Rode classic ii

The Classic II is RØDE's top-of-the-line studio condenser microphone. Classic by name and classic by nature. Featuring a custom spec 1" dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN-6072 valve and custom Jensen output transformer. The result? Classic warmth and richness on both vocals and acoustic instruments. Nine polar patterns, variable PAD and filter. Shock mount. Machined from solid brass, the body is hand-polished, glass bead-blasted and coated in satin nickel. Also included is a double-shielded oxygen-free 30' copper cable with heavy-duty plugs and sockets, power supply, a suspension shock mount, stand mount, thread adaptor and sturdy aluminium flight case.

Rode - Classic II-Black Microphone LTD Edition To commemorate "15 Years of Classic Sound," RODE has issued this collector's edition of the Classic II tube microphone, exclusively limited to only 500 editions worldwide. Has a digital chill got you down? Bring some warmth and richness back into your recordings with the RODE NT Classic. Based on the rare and costly tube, the NT Classic is an amazing performer. Nine (count them) different polar response patterns provide great flexibility in capturing the very best sound in each recording application.

Rode - Classic II Microphone The Classic II is Rode's top-of-the-line studio condenser microphone. Classic by name and nature. Featuring a custom spec 1 in. dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN- valve and custom Jensen output transformer. The result? Classic warmth and richness on both vocals and acoustic instruments.

Rode - Classic II Microphone The Classic II is Rode's top-of-the-line studio condenser microphone. Classic by name and nature. Featuring a custom spec 1 in. dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN-6072 valve and custom Jensen output transformer. The result? Classic warmth and richness on both vocals and acoustic instruments.

littmann classic ii s.e stethoscope. purple originally purchased in february 2015 28 inch/71cm tube in perfect working condition...170539055

This practically brand new horn now available. Retail R+ Selling at R due to other interests. Comes with moulded case and Standard Mouthpiece and Reed. This eyecatching machine plays beautifully and is intended for intermediate and up players. Great tone.. Factory Warranty Whatsapp me to discuss viewing.

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Classic Roland midi controller. Mint condition. just laying around in the studio.

Buy For Rode Wireless GO II Digital Wireless Microphone Storage Box... for R309.00

Bass Station II is an analogue mono-synth based on the classic original Bass Station but re-worked for the 21st century. It has two filters, two oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.Bass Station II is an analogue mono-synth with a talent for bass, but a sound-engine that is versatile enough to kick out sharp leads and crisp arpeggios. It brings the best elements of the original Bass Station into a brand new design with re-worked modulation, effects, filters and more; like the Bass Station, but a much much bigger sound. The signal path is pure analogue - including the effects section. The hardware has been laid out in modules with dedicated pots, switches, sliders and buttons for all major parameters. Critically, you can store and recall patches on Bass Station II. It comes with 64 killer factory presets, space for 64 of your own sounds on the hardware, and you can store more on your computer.The key-mech consists of 25 full sized keys that are velocity sensitive with assignable aftertouch. It has been developed as a ‘synth-action’ keyboard, where each key is individually sprung so it is light to the touch and highly responsive to the synth engine. Bass Station II is a fully class compliant MIDI device with MIDI I/O on 5 pin din ports – for connecting to other MIDI outboard – and with your computer over USB. You can even connect an external instrument and run it through Bass Station II's analogue filter and effects.Analogue synth: brand new version of the classic Bass Station Bass Station II has a pure analogue audio signal path, reviving the spirit of the original Bass Station with an all-new design optimised for bass. Two distinct analogue filters A brand new “Acid” filter joins the “Classic” original Bass Station filter -(“Classic” switches between low, hi and band pass with 12 and 24dB slopes). Load and save patches Bass Station II ships with 64 factory patches and a further 64 user slots. Patch dump enables you to archive and swap sounds. Pattern-based Step Sequencer and Arpeggiator Bass Station II has an arpeggiator with a programmable step sequencer that enables you to store and call up patterns and quickly sketch-out ideas. Dedicated Tweakable Controls Analogue synth layout includes dedicated controls for all major parameters enabling instant hands-on control of the sound engine. Two Oscillators plus an additional Sub Oscillator Bass Station II has two sync-able, tune-able oscillators with four selectable waveforms, plus a third sub-oscillator for generating enormous bass sounds. Analogue effects section Bass Station II includes fully analogue distortion and filter-modulation effects and a separate filter overdrive to add an aggressive, crunchy sound-quality. Flexible modulation featuring 2 Envelopes and 2 LFOs LFO waveforms include triangle, sawtooth, square and sample & hold. Two ADSR envelopes are available for filter, pitch and pulse width modulation. MIDI I/O and USB connectivity Bass Station II can be connected to your music software as well as your MIDI compatible hardware. Players 'synth-action' keyboard with aftertouch The keyboard mechanism is a two-octave (25 note) velocity sensitive synth-action keyboard with full-size keys and assignable aftertouch

Discover the Power of a Reinvented Classic Condenser! From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XL II this famous line. The C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility. The C414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks. AKG C 414 XL II Multi-pattern Condenser Microphone Features at a Glance: Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns Lock Mode disables all controls easily for live and installation use Incredible Dynamic Range of 152 dB Three different bass cut filters and three pre-attenuation levels Peak Hold LED even detects shortest overload peaks Includes carrying case, pop filter, windscreen, and spider-type shock mount Frequency range: Hz Sensitivity: 20 mV/Pa (-34 dBV) ± 0.5 dB Max. SPL: Pa = dB ( dB) for 0.5% THD Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC ) Signal/noise ratio: 88 dB Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Impedance: Recommended load impedance: >= ohms Supply voltage: 48 V phantom power to DIN/IEC Powering: approximately 4 mA Connector: 3-pin XLR to IEC Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight: 300g (10.6oz.)

Title: Faithfuls II Starring: Nigerian Classic Synopsis: Start your own collection on the best Nigeria movies ever.After her successful eye operation which she is now able to see for the first time.Robert's friend now realizes that she means a lot to Robert and tries everything in His power to bring them back together.He's friend explains to Robert's mother, who he has promised that he will sort everything for her, as she is the right girl for him.

Revered by blues, country and rock players alike, these true all-tube amps span the tonal landscape from vintage to contemporary with ease. These amps are drenched in the tone that can only come from the combination of three 12AX7 and four EL84 tubes. Add features like 3-band EQ, footswitchable dual channels, active Presence control and reverb and you have one of the most versatile amplifiers on the market. Classic looks, classic tone, Classic 30!

Buy CD - NR 150B CLASSIC FM: THE 2007 HALL OF FAME VOLUME II (STILL SEALED) for R30.00

Buy Voigtlander Nokton Classic 35mm F1.4 II(VM) (MC) for R14,947.25