Stage my500 stereo mic

On Stage - MY500 Stereo Mic Bar The On Stage MY500 stereo microphone bar is made ideal for multiple microphone applications in both live and studio recording settings! Microphone bar fits most standard stands, booms and microphone clips and features brass 5/8 inch - 27 insert threads. The MY500 bar can hold up to three microphones!

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. 1-channel low-noise microphone preamplifier, for mains operation or battery operation. 1 microphone input, XlR, bal. Gain, 11 steps dB lED green/red for operation/peak Phantom power +24V, can be switched on additionally Switchable microphone phase lo cut 100Hz, hi cut 12kHz, 12dB/oct., switchable 1 preamplifier output 1 stereo line input 1 stereo line output level control and panorama control for mixing the microphone signal to the stereo line channel Technical Specification Frequency range: HzInput sensitivity: mV, switchableInput impedance: Mic: 2.2k¿ Stereo line: 10k¿Outputs: line, bal.: 1V/V max. Stereo line: 1V/Vmax. Stereo master: -Filter, low cut: 100Hz/-3dB, 12dB/oct.Filter, high cut: 12kHz/-3dB, 12dB/oct.Filter, subsonic: Gain, mic: dBGain, stereo line: 0dBS/N ratio, mic: > 66dB (unweighted)S/N ratio, line: 80dB (unweighted)THD:

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. 2-channel low-noise microphone preamplifier 2 microphone inputs, XlR, bal. Gain, 11 steps dB 2 level controls ±5dB lED green/red for operation/peak Phantom power +12V, can be switched on additionally Microphone phase can be switched for each channel lo cut Hz, continuously adjustable Subsonic filter 15Hz, 18dB/oct. 2 line outputs, XlR bal. 2 line outputs, RCA unbal. PC&Music "The MPA-202 provides a clear signal of low noise without any noticeable colouring. This two-channel unit is suitable for everyone looking for a clear sound and a favourable price." Technical Specification Frequency range: HzInput sensitivity: mV, switchableInput impedance: Mic: 4.4k¿ bal., 2.2k¿ unbal. Stereo line: -Outputs: line, bal.: 1V/Vmax. Stereo line: 1V/Vmax. Stereo master: -Filter, low cut: Hz, 6dB/oct.Filter, high cut: -Filter, subsonic: 15Hz, 18dB/oct.Gain, mic: dBGain, stereo line: -S/N ratio, mic: > 68dB (unweighted) > 87dB (weighted)S/N ratio, line: -THD:

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with configurable USB audio in/out makes it easy to capture stereo recordings, 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It’ll be equally happy running your gig on stage, recording live or mixing down in your studio at home. We’ve teamed up with major software supplier, Cakewalk, to bundle its SONAR X1 LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation.6 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR X1 LE bundled with mixer Rack ears available

Use standard mic stands to mount still and video cameras or popular handheld audio recorders Ball-head allows for independent pan and tilt with 360 degree pan movement and 180 degree tilt 5/8" 27-thread female to 1/4" thread male Attach this innovative adapter to any 5/8" threaded microphone stand to support a video camera or digital recorder (Marantz PMD620, Zoom H2, H4 and the Edirol R09 and more) with standard 1/4" threaded female inserts. Great for musicians who seek to upload videos of their band on YouTube, or prefer to use their own professional microphone stand for digital recorder use. This universal adapter also holds document cameras for classroom applications. Add the MY550 On-Stage Stands Mic Extension Bar for stereo and video recording on one mic stand.

Alesis MultiMix 8 Line Stereo Mixer MultiMix 8 Line is an ideal mixer for the stage, studio, boardrooms, conference rooms, health clubs, restaurants, houses of worship, and more. MultiMix 8 Line is also a great fit for any band's live rig, especially for keyboard players and multi-instrumentalists who need to mix or sub-mix multiple sources. MultiMix 8 Line features eight stereo channels with a mic/line input on channel one and stereo effects send and return. When a mono signal is present on any input or stereo send, the Left signal is automatically summed to mono for mono or stereo compatibility. Connect two MultiMix 8 Line mixers with inexpensive, common TRS cables, and they share the same mix bus for 16 stereo input channels. There is also an effects bus so you can even share the same reverb, compressor, or other effects chain between two linked mixers.

New Mini Laser Effects Projector. Featuring two unique functions (sound activation and stroboflash), this laser effects projector proves that small size and economic price can still provide great fun. Instant fun: Nothing is easier to use and faster to set up when you instantly want an amazing light show to dazzle guests or set the mood. With various amazing red/green laser designs and patterns, this Mini Laser Effects Projector is perfect for discos, clubs, KTVs, pubs, bars, and even home parties. Move with the music: With its sound activation feature, this Portable Laser Effects Projector can intelligently change its color/pattern to match the beat of the music! How? Just set your stereo system nearby and the projector's mic will pick up nearby music vibrations, so if you turn up the noise the laser will respond in style! That's not all... Change the mood: This Mini Laser Effects Projector also comes with Stroboflash, which lets you change the speed of the laser lights! Different moods and environments require different effects, and with this laser projector you can customize each! Best of all... Use anywhere: This Laser Effects Projector comes with a very handy mounting bracket that allows it to be mounted on walls and ceilings and is easily adjustable to be aimed at anywhere in the room. Just turn it on and watch the party come to life, and when you're done, the super small frame will allow you to easily store it in a drawer or desk until your next event.    Features Mini Laser Effects Projector (Red and Green) Automatic or sound activated Stroboflash control Mounting bracket with adjustable angle Super small and portable size Body Colour: We have Black and  Blue  projector, we send  randomly  depend on stock availability.       Manufacturer Specifications Laser Wavelength: Green = 532nm, Red = 660nm Laser Class: IIIA Control Type: Automatic / Sound Activated Output Power: 5mw - 50mw Unit Primary Laser Colors: Green and Red Material Colors: Brushed Aluminum Power Source: Wall Adapter On board Slots and buttons: - Automatic / Sound Activation Switch - Stroboflash Control - Mic Certification: CE, FCC, RoHS Dimensions: L:130 x W:92 x D:52 (mm)   Product Notes Avoid direct eye contact with the laser This not a toy for children and should only be used by adults When using the projector to display patterns by sound activation, you should have the projector next to the base unit of your sound system   FAQ Does this laser projector come with a remote control? There is no need for a remote control with this laser projector. The laser projector comes with a switch located at the rear, automatic or sound activation can be selected What distance can the lasers project out? The laser starry effects project can reach up to 20+ meters. What is the maximum coverage area for the laser projector? Depending on the distant of the effects projection, it can spread the image to up to 50sq/m area. Package Contents Laser Projector Power Adapter (100 - 240V) Instruction Manual Tripod  

audio technica atr 6250 stereo condensor video recording microphone capture the realism of live sound with two mics in one. the atr6250 provides extremely affordable, high-quality stereo pickup in a single microphone. its compact design is ideal for use with video cameras and portable audio recorders. provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use. high-quality stereo pickup in a single mic we stock a massive range of musical instrument & audio,tv,projector & pa equipment for live,church,concert,dj, & outdoor applications.our products include piano,keyboard,such as yamaha,guitar,drums,marching drums,trumpet,trombone,tuba,saxophone,dj,studio equipment,soundcards that can be used on laptops or desktop pc,we also stock an audio interface to be used in conjunction with a tablet,ipad,iphone,laptop,macbook,macbook pro,samsung and other android devices and cellphones. www.sbrprosound.co.za roland juno di with guarantee r10500. jinboa 26'' bass drum r1895. pioneer gm-a 460 - show phone - watt 4 channel car amplifier r1395. behringer 4x4 usb audio interface r2295. meinl 8 djembe new!!! r1700. hybrid hs1200 smoke machine r1400. focusrite scarlett studio package r3995. premier 26'' marching drum r3195. korg b1 digital concert piano new!!! r11495. medeli sp5500 88key stage piano r7995. roland fa-06 music workstation r17500. roland gw-8 r13000. www.sbrprosound.co.za

Groove Pack High-performance drum microphone set The unbeatable six-pack for drummers and bands on stage and in the rehearsal room The Perception Groove Pack is a high-performance microphone starter kit with a sensational price/performance ratio. It contains everything you need to perfectly capture the sound of a complete drum set. The microphones can also be used for miking percussion, bass and guitar amps, brass, woodwind and lots of other instruments. The P17 overhead mics can be used for a quick stereo recording of your band's rehearsal session. The Groove Pack contains the following six high-performance microphones from the Perception Live series: 1 x P2 bass drum microphone 2 x P17 for overheads 3 x P4 for toms and snare The complete set comes in a protective aluminum carrying case.

zoom's new q2n handy video recorder lets musicians capture hd video with great-sounding hd audio anywhere www.sbrprosound.co.za ultra-portable video camera with built-in x/y mic and wide-angle lens lets musicians capture their best moments in any lighting condition q2n handy video recorder, a portable camera that gives musicians the power to create hd videos with great-sounding audio. ideal for capturing live performances and rehearsal sessions, the q2n is equipped with a high-quality built-in x/y microphone, 160-degree wide-angle lens, and intuitive controls--all in the most compact form factor ever created by zoom. leveraging zoom’s acclaimed audio technology, the q2n provides sound quality that no other portable camera can match. the unit offers studio-quality detail and clarity at resolutions up to 24-bit/96 khz. for distortion-free recording, the built-in x/y microphones can handle high sound pressure levels (up to 120 db spl), so musicians can record on stage alongside amps and drums. the q2n has ten ‘scene’ presets that automatically adjust for different lighting conditions. the 160-degree wide-angle lens captures beautiful video at a moment's notice, with a bright f/2.0 aperture that thrives in low-light settings and dimly lit venues. to ensure the best video quality, the camera also captures video in 720p or 1080p hd resolution with the same 24 fps and 30 fps frame rates used in film. intuitive controls and simple one-button recording make the q2n effortless to use, so musicians can stay focused on their performances. with an ultra-portable design, the q2n is small enough to carry anywhere and can record approximately two hours of footage on two standard aa batteries. features 1080p or 720p video at 24 or 30 fps 1/3" cmos sensor 160° wide-angle lens stereo x/y condenser microphones 24-bit/98 khz audio recording ios and computer connection video streaming usb audio interface

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

ZED-24 has an incredibly advanced feature-set for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more! Features: 16 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator  ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR X1 LE bundled with mixer USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-   Send options:   1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4   Return options:   1) To Stereo 3 channel   MusiQ ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.   DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.   SONAR X1 LE – Provided Free! We’ve included Cakewalk SONAR X1 LE with ZED-24 so you can immediately start to use it to create your own music – just add a PC and it couldn’t be easier to get going. You’ll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways – e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments 1 year limited guarantee. For more info on this product please click here