Audix condenser instrument

Audix - ADX20iP Condenser Instrument Microphone The ADX20iP is applicable for professional stage and studio applications. This mic is primarily used for miking most reed and brass instruments. The ADX20iP has a uniformly controlled cardioid polar pattern, which provides excellent isolation and feedback control on stage with natural sound reproduction at very close distances. The ADX20iP is lightweight, compact and simple to use. Included with the ADX20iP is a gooseneck clip with spring tension for easy mounting to the bell of an instrument. The ADX20i requires phantom power of 9-52 V.

With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.

The D2 is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM diaphragm for natural, accurate sound reproduction.

The PGA81 is an instrument microphone, specially designed for natural and nuanced reproduction of acoustic guitars and strings in sensitive environments. It is also a great overhead microphone for all instruments because it captures all details and colours of their sound. The PGA81 cardioid condenser instrument microphone is a professional quality flat-response microphone featuring highly durable design and construction that delivers excellent sound. Ideal for use in sensitive acoustic instrument performance and recording, the PGA81 comes with a swivel adapter, carrying pouch and XLR cable. Phantom power required. Specs: Flat-response microphone cartridge design for clear reproduction of acoustic instrument sound sources in more sensitive environments. Cardioid polar pattern picks up audio from the source while rejecting unwanted noise Updated industrial design with black metallic finish and grille for unobtrusive visual presence Available with XLR Cable (4.57 m) Stand adapter for mounting to a microphone stand Zipper pouch included for additional protection during storage or transport Legendary Shure quality design and construction for exceptional performance in rigorous environments Transducer Type: Condenser Polar Pattern: Cardioid Frequency Response: 40 Hz - 18 kHz Sensitivity (1 kHz): -48.5 dBV/Pa / 3,8 mV/Pa Weight: 186 g

Shure - SM94-LC Cardioid Condenser Instrument Microphone The SM94 is a unidirectional electret condenser microphone tailored to the instrument miking needs of professional musicians and sound engineers in both live performance and sound recording. Its smooth, flat frequency response is free of either a presence peak or a low-frequency rolloff, making it a perfect choice for all types of musical instruments. The SM94 is equally at home in sound reinforcement systems or in sound studios and motion picture/ TV scoring stages. When used with the optional wind-screen, the SM94 can be used by vocalists and speech-makers who desire a wide, flat response with minimum coloration.

Cardioid Condenser Instrument Microphone The PGA98H is optimized for woodwind and brass performance and recording. Available with and without a cable. Wireless version also available. Flexible gooseneck microphone with integrated preamplifier for wind instrument performance and recording Condenser cartridge (requires phantom power) with cardioid polar pattern Integrated horn clamp for quick and easy mounting Includes PGA98H (XLR wired or TQG wireless), zipper pouch and user guide

Shure - SM137-LC Condenser Instrument Microphone The SM137 is a versatile, flat-response cardioid condenser probe microphone. The SM137 has an ultra-thin diaphragm for a frequency response that combines a smooth high-end with a tight, controlled low-end and a 15db pad for natural sound reproduction in both acoustic and high volume performance applications.

Offering the realism of a live sound field, the AT4050ST is a side-address condenser with cardioid and figure-of-eight elements configured in a Mid-Side arrangement. This innovative stereo condenser allows sound recordists the choice of selecting a left-right stereo output or choosing discrete Mid-Side signals for later manipulation, a remarkable flexibility. The microphones dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range. Its transformerless circuitry virtually eliminates low-frequency distortion. Innovative side-address Mid-Side stereo microphone engineered for professional recording, broadcast and sound reinforcement Independent cardioid and figure-of-eight condenser elements Switch selection of Mid-Side mode and two internally matrixed stereo modes Dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range of the microphone Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics remain constant over years of use Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections Integral 80 Hz high-pass filter switch and 10 dB pad switch State-of-the-art design and manufacturing techniques ensure compliance with A-Ts stringent consistency and reliability standards Custom shock mount provides superior isolation Certified by the METAlliance (Music Engineering and Technology Alliance)

MIGHTY MICROMIC for miking up accordions, guitars and pianos The C516 ML professional miniature instrumental microphone, part of the MicroMics family, is designed for use on accordions, pianos, guitar speakers and keyboard/organ cabinets. Using two C516 MLs (one on the bass and one on the treble side) and an optional B29 L battery power supply is the ideal way to mic up an accordion. The C516 ML comes with a wide variety of mounting materials, such as screws, adhesive pads and adapter plates, for easy installation on the instrument or amp.Cardioid polar pattern for problem-free use with high ambient noise rejection Flexible shock mount for efficient suppression of mechanical and body noise Rugged, highly stable gooseneck for precise placement of the microphone Detachable microphone cable easy to install and service Established as an industry-standard accordion mic on stages worldwide, day by day for decades

Transducer - Permanently Biased Condenser Polar Pattern - Cardioid Frequency Response - 20-20,000 Hz Dynamic Range (Typical) - 5000 ohm: 133 (136)dB - 2500 ohm: 128 (130)dB - 1000 ohm: 122 (125)dB Signal-to-Noise Ratio - 75dB S/N ratio is the difference between 94dB SPL and equivalent SPL of self-noise A-weighted Maximum Input Sound Level - 5000 ohm: 150 (165)dB - 2500 ohm: 144 (159)dB - 1000 ohm: 139 (154)dB Power Requirements - +48 Vdc Phantom Power Output Impedance - 150 ohms (actual) Output Connectors - Balanced XLR Pad - 0dB or 15dB Pad switch Low Frequency Roll-Off - No Dimensions - 6.325 x 0.950" (162 x 24mm) (L x Diameter) Weight - 6.9 oz (195 grams)

Audix ADX51 Studio Conser Microphone The ADX51 is a professional, pre-polarized condenser microphone for stage, studio and broadcast applications. The ADX51 is clear sounding, accurate in response and handles both close and distance miking for various acoustic instruments. Designed with a uniformly controlled cardioid polar pattern, the ADX51 captures the acoustics of the instrument being miked while isolating it from other instruments. The ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter. The ADX51 includes a tension-fit heavy duty nylon mic clip (DCLIP), external foam windscreen (W-81), and zippered carrying pouch (P1).

Audix Vocal Headset Miniature Condenser Micropnhone The HT2 is a professional pre-polarized headset condenser microphone for stage, presentation and broadcast. The HT2 is known for its excellent sonic characteristics, low profile, comfort and sound isolation. Designed for use with the Audix RAD360 Wireless System, the HT2 is also available in a wired version (HT2P). With a uniformly controlled supercardioid polar pattern, the HT2 captures vocals from a comfortable distance of 2"-3" off axis. The HT2 handles very high SPLs without distortion. Easy to position and lightweight, the HT2 is manufactured with very tight tolerances. This mic has a rubber coated metal frame, a high performance 5 mm capsule and has a 3' high quality cable terminating in a space saving mini-XLRf connector.

Audix Vocal Headset Miniature Condenser Microphone The HT2 is a professional pre-polarized headset condenser microphone for stage, presentation and broadcast. The HT2 is known for its excellent sonic characteristics, low profile, comfort and sound isolation. Designed for use with the Audix RAD360 Wireless System, the HT2 is also available in a wired version (HT2P). With a uniformly controlled supercardioid polar pattern, the HT2 captures vocals from a comfortable distance of 2"-3" off axis. The HT2 handles very high SPLs without distortion. Easy to position and lightweight, the HT2 is manufactured with very tight tolerances. This mic has a rubber coated metal frame, a high performance 5 mm capsule and has a 3' high quality cable terminating in a space saving mini-XLRf connector.

Audix - CX212B Studio Condenser Microphone The CX212B is a multi-pattern, dual diaphragm condenser microphone with a contemporary design and excellent performance characteristics. It is an exceptional tool for professional audio production, project studios and live stage performances. Delivering a smooth, uniform frequency response from 20 Hz - 20 kHz, the CX212B offers a choice of three polar patterns: cardioid, omni-directional, and figure 8. Additionally, the CX212B is equipped with a bass roll-off filter to help eliminate rumble in the lower frequencies. The CX212B can handle sound pressure levels up to 132 dB and is ideal for a wide variety of acoustic instruments, vocals, string sections, ensembles and ambient room miking. The CX212B is designed with low noise preamp circuitry and operates on phantom power. For optimum results use the CX212B with a high quality mic preamplifier and microphone cable. SUPPLIED ACCESSORIES MC112B - Mic stand adapter. Includes thumb screw and threaded adapter that securely holds mic in place. SMTCX112 - Heavy-duty aluminum caged shock mount system with nylon cable. CASEDPA - Aluminum flight carrying case OPTIONAL ACCESSORIES WSCX - Optional external foam windscreen for reducing wind, sibilance, and pop noise. APS2 - Two-channel 48 V phantom power supply. 110 V switchable to 240 V. Detachable power cord. PD133 - Optional two-layer mesh pop diffuser for controlling acoustic plosives. CBL20 - 20' premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with braded shield for conductivity. 6 mm PVC jacketed.

Audix T-50K Inline Impedance Matching Transformer Product Description Plug mics into your instrument amp or other Hi-Z inputs. The Audix T50k Inline Impedance Matching Transformer adapts low-impedance microphones to high-impedance 1/4" inputs. The durable T50k features a heavy-duty 7mm rubber jacketed cable interface and strain relief. Gold-plated connectors. Created for FireBall and FireBall V microphones for harmonica and beatbox. | Plug mics into your instrument amp or other Hi-Z inputs | The Audix T50k Inline Impedance Matching Transformer adapts low-impedance microphones to high-impedance 1/4" inputs | The durable T50k features a heavy-duty 7mm rubber jacketed cable interface and strain relief | Gold-plated connectors | Created for FireBall and FireBall V microphones for harmonica and beatbox