Classic ii tube

Rode - Classic II-Black Microphone LTD Edition To commemorate "15 Years of Classic Sound," RODE has issued this collector's edition of the Classic II tube microphone, exclusively limited to only 500 editions worldwide. Has a digital chill got you down? Bring some warmth and richness back into your recordings with the RODE NT Classic. Based on the rare and costly tube, the NT Classic is an amazing performer. Nine (count them) different polar response patterns provide great flexibility in capturing the very best sound in each recording application.

littmann classic ii s.e stethoscope. purple originally purchased in february 2015 28 inch/71cm tube in perfect working condition...170539055

Rode - Classic II Microphone The Classic II is Rode's top-of-the-line studio condenser microphone. Classic by name and nature. Featuring a custom spec 1 in. dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN- valve and custom Jensen output transformer. The result? Classic warmth and richness on both vocals and acoustic instruments.

Rode - Classic II Microphone The Classic II is Rode's top-of-the-line studio condenser microphone. Classic by name and nature. Featuring a custom spec 1 in. dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN-6072 valve and custom Jensen output transformer. The result? Classic warmth and richness on both vocals and acoustic instruments.

DV Mark - Little 40 II Tube Amp Head The Little 40 II amp is the natural evolution of our popular Little 40, created to meet the needs of all guitar players. On the Little 40 II we added an onboard pedal circuit (on channel two), featuring more controls than a simple pedal, with a complete and effective EQ, gain and master control. Another highly-requested feature is the onboard reverb. For the Little 40 II we chose the latest generation of digital reverb: sweet sounding, warm and natural and less noise than a common spring reverb.

The Classic II is RØDE's top-of-the-line studio condenser microphone. Classic by name and classic by nature. Featuring a custom spec 1" dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN-6072 valve and custom Jensen output transformer. The result? Classic warmth and richness on both vocals and acoustic instruments. Nine polar patterns, variable PAD and filter. Shock mount. Machined from solid brass, the body is hand-polished, glass bead-blasted and coated in satin nickel. Also included is a double-shielded oxygen-free 30' copper cable with heavy-duty plugs and sockets, power supply, a suspension shock mount, stand mount, thread adaptor and sturdy aluminium flight case.

Revered by blues, country and rock players alike, these true all-tube amps span the tonal landscape from vintage to contemporary with ease. These amps are drenched in the tone that can only come from the combination of three 12AX7 and four EL84 tubes. Add features like 3-band EQ, footswitchable dual channels, active Presence control and reverb and you have one of the most versatile amplifiers on the market. Classic looks, classic tone, Classic 30!

This practically brand new horn now available. Retail R+ Selling at R due to other interests. Comes with moulded case and Standard Mouthpiece and Reed. This eyecatching machine plays beautifully and is intended for intermediate and up players. Great tone.. Factory Warranty Whatsapp me to discuss viewing.

The Marshall Astoria Classic 30W tube combo is a single-channel amplifier that will appeal to purists who want loud, clean valve tone, and to boutique pedal enthusiasts who will find it the perfect pure-tube foundation for their sound via the 12-in. Celestion G12H-75 Creamback speaker. The amp also features Power Reduction which can be accessed via the Master volume control, Edge control for controlling how dark or bright the overall tone is, and Sensitivity control to find that perfect bite. Marshall Astoria AST1C Features: Power: 30W (tube) Tubes: three 12AX7 (preamp); two KT66 (power amp) Single channel Two inputs: Lo and Hi sensitivity Power reduction control Speaker: 1x12" Celestion G12H-75 Creamback Controls: 3-band EQ, edge Contemporary hand-wired design Made in the U.K.

Classic tube amp - by German amp builders Hughes & Kettner - in mint condition.

Classic Roland midi controller. Mint condition. just laying around in the studio.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The DPS II updates the latest ART advances in Tube Microphone Preamps. The DPS II adds continuously variable input impedance, lED input meters, auto mic/instrument switching, OPlIJ (Output Protection limiting) flexibility and more tube warmth to the DPS II. Twin high performance discrete preamplifiers with local feedback are coupled with our flexible V3IJ (Variable Valve Voicing) 12AX7A gain stage (which delivers both flexibility and consistency in settings) and choice of analog and digital outputs. The new enhanced mic preamp can accept +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. A lED input meter, monitors the signal level of the input amplifier. The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs. Enhancements to our legendary tube stage maintain our classic warm sound and add additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments making this an incredible DI box. The enhanced OPl is available to control overshoots and normalize levels before digital clipping occurs. A versatile insert loop on each channel provides access for additional signal processing or direct access to our high quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSlINK or ADAT (front panel selectable). The A/D is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32KHZ to 100KHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits. The DPS II also features ART A-to-D digital conversion and ART Tube Technology similar to that of the ART DI/O Preamp System. This ensures that when you are going from the analog preamplification to digital, your signal will be as warm and musical as you decide it to be. Ask you ART representative about the...

The hand built sET Tube is the valve version of the original sEa, which has now been upgraded to the a II C and Multi Pattern. It has the same 1" gold vacuum plated diaphragm, low cut filter and 10dB pad but also ships with a custom power supply. The large diaphragm cardioid sET mic delivers a silky low / mid frequency response with classic tube overtones and comes complete with a rugged aluminium shock mount and flight case.

Bass Station II is an analogue mono-synth based on the classic original Bass Station but re-worked for the 21st century. It has two filters, two oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.Bass Station II is an analogue mono-synth with a talent for bass, but a sound-engine that is versatile enough to kick out sharp leads and crisp arpeggios. It brings the best elements of the original Bass Station into a brand new design with re-worked modulation, effects, filters and more; like the Bass Station, but a much much bigger sound. The signal path is pure analogue - including the effects section. The hardware has been laid out in modules with dedicated pots, switches, sliders and buttons for all major parameters. Critically, you can store and recall patches on Bass Station II. It comes with 64 killer factory presets, space for 64 of your own sounds on the hardware, and you can store more on your computer.The key-mech consists of 25 full sized keys that are velocity sensitive with assignable aftertouch. It has been developed as a ‘synth-action’ keyboard, where each key is individually sprung so it is light to the touch and highly responsive to the synth engine. Bass Station II is a fully class compliant MIDI device with MIDI I/O on 5 pin din ports – for connecting to other MIDI outboard – and with your computer over USB. You can even connect an external instrument and run it through Bass Station II's analogue filter and effects.Analogue synth: brand new version of the classic Bass Station Bass Station II has a pure analogue audio signal path, reviving the spirit of the original Bass Station with an all-new design optimised for bass. Two distinct analogue filters A brand new “Acid” filter joins the “Classic” original Bass Station filter -(“Classic” switches between low, hi and band pass with 12 and 24dB slopes). Load and save patches Bass Station II ships with 64 factory patches and a further 64 user slots. Patch dump enables you to archive and swap sounds. Pattern-based Step Sequencer and Arpeggiator Bass Station II has an arpeggiator with a programmable step sequencer that enables you to store and call up patterns and quickly sketch-out ideas. Dedicated Tweakable Controls Analogue synth layout includes dedicated controls for all major parameters enabling instant hands-on control of the sound engine. Two Oscillators plus an additional Sub Oscillator Bass Station II has two sync-able, tune-able oscillators with four selectable waveforms, plus a third sub-oscillator for generating enormous bass sounds. Analogue effects section Bass Station II includes fully analogue distortion and filter-modulation effects and a separate filter overdrive to add an aggressive, crunchy sound-quality. Flexible modulation featuring 2 Envelopes and 2 LFOs LFO waveforms include triangle, sawtooth, square and sample & hold. Two ADSR envelopes are available for filter, pitch and pulse width modulation. MIDI I/O and USB connectivity Bass Station II can be connected to your music software as well as your MIDI compatible hardware. Players 'synth-action' keyboard with aftertouch The keyboard mechanism is a two-octave (25 note) velocity sensitive synth-action keyboard with full-size keys and assignable aftertouch

Discover the Power of a Reinvented Classic Condenser! From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XL II this famous line. The C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility. The C414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks. AKG C 414 XL II Multi-pattern Condenser Microphone Features at a Glance: Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns Lock Mode disables all controls easily for live and installation use Incredible Dynamic Range of 152 dB Three different bass cut filters and three pre-attenuation levels Peak Hold LED even detects shortest overload peaks Includes carrying case, pop filter, windscreen, and spider-type shock mount Frequency range: Hz Sensitivity: 20 mV/Pa (-34 dBV) ± 0.5 dB Max. SPL: Pa = dB ( dB) for 0.5% THD Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC ) Signal/noise ratio: 88 dB Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Impedance: Recommended load impedance: >= ohms Supply voltage: 48 V phantom power to DIN/IEC Powering: approximately 4 mA Connector: 3-pin XLR to IEC Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight: 300g (10.6oz.)