Audix fp5 microphone

The Fusion Series microphones, which are designed, assembled and tested by Audix in the USA, fulfill all the performance criteria required for professional stage and studio applications. These prepackaged sets of microphones offer convenience, quality, durability, and affordability. All mics come with high impact mic stand adapters and are packed in a heavy duty foam lined aluminum carrying case for safe keeping when the products are not in use.

Works with a wide variety of drums and hand percussion Locks firmly into position Durable and scratch resistant Eliminates bulky mic stands Works with most microphones Extra reach for miking inside kick drum The DFLEX is a wide jaw clip designed for drums and percussion, eliminating the need for bulky mic stands. The butterfly style clip allows for secure positioning on all types of rims and hand percussion surfaces. The DFLEX is equipped with a 5/8 inch threaded surface, which enables it to be used with any standard mic clip.

Audix ADX10P Contractor Microphone The ADX10 is a miniaturized condenser microphone designed for lavalier applications such as speech, presentation and theatrical production. Known for for its clarity, resistance to feedback and ease of operation, the ADX10 has the ability to accurately capture and reproduce vocals from a comfortable distance of 4-8 inches. The ADX10 is characterized with a uniformly controlled cardioid polar pattern, helping to isolate the area or section being miked from other vocals or instruments on stage. With a smooth and accurate frequency range of 50 Hz - 18 kHz, the ADX10 is lightweight, low profile and will provide natural sound with exceptional transient response. The ADX10, primarily for use with the Audix RAD360 wireless system, includes a tie-clip, 3' attached cable terminating to a mini-XLRf connector. The wired version (ADX10-P) includes an 8' cable terminating to a mini-XLRf connector, tie clip, external windscreen and a phantom power adapter module (APS-910). The ADX10-FLP, specifically for use with a flute, includes a clip that attaches to the headstock of a flute, an 8' cable terminating to an mini XLR-f connector and a phantom power adapter (APS-910). Manufactured to high standards and tight tolerances, the ADX10 features a modular threaded capsule, a machined brass body with matte black finish, high quality shielded microphone cable and a variety of optional accessories.

Audix OM7 Dynamic Vocal Microphone The OM7 microphone from Audix delivers a clear, natural, and undistorted sound, even under the most challenging concert conditions. Designed specifically for pro touring, the OM7 mic features a controlled low-gain output stage resulting in significantly higher gain before feedback. Extreme hypercardioid pattern. Ultra-linear 45Hz-19kHz frequency response. 144dB SPL handling.

Audix Vocal Headset Miniature Condenser Microphone The HT2 is a professional pre-polarized headset condenser microphone for stage, presentation and broadcast. The HT2 is known for its excellent sonic characteristics, low profile, comfort and sound isolation. Designed for use with the Audix RAD360 Wireless System, the HT2 is also available in a wired version (HT2P). With a uniformly controlled supercardioid polar pattern, the HT2 captures vocals from a comfortable distance of 2"-3" off axis. The HT2 handles very high SPLs without distortion. Easy to position and lightweight, the HT2 is manufactured with very tight tolerances. This mic has a rubber coated metal frame, a high performance 5 mm capsule and has a 3' high quality cable terminating in a space saving mini-XLRf connector.

Audix USB12 Test & Measurement Microphone The USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer via the USB port. This mic is designed to naturally capture and reproduce vocals and instruments with stunning detail. The USB12 is clear, flexible, easy to use and has excellent sound response. With a uniformly controlled cardioid polar pattern, the USB12 provides isolation and control at the sound source with a smooth, accurate response over a frequency range of 50 Hz - 16 kHz. The USB12 supports both 44.1k and 48k sample rates for playback and recording. This high definition condenser microphone features a push-to-talk button, “steady on” or “momentary on” as well as a headphone jack for real time monitoring. The USB12 is also equipped with a bass roll-off filter to control unwanted low frequency signals.

Audix ADX40 Contractor Microphone The ADX-40 is a miniature pre-polarized condenser microphone designed to hang from an overhead position for applications in professional live sound, music, and broadcast. Available with a choice of three optional interchangeable microphone capsules (cardioid, omni, and hypercardioid), the ADX-40 is most commonly used for plays, theatrical productions, choirs, group vocals, and room ambience miking. With a smooth uniform response over a frequency range of k Hz, the ADX-40 provides a warm, rich sound not typical of microphones this size. It is machined from solid brass and comes in a non-reflective black finish. Supplied with an attached 30' cable, the ADX-40 operates on phantom power (9-52volts) with the preamp module provided (APS-910). If phantom power is not available, there is an optional power supply (APS-911) that operates in phantom or battery mode with bass roll-off and on-off switches. Low noise electronic circuitry, low impedance, and balanced output allow interference-free performance even with long cable runs.

Audix - CX212B Studio Condenser Microphone The CX212B is a multi-pattern, dual diaphragm condenser microphone with a contemporary design and excellent performance characteristics. It is an exceptional tool for professional audio production, project studios and live stage performances. Delivering a smooth, uniform frequency response from 20 Hz - 20 kHz, the CX212B offers a choice of three polar patterns: cardioid, omni-directional, and figure 8. Additionally, the CX212B is equipped with a bass roll-off filter to help eliminate rumble in the lower frequencies. The CX212B can handle sound pressure levels up to 132 dB and is ideal for a wide variety of acoustic instruments, vocals, string sections, ensembles and ambient room miking. The CX212B is designed with low noise preamp circuitry and operates on phantom power. For optimum results use the CX212B with a high quality mic preamplifier and microphone cable. SUPPLIED ACCESSORIES MC112B - Mic stand adapter. Includes thumb screw and threaded adapter that securely holds mic in place. SMTCX112 - Heavy-duty aluminum caged shock mount system with nylon cable. CASEDPA - Aluminum flight carrying case OPTIONAL ACCESSORIES WSCX - Optional external foam windscreen for reducing wind, sibilance, and pop noise. APS2 - Two-channel 48 V phantom power supply. 110 V switchable to 240 V. Detachable power cord. PD133 - Optional two-layer mesh pop diffuser for controlling acoustic plosives. CBL20 - 20' premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with braded shield for conductivity. 6 mm PVC jacketed.

Audix ADX60 Contractor Microphone A professional pre-polarized condenser microphone the ADX60 is designed for stage, studio and broadcast applications. The ADX60 is highly sensitive and able to handle distance and area miking for various applications including conferences, plays, theatre and acoustic instruments. The ADX60 has a uniformly controlled hemicardioid polar pattern and is designed to capture a designated area. This mic requires a 9 - 52 V phantom power for operation and is equipped with a 25' cable and phantom power adapter. The ADX60 is easy to position, durable and is manufactured with a high performance 12 mm capsule, steel mesh grill and space saving mini-XLR connector.

Audix ADX51 Studio Conser Microphone The ADX51 is a professional, pre-polarized condenser microphone for stage, studio and broadcast applications. The ADX51 is clear sounding, accurate in response and handles both close and distance miking for various acoustic instruments. Designed with a uniformly controlled cardioid polar pattern, the ADX51 captures the acoustics of the instrument being miked while isolating it from other instruments. The ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter. The ADX51 includes a tension-fit heavy duty nylon mic clip (DCLIP), external foam windscreen (W-81), and zippered carrying pouch (P1).

Audix OM5 Dynamic Vocal Microphone VLM type-C capsule with very high output, unsurpassed gain before feedback, smooth response with exceptional vocal clarity. Very low handling noise. Vocals, lead & backing, with very tight pattern control, exceptional clarity for premium PA systems.

Audix - ADX20iP Condenser Instrument Microphone The ADX20iP is applicable for professional stage and studio applications. This mic is primarily used for miking most reed and brass instruments. The ADX20iP has a uniformly controlled cardioid polar pattern, which provides excellent isolation and feedback control on stage with natural sound reproduction at very close distances. The ADX20iP is lightweight, compact and simple to use. Included with the ADX20iP is a gooseneck clip with spring tension for easy mounting to the bell of an instrument. The ADX20i requires phantom power of 9-52 V.

Audix D6 Dynamic Instrument Microphone The D6 is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 is equipped with a VLM¿ diaphragm for natural, accurate sound reproduction. Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance.

Audix's OM3 is used for a variety of live, studio and broadcast applications. This mic provides accurate sound reproduction, resistance to feedback and ability to handle very high SPLs without distortion. The OM3 is made with a tight and uniformly controlled hypercardioid polar pattern that isolates the vocals from the rest of the instruments on stage. A slight natural roll-off in the lower mid-bass frequencies allows the OM3 to reduce boominess and handling noise. This, in conjunction with an extremely articulate mid-range, makes this mic an excellent choice for PA systems of all sizes.

Audix Vocal Headset Miniature Condenser Micropnhone The HT2 is a professional pre-polarized headset condenser microphone for stage, presentation and broadcast. The HT2 is known for its excellent sonic characteristics, low profile, comfort and sound isolation. Designed for use with the Audix RAD360 Wireless System, the HT2 is also available in a wired version (HT2P). With a uniformly controlled supercardioid polar pattern, the HT2 captures vocals from a comfortable distance of 2"-3" off axis. The HT2 handles very high SPLs without distortion. Easy to position and lightweight, the HT2 is manufactured with very tight tolerances. This mic has a rubber coated metal frame, a high performance 5 mm capsule and has a 3' high quality cable terminating in a space saving mini-XLRf connector.