Channels frequencies

Defining a new class of RF management tools, the AXT600 Axient Spectrum Manager delivers wide-band UHF spectrum scanning, spectrum analysis and compatible frequency coordination¿all in a single rack unit. By scanning and displaying the RF environment, calculating compatible frequencies and deploying them to Axient receivers easily and efficiently, the Axient Spectrum Manager offers a sophisticated interface and precise information for allocating the best available frequencies to any number of wireless channels. For added flexibility in complex RF environments, the AXT600 also monitors and ranks a live list of backup frequencies¿and can deploy them instantly and automatically when an Axient Receiver detects interference. Together with Shure Wireless Workbench 6 software, Axient Spectrum Management tools offer a rich graphical interface for viewing the RF world and choosing the optimal frequencies for all of an event¿s wireless channels. Features Coordination ¿ Wideband scanning ¿ Scans the global UHF spectrum (470-952) MHz in less than 1 minute. ¿ Scan data is directly matched to Axient receiver parameters and performance; the scan results are stored for later analysis. ¿ On board frequency calculator generates compatible frequencies for all networked Shure wireless devices. ¿ Frequency lists can be exported to the Spectrum Manager from Wireless Workbench 6 ¿ Networked hardware programming simplifies and streamlines setup of multi-channel Axient and UHF-R systems. ¿ Advanced user controls ¿ Adjustable threshold excludes frequencies above a selected noise level. ¿ Known TV channels or frequency ranges to avoid can be input quickly and easily. ¿ Viewable and editable frequency list. ¿ Analysis of a modified frequency list to verify compatibility. Analysis ¿ Backup frequency monitoring continuously evaluates backup frequencies in real time. ¿ Backup frequency ranking evaluates the quality of backup frequencies and determines which are most viable for use. ¿ Frequency list management maintains knowledge of all devices on the network. ¿ On-demand frequency server delivers a clean, compatible frequency when a change is required. Visibility ¿ Spectrum display provides a front-panel spectrum plot with Cursor, Zoom and Peak Find. ¿ Backup frequency display quantifies backup frequencies ready for use by Axient channels. ¿ ¿Listen¿ feature demodulates FM signals for headphone monitoring and displays real-time signal strength. Connectivity ¿ RF signal cascade connects up to 5 receivers using 1 RF signal source. ¿ 2 Ethernet ports allow convenient computer and ShowLink® Access Point connection. ¿ IEC in/out power ports enable daisy-chaining of AC power.

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

channel UHF quad receiver wireless system. The Nady 4W-1KU QUAD wireless system has four independent UHF receivers, each delivering user-selectable channels with auto-scan for easy finding of clear channels, frequency synthesized in pre-programmed groups and channels in the (U.S.) Band MHz, (Int.) Band MHz ranges. The Nady 4W-1KU QUAD wireless system features proprietary companding and low-noise circuitry for an industry-best 120dB dynamic range, and the clearest, most natural sound available in wireless today. HT-1KU Handheld Transmitter The Nady HT-1KU Handheld Transmitter has easily selectable channels: manually with up/down buttons on units or via IR Sync download of selected channel for easy synchronization with receiver. It features LCD displays indicating selected Group, Channel, Audio Input Levels, and Battery level status; transmitting High/Low RF power switch for optimizing distance operation depending on application; and operation with two AA batteries (alkaline or rechargeable NiMH) for longest reliable, economical battery life. The HT-1KU has a sleek, durable all-metal housing; power Off/On switch; internal antenna system; and superior neodymium cartridge for clear, powerful audio, maximum feedback rejection, and minimal handling noise 4W-1KU Receiver The Nady 4W-1KU Receiver offers unsurpassed state-of-the-art PLL UHF performance with 120dB dynamic range and operation up to 500 feet line-of sight. It has four complete and independent wireless receivers with user-selectable UHF frequencies for simultaneous operation of four transmitters and true Diversity circuitry with two complete front ends per receiver for maximizing range and most effective elimination of signal dropouts. The AUTO-SCAN function easily locates clear channels and the ASC (Auto-Sync Channel) IR download feature sends selected Group/Channel information to transmitter via IR sender for easy frequency synchronization. Sophisticated IF filtering permits simultaneous operation of multiple systems in the same location.   Features HT-1KU Handheld Transmitter easily selectable channels LCD displays indicating selected Group, Channel, Audio Input Levels, and Battery level status Internal antenna system Superior neodymium cartridge High/Low RF power switch Sleek, durable all-metal housing Operates with two AA batteries 4W-1KU Receiver Unsurpassed state-of-the-art PLL UHF performance with 120dB dynamic range and operation up to 500 feet line-of sight Four complete and independent wireless receivers with user-selectable UHF frequencies for simultaneous operation of four transmitters True Diversity circuitry with two complete front ends per receiver for maximizing range and most effective elimination of signal dropouts AUTO-SCAN for easily locating clear channels and ASC™ (Auto-Sync Channel) IR download feature which sends selected Group/Channel information to transmitter via IR sender for easy frequency synchronization Sophisticated IF filtering for simultaneous operation of multiple systems in the same location Front panel touch control buttons and user-friendly LCD configuration menus Front panel backlit LCD display indicates selected Group, Channel, RF signal strength meter; Audio Output Volume level; Diversity A/B LED indicators Back panel Balanced XLR Mic level and Unbalanced ¼” SUM Line level audio output jacks, squelch control, RF BNC connectors for dual removable ½ wave antennas, and DC power input jack supply Externally powered (adapter included) Rugged all-metal housing—1U rack mountable with supplied rack ears (front antenna mount kit optional Shipping is R295 via speed services Blueridge Music is the sole Nady agent in SA and offers repair and service facility.  

AKG SR40 Flexx + GB40 Guitar Bug AKG Wireless Guitar System Take advantage of this studio clearance deal. Only used once in studio, still in original box. Order for a multi instrument performance project in the studio. New retail price is around R5000 4 sets available Some information below: With the SR 40 FLEXX Receiver and GB 40 FLEXX Guitar Bug Transmitter combo you can concentrate on your guitar, bass, or portable keyboard performance without worrying about tripping over wires or losing sound quality as you work the stage. SR 40 FLEXX Receiver The SR 40 FLEXX is a stationary diversity receiver for use with all WMS 40 FLEXX and Microtools Series transmitters (sold separately). It features a half-rack case for mounting in a 19" rack. The SR 40 FLEXX provides three selec- table, quartz-stabilized carrier frequencies within the 3MHz-wide frequency band. This allows you to select a different frequency if one of the three frequencies does not provide adequate signal quality. The frequencies have been factory preset to make sure you can set up a multichannel system with up to three channels with three kits operating in the same frequency band. Using a suitable combination of kits operating in different frequency bands you can even use up to nine channels simultaneously. The SR 40 FLEXX uses two antennas in order to receive the transmitter signal at two different spots. The diversity electronics will automatically activate the antenna that delivers the better signal. An adjustable squelch will mute the receiver if the received signal is too weak so the related noise or the self-noise of the receiver will not become audible when the transmitter is switched OFF. GB 40 FLEXX Guitar Bug Transmitter The GB 40 FLEXX Guitar Bug is a WMS 40 microtools Series miniature transmitter that has been specifically designed for electric guitars and basses but is also suited for keyboards.The transmitter features a permanently attached, swiveling 1/4" jack plug that allows you to plug the transmitter directly into the output jack of your instrument. A built-in spring presses the transmitter against the instrument to hold it securely in place. The bottom of the transmitter is fitted with a soft plastic pad that will leave no trace on the instrument. The supplied Velcro pads allow you to attach the transmitter even more firmly to the instrument. The GB 40 FLEXX provides three selectable, quartz stabilized carrier frequencies within your specified 3MHz-wide frequency band and uses a permanently attached flexible antenna.

3 Item sold togetherULTRAGRAPH FBQ-PRO FBQAlesisM-EQ 230 DUAL 1/3 OCTAVE PRECISION EQUALIZATION SYSTEMMULTICOM PRO-XL MDX ULTRAGRAPH FBQ-PRO FBQ Audiophile 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection SystemProfessional 31-band stereo graphic equalizer for live and studio applicationsRevolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzerDedicated mono subwoofer output with adjustable crossover frequencyAdditional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.Highly accurate 12-segment LED input/output metering and input gain controls for easy level settingUltra-low noise audio operational amplifiers for highest signal integrityAlesisM-EQ 230 DUAL 1/3 OCTAVE PRECISION EQUALIZATION SYSTEM Professional 31-band stereo graphic equalizer for live and studio applicationsRevolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzerDedicated mono subwoofer output with adjustable crossover frequencyAdditional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.Highly accurate 12-segment LED input/output metering and input gain controls for easy level settingUltra-low noise audio operational amplifiers for highest signal integrityMULTICOM PRO-XL MDX Reference-Class 4-Channel Expander/Gate/Compressor/Peak Limiter with Dynamic Enhancer and Low Contour FilterSwitchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristicsIRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppressionSwitchable dynamic Enhancer for brilliant, lively audio even with heavy compressionIGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaksSwitchable Low contour filter prevents "pumping" due to low-frequency dominated compressionStereo couple function selectable for channels 1/2 and 3/4

QLXD4 Digital Wireless Receiver Half-rack QLXD4 Digital Wireless Receiver quickly finds open frequencies and deploys them to transmitters via the one-touch sync function. Works with QLX-D® Digital Wireless Systems Features Ethernet networking and mobile monitoring and control capabilities Includes QLXD4, hardware for rack-mounting, power supply, two 1/2 wave antennas, 2 BNC cables, 2 BNC bulkhead Adapters, and user guide With transparent 24-bit digital audio quality and incredibly efficient RF spectrum usage, the QLXD4 Digital Wireless Receiver combines professional features with streamlined setup and operation. Automatic scanning quickly finds open frequencies, and one-touch IR sync quickly deploys them to transmitters. Ethernet networking enables networked channel scanning across multiple receivers and Wireless Workbench® software integration for remote control of receiver settings from a PC or Mac. Remote monitoring and control from iOS devices also is available via the ShurePlus¿ Channels Mobile App. Specs: 64 MHz tuning bandwidth (region dependent) More than 60 preset compatible channels per frequency band (region dependent) Up to 17 compatible systems per 6 MHz TV channel; 22 systems per 8 MHz channel Digital predictive switching diversity ensures solid RF connection AES 256-bit encryption for secure wireless transmission Up to 60 dB of adjustable audio gain High-contrast LCD menu and controls with lockout feature Audio and RF LED meters with peak indicator Detachable ½ wave antennas Mic / line switchable XLR output ¼" Instrument output Durable aluminum construction with brushed finish

ZA - PRO TWIN PACK-200   New generation technology Low cost 2-way radio Group communication 5 UHF frequencies 190 powerful channels No license required Professional quality Dual Channel Watch Weather-Proof Shock resistant Built-in VOX (hands-free) Included Items: ZA-200 radio Mains adapter for battery charging 4 x AA NiMH 2000 mAH Batteries Belt Clip (removable) Wrist-strap (removable) User Manual Specifications: Transmitter Power: 500mW ERP Frequency band: Simplex 464 MHz (UHF) Channels:190 (5 Frequencies; 38 CTCSS codes) Range:  500m ¿ 1km Indoors 2 ¿ 5km outdoor flat 5 ¿ 30km elevated line-of-sight Weight: 250g (incl. batteries) Size cm (including antenna): 18.5 x 5,5 x 3x,7 (HWD) Operating Temperature: -20degrees C to +50degrees C Power Source: 6V DC (4 x AA Batteries) Casing: High impact materials Water ¿ resistant: JIS level 4 PLEASE NOTE: *PRICE IS FOR A SET OF TWO RADIOS and excludes Delivery PLEASE SEND AN E-MAIL REGARDING STOCK AVAILABILITY AND DELIVERY OPTIONS AND PRICES BEFORE PLACING YOUR ORDER. PLEASE NOTE: Expected delivery dates or times given by us, our suppliers, or our couriers are given as a guide only. We cannot be held liable for any losses or costs incurred from delivery at a different date or time. 

LIKE NEW Sound devices 302 Highlights mic or line level inputs and outputs 3 x microphone preamps l e d displays +48 v, +12 v and +12 v t phantom power channels 1 and 2 are stereo linkable high pass filter switches powered by 3 a a batteries includes x l 14 headphone extension cable 4 x adhesive rubber bumpers 4 x color dot stickers Features the 302 portable compact production field mixer from sound devices is a compact, battery powered professional audio mixer with three mic preamps and balanced transformers designed to handle very low frequencies it can be used to interface with wireless transmitters and receivers, camera audio inputs, or external audio recorders in e n g (electronic news gathering), e f p (electronic field production), and broadcast t v applications with a complete feature set like the super bright l e d display, internal limiter, and high pass filter, the 302 can accommodate nearly any over the shoulder production and perform reliably in just about any indoor outdoor field condition controls on the 302 mixer are accessible on its three main surfaces, and the mixer is powered by three internal a a batteries or an external 5 to 18 v d c adapter (sold separately) this mixer is a suitable tool for production companies and camera operators wanting to take control of their audio in addition, an x l 14 headphone extension cable, four adhesive rubber bumpers, four color dot stickers, and a setup menu reference card are also included 3 transformer balanced inputs the compact mixer features 3 transformer balanced microphone or line level switchable inputs via x l r female 3 pin connectors Flexible monitoring the 302's headphone monitor out is capable of varying output impedance between 8 to 2000 ohms the monitor source is capable of individual channel, mono, stereo, m s to stereo monitoring, and more Input and output limiting each input and stereo outputs provide limiting that prevents signal overload, eliminating noise and distortion polarity (phase) reverse switch channels 1 b'&' 2 are stereo linkable and channel 2 features a polarity (phase) reverse switch this makes the 302 ideal for decoding m s stereo captured audio signal Selectable phantom power the unit is capable of powering condenser microphones requiring +48 v, +12 v and +12 v t phantom power phantom power is individually switched for every channel High pass filters a three position high pass filter switch is available on every input and is used to reduce excessive low frequencies at 12 d b per octave at 80 hz or 160 hz center position is off

Sony LAV Microphone w/Bodypack Transmitter & Portable Wireless UHF Receiver URX-P1 UTX-B1         PLL Synthesized System To achieve stable transmission and reception. (Avoid interference with other frequency channels and to allow the selection of a preferred channel from multiple frequencies.) Tone Squelch Circuitry Prevents the output of unwanted signals or noise from other signal transmissionsin the air, as well as the RF noise and popping noise that occur when the transmitter is powered on or off. Space Diversity Reception System Reduces the occurrence of reception interruptions (signal dropout). Simultaneous Multi-Channel Operation Users can easily choose intermodulation-free frequencies for the transmitters and tuners, simplifying the task of system set-up. Pre Programmed Operating Frequencies      MIGHT NEED NEW BATTERIES        PLEASE CLICK HERE TO CHECK THE OTHER WATCHES ON AUCTION         CHECK MY OTHER STUFFS ON AUCTION  

Boss Audio 2/3-way Crossover w/ Remote Subwoofer Level Control-3 Pair RCA Inputs (Front, Rear, Subwoofer),Parallel Input Switch, Retail Product Overview The Boss Audio BX45 2/3 way electronic crossover will fine-tune all your speaker output frequencies to your liking, so that every speaker, puts out the frequencies you want them to put out. This crossover system includes settings for highs, mids, and lows, and is the best quality you can get for your car. It includes a remote bass boost so you can adjust the bass right from your dash. Highlights • 2/3 Way Electronic Crossover • Inputs: Front, Rear And Subwoofer • Outputs: Front, Rear And Subwoofer • Frequency Multiplier: X1 Or X20 • Selectable Crossover Frequencies • Variable Bass Boost, 0 - +12db • Bass Boost Frequency Selector: 25-250hz • Selectable Crossover Slope: 6 DB/Octave Or 12 DB/Octave • Parallel Input Switch (Feeding Multiple Channels From One Input) • Phase Shift, Stereo/Mono • Remote Subwoofer Level Control • Low Pass Input Selector: Direct Or Front/Rear Mix • Gold Plated Connectors • Led Power Indicator

Close to where rock & roll was born, an American worker builds an American product in an American factory. When that product leaves the factory, it touches the lives of millions around the world. This has been the legacy of Peavey Amplifiers for over 47 years. A legacy that continues today in the Peavey Butcher. The Butcher is a two-channel amplifier with five 12AX7 preamp tubes and four EL34 power amp tubes. Both the Clean and Crunch channels feature independent three-band EQ, plus master volume and preamp gain controls so guitarists can adjust the interplay between the preamp and power amp on each channel for an array of gain possibilities. Both channels include a separate, footswitchable gain boost, while the Crunch channel also has a 12-way Punch selector that adjusts the low-end attack of the amplifier -- a handy feature that helps match the head to various speaker enclosures. The master section widens the range of possibilities with two footswitchable master volumes, so players can set one as a default and use the second as a solo boost; a patented Presence control that boosts the extreme high frequencies, giving the amp extra cut; and high and low gain inputs. On the rear panel, the built-in Peavey MSDI™ microphone-simulated XLR direct interface eliminates the need for miking by allowing users to send the amp's signal directly to a recording device or mixing console. Additional controls include a line out with level control; active effects loop with send and return level control; impedance selector; half-power switch; and a tube bias adjustment jack.•Made in the USA •4xELW power section & 5x12AX7 preamp tubes •Clean and Crunch Channels •Separate three band EQ on each channel •Global presence control •Two Master Volume controls for additional boost capabilities •12-way 'punch' control on channel 2 controls low end attack •Pre-Gain boost switch on both channels •Active effects loop with send and return level •Impedance selector •Half Power switch •MIDI control capability •Included footswitch controls channel, boosts, loop and master volume switching •Built in MSDI™ microphone simulated direct XLR output •Weight Unpacked: lb( kg) •Weight Packed: lb( kg) •Width Packed: cm) •Height Packed: cm) •Depth Packed: cm)

12 channel PA-mixing console with very low noise architecture ALT 3-4 bus (2 subgroups) Internal 24bit DSP-effect unit with 100 presets & foot switch USB in/out for direct recording to PC 8 balanced input channels, 4 Mono + 4stereo: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send with pre/post switch EFX send for effects section (post) PAN/BAL control ALT 3-4 / Channel mute button LEVEL with 60mm fader control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer 19''brackets voor rack mounting included Free recording software available: Audacity Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (ALT 3/4, AUX/EFX, CTRL ROOM) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm T.H.D: dB 20Hz~20kHz (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 74dB MIC IN TO MAIN L/R 74dB MIC IN TO ALT dB MIC IN TO AUX (PRE) 76dB MIC IN TO AUX (POST) 76dB MIC IN TO EFX 80dB MIC IN TO CONTROL ROOM L/R 52.2dB IN TO REC L/R 54dB LINE IN TO MAIN L/R 54dB LINE IN TO ALT dB LINE IN TO AUX (PRE) 56dB LINE IN TO AUX (POST) 60dB LINE IN TO CONTROL ROOM L/R 44dB STEREO IN TO MAIN L/R 44dB STEREO IN TO ALT dB AUX RETURN IN TO MAIN L/R 20dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB)p Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R, ALT3/4, TAPE IN or PFL Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 36W Weight: 4,6 kg Dimensions: 328(W) x 90(H) x 420(D) mm

8 channel PA-mixing console with very low noise architecture Internal 24bit DSP-effect unit with 100 pre-sets & foot switch USB in/out for direct recording to PC 4 balanced microphone input channels, 2 mono line + 3 stereo line: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send for monitoring (pre) EFX send for effects section (post) PAN/BAL control LEVEL with rotary control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer Free recording software available: click the logo to start download. Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (INSERT) T.H.D: Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 66dB MIC IN TO MAIN L/R 60dB MIC IN TO AUX 66dB MIC IN TO EFX 76dB MIC IN TO CONTROL ROOM L/R 58.2dB IN TO REC L/R 46dB LINE IN TO MAIN L/R 46dB LINE IN TO AUX 46dB LINE IN TO EFX 56dB LINE IN TO CONTROL ROOM L/R 36dB STEREO IN TO MAIN L/R 6dB AUX RETURN IN TO MAIN L/R 16dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB) Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 25W Weight: 3,4 kg Dimensions: 249(W) x 75(H) x 295(D) mm

AUDIO TECHNICA ATW-13F SINGLE HAND UHF WIRELESS MIC SET INTRODUCING AT-ONE, AUDIO-TECHNICA’S ENTRY LEVEL UHF WIRELESS SYSTEM. WITH A 2 X 4 CHANNEL FREQUENCY PLAN FOR ENHANCED FLEXIBILITY, STURDY BUT STYLISH BUILD QUALITY AND A SIMPLE USER INTERFACE, AT-ONE IS READY TO BECOME YOUR PERFECT WIRELESS COMPANION. AT-ONE IS DESIGNED WITH SIMPLICITY AND EASE-OF-USE IN MIND. EQUIPPED WITH A PRACTICAL CARRYING CASE, RACK-MOUNT KIT AND DETACHABLE ANTENNAE, AT-ONE IS THE PERFECT BALANCE OF PRICE AND PERFORMANCE, IDEAL FOR THOSE LOOKING FOR ACCURATE, RELIABLE PERFORMANCE AT AN ENTRY LEVEL PRICE. THE AT-ONE’S FREQUENCY PLAN IS DIVIDED INTO TWO GROUPS WITH 4 AVAILABLE CHANNELS IN EACH GROUP SPLIT BETWEEN THE EUROPE WIDE LICENSE FREE FREQUENCY RANGE AND THE LTE DUPLEX GAP. USERS CAN CHOOSE UP TO 4 CHANNELS WITHIN ONE GROUP. AVAILABLE IN THREE CONFIGURATIONS, AT-ONE CAN BE PURCHASED WITH A BELTPACK OR HANDHELD TRANSMITTER. THE ATW-13F HANDHELD SYSTEM FEATURES THE ATW-T3F CARDIOID CONDENSER HANDHELD TRANSMITTER, AGAIN WITH 10MW RF OUTPUT AND 10 HOUR BATTERY LIFE. DESIGNED FOR QUICK AND EASY USE PERFECT BALANCE BETWEEN PRICE AND PERFORMANCE, THE AT-ONE IS IDEAL FOR THOSE LOOKING FOR RELIABLE RESULTS AT LOW PRICES THE FREQUENCY PLAN OF AT-ONE IS DIVIDED INTO TWO GROUPS WITH 4 CHANNELS AVAILABLE IN EACH GROUP, ONE IN THE RANGE OF AUTHORIZED EUROPEAN FREQUENCIES AND THE OTHER IN THE DUPLEX GAP USERS CAN CHOOSE UP TO 4 CHANNELS IN A GROUP THE ATW-13F SYSTEM IS EQUIPPED WITH A CARDIOID CONDENSER HANDHELD TRANSMITTER RF TRANSMITTING POWER 10MW UP TO 10 HOURS' BATTERY LIFE WITH 2 X 1.5V AA BATTERIES RF INDICATOR LIGHT ROBUST CONSTRUCTION FROM HIGH QUALITY COMPONENTS DELIVERED IN A TRANSPORT CASE WITH A RACK MOUNT KIT AND DETACHABLE ANTENNAS WE STOCK A MASSIVE RANGE OF MUSICAL INSTRUMENT & AUDIO,TV,PROJECTOR & PA EQUIPMENT FOR LIVE,CHURCH,CONCERT,DJ, & OUTDOOR APPLICATIONS.OUR PRODUCTS INCLUDE PIANO,KEYBOARD,SUCH AS YAMAHA,GUITAR,DRUMS,MARCHING DRUMS,TRUMPET,TROMBONE,TUBA,SAXOPHONE,DJ,STUDIO EQUIPMENT,SOUNDCARDS THAT CAN BE USED ON LAPTOPS OR DESKTOP PC,WE ALSO STOCK AN AUDIO INTERFACE TO BE USED IN CONJUNCTION WITH A TABLET,IPAD,IPHONE,LAPTOP,MACBOOK,MACBOOK PRO,SAMSUNG AND OTHER ANDROID DEVICES AND CELLPHONES. WWW.SBRPROSOUND.CO.ZA M AUDIO KEYSTATION 49 R1795. IBANEZ BTB 5-STRING BASS GUITAR R13800. CORT ACTION 4STRING BASS GUITAR R2495. IBANEZ PF15ECE ACOUSTIC/ELECTRIC GUITAR R3195. FENDER CD60 CE ACOUSTIC/ELECTRIC GUITAR R3995. TRUMPET IN CASE R1750. TAMA IMPERIALSTAR R11995. KORG SP280 88KEY DIGITAL PIANO R13995. YAMAHA PSR E443 R6500. CORT ACOUSTIC/ELECTRIC GUITAR NEW R2200. JINBAO 5PCE DRUM SET R3995. ROLAND E09 61 KEYS KEYBOARD R6495. 3 VALVE TUBA LACQUER R10995. WWW.SBRPROSOUND.CO.ZA

audio technica atw-13f single hand uhf wireless mic set introducing at-one, audio-technica’s entry level uhf wireless system. with a 2 x 4 channel frequency plan for enhanced flexibility, sturdy but stylish build quality and a simple user interface, at-one is ready to become your perfect wireless companion. at-one is designed with simplicity and ease-of-use in mind. equipped with a practical carrying case, rack-mount kit and detachable antennae, at-one is the perfect balance of price and performance, ideal for those looking for accurate, reliable performance at an entry level price. the at-one’s frequency plan is divided into two groups with 4 available channels in each group split between the europe wide license free frequency range and the lte duplex gap. users can choose up to 4 channels within one group. available in three configurations, at-one can be purchased with a beltpack or handheld transmitter. the atw-13f handheld system features the atw-t3f cardioid condenser handheld transmitter, again with 10mw rf output and 10 hour battery life. designed for quick and easy use perfect balance between price and performance, the at-one is ideal for those looking for reliable results at low prices the frequency plan of at-one is divided into two groups with 4 channels available in each group, one in the range of authorized european frequencies and the other in the duplex gap users can choose up to 4 channels in a group the atw-13f system is equipped with a cardioid condenser handheld transmitter rf transmitting power 10mw up to 10 hours' battery life with 2 x 1.5v aa batteries rf indicator light robust construction from high quality components delivered in a transport case with a rack mount kit and detachable antennas we stock a massive range of musical instrument & audio,tv,projector & pa equipment for live,church,concert,dj, & outdoor applications.our products include piano,keyboard,such as yamaha,guitar,drums,marching drums,trumpet,trombone,tuba,saxophone,dj,studio equipment,soundcards that can be used on laptops or desktop pc,we also stock an audio interface to be used in conjunction with a tablet,ipad,iphone,laptop,macbook,macbook pro,samsung and other android devices and cellphones. www.sbrprosound.co.za m audio keystation 49 r1795. ibanez btb 5-string bass guitar r13800. cort action 4string bass guitar r2495. ibanez pf15ece acoustic/electric guitar r3195. fender cd60 ce accoustic/electric guitar r3995. trumpet in case r1750. tama imperialstar r11995. korg sp280 88key digital piano r13995. yamaha psr e443 r6500. cort accoustic/electric guitar new r2200. jinbao 5pce drum set r3995. roland e09 61 keys keyboard r6495. 3 valve tuba lacquer r10995. www.sbrprosound.co.za

Peavey's Butcher 100W tube guitar amp is a 2-channel amplifier with 5 - 12AX7 preamp tubes and 4 - EL34 power amp tubes. Both the Clean and Crunch channels feature independent 3-band EQ, plus master volume and preamp gain controls so guitarists can adjust the interplay between the preamp and power amp on each channel for an array of gain possibilities. Both channels on the Peavey Butcher tube amp head include a separate, footswitchable gain boost, while the Crunch channel also has a 12-way Punch selector that adjusts the low-end attack of the amplifier—a handy feature that helps match the amp head to various speaker enclosures. The master section on the Peavey Butcher amp head widens the range of possibilities with 2 footswitchable master volumes, so players can set one as a default and use the second as a solo boost; a patented Presence control that boosts the extreme high frequencies, giving the amp extra cut; and high and low gain inputs. On the Peavey Butcher's rear panel, the built-in Peavey MSDI microphone-simulated XLR direct interface eliminates the need for miking by allowing users to send the amp's signal directly to a recording device or mixing console. Additional controls on the tube amp head include a line out with level control; active effects loop with send and return level control; impedance selector; half-power switch; and a tube bias adjustment jack. FEATURES 2 independent channels, Clean and Crunch 100 watts into 16, 8, or 4 ohms Half-power switch drops the output to 50W 4 x EL34 power amp tubes 5 x 12AX7 preamp tubes 3-band EQ on each channel Global Presence 2 Master Volume controls Global Master Volume Boost with switch and level control 12-way Punch attack control on Crunch channel Pre-gain Boost switch on both channels Built-in MSDI™ microphone-simulated direct XLR output Line out with level control Active effects loop with send and return level control Tube bias adjustments on back panel 4-button footswitch included

When you need superior sound quality for small club gigs, churches or speeches, but want to keep the outboard gear to a minimum, get ready to love the new PMP500 powered mixer. This 500-Watt, 12-channel all-in-one combines the features of our best-selling small-format mixers with freshly-designed FX processors from KLARK TEKNIK FX and Class-D amplifier technology—virtually everything you need for great sound in an easy-to-use, portable desk-top form factor. 500-Watt 12-Channel Powered Mixer with KLARK TEKNIK Multi-FX Processor, Compressors, FBQ Feedback Detection System and Wireless Option Ultra-compact 2 x 250-Watt stereo powered mixer Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings Studio-grade compressors with super-easy one-knob functionality and control LED for professional vocal and instrumental sound Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included) 12-channel mixer section features 4 mono and 4 stereo channels, 2 additional stereo inputs plus separate Aux input 6 high-quality mic preamps with switchable +48 V phantom power for condenser microphones Effective, extremely musical 3-band EQ, switchable Low cut filter and Clip LEDs on all mono channels Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs Selectable stereo (main L/R), double mono (main/monitor) amplifier operation Adjustable Aux input for connecting external signal sources Standby switch mutes all mic channels during breaks while background music is provided via Aux input Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Roland R44E 4 Channel Portable Field Recorder - A compact, solid state, four channel field recorder. The Edirol R-44 is designed for professional use within a very conveniently sized package. Capture up to 4 channels of uncompressed audio with selectable bit depths (16-bit or 24-bit) and sampling frequencies (44.1kHz/48kHz/88.2kHz/96kHz). R-44 employs SD cards or large capacity SDHC cards as the recording media. No moving parts enables the most silent and reliable operation possible. - 4 Channel Recording - Up to uncompressed 24-bit / 192 kHz linear PCM (Stereo) - Supports SDHC large capacity media - Light-weight 1.3kg compact body - AA batteries for 4 hours of recording Recorder Section Channels 4Data Type Format: WAV/BWFSampling Bit Rate 16/24-bitSampling Frequency 44.1kHz/48kHz/88.2kHz/96kHz/192kHz (Limited to Stereo x 1 at 192kHz) * 16 or 24-bit sampling rate can be selected with any frequencyRecording Media SDHC / SD memory card (compatible with 64 MB - 32 GB)SDHC / SD cards confirmed compatible R-44 SD / SDHC card Compatibility ListRecording Time using 8 GB SDHC card 16 bit/44.1kHz: 755 minutes (Stereo), 377 minutes (4ch) 16 bit/48kHz: 694 minutes (Stereo), 347 minutes (4ch) 24 bit/48kHz: 462 minutes (Stereo), 231 minutes (4ch) 24 bit/96kHz: 231 minutes (Stereo), 115 minutes (4ch) 24 bit/192kHz: 115 minutes (Stereo) * Recording times are approximate. Actual results may vary somewhat. * If more than one recorded file exists, the total recordable time will be less than listed. Input and Output Analog Input Ch 1 - 4: XLR/TRS Combo type, XLR type (phantom powered),Analog Output Ch 1 - 4: XLR/TRS Combo type, XLR type (phantom powered),Digital In/Out RCA Pin type (IEC 60958-3)Input Impedance XLR: 4k ohms or greater (balanced), TRS: 6k ohms or greater (balanced)Nominal Input Level 11 steps: -56, -50, -44, -38, -32, -26, -20, -14, -8, -2, +4 (Input Level Knob: Center)Maximum Input +24 dBu (Input Sens Knob: +4 dBu)Output Impedance Line Output: 600 ohmsRecommended Load Impedance Line: 4k ohms or greaterOutput Level Line Output: -20 dBu (fixed)Total Harmonic Distortion + Noise Line Output: 0.02 % (Input Sens: +4 dBu)Noise Level Line Output: -100 dBu (Input Sens: +4 dBu, Input Level: Center)Residual Noise Level Line Output: -103 dBu (Input Sens: +4 dBu, Input Level: Minimum)Frequency Response 20Hz - 40kHz(0/-3 dB)Dynamic Range AD: 100 dBPhantom Power 48 V + or - 4 V, 8 mA per 1 channel (20 mA or less in all channels) Other Terminals USB Port Mini-B Type ConnecterControl Sync Jack Stereo Mini Type Jack Others Display 128 x 64 dot organic LEDPower Supply AC adaptor (PSB-1U), AA type battery x 4 (Alkaline or NiMH)Current Draw 1.2 ADimensions 157(W) x 183(D) x 61(H) mm (6-3/16(W) x 7-1/4(D) x 2-7/16(H) inches)Weight 1.3 kg (2 lbs 14 oz) including batteries System Requirements Microsoft® Windows® Vista®/XP/2000, Mac OS X 10.2 or later Fugue © 1999-2012 Kyoto Software Research, Inc. All rights reserved. All specifications and appearances are subject to change. *

Samson 's Concert 99 Earset combines 80 channels of high-definition audio and extreme reliability into a rugged all-metal, rack-mountable chassis with a stage-ready backlit display. With simple 1-touch setup, convenient monitoring, a 300' UHF operating range and impressive transmitter battery life, this frequency-agile system offers unprecedented value to presenters, educators, house of worship speakers, fitness instructors and others in search of reliable wireless freedom. In both single and multi-system arrangements, the CR99 Wireless Receiver offers 80 total operating channels, selecting the best frequency option for your area. Quick to setup, the CR99's Group scan helps avoid conflicting frequencies, while its IR sync function allows users to wirelessly match the transmitter to the receiver’s operating frequency.   The CR99 receiver features a bright, backlit LCD for monitoring on dark stages, even at long distances. The LCD also shows the exact battery life of your transmitter, along with the channel number and its corresponding UHF frequency   Audio reaches the CR99 Wireless Receiver receiver via the CB99 Beltpack Transmitter, which features  Samson 's SE10 Earset Microphone with Miniature Condenser Capsule, moisture-resistant design and locking connector. Offering eight hours of battery life using two AA batteries (not included), the CB99 transmitter features a variable Gain control, popless 1-touch Mute button and metal belt clip.   Concert 99 Earset System Frequency-agile UHF wireless system 80 operating channels across 24MHz bandwidth Up to eight simultaneous systems per frequency band (region dependent) AC adapter and rackmount kit included CR99 Wireless Receiver Rugged all-metal, rack mountable chassis Multifunctional backlit LCD (RF, audio, transmitter battery levels) Group scan for easy single or multi-system setup IR sync wirelessly matches receiver and transmitter frequency True RF Diversity design minimizes dropouts Tone key prevents unwanted noise when transmitter is off/out of range Removable 1/4-wave antennas Balanced XLR and 1/4" outputs CB99 Beltpack Transmitter SE10 Earset Microphone with Miniature Condenser Capsule, moisture-resistant design and locking connector Offers up to eight hours of battery life using two AA batteries 300' operating range (line-of-sight) Variable Gain control 1-touch Mute Metal belt clip

Unsurpassed,versatile,Tru- diversity UHF wireless microphone system.Featuring user selectable frequencies offering maximum operating range with instant autoscan with infra red sync between transmitter and receiver for easy clear channel setup.Transmitter and receiver are built to last, enclosed in rugged all metal housing.Nady systems  USA world leader and innovator in microphone technology since .   Does not come with mic clips   4W-1KU Receiver: Unsurpassed state-of-the-art PLL UHF performance with 120dB dynamic range and operation up to 500 feet line-of sight Four complete and independent wireless receivers with user-selectable UHF frequencies for simultaneous operation of four transmitters True Diversity circuitry with two complete front ends per receiver for maximizing range and most effective elimination of signal dropouts AUTO-SCAN for easily locating clear channels and ASC™ (Auto-Sync Channel) IR download feature which sends selected Group/Channel information to transmitter via IR sender for easy frequency synchronization Sophisticated IF filtering for simultaneous operation of multiple systems in the same location Front panel touch control buttons and user-friendly LCD configuration menus Front panel backlit LCD display indicates selected Group, Channel, RF signal strength meter; Audio Output Volume level; Diversity A/B LED indicators Back panel Balanced XLR Mic level and Unbalanced ¼” SUM Line level audio output jacks, squelch control, RF BNC connectors for dual removable ½ wave antennas, and DC power input jack supply Externally powered (adapter included) Rugged all-metal housing— 1U rack mountable with supplied rack ears (front antenna mount kit optional) Works with any four combinations of available instrument, handheld and lavalier UHF transmitters BLUERIDGE MUSIC(EST ) IS THE SOLE NADY AGENT IN SA. THIS PRODUCT CARRIES A ONE YEAR WARRANTY.WE ALSO BACK THIS UP WITH AN EXCELLENT REPAIR AND SERVICE FACILITY. SHIPPING IS R 275 - VIA SPEED SERVICES -ANYWHERE IN SA.

Samson's Auro X12D 2-Way Active Loudspeaker provides outstanding reliability and sound quality for musicians, DJs and other live sound professionals. When sound matters, the Auro X12D is the solution. asting impressive power in a roadworthy, lightweight design, the X12D features a -watt Class D amplifier that produces sound with incredible clarity and definition at all volume levels. The speaker's bi-amplified circuit ensures its high and low frequency drivers are able to output high-integrity signal without distortion. The X12D offers Samson's proprietary Reactive Alignment digital signal processing technology. Through a meticulous study of transducer response, Samson engineers were able to program the ideal EQ adjustments needed to overcome traditional loudspeaker issues such as masked high frequencies from horn reflections and muddy mid-range from woofer surface reflections. In addition, the X12D’s crossover network features Infinite Impulse Response (IIR) filters and transducer time alignment algorithms for superb frequency balance. Designed to provide exceptional reliability, the X12D's integrated overcurrent and temperature sensors constantly monitor the power supply and amplifier while quietly applying necessary adjustments. No fans, no worries… just great sound. The X12D features a custom 12” low frequency driver and a 1.34” titanium compression driver. Both drivers are carefully designed to provide fast recovery with minimal distortion. The compression driver is mounted to a 60° x 90° horn, matching the larger dispersion angle of the LF driver. This creates a balanced sound for the entire audience, especially when it comes to vocals that reside in the critical upper-mid frequencies. The X12D’s dedicated 2-channel mixer provides Volume controls for each channel, as well as a Master Volume control for the system’s overall output level. In addition, Channel 1 features a Mic/Line switch for both microphone and line-level connections. The speaker’s XLR line output circuit gives you extra routing options to expand your system. The X12D delivers superior application flexibility with its 3-position high pass filter (HPF) and EQ presets. For additional versatility, its cabinet design supports dual-angle floor monitor positioning and provides a standard locking pole mount receptacle for stand and satellite mounting. Compact, lightweight Class D 2-way active loudspeaker watts of output power 12" extended range low frequency driver mm) titanium compression driver Samson's R.A.M.P. (Reactive Alignment/Maximum Protection) DSP technology Two XLR-1/4" combo input channels with independent volume controls Selectable Mic/Line Level Switch(Channel 1) Master Volume control with peak indicator 3-position EQ and HPF presets XLR Link output allows expanded sound to additional speakers Solid polypropylene enclosure with impact resistant design Full metal grill protects all speaker components Two large ergonomic carry handles Integrated 1 3/8" speaker stand mount Dual-angle floor monitor positioning options

Samson's Auro X15D 2-Way Active Loudspeaker provides outstanding reliability and sound quality for musicians, DJs and other live sound professionals. When sound matters, the Auro X15D is the solution. Boasting impressive power in a roadworthy, lightweight design, the X15D features a -watt Class D amplifier that produces sound with incredible clarity and definition at all volume levels. The speaker’s bi-amplified circuit ensures its high and low frequency drivers are able to output high-integrity signal without distortion. The X15D offers Samson's proprietary Reactive Alignment digital signal processing technology. Through a meticulous study of transducer response, Samson engineers were able to program the ideal EQ adjustments needed to overcome traditional loudspeaker issues such as masked high frequencies from horn reflections and muddy mid-range from woofer surface reflections. In addition, the X15D's crossover network features Infinite Impulse Response (IIR) filters and transducer time alignment algorithms for superb frequency balance. Designed to provide exceptional reliability, the X15D's integrated overcurrent and temperature sensors constantly monitor the power supply and amplifier while quietly applying necessary adjustments. No fans, no worries… just great sound. The X15D features a custom 15” low frequency driver and a 1.34” titanium compression driver. Both drivers are carefully designed to provide fast recovery with minimal distortion. The compression driver is mounted to a 60° x 90° horn, matching the larger dispersion angle of the LF driver. This creates a balanced sound for the entire audience, especially when it comes to vocals that reside in the critical upper-mid frequencies. The X15D's dedicated 2-channel mixer provides Volume controls for each channel, as well as a Master Volume control for the system’s overall output level. In addition, Channel 1 features a Mic/Line switch for both microphone and line-level connections. The speaker's XLR line output circuit gives you extra routing options to expand your system. The X15D delivers superior application flexibility with its 3-position high pass filter (HPF) and EQ presets. For additional versatility, its cabinet design supports dual-angle floor monitor positioning and provides a standard locking pole mount receptacle for stand and satellite mounting. Compact, lightweight Class D 2-way active loudspeakers watts of output power 15" extended range low frequency driver mm) titanium compression driver Samson's R.A.M.P. (Reactive Alignment/Maximum Protection) DSP technology Master Volume control with peak indicator Two XLR-1/4" combo input channels with independent volume controls 3-position EQ and HPF presets XLR Link output allows expanded sound to additional speakers Solid polypropylene enclosure with impact resistant design Full metal grill protects all speaker components Two large ergonomic carry handles Integrated 1 3/8" speaker stand mount Dual-angle floor monitor positioning options

Audio Technica - M3 Wireless in-ear Monitor System With Audio-Technica's M3 Wireless In-ear System, you get your choice of 1321 UHF channels, and convenient LCD information displays on both the transmitter and receiver for setting your personal preferences. You and other musicians on stage using the M3 system will enjoy controlling the volume and mix of 2 separate signals via the controls on the M3R stereo body-pack receiver, ensuring that you can dial in the right sound, and hear yourself accurately. While you can use up to 16 complete M3 systems simultaneously on stage, you can actually use any number of M3R stereo receivers on the same frequency with a single M3T stereo transmitter. This makes the Audio-Technica M3 an excellent, professional choice for live performance monitoring. While Audio-Technica's M2 Wireless System offers 100 selectable frequencies, with the M3 System, you get an astounding 1321 frequencies to work with. In addition, the M3 In-Ear Wireless System's automatic frequency scanning ability makes set up practically immediate. You get a personal mix with a personal fit. The M3 Wireless In-ear Monitor System offers Personal Mix Control, allowing volume and mix control of two independent signals at the receiver. This way, you can dial in the right sound and blend you need to give your best performances. It also comes with three sizes of rubber eartips, plus an ear-conforming foam tip for a comfortable feel and personal fit. With the M3 Wireless In-ear Monitoring System, you'll hear yourself like never before, especially at lower volumes. You can rely these in-ear monitors' dynamic drivers that deliver full frequency response and outstanding isolation, time after time.

Serious Power & Sonic Purity. Samson's Auro X15D 2-Way Active Loudspeaker provides outstanding reliability and sound quality for musicians, DJs and other live sound professionals. When sound matters, the Auro X15D is the solution. Ultra-Efficient Power Boasting impressive power in a roadworthy, lightweight design, the X15D features a 1,000-watt Class D amplifier that produces sound with incredible clarity and definition at all volume levels. The speaker’s bi-amplified circuit ensures its high and low frequency drivers are able to output high-integrity signal without distortion. Reactive Alignment The X15D offers Samson's proprietary Reactive Alignment digital signal processing technology. Through a meticulous study of transducer response, Samson engineers were able to program the ideal EQ adjustments needed to overcome traditional loudspeaker issues such as masked high frequencies from horn reflections and muddy mid-range from woofer surface reflections. In addition, the X15D's crossover network features Infinite Impulse Response (IIR) filters and transducer time alignment algorithms for superb frequency balance. Components & Design The X15D features a custom 15” low frequency driver and a 1.34” titanium compression driver. Both drivers are carefully designed to provide fast recovery with minimal distortion. The compression driver is mounted to a 60° x 90° horn, matching the larger dispersion angle of the LF driver. This creates a balanced sound for the entire audience, especially when it comes to vocals that reside in the critical upper-mid frequencies. Compact, lightweight Class D 2-way active loudspeakers 1,000 watts of output power 15" extended range low frequency driver 1.34" (34mm) titanium compression driver Samson's R.A.M.P. (Reactive Alignment/Maximum Protection) DSP technology Master Volume control with peak indicator Two XLR-1/4" combo input channels with independent volume controls 3-position EQ and HPF presets XLR Link output allows expanded sound to additional speakers Solid polypropylene enclosure with impact resistant design Full metal grill protects all speaker components Two large ergonomic carry handles Integrated 1 3/8" speaker stand mount Dual-angle floor monitor positioning options Please confirm stock availability before purchasing

Serious Power & Sonic Purity.Samson's Auro X15D 2-Way Active Loudspeaker provides outstanding reliability and sound quality for musicians, DJs and other live sound professionals. When sound matters, the Auro X15D is the solution.Ultra-Efficient PowerDSP Enhancement: R.A.M.P.Reactive AlignmentThe X15D offers Samson's proprietary Reactive Alignment digital signal processing technology. Through a meticulous study of transducer response, Samson engineers were able to program the ideal EQ adjustments needed to overcome traditional loudspeaker issues such as masked high frequencies from horn reflections and muddy mid-range from woofer surface reflections. In addition, the X15D's crossover network features Infinite Impulse Response (IIR) filters and transducer time alignment algorithms for superb frequency balance.Maximum ProtectionDesigned to provide exceptional reliability, the X15D's integrated overcurrent and temperature sensors constantly monitor the power supply and amplifier while quietly applying necessary adjustments. No fans, no worries? just great sound.Components & DesignThe X15D features a custom 15? low frequency driver and a 1.34? titanium compression driver. Both drivers are carefully designed to provide fast recovery with minimal distortion. The compression driver is mounted to a 60? x 90? horn, matching the larger dispersion angle of the LF driver. This creates a balanced sound for the entire audience, especially when it comes to vocals that reside in the critical upper-mid frequencies.Compact, lightweight Class D 2-way active loudspeakers1, 000 watts of output power15" extended range low frequency driver1.34" (34mm) titanium compression driverSamson's R.A.M.P. (Reactive Alignment/Maximum Protection) DSP technologyMaster Volume control with peak indicatorTwo XLR-1/4" combo input channels with independent volume controls3-position EQ and HPF presetsXLR Link output allows expanded sound to additional speakersSolid polypropylene enclosure with impact resistant designFull metal grill protects all speaker componentsTwo large ergonomic carry handlesIntegrated 1 3/8" speaker stand mountDual-angle floor monitor positioning optionsBoasting impressive power in a roadworthy, lightweight design, the X15D features a 1, 000-watt Class D amplifier that produces sound with incredible clarity and definition at all volume levels. The speaker?s bi-amplified circuit ensures its high and low frequency drivers are able to output high-integrity signal without distortion.

Operating Frequencies 824 - 831 MHz, 863 - 865 MHz Number Of Channels 2 x 4 frequencies Frequency Stability +/- 0.005%, Phase lock loop frequency control Modulation Mode FM Frequency Response 60 Hz - 16 kHz Operating Range 60m, typical Receiving System Antenna switching diversity Image Rejection 55dB minimum Dynamic Range HH: 108 dB, BP 103 dB (@ max deviation) Sensitivity 10dBµV (S/N 60dB @ 20 kHz deviation) Total Harmonic Distortion Audio Output Unbalanced -2dBV Audio Output Balanced 4dBV Output Connectors (Microphone) Balanced: XLRM-type Output Connectors (Instrument) Unbalanced: 6.3 mm mono jack Maximum Output Level Mic / Line (0 / -20dB) Antenna Input BNC type, 50 - BIAS voltage 12V DC 100mA each Dimensions 200 mm x 42 mm x 122 mm (W x H x D) Weight 418 g without accessories Accessories Included AC Adapter, Antennas, Rack mount adapter, protective carrying case RF Power Output 10 mW Spurious Emissions Following national regulatios Microphone Element Condenser Cardioid Battery Type Two 1.5V AA alkaline Battery Life 10 hours - depending on battery type and use pattern Dimensions 268 mm long - 52 mm (diameter) Accessories Included Stand clamp

The S-com 4 is a compact and versatile single-rack space device that provides four channels of high-quality dynamic processing with an Expander/Gate and Compressor/Limiter on each channel. The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control, as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S-com 4's Enhancer switch restores high frequencies that are sometimes diminished by heavy compression. This wide-ranging combination of features makes the S-com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative.4-channel compressor/limiter, expander/gate with enhancer Linkable in two stereo pairs Expander/Gate with variable Trigger control and switchable Fast/Slow Release 5-segment LED meters for Input/Output levels and Gain Reduction on each channel Advanced circuit design utilizing Low Noise Operational Amplifiers and high-quality VCAs Servo Balanced Inputs and Outputs on XLR and 1/4" connectors SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee based on the level of Input signal applied Individual Threshold and Ratio controls on each channel

Nady PEM is one of the most advanced wireless UHF in ear monitor systems made by Nady USA A WORLD LEADER IN MICROPHONE TECHNOLOGY. System includes: 1 transmitter + 1 beltpac receiver+ koss earbuds+ power cord Product Details System Features: 100 selectable UHF frequencies for interference-free performance (Up to 8 systems can operate simultaneously) System consists of one PEM-T transmitter and one PEM-R bodypack receiver. (Unlimited additional PEM-R receivers can operate with the same transmitter) Easy setup and use with either automatic AutoScan or manual open-frequency selection, and ASC™ infrared synchronization of selected channel between transmitter and receivers Rugged, all-metal half-rack transmitter. Rack mountable singly or side-by-side with optional rack kits. Both transmitter and receiver offer a user-friendly menu with complete control options shown in the LCD display Proprietary companding circuitry for wide Dynamic Range and clear, natural sound Includes lightweight, soft rubber, form-fitted earbuds for comfort and optimum acoustics and isolation Operating Range: Up to 500 feet typical (depending on site conditions) Rugged, foam-padded traveling case provides easy, safe transport and storage PEM-T Transmitter:   Rugged, all metal half-rack that can be rack mounted singly or side-by-side with optional rack kits Front panel features stereo headphone monitor output jack and volume control, select button for choosing one of 100 UHF channels, Left/Right 5-segment audio input level displays, LCD channel display, and IR SYNC to system receivers Back panel provides BNC jack for the detachable antenna, a combo 1/4" TRS unbalanced, and balanced XLR jacks for Left and Right Line inputs, Left and Right 1/4" TRS unbalanced loop outputs Externally powered by AC-DC power adapter PEM-R Receiver:   Portable bodypack receiver features a power switch switchable with built-in volume output level control, select button for choosing one of 100 UHF channels, LCD channel display, stereo/mono, Signal/Low Battery LED indicator. Receiver has AUTO-SCAN for finding an open channel and IR SYNC to system transmitter Handy Mute Button for muting audio if desired during use Operates up to 8 hours (depending on volume) on 2x1.5V AA alkaline batteries Each receiver is supplied with a pair of miniature, lightweight (yet powerful) Koss in-ear speakers with soft rubber mounts, designed for "custom" form-fitted comfort and optimum acoustic transfer and isolation. Rear clip can be rotated 180° for attaching receiver  Shipping for this item is R 75 anywhere in VIA Post office 4- 6days                                       R195 anywhere in SA via speed services (2-3 days)   Comes with a one year warranty and excellent repair and service facilities     

Behringer Xenyx X USB Mixer Premium 16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit The XUSB features four XENYX-fueled mic inputs with channel Inserts, “one knob” compressors and 3-band British-style EQs with a sweepable, semi-parametric mid frequency band. The four stereo line-level channels offer enhanced fine-tuning via 4-band EQ, which is extremely handy for adjusting critical keyboard midrange frequencies. Aux 1 Sends are switchable (pre- or post-fader) and individual channels can be assigned to two subgroups for mixing flexibility. XENYX USB Series mixers are designed to handle your live gigs, and they provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, XENYX USB mixers come with all the recording and editing software you’ll need to turn your computer system into a complete, high-performance home recording studio.