRR    >40dB, typically >55dB at 1kHz Stereo Coupling    True RMS Power Summing™ Power Consumption    15 Watts Maximum Operating Voltage    100VAC Hz; 120VAC 60Hz; 230VAC Hz Operating Temperature    0°C to 45°C (32°F to 113°F) Dimensions    1.75" x 5.75" x cm x 14.6 cm x cm) Unit Weight    4.84 lbs (2.19 kg) Shipping Weight    6.6 lbs (2.99 kg) Reference    0dBu = Vrms 1 year limited guarantee For more info on this product please click here

Compressor/Limiter/Expander/Gate: 2 ch Stereo or Dual Mono Operation; OverEasy® or Hard-knee Compression; Adjustable attack & Release; PeakStop® Limiter; Balanced XLR & TRS Inputs & Outputs

Compressor/Limiter & Expander/Gate: 2 ch with PeakStopPlus™; Switchable OverEasy® or Hard knee; Hardwire Bypass; Input/Output Meter; & Gain Reduction Meters; dbx V2™ VCA; Balanced XLR Inputs & Outputs

Compressor/Limiter: Latest Version of the Classic dbx160; OcerEasy® or Hard-Knee Compression; Large Dual RMS Level Meters; Balanced XLR & TRS Inputs & Outputs

Reduction; 6 or 15 dB Swithable boost/cut; 40Hz 18 dB/oct Bessel HPF; 31 Band Graphic EQ: Built in Limiter; Built in Noise Reduction;

Features Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mode operation Balanced inputs and outputs on 1/4" TRS and XLR Side Chain insert Classic dbx® "Auto" mode Full Specifications Available Online EXCELLENT CONDITION

graphic equalizer/limiter with type iiirecommended for: portable, tour.key featuresrevolutionary instant encode/decode type iii® noise reduc...162745004