Stage mic

Planet Waves - PWAMSM25 American Stage Mic cable 25' Rely on Planet Waves American Stage microphone cables! Even if you gig every night, American Stage microphone cables will take years of abuse, thanks to heavy-duty Neutrik connectors and state-of-the-art crimped connector technology. With 22-gauge twisted-pair conductors, signal transfer is optimized, and the 98% copper braid shielding virtually eliminates noisy interference. Made in the USA and built to last, you can count on Planet Waves American Stage microphone cables.

Planet Waves - PWAMSM10 American Stage Mic CBL 10' American Stage cables are built to ensure that your tone comes through exactly the way you want it. The 10-foot length is ideal for shorter runs, such as guitar-to-pedal board, and smaller stages. Planet Waves American Stage Series cables are designed w

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. 1-channel low-noise microphone preamplifier, for mains operation or battery operation. 1 microphone input, XlR, bal. Gain, 11 steps dB lED green/red for operation/peak Phantom power +24V, can be switched on additionally Switchable microphone phase lo cut 100Hz, hi cut 12kHz, 12dB/oct., switchable 1 preamplifier output 1 stereo line input 1 stereo line output level control and panorama control for mixing the microphone signal to the stereo line channel Technical Specification Frequency range: HzInput sensitivity: mV, switchableInput impedance: Mic: 2.2k¿ Stereo line: 10k¿Outputs: line, bal.: 1V/V max. Stereo line: 1V/Vmax. Stereo master: -Filter, low cut: 100Hz/-3dB, 12dB/oct.Filter, high cut: 12kHz/-3dB, 12dB/oct.Filter, subsonic: Gain, mic: dBGain, stereo line: 0dBS/N ratio, mic: > 66dB (unweighted)S/N ratio, line: 80dB (unweighted)THD:

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. 2-channel low-noise microphone preamplifier 2 microphone inputs, XlR, bal. Gain, 11 steps dB 2 level controls ±5dB lED green/red for operation/peak Phantom power +12V, can be switched on additionally Microphone phase can be switched for each channel lo cut Hz, continuously adjustable Subsonic filter 15Hz, 18dB/oct. 2 line outputs, XlR bal. 2 line outputs, RCA unbal. PC&Music "The MPA-202 provides a clear signal of low noise without any noticeable colouring. This two-channel unit is suitable for everyone looking for a clear sound and a favourable price." Technical Specification Frequency range: HzInput sensitivity: mV, switchableInput impedance: Mic: 4.4k¿ bal., 2.2k¿ unbal. Stereo line: -Outputs: line, bal.: 1V/Vmax. Stereo line: 1V/Vmax. Stereo master: -Filter, low cut: Hz, 6dB/oct.Filter, high cut: -Filter, subsonic: 15Hz, 18dB/oct.Gain, mic: dBGain, stereo line: -S/N ratio, mic: > 68dB (unweighted) > 87dB (weighted)S/N ratio, line: -THD:

On Stage QK2B Microphone Clip Quick Release Product Description The On Stage Quick Release snaps on to your mic stand to instantly connect and disconnect mic holders and boom attachments. Simply screw the 2-piece Quick Release to the top of your mic stand, then attach your microphone holder to the Quick Release. During performance, you can push a button on the quick release to remove the mic and clip from the stand instantly so you can rule the stage! The Quick Release can also be attached between your mic stand and the mic boom for quick tear-down at the end of the gig. It's compatible with all mic stands, booms and mic holders with standard threads. | Standard 5/8" -27 solid ends | Push button release

MC-1 Condenser For the singers and the instrumentalists. With the MC1 Condenser, find on stage the quality of the sound studio. Full-range vocal condenser with low handling noise, the MC-1 condenser mic brings you enhanced sensitivity and enhanced resolution. It is more sophisticated than a dynamic mic, giving you studio standard recording on stage. Must be connected to a 48V power supply. The MC-1 condenser mic is specally designed to last - it has its very own patented cartridge suspension. "The Lanen condenser mic brings you enhanced sensitivity and enhanced resolution. It is more sophisticated than a dynamic mic, giving you studio standard recording on stage. Must be connected to a 48V power supply. I’ve optimised the settings to ensure outstanding voice recordings with no sibilance (high-pitched whistling). For me, this was about creating a mic that was as brilliant as the hype. I’ve also introduced a complex anti-pop filter with 5 different-sized mesh grilles to completely eliminate ‘pops’. All these enhancements are just as effective when recording instruments.”.

On Stage GS7800 U-Mount Mic Stand Guitar Hanger Product Description u-mount Series Mic Stand Guitar Hanger. The On-Stage GS7800 lets your existing mic stand double as a guitar stand. The easy-on, easy-off single knob clamp secures to any shaft up to ￢ﾀﾚￂﾾ" in diameter. Your guitar will always be in reach and your piece of the stage will be clutter-free. The swivel yoke fits most conventional headstocks and is lined with inert velveteen foam. An exclusive EVA bumper is included to stabilize and protect your electric or acoustic guitar. | Turn any standard tripod Mic stand into a hanging guitar stand | Patent-pending u-mount clamp | Secures to any shaft up to ￂﾾ" in diameter | Self-adjusting swiveling yoke lined with inert velveteen foam | EVA bumper included to stabilize and protect your guitar

Professional XLR Stage Box Heavy duty stage snake with individually colour coded and labelled connectors. Heavy duty multicore cable with individual shrink sleeving to protect cable ends.Length 100ft. Professional XLR stage box, 8 mic, 4 return For more info on this product please click here

Rode S1 Stage Condenser Large Diaphragm Mic - The RØDE S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability. At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise. Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response. The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording. The RØDE S1 live condenser vocal microphone is covered by RØDE Microphones' industry leading 10 year warranty. *

On Stage - AS420 Cardiod Mic Audio Spectrum offers an affordable, performance driven microphone. With its cardioid pattern and 80Hz-13kHz frequency response, the Audio Spectrum AS420 Dynamic Handheld Microphone is the perfect mic for anything including vocals, instruments and other mid ranged sound sources. A cost effective mic for outfitting DJs, Clubs, Karaoke or touring acts, the Audio Spectrum AS420 is ideal for entry-level musicians and general purpose events. Priced for any budget, the AS420 delivers stunning results at an excellent price!

On Stage - MA100 Mic Screw Adaptor 3/8" male to 5/8" female for use with standard mic stands and mic clips/microphones with European 3/8" threaded inserts.

iRig Mic is the first handheld, quality condenser microphone for iPhone, iPod touch and iPad designed for all of your mobile sound needs. Now you can make professional audio and vocal recordings anywhere on your iOS device. IRig Mic is ideal for the singer, vocalist and songwriter on the move, but also perfect for recording speeches, instruments, performances or other sound sources in the studio, on stage or in the field. The iRig Mic features a highly unidirectional condenser-electrets microphone capsule that provides quality recording in both close mic and long distance mic conditions, and provides real time monitoring with its dual mini-jack connector design. A three-level gain switch makes it instantly adjustable for any sound pressure condition - from soft speaking to loud playing. Its familiar form is perfect for handheld performance, plus it allows you to mount it on any mic stand leaving your device free for operating your favorite app. Its rugged metal body is road-ready for the mobile musician. IRig Mic also comes with Voca Live free, IK's new real time effects processor suite for the singer and vocalist, and AmpliTube free for guitar players and songwriters. iRig Mic also works with a multitude of other vocal and audio processing apps for the iOS platform. iRig Mic is the first handheld, quality condenser microphone for iPhone, iPod touch and iPad designed for all of your mobile sound needs. Now you can make professional audio and vocal recordings anywhere on your iOS device. iRig Mic is ideal for the singer, vocalist and songwriter on the move, but also perfect for recording speeches, instruments, performances or other sound sources in the studio, on stage or in the field. The iRig Mic features a highly unidirectional condenser-electret microphone. Features: Rugged, durable metal housing. Dual mini-jack connector allows real-time monitoring on headphones, speakers, mixers, PAs. Quality condenser-electric unidirectional capsule. Great for all types of sound recording or processing in music or any other audio application. Ideal for all vocal applications from singing to speech.

On Stage ASMS4730 Studio Mic Screen Turn your microphone stand setup into a recording environment! The ASMS4730 Isolation Shield is a lightweight and portable shield that mounts onto most standard microphone stands, creating a mini recording studio. Constructed from a vented aluminum surround panel, metal frame and 2” acoustic foam, the ASMS4730 blocks out unwanted background noise and improves the direct sound output when recording. Included mounting brackets attach the shield easily to most standard mic stands, and an included microphone mounting bar can position your mic as close as 2” from the screen, and as far as 7” away from the screen. Entire screen adjusts vertically up to 5-1/2”.

On Stage - MY100 Dynamic Rubber Mic Clip The On Stage MY100 Universal Microphone Clip is the same design as the Shure a25cm but made of highly break-resistant rubber. For nearly 20 years, The Music People! Inc. has been one of the nation¿s leading suppliers of microphones and pro audio equipment. The Music People! Inc. also owns and manufactures On-Stage Stands support stands. Founded on a promise of quality, innovation and customer service, The Music People! Inc. is committed to the needs of music professionals throughout the world.

On Stage - MY500 Stereo Mic Bar The On Stage MY500 stereo microphone bar is made ideal for multiple microphone applications in both live and studio recording settings! Microphone bar fits most standard stands, booms and microphone clips and features brass 5/8 inch - 27 insert threads. The MY500 bar can hold up to three microphones!

On Stage - MB7006 Mic Bag On-Stage Gear Microphone bags make protecting and transporting your valuable microphones easier than ever. Thick foam inserts accommodate most popular handheld mic designs, while a separate compartment with a removable hook-and-loop divider provides room for cables and clips. An additional zippered mesh pocket incorporated into the lid is perfect for storing sheet music or similar items.

On Stage - ASVS6-B 6"Mic Pop Blocker Use the On-Stage Stands Pop Blocker to immediately improve the sound of your vocal recordings! Plosive sounds such as "p" and "b" create a sudden burst of air pressure that can create a bassy "pop" in your vocal recordings, ruining what could have been the perfect performance. Our Sales Engineers recommend this inexpensive Pop Blocker because it easily attaches to any mic stand, and breaks up plosive bursts without affecting your overall sound quality. Whether you're recording voiceovers or pop vocals, safeguard your microphone with an On-Stage Stands Pop Blocker from Sweetwater!

On Stage - MS7920B Bass Drum Mic Stand This variation of the MS7311B features a U-shaped base instead of the heavy tripod design, allowing for placement in the tightest of spaces.

On Stage - MY110 Wireless Rub Mic Clip The MY110 Wireless Rubber Microphone Clip from On-Stage is designed for use with wireless handheld microphones.

On Stage - MY330 Wireless Mic Clip Designed to reduce the effects of low-end rumble and floor vibrations, the MY330 holds and isolates your microphone from unwanted noise. An excellent choice for those lead guitarist/vocalist or performers who do double duty. The MY330 wireless shock mount clip features a 5/8 inch-27 female threaded insert in a plastic base with a 30mm opening for wireless microphones.

On Stage - MS9701B+ H/D Tripod Mic Stand The On-Stage MS9701B Plus is a top-of-the-line, professional tripod boom stand with a heavy die-cast leg housing, thicker tubing and premium threads. A new ergonomic center clutch grip, coupled with an anti-rotating device on the lower shaft, makes for easy one-hand height adjustments. The all-metal boom clutch, zinc die-cast end caps, steel boom, and removable counterweight make this stand built to last!

On Stage - TM01 TM-01 Mic Mount The On-Stage TM01 Microphone Table & Stand Clamp is an adjustable c-clamp with a 5/8"-27 threaded stud for a microphone adapter. The TM01 easily clamps onto desk edges, tubing, the shaft sections of microphone stands, instrument stands, percussion instruments and more. The removable mic-clip adapter can be placed in 3 different hole locations. The mounting block is removable and features a flat side to clamp to flat surfaces, and a v-groove side to clamp onto microphone stands.

On Stage - SB96+ Studio Boom Mic Stand This stand includes nearly everything you need for starting a studio project. At its core is a telescoping vertical shaft and an extra long telescoping boom with a solid steel counterweight. The 40-teeth boom clutch means non-slip locking power. Added to the end of the boom is a Posi-Lok mini-boom arm. The four locking folding legs and attached locking casters make for a remarkably stable foundation. The entire stand folds for travel. This studio boom can be taken anywhere.

On Stage - DJM-618 18"Gooseneck DJ Mic A professional gooseneck microphone ideal for DJ's, talk-back, webcast, musicians on a budget, athletic complex announcements and schools. Features a flexible gooseneck and a 3-pin XLR male connector at the base. The unidirectional pattern effectively minimizes feedback and noise from off-axis sections of the dynamic capsule. Can plug into any XLR microphone input on any DJ mixer.

Digital mixing has revolutionized virtually everything in the live-entertainment production workflow. Now weve come up with the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world the ultra-cool and ultra-affordable SD8 Stage Box! The SD8 provides 8 MIDAS -designed remote-controllable mic preamps, 8 balanced analog XLR returns at the stage end, plus an integrated 2-port ULTRANET distribution hub for direct connection to our P16-M personal monitor mixers without any additional hardware required. Plus the SD8 is extremely compact and comes with rugged protective bumpers, so you can toss them directly on stage wherever you need them. The best part all it takes is a single shielded CAT5e cable per stage box (up to 330 ft / 100 m length). And If you need more inputs, or just want to keep your cable runs short and tidy, putting an SD8 at stage front and another behind the drum riser gives you an additional 8 inputs for drum and guitar/ bass amp micing. When used as part of a complete X32 system, as many as six SD8 Stage Boxes can be cascaded via the built-in AES50 ports to provide up to 48 balanced XLR Combo inputs and 48 balanced XLR outputs. An onboard ULTRANET distribution hub provides power and 16 channels of audio to 2 BEHRINGER POWERPLAY P16-M personal monitor mixers per SD8, all via inexpensive shielded CAT5e cabling and without any additional hardware. Two of the programmable inputs are also compatible with Hi-Z sources, so you can connect keyboards, acoustic and bass guitars, etc., with no DI box required. The SD8 also features a USB port for fast and easy system updates via your PC.

Rode - S1 Stage Large Diaphragm Condenser Microphone The RØDE S1 Pro Vocal Condenser Mic is a professional-quality microphone, specifically designed for live vocal performance. It employs a true condenser transducer for optimal sound reproduction. The frequency response is tailored to ensure clear vocals while reducing handling noise. The unidirectional (super cardioid) pickup pattern limits background noise and reduces the susceptibility to feedback. The 5-piece mesh head provides filtering of breath, wind, and plosive noises while not interfering with the RØDE S1's sensitivity or frequency response. The hardened mesh head also protects the precision condenser transducer from airborne contaminants and possible impact during performance and transit. The ergonomic design of the S1 also makes it extremely comfortable to hold and control during performance. The S1 mic requires P48V phantom supply and will work with most professional mixing consoles that incorporate this standard. The high-level output of the S1 is electronically balanced to reduce loss over long cable runs with the additional benefit of high-level rejection of electromagnetic interference.

When you're on stage, the last thing that you want to shake, rattle and roll is your mic. Designed to reduce the effects of low-end rumble and floor vibrations, the MY330 features a 5/8"-27 female threaded brass insert in a heavy-duty plastic base. The 30mm opening holds most name brand wireless microphones and grips your mic with 35lbs. of pressure! Features: 30mm, fits most handheld wireless mics Reduces the effect of low-end rumble and floor vibrations Standard 5/8"-27 female threaded brass insert in a heavy-duty plastic base

EWI PSPXC 20 Mic, 4 Return 30m Snake Cable The EWI PSPX 20 x 4 series snake is a medium quality professional product. Both the fantail and stage box are all XLR. This is a 20 channel XLR send snake with 4 XLR returns. The returns have parallel MXLR and 1/4" TRS panel jack on the stage box.

EWI PSPX24-100C 20 Mic, 4 Return 30m Snake Cable The EWI PSPX 20 x 4 series snake is a medium quality professional product. Both the fantail and stage box are all XLR. This is a 20 channel XLR send snake with 4 XLR returns. The returns have parallel MXLR and 1/4" TRS panel jack on the stage box.

Features: Battery-powered microphones allow the performances to have maximum freedom of movement on the stage. ALC circuit doesn't have to worry about the volume and distortion of the volume. Handheld microphone switch noise shock wave elimination circuit. The function of return whistle, screaming and lowering, is provided. Unique noise squelch function, external interference refused to open the machine we sound system. It's ideal for classroom activities, meetings, and outdoor concerts, any event on stage, in the office or even at home. Channel: 2CH Modulation: VHF Frequency: 220MHz-270MHz (720MH-780MHz) Frequency response: 50-18KHz Dynamic range: >110dB T.H.D: ≤0.5% SNR: >100dB Service areas: Max. 100m/ 328.94ft (without obstacle) Input voltage: AC 220-240V/ 50-60Hz Plug: EU plug(sent with an adapter according to your country) Receiver voltage: DC 12-16V Receiver size: Approx. 21 x 14 x 3.5cm/8.27 x 5.51 x 1.38 inches Transmitter voltage: 2 x AA batteries per one mic(not included) Transmitter power: 30mW(max.) Transmitter size: Approx. 26.5x5cm/ 9.84 x 2.17 inches Package Included: 1 x Receiver 2 x Microphones 1 x US Power Cable 1 x Audio Circuit 1 x Manual