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Barkly East (Eastern Cape)
AUDIO TECHNICA ATW-13F SINGLE HAND UHF WIRELESS MIC SET INTRODUCING AT-ONE, AUDIO-TECHNICA’S ENTRY LEVEL UHF WIRELESS SYSTEM. WITH A 2 X 4 CHANNEL FREQUENCY PLAN FOR ENHANCED FLEXIBILITY, STURDY BUT STYLISH BUILD QUALITY AND A SIMPLE USER INTERFACE, AT-ONE IS READY TO BECOME YOUR PERFECT WIRELESS COMPANION. AT-ONE IS DESIGNED WITH SIMPLICITY AND EASE-OF-USE IN MIND. EQUIPPED WITH A PRACTICAL CARRYING CASE, RACK-MOUNT KIT AND DETACHABLE ANTENNAE, AT-ONE IS THE PERFECT BALANCE OF PRICE AND PERFORMANCE, IDEAL FOR THOSE LOOKING FOR ACCURATE, RELIABLE PERFORMANCE AT AN ENTRY LEVEL PRICE. THE AT-ONE’S FREQUENCY PLAN IS DIVIDED INTO TWO GROUPS WITH 4 AVAILABLE CHANNELS IN EACH GROUP SPLIT BETWEEN THE EUROPE WIDE LICENSE FREE FREQUENCY RANGE AND THE LTE DUPLEX GAP. USERS CAN CHOOSE UP TO 4 CHANNELS WITHIN ONE GROUP. AVAILABLE IN THREE CONFIGURATIONS, AT-ONE CAN BE PURCHASED WITH A BELTPACK OR HANDHELD TRANSMITTER. THE ATW-13F HANDHELD SYSTEM FEATURES THE ATW-T3F CARDIOID CONDENSER HANDHELD TRANSMITTER, AGAIN WITH 10MW RF OUTPUT AND 10 HOUR BATTERY LIFE. DESIGNED FOR QUICK AND EASY USE PERFECT BALANCE BETWEEN PRICE AND PERFORMANCE, THE AT-ONE IS IDEAL FOR THOSE LOOKING FOR RELIABLE RESULTS AT LOW PRICES THE FREQUENCY PLAN OF AT-ONE IS DIVIDED INTO TWO GROUPS WITH 4 CHANNELS AVAILABLE IN EACH GROUP, ONE IN THE RANGE OF AUTHORIZED EUROPEAN FREQUENCIES AND THE OTHER IN THE DUPLEX GAP USERS CAN CHOOSE UP TO 4 CHANNELS IN A GROUP THE ATW-13F SYSTEM IS EQUIPPED WITH A CARDIOID CONDENSER HANDHELD TRANSMITTER RF TRANSMITTING POWER 10MW UP TO 10 HOURS' BATTERY LIFE WITH 2 X 1.5V AA BATTERIES RF INDICATOR LIGHT ROBUST CONSTRUCTION FROM HIGH QUALITY COMPONENTS DELIVERED IN A TRANSPORT CASE WITH A RACK MOUNT KIT AND DETACHABLE ANTENNAS WE STOCK A MASSIVE RANGE OF MUSICAL INSTRUMENT & AUDIO,TV,PROJECTOR & PA EQUIPMENT FOR LIVE,CHURCH,CONCERT,DJ, & OUTDOOR APPLICATIONS.OUR PRODUCTS INCLUDE PIANO,KEYBOARD,SUCH AS YAMAHA,GUITAR,DRUMS,MARCHING DRUMS,TRUMPET,TROMBONE,TUBA,SAXOPHONE,DJ,STUDIO EQUIPMENT,SOUNDCARDS THAT CAN BE USED ON LAPTOPS OR DESKTOP PC,WE ALSO STOCK AN AUDIO INTERFACE TO BE USED IN CONJUNCTION WITH A TABLET,IPAD,IPHONE,LAPTOP,MACBOOK,MACBOOK PRO,SAMSUNG AND OTHER ANDROID DEVICES AND CELLPHONES. WWW.SBRPROSOUND.CO.ZA M AUDIO KEYSTATION 49 R1795. IBANEZ BTB 5-STRING BASS GUITAR R13800. CORT ACTION 4STRING BASS GUITAR R2495. IBANEZ PF15ECE ACOUSTIC/ELECTRIC GUITAR R3195. FENDER CD60 CE ACOUSTIC/ELECTRIC GUITAR R3995. TRUMPET IN CASE R1750. TAMA IMPERIALSTAR R11995. KORG SP280 88KEY DIGITAL PIANO R13995. YAMAHA PSR E443 R6500. CORT ACOUSTIC/ELECTRIC GUITAR NEW R2200. JINBAO 5PCE DRUM SET R3995. ROLAND E09 61 KEYS KEYBOARD R6495. 3 VALVE TUBA LACQUER R10995. WWW.SBRPROSOUND.CO.ZA
R 3.495
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Springs (Gauteng)
audio technica atw-13f single hand uhf wireless mic set introducing at-one, audio-technica’s entry level uhf wireless system. with a 2 x 4 channel frequency plan for enhanced flexibility, sturdy but stylish build quality and a simple user interface, at-one is ready to become your perfect wireless companion. at-one is designed with simplicity and ease-of-use in mind. equipped with a practical carrying case, rack-mount kit and detachable antennae, at-one is the perfect balance of price and performance, ideal for those looking for accurate, reliable performance at an entry level price. the at-one’s frequency plan is divided into two groups with 4 available channels in each group split between the europe wide license free frequency range and the lte duplex gap. users can choose up to 4 channels within one group. available in three configurations, at-one can be purchased with a beltpack or handheld transmitter. the atw-13f handheld system features the atw-t3f cardioid condenser handheld transmitter, again with 10mw rf output and 10 hour battery life. designed for quick and easy use perfect balance between price and performance, the at-one is ideal for those looking for reliable results at low prices the frequency plan of at-one is divided into two groups with 4 channels available in each group, one in the range of authorized european frequencies and the other in the duplex gap users can choose up to 4 channels in a group the atw-13f system is equipped with a cardioid condenser handheld transmitter rf transmitting power 10mw up to 10 hours' battery life with 2 x 1.5v aa batteries rf indicator light robust construction from high quality components delivered in a transport case with a rack mount kit and detachable antennas we stock a massive range of musical instrument & audio,tv,projector & pa equipment for live,church,concert,dj, & outdoor applications.our products include piano,keyboard,such as yamaha,guitar,drums,marching drums,trumpet,trombone,tuba,saxophone,dj,studio equipment,soundcards that can be used on laptops or desktop pc,we also stock an audio interface to be used in conjunction with a tablet,ipad,iphone,laptop,macbook,macbook pro,samsung and other android devices and cellphones. www.sbrprosound.co.za m audio keystation 49 r1795. ibanez btb 5-string bass guitar r13800. cort action 4string bass guitar r2495. ibanez pf15ece acoustic/electric guitar r3195. fender cd60 ce accoustic/electric guitar r3995. trumpet in case r1750. tama imperialstar r11995. korg sp280 88key digital piano r13995. yamaha psr e443 r6500. cort accoustic/electric guitar new r2200. jinbao 5pce drum set r3995. roland e09 61 keys keyboard r6495. 3 valve tuba lacquer r10995. www.sbrprosound.co.za
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South Africa
Audio Technica - ATW-13F Handheld System Introducing AT-One, Audio-Technica¿s entry level UHF wireless system. With a 2 x 4 channel frequency plan for enhanced flexibility, sturdy but stylish build quality and a simple user interface, AT-One is ready to become your perfect wireless companion. AT-One is designed with simplicity and ease-of-use in mind. Equipped with a practical carrying case, rack-mount kit and detachable antennae, AT-One is the perfect balance of price and performance, ideal for those looking for accurate, reliable performance at an entry level price. The AT-One¿s frequency plan is divided into two groups with 4 available channels in each group split between the Europe wide license free frequency range and the LTE duplex gap. Users can choose up to 4 channels within one group. Available in three configurations, AT-One can be purchased with a beltpack or handheld transmitter. The ATW-13F handheld system features the ATW-T3F cardioid condenser handheld transmitter, again with 10mW RF output and 10 hour battery life.
R 4.999
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South Africa
Audio Technica - M3 Wireless in-ear Monitor System With Audio-Technica's M3 Wireless In-ear System, you get your choice of 1321 UHF channels, and convenient LCD information displays on both the transmitter and receiver for setting your personal preferences. You and other musicians on stage using the M3 system will enjoy controlling the volume and mix of 2 separate signals via the controls on the M3R stereo body-pack receiver, ensuring that you can dial in the right sound, and hear yourself accurately. While you can use up to 16 complete M3 systems simultaneously on stage, you can actually use any number of M3R stereo receivers on the same frequency with a single M3T stereo transmitter. This makes the Audio-Technica M3 an excellent, professional choice for live performance monitoring. While Audio-Technica's M2 Wireless System offers 100 selectable frequencies, with the M3 System, you get an astounding 1321 frequencies to work with. In addition, the M3 In-Ear Wireless System's automatic frequency scanning ability makes set up practically immediate. You get a personal mix with a personal fit. The M3 Wireless In-ear Monitor System offers Personal Mix Control, allowing volume and mix control of two independent signals at the receiver. This way, you can dial in the right sound and blend you need to give your best performances. It also comes with three sizes of rubber eartips, plus an ear-conforming foam tip for a comfortable feel and personal fit. With the M3 Wireless In-ear Monitoring System, you'll hear yourself like never before, especially at lower volumes. You can rely these in-ear monitors' dynamic drivers that deliver full frequency response and outstanding isolation, time after time.
R 17.755
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Barkly East (Eastern Cape)
I have Two Transmitters and One Receiver.. Retails for R10,906.23 each Selling both Transmitters and one receiver for R8000.00 neg High-fidelity sound with clean, articulate mix allows performers to hear themselves clearly at lower volume 1321 selectable UHF channels with automatic frequency scanning Up to 16 simultaneous systems per frequency band Three receiver modes: Personal Mix, stereo, and mono Personal Mix Control allows volume and mix control of two independent signals at the receiver LCD information display offers step-through menus for setting preferences XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation Adjustable squelch eliminates annoying static Pilot tone protects against RF interference when transmitter is turned off Multi-level limiter (defeatable) helps protect hearing from sudden peaks Portable system is quick to load and set up Reduces on-stage audio clutter for better overall mix & less feedback Use any number of Stereo Receivers (with individual mixes) on the same frequency Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation Personal fit with 3 sizes of rubber eartips plus ear-conforming foam tips Selectable auxiliary input offers connection point for ambient microphone, click track, or other mic- or line-level inputAudio-Technica’s advanced M3 IEM system offers a full range of professional in-ear monitoring features, with a choice of 1321 UHF channels and easy-to-read LCD information displays on both transmitter and receiver for setting preferences. The stereo monitor system is equipped with Audio-Technica’s versatile Personal Mix Control, which allows volume and mix control of two independent signals on stage, via controls on the M3R stereo body-pack receiver. While up to 16 complete M3 systems may be used simultaneously, any number of M3R stereo receivers can operate on the same frequency with a single M3T stereo transmitter. The M3T Stereo Transmitter is equipped with two XLR/¼” combo input connectors into which users can connect line-level inputs (from a mixing console, for example). The M3T also offers a headphone output that allows you to monitor transmitter input signals directly.
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Springs (Gauteng)
audio-technica’s newscaster-style omnidirectional atr3350 lavalier is engineered for intelligible, accurate voice reproduction. this high-quality condenser is ideal for video use, and is a favorite choice for aerobics/dance/sports instructors. its low-profile design assures minimum visibility. newscaster-style miniature mic is perfect for video use ideal for aerobics/dance/sports instructors dual-mono 1/8" output plug connects to a video camera, dslr, or handheld audio recorder's stereo 1/8" input, to record audio on both left and right channels omni pickup pattern offers full coverage includes tie clip, lr44 battery, foam windscreen
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Pietersburg (Limpopo)
Operating Frequencies 824 - 831 MHz, 863 - 865 MHz Number Of Channels 2 x 4 frequencies Frequency Stability +/- 0.005%, Phase lock loop frequency control Modulation Mode FM Frequency Response 60 Hz - 16 kHz Operating Range 60m, typical Receiving System Antenna switching diversity Image Rejection 55dB minimum Dynamic Range HH: 108 dB, BP 103 dB (@ max deviation) Sensitivity 10dBµV (S/N 60dB @ 20 kHz deviation) Total Harmonic Distortion Audio Output Unbalanced -2dBV Audio Output Balanced 4dBV Output Connectors (Microphone) Balanced: XLRM-type Output Connectors (Instrument) Unbalanced: 6.3 mm mono jack Maximum Output Level Mic / Line (0 / -20dB) Antenna Input BNC type, 50 - BIAS voltage 12V DC 100mA each Dimensions 200 mm x 42 mm x 122 mm (W x H x D) Weight 418 g without accessories Accessories Included AC Adapter, Antennas, Rack mount adapter, protective carrying case RF Power Output 10 mW Spurious Emissions Following national regulatios Microphone Element Condenser Cardioid Battery Type Two 1.5V AA alkaline Battery Life 10 hours - depending on battery type and use pattern Dimensions 268 mm long - 52 mm (diameter) Accessories Included Stand clamp
R 3.495
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South Africa
Audio-Technica¿s System 10 is a digital high-fidelity wireless system designed to provide performing musicians and presenters with advanced 24-bit operation, easy setup and clear, natural sound quality. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers extremely easy operation and instantaneous channel selection. Up to eight channels may be used together without any frequency coordination problems or group selection issues. System 10 receivers and transmitters offer an easy-to-read digital ID display. Digital 24-bit/48 kHz wireless operation for ultimate sound quality and dependable performance 2.4 GHz range ¿ completely free from TV interference Three levels of diversity assurance: frequency, time, & space Automatic frequency selection for seamless, interference-free operation Extremely easy operation with instantaneous channel selection, sync, and set-up State-of-the-art digital receiver for reliable performance Balanced XLR and unbalanced 1/4¿ output jacks with level control
R 6.190
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Durban (KwaZulu Natal)
The American Audio VMS4.1 is a 4-Channel Midi Controller that comes bundled with Virtual DJ LE software. The VMS4.1 features four MIDILOG™ Channels (compatible with any “MIDI Software”* or Analog Inputs - such as CD Players, Turntables, etc.), two microphone inputs, Balanced XLR outputs, a 4 In/4 Out Sound Card built-in, and comes with American Audio’s exclusive “DSP D-Core” Audio Engine inside. The VMS4.1 is designed for performance minded DJs looking for a solid, all-in-one Midi Controller to play MP3 tracks from their laptop, plus have the option to add CD Players and turntables to the mix.Main Features: • 4x Midilog™ Channels (Compatible with any "Midi Learn" Software or Analog Inputs - such as CD Players, Turntables, etc.) • DSP D-Core Inside: Studio Quality Audio Engine + Pro Stage Microphone Circuitry • 2x Mics with Gain, Treble, Mid & Bass Control • Crossfader Curve Adjustment • Balanced XLR Outputs • Assignable Touch Strips • Built-in Mouse Pad • Built-in 4 In/4 Out Soundcard • Bundled with Virtual DJ LE Software General Features: • Midi Controller with 4 USB / Analog selectable MIDILOG™ (Midi & Analog) channels • All audio control faders, knobs, switches, and buttons smoothed - eliminates popping, wiper noise, and zipper noise • On/Off soft startup and turnoff • Gain/treble/mid/bass EQ on all MIDILOGTM channels • 2 phono/line selectable analog channels • Two microphone channels with illuminated on/off switches and gain/treble/mid/bass EQs • On/off cueing on each MIDILOGTM channel • Split cueing headphones with rotary mix control • Illuminated rubber knobs for ease of use in dark environments • Solid 1.6mm thick faceplate for extra durability • Panel mounted rotary knobs • Full analog mixer operation if the computer crashes or with external power supply • Innofader replaceable crossfader compatible (sold separately) • Crossfader curve control • Crossfader assign and reverse • Q-Start crossfader controlled startup for 2 external audio players • User replaceable channel faders • Master and Booth outputs with L/R balance • Balanced Master outputs • 12 position stereo master output VU meter • Dimensions (LxWxH): 19”x”xx325x40mm • Weight: 13 lbs. / 6 kg. Midi Features: • Built-in mouse pad • Long life MIDI assignable touch strips • Two 10- bit resolution pitch sliders • 62 assignable MIDI buttons and switches • 50 MIDI buttons have LED illuminations, including 18 with dual blue/red LEDs • 4 assignable rotary encoders • 34 assignable rotary controllers • 5 assignable linear fader controllers • Dual MIDI controls on all buttons and switches • Dual point resolution touch sensitive turntable scratch controllers Audio Features: • 24-bit 48 kHz analog audio • 16-bit 44.1kHz USB audio • 10-bit resolution on all analog fader controls • THD • Channel separation >60dB* • S/N ratio >85dB* • Analog channel audio latency • Selectable USB modes: 4 in 4 out mode for running software effects on phono/line analog channels or 2 in 8 out mode for running 4 software channels and master recording • 2 msec response on all buttons • 4 msec response on all rotary and linear faders • 1 msec USB latency * For each audio channel, both line and phono mode PC System Requirements:** • Windows XP Sp2 or Windows Vista (32-bit & 64-bit supported) • PIV 1.2GHz Computer (SSE2 CPU), AMD 64 or Greater • _768 SVGA Video • 2 GIG RAM (Vista) • 40MB Free on the Hard-Drive (Recommended MB) • DirectX 9.0 Mac System Requirements: • Mac OS X 10.5 PPC/Intel, Intel, or 10.6 Intel • 1.86GHz • 2GB RAM ** System Requirements may differ due to manufacturer software
R 5.495
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Cape Town (Western Cape)
The Blackmagic Design Audio Monitor provides 2-channel audio monitoring of AES/EBU digital audio, audio embedded in SDI and analog audio. Designed to provide you with peace of mind, the unit provides high-quality audio monitoring of signals from decks, video servers, and live transmissions. You can use the unit to check audio levels as you work on your project. Up front and big on the unit's front panel are two 27-segment LED VU meters that provide you with a bright, visual representation of the audio levels from -45 to +3 decibels, and two built-in, full-range stereo speakers provide clear audio. Control of the unit is by a front panel illuminated keypad that allows you to select input sources to monitor. A 2.1" LCD screen for viewing input video (up to 4K), and a headphone jack and headphone volume control for when the listening environment is too intrusive Supporting video resolutions up to Ultra HD, the audio monitor allows you to monitor the embedded audio as separate stereo pairs, before passing the signal out through either the SDI loop through port with 16-channel embedded audio or the HDMI 4K connector with embedded 2-channel audio. The rugged aluminum case features a card slot for an available Dolby Decoder card, allowing you an easy upgrade path. The 1RU-sized unit comes with a class A/B amplifier for a balance between high fidelity and power efficiency, dual subwoofer design with extra wide range speakers allow you to sit back and hear the audio. Rackmount ears are built-in for use in a post facility or mounting in a production case. Audio Inputs The Blackmagic Design Audio Monitor supports audio from a variety of sources, AES/EBU digital audio, balanced and unbalanced analog audio, as well as audio embedded in the SDI stream. You can monitor 2 channels of audio at a time, and even select stereo pairs from the 16 channels in the SDI signal. Audio Output SDI loop through supports 16-channel embedded audio, and the unit outputs 2 channels of embedded audio in the HDMI output stream. Front Panel Control and Features The 2-channel audio meters are selectable between VU and PPM, and show a range of -45 to +3 dB in 27 steps. The audio level meter brightness is adjustable so the meters are easy to read in either bright or dark environments. An illuminated keypad on the front panel, allows you to select audio inputs, isolate left and right audio channels, mute, and select audio channels to monitor from within the SDI stream. Speakers Two full-range speakers and two subwoofers combine to provide audio that is rich in low frequency and provides sharpness in mid and high ranges. Video Support When you are working with SDI video input you can use the Blackmagic Audio Monitor to convert from SDI to HDMI for monitoring with big screen televisions or video projectors. The unit automatically switches between SD, HD, and even Ultra HD 4K. You can monitor in high resolution Ultra HD 4K using the HDMI 4K output with only a single HDMI cable or you can connect a regular HDTV and use the unit's built-in Ultra HD 4K to HD down conversion. You can also monitor video on the built-in 2.1" LCD panel, which displays video format, audio type, audio channels and volume level. Dolby The Audio Monitor features an internal dedicated Dolby slot so you can add an available Dolby decoder module. The Dolby decoder supports Dolby Digital and AC-3 decoding for 5.1 surround sound monitoring from either the 6G-SDI video input or the AES/EBU audio input Rackmount Design The 1RU height of the Audio Monitor makes it ideal for use in either a post production rack system, location production case, or control or mixing room. The built-in rack mount ears make for hassle free mounting into available standard rack systems. The Audio Monitor features an internal power supply, and runs off of V AC at Hz
R 20.977
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South Africa (All cities)
Monitor Audio SB3 Soundbar Features Individual C-CAM® (Ceramic-Coated Aluminium/Magnesium) bass/mid driver for left and right channels, twin drivers for the centre channel C-CAM gold dome tweeters per channel Individual Auxiliary Bass Reflex (ABR) for left and right channels, twin ABRs for the centre channel Three separate driver arrays for left, centre, right channels in a single cabinet Optional dedicated wall bracket Integrated Silicon feet provide a secure cabinet-top mounting alternative. The SB-3 is custom-built for screen sizes above 60" and features three separate driver arrays for left, centre, right channels in a single cabinet. Twin C-CAM® bass drivers, twin ABRs (Auxiliary Bass Radiators) and a single C-CAM tweeter in the centre section to provide the SB-3 with higher acoustic output and power handling for critical centre channel reproduction. This is combined with individual mid-bass, tweeter and sealed ABR drivers for both left and right channels. In larger rooms the SB-3 can be used with a partnering Monitor Audio subwoofer to deliver the best possible audio experience. Within smaller environments and systems, the SBs will deliver effortless full range audio way beyond the limits of any TV's sound system. Specifications Frequency Response (-3dB) All Channels: 80Hz 30kHz Sensitivity (1W@1M) Left and Right Channels: 84dB Centre Channel: 87dB Nominal Impedance (ohms) All Channels: 8 Power Handling Single - R.M.S. (W) Left and Right Channels: 40 Centre Channel: 80 System Power Handling - R.M.S. (W) All Channels: 100 (High pass filter set to 100Hz) Recommended Amp Requirements (W) All Channels: 30 - 100 Recommended High Pass Crossover Frequency All Channels: 80 - 120Hz Maximum SPL (dBA) 104 (108.8 all channels driven) Bass Alignment Left and Right Channels: 2 x Auxiliary Bass Reflex (ABR) Loading Centre Channel: 2 x Auxiliary Bass Reflex (ABR) Loading Drive Unit Complement Left and Right Channels: 2 x 4 (100mm) C-CAM® cone bass/mid driver, 2 x 1 (25mm) C-CAM gold dome tweeter Centre Channel: Left and Right Channels: 2 x 4 (100mm) C-CAM® cone bass/mid driver, 1 x 1 (25mm) C-CAM gold dome tweeter Cabinet Dimensions (HxWxD) 145 x 1310 x 89mm (511/16 x 519/16 x 31/2 inch) External Dimensions Inc Bracket (HxWxD) 145 x 1310 x 100mm (511/16 x 519/16 x 315/16 inch) Weight 9.1Kg
R 9.890
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Durban (KwaZulu Natal)
Main Features: • 4x Midilog™ Channels (Compatible with any "Midi Learn" Software or Analog Inputs - such as CD Players, Turntables, etc.) • 2x Mics with Gain, Treble, Mid & Bass Control • Crossfader Curve Adjustment • Balanced XLR Outputs • Assignable Touch Strips • Built-in Mouse Pad • Built-in Soundcard • Bundled with Virtual DJ LE SoftwareGeneral Features: • Midi Controller with 4 USB / Analog selectable MIDILOG™ (Midi & Analog) channels • All audio control faders, knobs, switches, and buttons smoothed - eliminates popping, wiper noise, and zipper noise • On/Off soft startup and turnoff • Gain/treble/mid/bass EQ on all MIDILOGTM channels • 2 phono/line selectable analog channels • Two microphone channels with illuminated on/off switches and gain/treble/mid/bass EQs • On/off cueing on each MIDILOGTM channel • Split cueing headphones with rotary mix control • Illuminated rubber knobs for ease of use in dark environments • Solid 1.6mm thick faceplate for extra durability • Panel mounted rotary knobs • Full analog mixer operation if the computer crashes or with external power supply • Innofader replaceable crossfader compatible (sold separately) • Crossfader curve control • Crossfader assign and reverse • Q-Start crossfader controlled startup for 2 external audio players • User replaceable channel faders • Master and Booth outputs with L/R balance • Balanced Master outputs • 12 position stereo master output VU meter • Dimensions (LxWxH): 19”x”xx325x40mm • Weight: 13 lbs. / 6 kg. Midi Features: • Built-in mouse pad • Long life MIDI assignable touch strips • Two 10- bit resolution pitch sliders • 62 assignable MIDI buttons and switches • 50 MIDI buttons have LED illuminations, including 18 with dual blue/red LEDs • 4 assignable rotary encoders • 34 assignable rotary controllers • 5 assignable linear fader controllers • Dual MIDI controls on all buttons and switches • Dual point resolution touch sensitive turntable scratch controllers Audio Features: • 24-bit 48 kHz analog audio • 16-bit 44.1kHz USB audio • 10-bit resolution on all analog fader controls • THD • Channel separation >60dB* • S/N ratio >85dB* • Analog channel audio latency • Selectable USB modes: 4 in 4 out mode for running software effects on phono/line analog channels or 2 in 8 out mode for running 4 software channels and master recording • 2 msec response on all buttons • 4 msec response on all rotary and linear faders • 1 msec USB latency * For each audio channel, both line and phono mode System Requirements** PC Requirements: • Windows XP Sp2 or Windows Vista (32-bit & 64-bit supported) • PIV 1.2GHz Computer (SSE2 CPU), AMD 64 or Greater • _768 SVGA Video • 2 GIG RAM (Vista) • 40MB Free on the Hard-Drive (Recommended MB) • DirectX 9.0 Mac Requirements: • Mac OS X 10.5 PPC/Intel, Intel, or 10.6 Intel • 1.86GHz • 2GB RAM
R 5.495
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Johannesburg (Gauteng)
The VMS4 (Velocity MIDI station) is a 4-Channel “MIDILOG™” controller that fuses both Midi (Midi software) and analog audio control (CD Players, turntables etc.) into one unit. The VMS4 is an open source controller that can be used with any Midi audio software titles (with Midi Learn feature) via it’s built-in USB port. The solid workmanship of the VMS4 makes it durable for the demanding mobile or club professional. The VMS4 features American Audio’s signature “Velocity” touch-sensitive jog wheels, a full-function mouse pad, Midi assignable touch strips and high-quality channel and crossfaders. This all-in-one unit has all the features found on top-of-the-line professional mixer as well, such as: Balanced XLR outputs, Gain, Treble, Mid and Bass for each Midilog™ channel, crossfader assign and curve, and 2 Microphone Inputs with Treble, Mid and Bass control. General Features: Midi Controller with 4 USB / Analog selectable MIDILOG (Midi & Analog) channels All audio control faders, knobs, switches, and buttons smoothed - eliminates popping, wiper noise, and zipper noise On/off soft startup and turnoff Gain/treble/mid/bass EQ on all MIDILOG channels 2 phono/line selectable analog channels Two microphone channels with illuminated on/off switches and gain/treble/mid/bass EQs On/off cueing on each MIDILOG channel Split cueing headphones with rotary mix control Illuminated rubber knobs for ease of use in dark environments Solid 1.6mm thick faceplate for extra durability Panel mounted rotary knobs Full analog mixer operation if the computer crashes or with external power supply Innofader replaceable crossfader compatible (sold separately) Crossfader curve control Crossfader assign and reverse Q-Start crossfader controlled startup for 2 external audio players User replaceable channel faders Master and Booth outputs with L/R balance Balanced Master outputs 12 position stereo master output VU meter Includes virtual DJ LE Software Dimensions (LxWxH): 320x486x65mm Midi Features: Built-in mouse pad Long life MIDI assignable touch strips Two 10- bit resolution pitch sliders 62 assignable MIDI buttons and switches 50 MIDI buttons have LED illuminations, including 18 with dual blue/red LEDs 4 assignable rotary encoders 34 assignable rotary controllers 5 assignable linear fader controllers Dual MIDI controls on all buttons and switches Dual point resolution touch sensitive turntable scratch controllers Audio Features: 24-bit 48 kHz analog audio 16-bit 44.1kHz USB audio 10-bit resolution on all analog fader controls THD Channel separation >60dB* S/N ratio >85dB* Analog channel audio latency Selectable USB modes: 4 in 4 out mode for running software effects on phono/line analog channels or 2 in 8 out mode for running 4 software channels and master recording 1 year limited guarantee For more info on this product please click here
R 5.197
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South Africa (All cities)
Description Boss Audio CHAOS EXXTREME 1600 Watts 2-Channel MOSFET Power Amplifier Retail Box 1 year Limited Warranty Product Overview The Boss CXX1602 Chaos 1600W 2-Channel Power Amplifier features 1600W of total power. •Max power at 2 ohms: 800W x 2 •Max bridged power at 4 ohms: 1600W x 1 Highlights •Full-Range, Class A/B Topology •MOSFET Power Supply •2/1 Channel •Low and High Level Inputs •Variable LP Crossover •Chaos Extreme Series 2-Channel Class AB Car Amplifier •RMS Power Rating: -4 ohms: 240 watts x 2 channels. -Bridged, 4 ohms: 800 watts x 1 channels. •Max power output: 1600 watts x 1 chan. •Pulse Width Modulated MOSFET power supply •Wired remote bass level control included •LED power (green) and protect (red) indicators •Variable Bass Boost (0 to +18 dB bass boost at 50 Hz) •Soft turn-on circuit •2 or Mono channel operation •Speaker-level (high-level) inputs with signal sensing for automatic turn-on •3-way protection circuitry (thermal, overload, and speaker short protection) •Heavy duty aluminium alloy heat-sink •Fixed high-pass filter (80 Hz) •Variable low-pass filter (35-160 Hz) •4 gauge power and ground wiring is required for installation Power Specifications - Full Range Channels • RMS Power @ 4 ohms-240 watts x 2 channels • Bridged RMS Power-800 watts x 1 channels • Peak Power Output-1600 watts x 1 channels Amplifier Specifications • Amplifier Series-Chaos EXXtreme (Boss) • Amplifier Class-AB • Number of Channels-2 • Total Peak Power Output-1600 watts • Total RMS Power Output-800 watts • Maximum Input Gauge Size-4 AWG • Minimum Impedance Unbridged-2 ohms • Minimum Impedance Bridged-4 ohms • THD at Rated RMS Power-0.01% • Speaker Level Inputs-Yes • Preamp Outputs-No • High-Pass Crossover Frequency-80 Hz Fixed • Low-Pass Crossover Frequency-35 - 160 Hz • Signal-to-Noise Ratio-103 dB • Channel Separation-90 dB • Bass Boost-0 - 18 dB • Bass/Gain Remote-Yes • Fan Cooled-No • Fuse Rating-25A x 2 Package Contents • Amplifier • Remote Subwoofer Control • High Input Cable With Connector • 4 Mounting Screws
R 1.985
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South Africa (All cities)
DIS - AO6008 Audio Output The D.I.S. AO 6008 audio output unit outputs up to 8 channels simultaneously from DCS 6000 conference systems for recording and monitoring purposes! The D.I.S. AO 6008 audio output unit outputs up to 8 channels simultaneously from the DCS 6000 conference microphone system. Floor or language channels can be sent to IR language distribution systems, recording, and/or web-streaming devices. By default channels 0-3 are selected, but the audio properties and channels can be changed by the SW 6000 on a PC. The units can be easily daisy-chained in the DCS-LAN with shielded FTP or STP Cat-5e cables.
R 46.680
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Cape Town (Western Cape)
The Blackmagic Design CONVOGCAUDS includes everything you need to embed 4 channels of analog audio or 8 channels of AES/EBU digital audio into any SDI video connection. Embed audio from audio mixers and analog decks into SDI video connections for use with SDI routers and decks, or to add extra audio channels to video converters! Blackmagic OpenGear Converters are fully compatible with the OpenGear standard. OpenGear is an open standard for rack mount converters and processing for television broadcasters. OpenGear uses a 2 rack unit rack frame that holds up to 10 plug in cards, or a double density frame can be used to hold up to 20 cards. Many manufacturers develop OpenGear cards and frames that can be mixed and matched. OpenGear cards are hot swappable and can be controlled by java based DashBoard network control and monitoring software on Windows, Mac OS X and Linux. Includes AES/EBU and Analog Audio Blackmagic OpenGear Converters feature 24 bit analog and 24 bit digital audio. You can select either analog or AES/EBU digital audio via mini switches, or remotely via the DashBoard network control software. Blackmagic OpenGear Converters will then switch to use either analog or AES/EBU digital audio. Blackmagic OpenGear Converters support the standard 2 ch and 4 ch audio rear modules, so they can be used with other brand OpenGear products. High Quality Blackmagic OpenGear Converters are built to the highest quality standards with low SDI jitter. You get the longest SDI cable lengths combined with ultra low noise analog video and audio for a true broadcast quality solution. Easy to Use Blackmagic OpenGear Converters are similar, so they're easy to understand. With advanced 3 Gb/s SDI technology, every card is fully compatible with all your SD and HD equipment, plus you can update new formats via USB. Blackmagic OpenGear Converters can be set up via mini switches, DashBoard, or via USB using Blackmagic Design's Converter Utility. That's three completely different ways to configure, so you're never stuck in a critical live situation. Advanced 3 Gb/s SDI Technology With the latest 3 Gb/s SDI technology built into Blackmagic OpenGear Converters, you know you're getting the latest technology. New standards can be uploaded via the USB port. 3 Gb/s SDI is also fully compatible with all your SD and HD equipment.
R 6.542
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South Africa
Mix In Living Color with 4 channels of software control, 16 multi-color drum pads, and color-customizable dual-zone platters, Mixtrack Quad integrates seamlessly with your laptop, placing a fully interactive mixing experience at your fingertips. Stunning color. Dynamic performance capability. It all comes together to empower your performance and bring your mix to life. 4-Channel Lighted Performance Control You get four channels of software control to mix and match tracks, juggle beats, or completely deconstruct, mashup, and remix songs with your unique style. With Mixtrack Quad, mixing is an instinctual experience, with the entire control surface, turntables, and pads illuminated and providing real-time visual feedback. 16 Chromatic Performance Pads Create loops, launch samples, and control hot cues with the 16 illuminated rubber drum pads. Utilizing its palette of 16 vibrant colors, Mixtrack Quad’s lighted pad and platter animations signal transitions when loading tracks or moving between modes and configurations. 16 dedicated effects controls are built in to the control surface to instantly add and manipulate flanger, phaser, echo, and more. Pick A Color... Any ColorMixtrack Quad is a fully interactive instrument for modern mixing. Its dual-zone platters are color-customizable, so you can assign your choice of 16 colors to each of the platter’s four decks. Both platters are capacitive and dual-zone—scratch or stop a track simply by touching the top of the platter or adjust pitch by manipulating the platter from the side. 4-Deck Virtual DJ® LE Software IncludedStart mixing right away—with the included 4-Deck Virtual DJ LE software you can starting mixing right away with all four channels, built-in effects, and all the tools you need to perform at parties and clubs. Plus, upgrading to Virtual DJ is easy, and you'll get even more effects and more decks. Plus, Mixtrack Quad operates via standard MIDI, so it’s compatible with virtually any popular DJ software. Pro Audio Built InGetting up and running couldn’t be easier—Mixtrack Quad is class-compliant and USB-powered, so there are no drivers or power adapters required. Just plug in via USB to your computer and start mixing. Plus, a professional audio interface is built in, so you can hook up your headphones, mic, and PA system with no hassle. The Full-Color DJ ExperienceMixtrack Quad is the only four-channel controller in its class to have dedicated mixing controls for all four decks. And with its complete mixer section, precise crossfader, 3-band EQ, and dedicated music library navigation controls, you’ll be able to spend more time interacting with the music and less time staring at the computer screen FEATURES 4 channels of control and built-in audio interface 16 multi-color rubber pads with Loop, Sample, and Hot Cue Modes Color-customizable dual-zone platters with touch-sensitivity Crossfader, 3-band EQ, and music navigation controls 16 effects controls for flanger, phaser, echo, and more Built-in audio system connects with headphones, mic, and PA Pitch and Sync controls for seamless and easy mixing Standard MIDI for use with most popular DJ software Class-compliant with both Mac and PC, no driver required USB-powered, no power adapter required 4-Deck Virtual DJ® LE software included INCLUDES Mixtrack Quad 4-Deck Virtual DJ LE Software USB Cable User Guide Safety & Warranty Manual.
R 3.080
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Johannesburg (Gauteng)
Special frequency which is exclusive worldwide!>380 TVL of horizontal definition.> 4 PIP with 4 channels for watch (with USB DVR).>Camera with 12 pcs of φ5 LED infrared lamps and 7m night vision distance.>Camera designed with waterproof.>Camera can work with wire & wireless.>100m transmission distance without block.>Audio monitoring with microphone in camera Installs in just minutes. Send e-mail attachments with image. Save images on hard drive. Sound alarm. Video signal filter, for filtrate active and invalid channels. Signal lost alarm. Motion detection. Adjust sensitivity. Automatically lock, while not operating. Schedule monitoring sessions, for timer snap. Record video/audio (with USB 2.0 audio interface), snap shot. Automatic space management, stop recorder or capture still automatically on disk full. Supports 4 channel video input on computer for PIP (ALLOWS YOU TO VIEW UP TO 4 CHANNELS AT ONE TIME). Supports on screen display. Displays date and time or channel description on video. Supports manual open/close invalid channel or add delete channel description. Supports log in and log out, by user name and password. Supports running background stealthy. Supports video playback. System Contains: 1 x Sleek Professional Gray Receiver. 4 x Weatherproof Wireless Cameras. 1 x Power Adapter for Receiver. 4 x Power Adapters for Cameras. 4 x Antennas for Receiver (installed on receiver). 5 x Audio/Video Cables. 1 x Instruction Manual for Wireless Camera System. 1 x 4 channel USB 2.0 Video Adapter with Audio. 1 x USB Cable. 1 x Software CD (Driver and MultiViewer Application). 1 x Printable User Manual for MultiViewer Application. 1 x Quick Install Guide for USB 2.0 Adapter.
R 3.500
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Cape Town (Western Cape)
Includes everything you need to embed 4 channels of analog audio, or 8 channels of AES/EBU digital audio into any SDI video connection. Embed audio from devices such as audio mixers and analog decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters!
R 6.285
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Durban (KwaZulu Natal)
Get flexible connectivity, pristine sound and a host of included software with this low-latency interface. KOMPLETE never sounded so good. 4 analog ins/outs, plus digital in/out, and MIDI in/out USB powered, 24-bit/96 kHz recording Includes instruments collection, sequencer and DJ software KOMPLETE SOUNDS BETTER KOMPLETE AUDIO 6 is a premium-quality 6-channel audio interface that picks up where its predecessor AUDIO KONTROL 1 left off. It provides everything you need to record, play and perform music, with four analog ins/outs, digital in/out, MIDI and low-latency performance all in a sleek, rugged metal casing. The two mic inputs are armed with high-end pre-amps while Cirrus Logic converters deliver pristine, transparent sound. Upgrade your setup with KOMPLETE AUDIO 6 because KOMPLETE sounds better. The KOMPLETE AUDIO 6 package also includes KOMPLETE ELEMENTS, with over sounds and effects, plus software for recording, sequencing and DJing. A SOUND DECISION KOMPLETE AUDIO 6 lets you experience every facet of your sound, whether you're playing virtual instruments or recording audio. After all, if you're using MASCHINE or KOMPLETE Instruments and Effects, you're armed with an array of sounds in the highest-possible audio fidelity. KOMPLETE AUDIO 6 gives you the hardware to match. Pristine sound doesn't happen by accident it's the result of knowledge, experience and close attention to detail. KOMPLETE AUDIO 6 has been designed in-house by NATIVE INSTRUMENTS, and takes the already award-winning sound quality of the AUDIO KONTROL 1 to a new level. From the custom, streamlined circuit design, through the hand-picked components to the analog volume knob on top of the unit every part of the interface is designed to preserve signal clarity. KOMPLETE CONNECTIVITY KOMPLETE AUDIO 6 is designed to be flexible, with plenty of options for connecting mics, guitars, MIDI instruments or outboard gear:4 analog inputs: 2 balanced mic/line/instrument (XLR); plus 2 balanced line (1/4" TRS) 4 balanced analog outputs (1/4" TRS) Digital stereo input and output (S/PDIF / RCA) for lossless signal transmission MIDI in/out for master keyboard, MASCHINE or any third-party MIDI controller Headphone output with independent level control and source switch Completely USB powered, with an extra sturdy custom USB socket RECORD AND MONITOR New chips, new audio drivers and new circuitry ensure that latency is low, and the direct monitoring option provides 100% latency-free monitoring for recording guitars, vocals, or other live sources. Other important recording features:Low-latency performance for using virtual instruments and effects High-quality pre-amps with individual gain controls Direct monitoring for live, latency-free recording Mono input switch for recording vocals, guitar or other mono sources 48V phantom power for using condenser mics and active DI boxes 15 status LEDs provide visual feedback for all signals and indicate clipping SOFTWARE, SOUNDS AND SEQUENCER INSIDE Just like the AUDIO KONTROL 1, a generous software package is included in KOMPLETE AUDIO 6, so you can produce songs or mix tracks right out of the box:KOMPLETE ELEMENTS over 3 GB of inspiring instruments and effects CUBASE LE 6 sequencer and recording software TRAKTOR LE 2 DJ software6 In / 6 Out portable audio / MIDI interface with sturdy metal casing, USB 2.0 bus powered Premium sound quality: 24-bit / 96kHz Cirrus Logic AD/DA converters Low latency via newly developed chip technology and driver architecture 2 balanced mic / line / instrument inputs (XLR / 1/4" TRS Neutrik, phantom powered) with individual gain controls 2 balanced line inputs (1/4" TRS) with activity and clip LEDs plus digital stereo input (S/PDIF) with RCA connector 4 balanced analog outputs (1/4" TRS) plus digital stereo output (S/PDIF) with RCA connector Headphone output with level control and source switching between channels 1|2 and channels 3|4 Direct monitoring with zero latency including mix control knob and mono switch Large volume control knob and 15 status LEDs for full visual monitoring of the signal chain High performance drivers for Mac and PC (ASIO / Core Audio / DirectSound / WASAPI) Custom-built USB port for extra-solid connection
R 3.679
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South Africa
American Audio - VMS4.1 (Virtual DJ) The American Audio VMS4.1 is designed for performance minded DJs looking for a solid, all-in-one Midi Controller to play MP3 racks from their laptop, plus have the option to add CD Players and turntables to the mix. Some general features include 4 USB / Analog selectable Midilog (Midi & Analog) channels. 2 phone lines selectable analog channels. It also has gain/treble/mid/bass EQ on all MIDILOGTM Channels. It has full analog mixer operation if the computer crashes or with external power supply. Another nice feature is it has split cueing headphones with rotary mix control. The Crossfader has curve control and assign and reverse. Master & Booth outputs with L/R balance. It has DSP D-Core inside, Studio Quality Audio Engine + Pro Stage Microphone Circuitry. It has 34 assignable rotary controllers, 4 assignable rotary encoders. 50 MIDI buttons have LED illuminations, including 18 with dual blue/red LEDs. 62 Assignable MIDI buttons and switches. Dual 2000 point resolution touch sensitive turntable scratch controllers. Dual MISI Controls on all buttons and switches. 5 assignable linear fader controllers. Two 10 bit resolutions pitch sliders. Long life MIDI assignable touch strips and a built in mouse pad.
R 9.715
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South Africa
DIS - AO6004 Audio Output Unit The AO 6004 Audio Output Unit outputs four floor or language channels to IR language distribution systems, recording and/or web-streaming devices. By default the channels 0-3 are selected but the audio properties and channels can be changed by the SW 6000 on a PC. The units can be easily daisy-chained in the DCS-LAN with shielded F/UTP or U/FTP Cat-5e cables (sold separately). The AO 6004 s designed to be used can be free-standing,
R 21.315
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South Africa (All cities)
American Audio - VMS4.1 (Virtual DJ) DJ Controller The American Audio VMS4.1 is designed for performance minded DJs looking for a solid, all-in-one Midi Controller to play MP3 racks from their laptop, plus have the option to add CD Players and turntables to the mix. Some general features include 4 USB / Analog selectable Midilog (Midi & Analog) channels. 2 phone lines selectable analog channels. It also has gain/treble/mid/bass EQ on all MIDILOGTM Channels. It has full analog mixer operation if the computer crashes or with external power supply. Another nice feature is it has split cueing headphones with rotary mix control. The Crossfader has curve control and assign and reverse. Master & Booth outputs with L/R balance. It has DSP D-Core inside, Studio Quality Audio Engine + Pro Stage Microphone Circuitry. It has 34 assignable rotary controllers, 4 assignable rotary encoders. 50 MIDI buttons have LED illuminations, including 18 with dual blue/red LEDs. 62 Assignable MIDI buttons and switches. Dual 2000 point resolution touch sensitive turntable scratch controllers. Dual MISI Controls on all buttons and switches. 5 assignable linear fader controllers. Two 10 bit resolutions pitch sliders. Long life MIDI assignable touch strips and a built in mouse pad.
R 5.960
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Cape Town (Western Cape)
The Blackmagic Design CONVOGCSAUD includes everything you need to de-embed 4 channels of analog audio or 8 channels of AES/EBU digital audio from any SDI video connection. Now you can easily access the audio in any SDI video connection for output to audio equipment such as audio mixers, analog broadcast decks, audio monitors and more! Blackmagic OpenGear Converters are fully compatible with the OpenGear standard. OpenGear is an open standard for rack mount converters and processing for television broadcasters. OpenGear uses a 2 rack unit rack frame that holds up to 10 plug in cards, or a double density frame can be used to hold up to 20 cards. Many manufacturers develop OpenGear cards and frames that can be mixed and matched. OpenGear cards are hot swappable and can be controlled by java based DashBoard network control and monitoring software on Windows, Mac OS X and Linux. Includes AES/EBU and Analog Audio Blackmagic OpenGear Converters feature 24 bit analog and 24 bit digital audio. You can select either analog or AES/EBU digital audio via mini switches, or remotely via the DashBoard network control software. Blackmagic OpenGear Converters will then switch to use either analog or AES/EBU digital audio. Blackmagic OpenGear Converters support the standard 2 ch and 4 ch audio rear modules, so they can be used with other brand OpenGear products. High Quality Blackmagic OpenGear Converters are built to the highest quality standards with low SDI jitter. You get the longest SDI cable lengths combined with ultra low noise analog video and audio for a true broadcast quality solution. Easy to Use Blackmagic OpenGear Converters are similar, so they're easy to understand. With advanced 3 Gb/s SDI technology, every card is fully compatible with all your SD and HD equipment, plus you can update new formats via USB. Blackmagic OpenGear Converters can be set up via mini switches, DashBoard, or via USB using Blackmagic Design's Converter Utility. That's three completely different ways to configure, so you're never stuck in a critical live situation. Advanced 3 Gb/s SDI Technology With the latest 3 Gb/s SDI technology built into Blackmagic OpenGear Converters, you know you're getting the latest technology. New standards can be uploaded via the USB port. 3 Gb/s SDI is also fully compatible with all your SD and HD equipment.
R 6.542
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Durban (KwaZulu Natal)
Transform your laptop into a mobile studio with the M-Track Plus from M-Audio. This versatile interface accommodates any input, from an electric guitar to a professional condenser micand phantom power is provided. Ideal for on-the-go musicians, the sleek M-Track Plus features durable aluminum case to withstand the rigors of the road. A single USB cable provides both power and a data connection to and from your laptop or desktop computer. The circuit design minimizes laptop battery drain. M-Track Plus also provides MIDI and coaxial S/PDIF connections, to live at the heart of your digital studio. Completing this powerful package are two complementary software selections: Avid Pro Tools Express and Ignite by AIR music creation software. Together, they deliver a comprehensive path for transforming the ideas in your head into a finished piece of music. Accommodating Inputs M-Track is equipped with a versatile array of inputs to provide the best results with any type of audio source. Each channel offers an XLR input and a balanced 1/4" input. The XLR input is designed to work with microphones or other Lo-Z sources. The phantom power switch delivers 48V to the XLR inputs for use with professional condenser microphones. The 1/4" input can be set to receive line level signal, or switched to allow an electric guitar or bass to be plugged directly into the M-Track. The gain knob ensures the proper input level. Inserts Each input channel is also equipped with an insert jack, a professional addition not often found in this class of interface. The insert jack allows studio-grade effects to be used with any input source as you record. Improved Monitoring for Better Recordings M-Track offers ultra-low latency monitoring of the input signaleither through the speakers or via headphones. The monitor mix knob adjusts the balance between the direct inputs and the playback from your computer software. In addition, the input signal(s) can be monitored in stereo or mono using the convenient Stereo/Mono switch. This makes it easy to record new parts or add parts to an existing composition. The Headphone output offers its own level control. MIDI Matters In addition to the two audio channels, M-Track also support 16 channels of MIDI data and timing information. The MIDI In and MIDI out jack are compatible with all MIDI equipment. LED Metering Multi-color LED metering provides instant visual feedback of the main output levels, as well as the status of various M-Track settings. Software Synergy Your M-Track Plus interface comes complete with both Avid Pro Tools Express and Ignite from AIR Music Technology (downloadable below). These two programs can work alone or together to help you realize your musical dreams. Capture and arrange your ideas using Ignite, then use those tracks as the foundation for your professional production with Pro Tools Express. Pro Tools Express Compose, record, edit, and mix using the tools the professionals use. Pro Tools Express starts with 16 simultaneous stereo or mono audio tracks. Add in the popular Boom, Xpand!2, and Structure Free player virtual instruments from AIR Music Technologyall included. Finish off with dozens of high-powered effect plug-ins, including the in-demand AIR effects. Plus, Pro Tools Express offers session file compatibility with the entire Pro Tools family, so you can take your tracks to the finest studios around the world. Pro Tools Express includes an iLok 2 USB keya $ retail value. nite Ignite provides a refreshingly original and musician-centric way to quickly capture, combine, and arrange your musical ideas. The intuitive graphic interface encourages you to experiment and explore new directions. Smart MIDI Chord and Phrase Players empower your ideas and bring them to life through over 275 superior instruments sounds created by AIR Music Technology. When youre ready to collaborate with other musicians or take your ideas to the next level, you can share them through SoundCloud, or export your WAV and MIDI files and import them into Pro Toolsor any DAW software. Best of all, Ignite offers seamless integration with your M-Audio keyboard controller, with no set-up chores to perform.24-bit / 48 kHz digital audio processing Zero-latency audio monitoring S/PDIF coaxial digital input and output Durable aluminum shell for on-the-go use Engineered for low laptop battery drain 2 XLR mic inputs with selectable phantom power Signal to Noise Ratio: 97 dB THD+N: % Freq. Response: 0.35 dB 2 balanced 1/4" line inputs with guitar-level switching Signal to Noise Ratio: 96 dB THD+N: % Freq. Response: 1.2 dB 2 TRS 1/4" inserts; one per input channel MIDI In and Out jacks Balanced 1/4" main outputs with level control Signal to Noise Ratio: 97 dB THD+N: % Freq. Response: 0.35 dB Headphone out with independent level control Convenient single USB cable data and power connection Includes Avid Pro Tools Expresswith iLok USB key Includes Ignite by AIR music creation software Size (W x D x H): 6.5" x 4.7" x mm x 119 mm x 57 mm Weight: 1.5 lbs.; 0.68 kg
R 2.569
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Cape Town (Western Cape)
3G/Dual Link/HD-SD-SDI to HDMI Video and Audio Converter The Hi5-3G converts 3G-SDI, dual or single link HD-SDI, or SD-SDI to HDMI v1.3a for driving HDMI monitors. HDMI v1.3a capability at 30 bits per pixel allows full support of the latest 10 bit monitors. Audio is supported in the HDMI output allowing a convenient single cable audio/video connection. The Hi5-3G provides 2-Channel RCA style audio outputs for separate audio monitoring if needed. USB connectivity allows for easy PC/Mac setup and field upgrades. Features 3G/HD/SD-SDI to HDMI SMPTE425M-AB input Full HDMI 1.3a support including: - Deep Color 30- and 36-bit video per pixel (24-bit also supported) - 2 or 8 channels of embedded audio Additional 2-channel RCA analog audio output (User assignable channels) Setup via PC/Mac using USB port and supplied USB cable (USB configuration software application supplied on CD) 1m HDMI cable supplied Uses 5V power (supply sold separately) 5 year warranty
R 7.834
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South Africa (All cities)
Flexible CombinationThe CVM-AX1 audio mixer has two mono output jacks and one stereo output jack, supporting two 3.5mm microphones or multiple sets of wireless microphones. It also has two volume adjustment buttons that allow you to independently control the input volume. Mono/Stereo Output SwitchJust adjust the button, you can freely choose the audio output mode you need and get different effects. Supports Positive & Passive Mic The CVM-AX1 audio mixer is suitable for most microphones. You can use it simply by adjusting the button according to your microphone's type. If using LINE IN input, set the switch to LINE;If using a positive microphoneMicrophone with internal battery-powered), set the switch to MIC;If using a passive microphoneMicrophone without internal battery-powered, set the switch to 3V. Support Real-time MonitoringThe CVM-AX1 audio mixer also has a Real-time Monitoring jack on the audio mixer that allows you to listen the audio while recording. Unique DesignThe audio mixer is made of aluminum and is sturdy and durable. Three cold shoe connectors ideal for shooting videos with any DSLR or camcorder that has a standard mounting shoe.
R 2.139
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Durban (KwaZulu Natal)
M-Track opens the door to computer-based music making. The M-Track interface from M-Audio transforms your computer into a digital recording studio with plug-and-play simplicity. A single USB cable provides both power and a data connection to and from your laptop or desktop computer. M-Track offers the right connections for any instrument, from an electric guitar to a professional condenser micphantom power is provided. The low-profile format delivers professional control in a portable package. M-Track includes both Ignite by AIR and Ableton Live Lite music software programs. Accommodating Inputs M-Track is equipped with a versatile array of inputs to provide the best results with any type of audio source. Each channel offers an XLR input and a balanced 1/4" input. The XLR input is designed to work with microphones or other Lo-Z sources. The phantom power switch delivers 48V to the XLR inputs for use with professional condenser microphones. The 1/4" input can be set to receive line level signal, or switched to allow an electric guitar or bass to be plugged directly into the M-Track. The gain knob ensures the proper input level. Inserts Each input channel is also equipped with an insert jack, a professional addition not often found in this class of interface. The insert jack allows studio-grade effects to be used with any input source as you record. Improved Monitoring for Better Recordings M-Track offers ultra-low latency monitoring of the input signaleither through the speakers or via headphones. The monitor mix knob adjusts the balance between the direct inputs and the playback from your computer software. In addition, the input signal(s) can be monitored in stereo or mono using the convenient Stereo/Mono switch. This makes it easy to record new parts or add parts to an existing composition. The Headphone output offers its own level control. MIDI Matters In addition to the two audio channels, M-Track also support 16 channels of MIDI data and timing information. The MIDI In and MIDI out jack are compatible with all MIDI equipment. LED Metering Multi-color LED metering provides instant visual feedback of the main output levels, as well as the status of various M-Track settings. Ignite Ignite provides a refreshingly original and musician-centric way to quickly capture, combine, and arrange your musical ideas. The intuitive graphic interface encourages you to experiment and explore new directions. Smart MIDI Chord and Phrase Players empower your ideas and bring them to life through over 275 superior instruments sounds created by AIR Music Technology. When youre ready to collaborate with other musicians or take your ideas to the next level, you can share them through SoundCloud, or export your WAV and MIDI files and import them into Pro Toolsor any DAW software. Best of all, Ignite offers seamless integration with your M-Audio keyboard controller, with no set-up chores to perform.Audio and MIDI > unites your computer-based music studio USB powered > provides convenience and mobility Phantom power plus guitar-level switching > accommodates any audio source Insert jack on each channel > easily incorporate your favorite effects Ignite music creation software > quickly capture, combine, and arrange musical ideas
R 1.599
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Cape Town (Western Cape)
Includes everything you need to de-embed 4 channels of analog audio or 8 channels of AES/EBU digital audio from any SDI video connection. Now you can easily access the audio in any SDI video connection for output to audio equipment such as audio mixers, analog broadcast decks, audio monitors and more!
R 6.542
See product

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