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Skullcandy - S4CHJZ-358 Chops Bud Hanger W/O Mic Teal/Acid You're on a desert island, and you get to keep three things; before you get ahead of us, just make sure one of them is the Skullcandy Chops In-Ear Buds with Mic. When you're ascending coconut trees and hunting boars, you will appreciate the Chops' ability to stay put.

Skullcandy - S4CHHZ-477 Chops Bud Hanger W/O Mic Navy/Blue/Blue You're on a desert island, and you get to keep three things; before you get ahead of us, just make sure one of them is the Skullcandy Chops In-Ear Buds with Mic. When you're ascending coconut trees and hunting boars, you will appreciate the Chops' ability to stay put.

Skullcandy - S4CHJZ-561 Chops Bud Hanger W/O Mic Gray/Gray/Black You're on a desert island, and you get to keep three things; before you get ahead of us, just make sure one of them is the Skullcandy Chops In-Ear Buds with Mic. When you're ascending coconut trees and hunting boars, you will appreciate the Chops' ability to stay put.

Rode - NT45-O OMNI Capsule For NT45 Mic If you want that "being in the room with the music" feeling in your recordings, the way to achieve that is with an omnidirectional mic. If you already have a RODE NT6, NT4, NT5, NT5-S, or NT55 cardioid mic and don't want to spring for another mic, RODE offers the NT45-O capsule as an alternative, which will work with the aforementioned RODE mics. The RODE NT45 capsules offer a selection of frequency responses and polar patterns in a convenient and easy to use interchangeable format. The capsules are designed for studio recording, live sound reinforcement, and any application where sound quality and mounting flexibility are required. Designed and manufactured in Australia, the NT45-O capsule offers high SPL capabilities with low distortion and noise.

The ART TubeOpto 8™ is the ideal Eight Channel input / output expander for any ADAT lightpipe equipped audio interface, direct-to-disc recorder or DAW. Eight high quality second generation discrete Class-A vacuum tube microphone preamps are packaged in a single rack space unit with eight channel 24-bit digital I/O. Every input on the TubeOpto8 offers full control of the signal path with pad, phase and low frequency roll-off switches. Input gain and variable output level control of each channel allows up to 70dB of clean gain with incredible sonic transparency or for the tube stage to be dialed in for warming effects and soft clipping. Each channel has wide range LED meters monitor the preamp output levels while clip indicators monitor mic-preamp peak levels. ADAT lightpipe I/O handles eight channels of 24-bit audio input and output at either 44.1 or 48 kHz sample rates. Wordclock in and thru-puts allow multiple Tubeopto8's to be synced in complex system configurations. Features: Eight Fully Featured Class-A Tube Mic Preamps Eight Channels of ADAT lightpipe Digital 24 Bit Audio I/O at 44.1 or 48kHz Input Gain and Output Level Controls on Every Channel Input Pad, Phase flip and Low Frequency Roll Off Switches on Every Channel Two Additional Front Mounted High Impedance Instrument Line Inputs Eight 1/4-inch TRS Balanced Outputs 1 year limited guarantee. For more info on this product please click here

Skullcandy - S2DUHZ-335 Jib In-Ear W/O Mic Red/Black/Black Sometimes a makeover is exactly what the Dr. ordered. Primed and ready for an all day excursion these Ill Famed Ink'd 2 in ear headphones by Skullcandy are speckletacular in mint and black. These completely revamped Ink'd 2 earbuds by Skullcandy are more popular than ever with their amazing sound, greater comfort and stylish design. The Mic1 lets you make and take calls, play and pause tracks and works with most smartphones.

Skullcandy - S2DUDZ-058 Jib In-Ear W/O Mic Rasta Sometimes a makeover is exactly what the Dr. ordered. Primed and ready for an all day excursion these Ill Famed Ink'd 2 in ear headphones by Skullcandy are speckletacular in mint and black. These completely revamped Ink'd 2 earbuds by Skullcandy are more popular than ever with their amazing sound, greater comfort and stylish design. The Mic1 lets you make and take calls, play and pause tracks and works with most smartphones.

Skullcandy - S2DUFZ-385 Jib In-Ear W/O Mic Gray/Hot Lime Sometimes a makeover is exactly what the Dr. ordered. Primed and ready for an all day excursion these Ill Famed Ink'd 2 in ear headphones by Skullcandy are speckletacular in mint and black. These completely revamped Ink'd 2 earbuds by Skullcandy are more popular than ever with their amazing sound, greater comfort and stylish design. The Mic1 lets you make and take calls, play and pause tracks and works with most smartphones.

Skullcandy - S2DUDZ-042 Jib In-Ear W/O Mic Purple Sometimes a makeover is exactly what the Dr. ordered. Primed and ready for an all day excursion these Ill Famed Ink'd 2 in ear headphones by Skullcandy are speckletacular in mint and black. These completely revamped Ink'd 2 earbuds by Skullcandy are more popular than ever with their amazing sound, greater comfort and stylish design. The Mic1 lets you make and take calls, play and pause tracks and works with most smartphones.

Skullcandy - S2DUDZ-012 Jib In-Ear W/O Mic Blue Sometimes a makeover is exactly what the Dr. ordered. Primed and ready for an all day excursion these Ill Famed Ink'd 2 in ear headphones by Skullcandy are speckletacular in mint and black. These completely revamped Ink'd 2 earbuds by Skullcandy are more popular than ever with their amazing sound, greater comfort and stylish design. The Mic1 lets you make and take calls, play and pause tracks and works with most smartphones.

The e 914 is a high grade condenser microphone for very demanding applications Its outstanding sound properties qualify the e 914 for highly sophisticated tasks. The e 914 is a perfect microphone for ambitious recordings and live performances. Its main areas of application are acoustic guitars, cymbals, percussion, overhead, orchestras, grand pianos etc. TEC Award Winner for Outstanding Technical Achievement in the category Microphone Technology/ Sound Reinforcement - the Sennheiser e900 Backline Series. m.i.p.a. award Best drum microphones: evolution 900 Series Features Exceptionally lively, clear sound Three-position sensitivity switch Three-position bass roll-off/cut-off switch Very high sound pressure handling capability Delivery Includes e 914 microphone Microphone clamp Windscreen Pouch User manualDimensions Ø 24 x 157 mm Connector XLR-3 Transducer principle (Microphone) pre-polarised condenser microphone Frequency response Hz Weight 198 g Attenuation dB Pick-up pattern cardioid Sensitivity in free field, no load (1kHz) 7 mV/Pa Nominal impedance 100 Ω Min. terminating impedance Ω Phantom powering 48 V/2,2 mA Equivalent noise level 19 dB(A) Max. Sound pressure level (aktiv) - (with activated -10 db attenuation), 157 (with activated -20 db attenuation) db

The unD4I four input Dante interface is the ideal interface for adding mic/line inputs to a Dante system. The small form factor to the unD4I allows them to be mounted almost anywhere, putting them close to audio sources and minimizing interference-prone analog wiring. The unD4I features four balanced mic/line inputs, each with software selectable +48V phantom power and 8 gain levels. Front panel indicators show each channels gain and phantom power status for easy troubleshooting. The unD4I has two network connections to allow Dante Daisy Chaining (DDC). DDC further simplifies system infrastructure wiring by allowing multiple unD4Is to use a single CAT 5 home run connection to a network switch. Power can also be daisy chained.The unD4I is powered by either external +24VDC or any PoE network switch. All adjustable parameters, like mic/line gain and phantom power, are software controlled. 24VDC Power Supply Not Included

Shure - MX-392/O Boundary Microphone This Shure Microflex MX392 is a small, low-profile surface-mounted electret condenser boundary microphone designed for mounting on conference tables, stage floors, and lecterns. The MX392/S supercardioid mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX392/S has an supercardioid pickup pattern and is recommended for sound reinforcement applications requiring narrow or more distant coverage. Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, the mic's programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations. The Shure MX392/S surface-mount microphone includes a programmable membrane on/off switch, logic input/output terminals, an on/off indicator LED, screw terminal connections, and an attached 12 ft. (3.7 m) unterminated cable.

Shure - CVB-B/O Boundry Microphone, Black The black CVB-B/O Centraverse Omnidirectional Boundary Condenser Microphone from Shure is designed for desktop installed sound reinforcement applications. This microphone offers low-profile, discreet mic placement and is suitable for use in corporate facilities, houses of worship, government institutions, conference rooms, conference tables, lecterns, and meeting rooms. It also features CommShield technology for shielding against RF interference from portable wireless devices.

Midas - DL154 I/O Interface The Midas DL154 Fixed Format I/O Unit 8-Input/16-Output Stagebox delivers legendary Midas sound quality in a cost effective, discrete 2U chassis that utilizes time-tested and proven Midas technologies. Equipped with 8 channels of Midas premium mic-pre amplifiers with 2.5 dB gain steps and 16 balanced line level outputs, selectable sample rate and dual redundant AES50 network ports the DL154 is the ideal partner to the PRO 1 and PRO 2 digital consoles - significantly increasing the network capacity and number of mic. Inputs and analogue outputs.

                              Main Features: A3 Bluetooth headphone Bluetooth version: CSR8615 / V4.0 + EDR Multipoint connection: you can connect two mobile phones simultaneously Built-in MIC: hands-free answering Always stand-by: 150 hours Powered by lithium-ion battery of 75mAh Function: Answering Phone,Bluetooth Connectivity: Wireless Application: Mobile phone Impedance: 32ohms Talk time: 6 - 8 hours Standby time: 150 hours Charging Time.: 1.5 hours Compatible with: Mobile phone Bluetooth: Yes Bluetooth Version: V4.0 + EDR Bluetooth distance: W/O obstacles 10m Bluetooth chip: CSR8615 Bluetooth protocol: A2DP,AVRCP,HFP,HSP Battery Types: Built-in Battery Capacity(mAh): 75mAh Package weight: 0.070 kg Package size (L x W x H): 9.30 x 7.00 x 3.60 cm / 3.66 x 2.76 x 1.42 inches Package Contents: 1 x Earphone, 1 x USB Cable, 1 x Pair of Earring, 2 x Pair of Earbuds, 1 x English User Manual

With eight channels of Focusrite microphone preamplification, eight VCA-based Red 3-derived compressors and built-in 24-bit / 96kHz digital inputs and outputs, OctoPre MkII Dynamic is Focusrites feature-rich expansion upgrade for any digital audio workstation. Its equally an ideal expansion for any analogue or digital console, or hard disk recorder. Digital inputs and outputs let you make the most of often-neglected ADAT I/O, ideal for expanding the number of mic pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed. With this entire package fitting into a single 1U chassis complementing Focusrites Saffire PRO range, and all controls adjustable from the front fascia, OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.

The MAYA EX is a 2 In and 6 Out analog USB audio interface with S/PDIF optical In/Out, MIC input and headphone output. It is simple to use, portable, and fast in processing. The MAYA EX can be used with your digital audio recording software to playback digital audio source with exceptional audio quality. Turn your PC or notebook into a home-theatre system with MAYA EX with enhanced 5.1ch software.

Allen and Heath GLD080 - GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLives acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.GLD-80 FEATURESGLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixers local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.The GLD-80 connects to a range of plug n play I/O racks to build 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heaths ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDs extensive soft-patching.FEATURE SUMMARYCompact digital mixer with scalable, remote I/OSystems from 4 to 44 mics1Easy to use, quick to access, analogue style interfacedSNAKE Cat5 digital snakeup to 120m cable length8.4 inch colour touchscreen for graphical view and setup20 faders, 4 layers, 80 channel strips in a freely customizable layout48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs8 stereo RackFX engines* with dedicated short returns with 4-band PEQFull processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delayFull processing on all outputs including insert, PEQ, GEQ, compressor and delayLR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes16 DCAs / mute groupsBuilt-in Talkback, RTA and Signal GeneratorI/O module options for FOH/Monitor split, multitrack recording, link to iLive and moreMIDI In/Out and Ethernet Network portAviomTM Pro16 compatible Monitor port on main AudioRackHigh end 1dB step recallable mic/line preampsUser definable channel names and coloursEngineers mono Wedge and stereo IEM stripsInput, output and insert soft patchbaysQuick copy, paste and reset of mixes and parametersLibraries, Scenes and Show memories with USB transferGet started quickly with Template Shows.(020)

Major I/O and British-style Sound for a Low Price! The Saffire PRO 40 is all about sounding great. And what else would you expect from Focusrite? This company makes some of the very best preamplifiers available. And with the Saffire PRO 40, they give project/home studio owners the best preamp possible in an affordable, I/O-packed box. Best yet, you don't get just one or two preamps with the Saffire PRO 40 ¿ you get a whopping eight amazing-sounding preamps, so you're ready for full-band recordings. Just plug your microphones in, use the handy front-panel gain control knobs, and keep your eye on the bright LED display ¿ you'll have pro-level sound pumping into your DAW via FireWire, no doubt about it. But what rockets the Saffire PRO 40 from awesome to near-legendary status is the flexibility beyond just the eight mic/line inputs. Over on the back panel, you've got dedicated outputs for your studio monitors plus a full eight outputs for configuring however you see best. Need to feed separate headphone mixes to each artist? Use the included router software and pipe any configuration of inputs into any configuration of outputs... without tapping into the power of your computer. Say you want to gear up for full 7.1 surround? These eight outputs are ready for it. All in all, the Saffire PRO 40 has built-in DSP to take care of your 18x16 routing needs. And if you ever decide eight preamps isn't enough, you'll be glad to know that you have ADAT inputs on the Saffire PRO 40 to bring another eight channels into service. Add in the S/PDIF input for two more channels, and you're golden for large-scale recording, up to 20-in/20-out flexibility. What else does the Saffire PRO 40 do for you? Well, if you have software already, it's ready to work with your Mac or PC DAW. But if you're new to recording, you can take advantage of its sweet software package that comes included. You've got compression, reverb, gating, and EQ plug-ins (VST/AU), so you can incorporate that Focusrite sound into your mixes and masters. To ignite your creativity, Focusrite also bundled in their established Xcite+ bundle, with Ableton Live Lite DAW software, Novation's Bass Station soft synth, and over 1GB of royalty-free samples. With its flexible I/O setup, room for expansion, majorly handy DSP routing capabilities, and professional plug-in suite, the Focusrite Saffire PRO 40 has you covered on nearly ever front you're going to face. Factor in the low price, and you've got a win-win situation with the Saffire PRO 40. All Focusrite FireWire interfaces are fully compatible with Thunderbolt using a simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with its FireWire interfaces. Focusrite Saffire PRO 40 Features at a Glance: Eight High-quality Award-winning Focusrite Preamps High-quality 24-bit/96kHz FireWire Interface 20 Inputs and 20 Outputs Suite of Focusrite VST/AU plug-ins Two separate headphone buses Saffire PRO 40 Control Zero-latency DSP Mixer/Router Mac and Windows 2 Mic/Line/Inst Combo XLR (Inputs 1 and 2) 6 Mic/Line Combo XLR (Inputs 3-8) Automatic switching between inputs Stereo S/PDIF I/O on RCA 8 ADAT I/O Optical Connector, reduces to 4 I/O at kHz 8 TRS Jack (Outputs monitor mix outputs on TRS Jack (Outputs 1 and 2) Stereo S/PDIF output on RCA 2 6-pin Firewire sockets MIDI I/O

48-input Digital Mixer! More channels. More inputs. The new TASCAM DM- has more of everything that made the DM-24 a pedigreed studio workhorse, plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. With the DM-, TASCAM brings the functionality of a big console to the world of DAWs. You can't go wrong with the DM-! TASCAM DM- At-a-Glance: Music Tracking Post Production and Game Production Live Sound and House of Worship Project Studio Recording Music Tracking When you're tracking a band in your studio, there are certain features that musicians and producers demand from a recording console. The DM- gives you eight aux sends so that you can give individual cue mixes to each musician and have some left over to buss to the two built-in effects. It has a professional control room section with talkback mic and slate functions as well as three playback source selection switches. For recording large ensembles you get 16 microphone preamps, each with analog insert, phantom power (selectable in groups of four) and a -20dB pad switch. Four assignable analog inputs are provided, for inserting your favorite tube compressor on a console channel, or you can use the 4-band EQ and dynamics found on every channel. When the sound is dialed in, send that channel to its own track with the Direct button or combine inputs to the 16 busses. There are plenty of digital and analog I/O options to combine stand-alone hard disk recorders (like the TASCAM X-48), analog tape recorders or computer-based DAW recorders. The affordable DM- handles all of the routing and bussing you need in a professional studio, allowing you to concentrate on running your session. Post Production and Game Production Mixing inside of a computer is difficult enough in stereo, and when you start working on surround projects, managing and monitoring all of the ins and outs becomes more like air traffic control. The DM- becomes your control center for mixing large projects with dozens of channels. It can mix your tracks with one snapshot, and with two button presses you're ready to transfer them to a dubber or video deck. Just connect your DAW interface, like Digidesign's 192 Digital I/O for Pro Tools, to one of the digital connections on the rear panel (or use our optional IF-FW/DM FireWire interface card). The DM- even acts as a HUI controller for Pro Tools, allowing you to mix some channels in the DAW and others in the console. The DM- is an outstanding choice for mixing in surround, with 5.1 and even 6.1 automated panning. The 16 busses become two surround busses in surround mode, allowing you to buss channels to discrete stems. The optional IF-SM/DM Surround Monitoring card provides downmixing to stereo, individual output solo/mute and bass management features to the console. Live Sound and House of Worship Like the DM-24, the DM- makes a reliable choice for sound reinforcement. Its 16 mic inputs give you plenty of channels for performances or services, and more mic inputs can be added as needed using external rackmount preamps with digital outputs. Each of the 32 channels features four-band parametric EQ, gating and compression processing. Two built-in effects processors can access a variety of great-sounding effects processors, including a reverb processor by TC Works. If you're the one installing the DM- into a facility, you can program a variety of settings and back up your programs to a Compact Flash card. Recalling snapshots is done using dedicated buttons on the front panel, so loading a mixer setting is as simple as changing channels on a TV remote. The rear panel of the DM- is well-stocked with balanced and digital I/O, allowing ample connectivity to crossovers, as well as CD and cassette recorders such as our popular CC-222 mkII. Project Studio Recording Add the optional IF-FW/DM interface card to the DM-, and it becomes the ultimate computer interface and mixing surface for your workstation software. The IF-FW/DM allows a single FireWire cable to transmit 32 channels from your computer to the DM- and another 16 channels back to the computer for recording. Using this expansion card, no other interface or hardware is needed for recording to a computer. The DM- has a fader layer, labeled 'Remote', that's dedicated to controlling the mixing facilities in your DAW software. There are two modes of control: Mackie Control and Mackie HUI emulation. The DM-'s solid transport keys can be mapped to your software in any fader layer, and adjustments to your software mixer is a fader layer away. The DM- + IF-FW/DM combination gives you the best of both worlds: computer recording and DAW control with world-class mixing, automation and monitoring features. Tascam DM- Features: 32 channels and 16 auxiliary returns for 48 total inputs 16 busses 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate Transport controls Powerful automation with touch-sensitive motorized faders EQ and compression on each channel Two built-in effects processors at k or k Flexible routing Offload data to convenient Compact Flash media using built-in CF slot Optional MU- meter bridge Stylish, professional design with rear panel I/O connections TASCAM Mixer Companion software

The X32 Core from Behringer is a 40-channel, 25-bus digital mixer that fits in a single rackspace for live and installed sound applications. Its dual AES50 ports feature Klark Teknik's SuperMAC networking capability for ultra-low jitter and latency. The X32 Core also features an expansion port that comes filled with a 32 x 32 channel USB 2.0/FireWire 400 audio interface card, allowing you to record directly to a computer with zero-latency monitoring. The X32 Core has basic analog connections, including a pair of 1/4" TRS monitoring outputs, a headphone output, and a talkback mic input. It also has a MIDI input and output. In addition to its AES50 ports, the X32 has an Ultranet RJ45 output for connection to P16 personal monitor mixer (sold separately.) A networked remote control connection is available, via Ethernet, for show setups with on-screen software editors. Internally, the X32's 40-bit floating-point DSP processes its main LCR channels, 6 matrix buses and all 16 mix buses featuring inserts, 6-band parametric EQs and full dynamics processing, plus 8 DCA and 6 mute groups. It features powerful scene management capable of handling and recalling complex productions. A front-panel USB type-A port provides preset storage, system updates, and uncompressed stereo recordings. Additionally, the Virtual FX rack contains 8 true-stereo effects, featuring high-end simulations such as Lexicon 480L and PCM70, EMT250 and Quantec QRS. Free Control Software Applications Behringer iPad and iPhone apps for professional remote operation are free downloads on the Apple App Store. All of the X32's features can be managed concurrently from various locations and instances of the XiQ, XiControl, and XControl apps. Front Side Control A set of front-panel controls can be configured by the engineer to enable a restricted amount of user interaction, while hiding away all the complexity. Versatile and Expandable The X32 Core forms the nucleus of an ultra-flexible studio control room setup when paired with S16 I/O and P16 personal monitoring systems (sold separately) in each tracking room. The built-in 32 x 32 USB recording interface, 8 stereo effects engines, zero-latency monitoring and 100% total recall deliver the tools to handle a wide variety of projects. Processing Number of Channels 32 input channels 8 aux in channels 8 FX return channels 16 buses, 6 matrices main LRC Effects Engine Internal: 8 true-stereo 16 mono Scene File Memory 100 total recall scenes (including preamp and fader) Signal Processing 40-bit loading point Conversion Cirrus Logic A/D CS5368, D/A CS4385 24-bit @ 44.1 / 48 kHz 114 dB dynamic range Latency Timings Local I/O: 0.8 mS (local in > console processing > local out) Networked I/O: 1.1 mS (stagebox in > console processing > stagebox out) Total I/O Channels 128 / 144 Connectors Talkback Mic Input 1 x XLR (no internal mic) Monitor Outputs 2 x 1/4" TRS balanced Headphone Output 1 x 1/4" TRS stereo AES50 Ports 2 x SuperMAC Expansion Port 1 x 32-channel I/O card, various standards available P-16 Connector 1 x Ultranet (no power supplied) MIDI In/Out 1 / 1 Ethernet Port 1 x RJ45 (for remote control) USB Port 1 x USB 2.0 type A (for audio and data import/export) Indicator LCD Screen 128 x 64 LCD with RGB color backlight (Channel Selector Screen) Power Power Supply 100 to 240V (50/60 Hz) switch-mode autorange Power Consumption 120 W Dimensions & Weight Dimensions (W x D x H) 19 x 12 x 1.724" (483 x 307 x 44 mm) Weight 7.9 lb (3.6 kg) Packaging Info Package Weight 10.4 lb Box Dimensions (LxWxH) 21.0 x 15.0 x 4.0"

Professional quality for small studios. An excellent choice for producers and musicians working in small studios, the Studio 68 provides the right I/O and features for recording and performing. Equipped with four of our famous XMAX Class A preamps, high-end converters, and cue mix monitoring with an ear-bleedingly loud headphone amp, it delivers professional quality audio and the connections you need to create your next hit and play it at your next gig with 24-bit, 192 kHz resolution. A complete, all-in-one recording solution, the Studio 68 comes with PreSonus award-winning Studio One Artist DAW software for Mac and Windows. Features Input/Output Simultaneous I/O up to 6 inputs/6 outputs (4x4 at 192 kHz) 2 mic/instrument/line inputs with XMAX Class A mic preamps 2 mic/line inputs with XMAX Class A mic preamps 2 balanced TRS main outputs 2 balanced TRS line outputs for monitor mixing or speaker switching 1 stereo headphone output MIDI In/Out Stereo S/PDIF digital I/O Meters, Controls, and Features Direct monitoring Cue mix A/B (for headphone output) Front-panel level controls for main outputs True +48V phantom power for condenser microphones (global) 6 ladder-style LED level meters (4 input, 2 main output) Digital USB 2.0 24-bit resolution 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates Studio One Artist included Physical Road-rugged construction with all-metal chassis and metal knobs

The Saffire PRO 14 is an eight-in, six-out audio interface with legendary sonic performance and unmatched flexibility at a truly affordable price. The latest in Focusrites new generation of Firewire/Thunderbolt audio interfaces, the Saffire PRO 14 is designed to make home studio recording and mixing easy without sacrificing audio quality. Twenty-five years of mic pre excellence form the foundation of this new interface, with two award-winning Focusrite preamps. Combined with a host of additional I/O options, the Saffire PRO 14 helps you get the tracks you want without having to constantly re-patch your studio. Alongside the two high quality mic preamps, two additional analogue inputs, four analogue outputs, S/PDIF and MIDI open the door to true multi-track recording. Two Hi-Z instrument inputs let you plug straight in without the need to buy additional DI boxes, and two virtual 'loopback' inputs are also available for routing digital audio between software applications ideal for capturing online audio. Included with the PRO 14 is Saffire MixControl, an 18 x 6 DSP mixer. Offering a level of flexibility that is unparalleled at this price point, the MixControl software enables you to create six separate mixes without latency. Route any combination of input signals and sequencer outputs to any of Saffire PRO 14s outputs. Intuitive one-click configurations help you track, monitor and mix as quickly as possible. With Saffire PRO 14, sonic integrity is never compromised. The two Focusrite preamps ensure low noise and distortion, whilst quality digital conversion and JetPLL jitter elimination technology ensure pristine quality as your audio flows between the analogue and digital domains. Combined with the very latest in Firewire/Thunderbolt interfacing technology, excellent routing flexibility and rock-solid driver stability, the Saffire PRO 14 is the heart of the modern home studio.Key Features All of Focusrite's FireWire interfaces are fully compatible with Thunderbolt using simple FireWire to Thunderbolt adapter. Focusrite fully supports the use of Thunderbolt with our FireWire interfaces. For more details visit the answerbase. Two high-quality award-winning Focusrite preamps The best sounding interface in its class. Focusrite's 25-year legacy forms the foundation of this new interface, with two award-winning preamps. High-quality 24-bit/96kHz FireWire/Thunderbolt* interface Features professional conversion and JetPLL jitter elimination technology, guaranteeing pristine audio quality and reliable synchronization. Total I/O count of 8 inputs and 6 outputs A host of I/O options are provided, including a unique Loopback facility for routing audio between software applications via Saffire MixControl. Saffire MixControl ultra-low-latency DSP mixer/router Provides an 18 x 6 DSP mixer with excellent routing flexibility, intuitive one-click configurations, and lower than 1.4ms latency (less than the time it takes sound to travel two feet through air!). Focusrite VST/AU Plug-in Suite, for use in the mix Upgrade your standard sequencer effects and bring a touch of class to your session with Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins. Featuring a host of royalty-free loops and samples, a full-fledged soft-synth and Ableton Live Lite 8, providing an affordable upgrade path to Ableton Live. Two Hi-Z instrument inputs No need for a separate DI. The first two channels feature high-gain instrument inputs. Bus-powered for a tidy mobile recording rig Saffire PRO 14 can be powered via FireWire, or via its own power supply. Dedicated front-panel headphone bus Providing a fully customised monitor mix, with tactile level control available on the front panel. Tactile Monitor dial A front panel volume dial provides immediate control over the main stereo outputs. Switchable phantom power Across both mic pre inputs, globally switchable direct from the front fascia. Software PFL Allows the mix engineer to easily monitor a single mixer channel or complete mix.

Mbox Pro is a professional-grade, high-performance audio interface that enables you to capture and create music and audio in the highest quality. The Mbox Pro + Pro Tools hardware/software bundle offers incredible value, giving you the best of both worldsindustry-standard Pro Tools software to compose, record, edit, and mix, and a desktop hardware interface that delivers best-in-class sound quality and performance. Get everything you need to create high-resolution music and sound for picture on your Mac or PC.8 x 8 simultaneous channels of I/O 4 mic inputs (2 XLR mic/DI combo and 2 XLR) with professional-grade mic preamps and 48V phantom power and high pass filters 4 1/4" TRS line-level inputs 2 unbalanced 1/4" Alt line-level inputs (2 RCA, 1 stereo mini 1/8") 6 balanced 1/4" TRS line-level outputs 2 1/4" stereo headphone outputs with discrete volume controls Stereo S/PDIF digital I/O 1 MIDI input, 1 MIDI output Word Clock I/O Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls Dedicated monitor volume knob Fast and easy desktop connectivity throughout FireWire Dedicated monitor volume knob Connect up to three pairs of speakers for A/B monitoring

6x4 USB 2.0 audio interface with 4x D-PREs, 24-bit/192 kHz support & MIDI I/O The perfect balance between connectivity and portability: the UR44 is a powerful audio/MIDI interface designed to suit a huge range of recording and production situations. Four mic preamps, six inputs, four output channels, MIDI I/O ports, onboard DSP power and full iPad connectivity offer an outstandingly flexible feature set. Sharing the same heritage as the highly acclaimed MR816 interfaces, the URs house outstanding converters and D-PRE Class-A discrete mic preamps. Each interface is completely adapted to your needs while sharing the hallmarks of the UR range: great build quality, stunning sound and flexible, fully integrated capabilities. Ultra-stable drivers for Mac OS X and Windows mean that the entire UR range supports all major recording software applications. D-PRE All UR audio interfaces offer D-PRE Class-A discrete mic preamps from Yamaha. The D-PRE is carefully designed to capture all the subtleties and expressiveness of any audio source and is the culmination of years of development by the experienced engineers at the Yamaha Corporation. The preamp is where sound creation begins in recording, and ultimately determines the quality of your mix. D-PRE Mic Preamps sound stunning, and the difference is in the design. Usually, preamps use one transistor each for the hot and cold signals at the input stage to amplify the signal. However, the D-PREs specified on Steinberg audio interfaces use an inverted Darlington circuit, where two transistors are used for each hot and cold a total of four per unit. With only one transistor on a preamp circuit, distortion tends to increase along with the signal level. By using a pair of two cascaded transistors, very low distortion can be maintained regardless of signal level. Some users might look for a microphone preamp to dramatically color the sound while others search for a very neutral response. For example, some highly sought after vintage microphone preamps excel at amplifying certain components of a given source, imparting a generous amount of color to the signal. Such a preamp might be great for a vocal recording, however those preamps will not suit every use. D-PRE has a very wide frequency range so that it can handle any music source and it does not overly amplify any specific components of the signal. Its beautifully tuned to be able to capture the true expression of a given performance or audio source, while leaving flexibility for later editing. The end result is that D-PRE provides a sound that is a perfect amalgamation of understated signal enhancement combined with impeccable sonic integrity. The development team took a lot of time to adjust this subtle balance and the D-PRE sound quality speaks for itself.

6x4 USB 2.0 audio interface with 4x D-PREs, 24-bit/192 kHz support and MIDI I/O The perfect balance between connectivity and portability: the UR44 is a powerful audio/MIDI interface designed to suit a huge range of recording and production situations. Four mic preamps, six inputs, four output channels, MIDI I/O ports, onboard DSP power and full iPad connectivity offer an outstandingly flexible feature set. Sharing the same heritage as the highly acclaimed MR816 interfaces, the URs house outstanding converters and D-PRE Class-A discrete mic preamps. Each interface is completely adapted to your needs while sharing the hallmarks of the UR range: great build quality, stunning sound and flexible, fully integrated capabilities. Ultra-stable drivers for Mac OS X and Windows mean that the entire UR range supports all major recording software applications. D-PRE All UR audio interfaces offer D-PRE Class-A discrete mic preamps from Yamaha. The D-PRE is carefully designed to capture all the subtleties and expressiveness of any audio source and is the culmination of years of development by the experienced engineers at the Yamaha Corporation. The preamp is where sound creation begins in recording, and ultimately determines the quality of your mix. D-PRE Mic Preamps sound stunning, and the difference is in the design. Usually, preamps use one transistor each for the hot and cold signals at the input stage to amplify the signal. However, the D-PREs specified on Steinberg audio interfaces use an inverted Darlington circuit, where two transistors are used for each hot and cold a total of four per unit. With only one transistor on a preamp circuit, distortion tends to increase along with the signal level. By using a pair of two cascaded transistors, very low distortion can be maintained regardless of signal level. Some users might look for a microphone preamp to dramatically color the sound while others search for a very neutral response. For example, some highly sought after vintage microphone preamps excel at amplifying certain components of a given source, imparting a generous amount of color to the signal. Such a preamp might be great for a vocal recording, however those preamps will not suit every use. D-PRE has a very wide frequency range so that it can handle any music source and it does not overly amplify any specific components of the signal. Its beautifully tuned to be able to capture the true expression of a given performance or audio source, while leaving flexibility for later editing. The end result is that D-PRE provides a sound that is a perfect amalgamation of understated signal enhancement combined with impeccable sonic integrity. The development team took a lot of time to adjust this subtle balance and the D-PRE sound quality speaks for itself.

Concentrate on your music, not a confusing mixer interface. The Behringer X32 digital mixer packs everything you need to easily mix and record a live show into a compact, roadworthy chassis. With its amazing-sounding Midas-designed mic preamps, the Behringer X32 is also great for the studio. Powerful and intuitive, the Behringer X32 sports 40 processing channels and 16 mix buses, giving you the flexibility you’ve always longed for. It comes equipped for 32-channel recording, with instant compatibility with major DAWs. Its serious signal processing can be quickly configured for sessions of any size. If you’re tired of negotiating an endless sea of encoders and menus, then it’s time you tried a new approach to digital mixing: the Behringer X32. Behringer X32’s impressive I/O can tackle shows of any size The Behringer X32 digital mixer boasts an impressive number of inputs and outputs for its compact size. Fitted with 32 great-sounding gain-programmable mic preamps, six 1/4? TRS aux inputs, 16 balanced XLR outs, plus balanced Control Room outputs on both XLR and 1/4? TRS connectors, the Behringer X32 lets you do large shows without fear of running out of I/O. A single Cat 5 cable from front of house to the stage can handle up to 48 channels of audio and deliver all bus outputs, along with 16 separate monitor feeds for Behringer’s optional P16-M Personal Monitoring System. Great-sounding Midas-designed mic preamps For the design of Behringer X32’s gain-programmable preamps, Behringer utilized Midas and Klark Teknik’s expertise to develop studio-quality mic preamps that deliver enhanced dynamic range, superior common mode rejection, and vanishingly low harmonic distortion (THD). These preamps sound amazing! Behringer X32

Akai - EIE PRO USB Audio MIDI Interface 96KHZ/24Bit The Akai EIE PRO (Electromusic Interface Expander) I/O is a tabletop USB audio interface perfectly tailored for your project and portable studio setups. This four-in, four-out (4x4) device enables you on Mac and PC-based systems to record at 24-bit audio resolution at sample rates of 44.1kHz, 48kHz, and 96kHz into virtually any DAW, recording or performance software. The EIE PRO I/O also houses three convenient USB inputs, in addition to its main USB port, enabling you to connect controllers, hard drives or any other peripheral when native ports on a computer may be limited. The compact recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution. Each channel of the EIE PRO I/O has an XLR/TRS combo jack, dedicated sturdy, gain-pots and Mic/Line/Guitar switches. The EIE PRO I/O features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual 1/4" Nickel-plated jacks found on the back of EIE PRO I/O provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four 1/4" balanced outputs, which are also Nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE PRO I/O has a 1/4" TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully. The EIE PRO I/O sends and receives four audio channels on a single USB cable for simple, universal interface to a computer. The three additional USB ports allow EIE PRO I/O to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. The USB interface is class compliant for plug-and-play operation with Mac OS X and Windows XP, Vista and 7. The EIE PRO I/O features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments.

UR x 24 USB 2.0 audio interface with 8x D-PREs, 24-bit/192 kHz support & JetPLL The UR824 interface conveys pristine, transparent audio quality through various analog and digital I/O formats, offering convenience for studio and stage alike. Connecting to Mac or PC via high-speed USB 2.0, the rackmountable UR824 boasts 24 channels with 8 premium D-PRE mic preamps alongside its dspMixFx technology for latency-free monitoring with effects, also available as native VST 3 plug-ins.UR824 features at a glance 24-bit/192kHz 24x24 USB 2.0 audio interface With a sampling rate of 192kHz and a resolution of 24 bits, the UR824 is state of the art in every sense of the word. Eight Class A D-PRE mic preamps Yamaha's highly-acclaimed D-PRE preamps deliver a truly transparent and beautifully detailed sound that is unrivaled in this class. dspMixFX Latency-free DSP-powered monitoring with REV-X reverb, Sweet Spot Morphing Channel Strip and Guitar Amp Classics. 2 pairs of ADAT optical I/O 2 pairs of ADAT optical I/O provide 16 ins and outs (S/MUX compatible, 4 in and 4 out @ 192kHz) JetPLL ultra-low jitter support JetPLL provides the same performance as traditional, expensive clocking solutions found in the worlds best professional clocking products. Compatible with major recording software The UR824 is compatible with all major audio editing, mastering, and music production software supporting ASIO, Core Audio, or WDM standard. iPad connectivity The CC mode* provides connectivity with the iPad (2 or later) through Apple's iPad Camera Connection Kit Cubase AI included Based on the same core technologies as the popular Cubase DAW, Cubase AI offers an intuitive feature set for composing, recording, editing and mixing. Basic FX Suite Basic FX Suite VST 3 plug-in bundle, consisting of three software components: Sweet Spot Morphing Channel Strip, REV-X and Guitar Amp Classics.