Audix d2 instrument microphone

The D2 is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM diaphragm for natural, accurate sound reproduction.

With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.

Audix - ADX20iP Condenser Instrument Microphone The ADX20iP is applicable for professional stage and studio applications. This mic is primarily used for miking most reed and brass instruments. The ADX20iP has a uniformly controlled cardioid polar pattern, which provides excellent isolation and feedback control on stage with natural sound reproduction at very close distances. The ADX20iP is lightweight, compact and simple to use. Included with the ADX20iP is a gooseneck clip with spring tension for easy mounting to the bell of an instrument. The ADX20i requires phantom power of 9-52 V.

Audix D6 Dynamic Instrument Microphone The D6 is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 is equipped with a VLM¿ diaphragm for natural, accurate sound reproduction. Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance.

The Fusion Series are high performance microphones in a cost effective package. The f2 is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications. Its hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The Audix FireBall is a dynamic instrument microphone; well suited for both diatonic and chromatic instruments. Characterised with a cardioid pick-up pattern and a smooth, uniform frequency response of K the Audix FireBall will handle both live sound and studio applications. The FireBall Microphone is clear, accurate, and capable of handling sound pressure levels in excess of 140 dB without distortion. The Fireball from Audix has a transformer less design, low impedance, and balanced output allow interference-free performance, even with long cable runs. The Audix FireBall consists of a durable steel mesh grill with a CNC machined aluminum body that is coated with a three-stage anodizing process. Applications: live Stage, studio Harmonica Vocals Beatboxing Percussion Saxophone, trumpet, trombone Flute Accordion Specifications: Type: Dynamic Polar Pattern: Cardioid Frequency Response: 50Hz - 16kHz Impedance: 280 Ohms Sensitivity: 1.5 mV/Pa @1k

Audix ADX51 Studio Conser Microphone The ADX51 is a professional, pre-polarized condenser microphone for stage, studio and broadcast applications. The ADX51 is clear sounding, accurate in response and handles both close and distance miking for various acoustic instruments. Designed with a uniformly controlled cardioid polar pattern, the ADX51 captures the acoustics of the instrument being miked while isolating it from other instruments. The ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter. The ADX51 includes a tension-fit heavy duty nylon mic clip (DCLIP), external foam windscreen (W-81), and zippered carrying pouch (P1).