Oil colour ultramarine blue

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Pigment Classification: Synthetic ultramarine Colour Index: PB29 Colour index number: 77007 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/Transparency: Semi-transparent Features Summary In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Pigment Classification: Synthetic ultramarine Colour Index: PB29 Colour index number: 77007 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/Transparency: Semi-transparent Features Summary In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Pigment classification: Synthetic ultramarine Colour index: PB29 Colour index number:77007 Lightfastness: Lightfast pigment according to ASTM category 1 and 2 Opacity/transparency: Semi-transparent Features Summary Pigment classification: Synthetic ultramarine Colour index: PB29 Colour index number:77007 Lightfastness: Lightfast pigment according to ASTM category 1 and 2 Opacity/transparency: Semi-transparent

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Pigment Classification: Synthetic ultramarine Colour Index: PB29 Colour index number: 77007 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/Transparency: Semi-transparent Features Summary Pigment classification: Synthetic ultramarine Colour index: PB29 Colour index number: 77007 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/transparency: Semi-transparent

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 11 - 16 working days Finely translucent, very pure blue with a red tinge. In the Middle Ages, ultramarine was obtained from the semi-precious stone lapis lazuli. Not until the first third of the 19th century was it possible to produce ultramarine by synthetic means. Pigment: Ultramarine blueCI number: PB 29 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Finely translucent, very pure blue with a red tinge. In the Middle Ages, ultramarine was obtained from the semi-precious stone lapis lazuli. Not until the first third of the 19th century was it possible to produce ultramarine by synthetic means...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Finely translucent, very pure blue with a red tinge. In the Middle Ages, ultramarine was obtained from the semi-precious stone lapis lazuli. Not until the first third of the 19th century was it possible to produce ultramarine by synthetic means. Pigment: Ultramarine blueCI number: PB 29 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Finely translucent, very pure blue with a red tinge. In the Middle Ages, ultramarine was obtained from the semi-precious stone lapis lazuli. Not until the first third of the 19th century was it possible to produce ultramarine by synthetic means...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Finely translucent, very pure blue with a red tinge. In the Middle Ages, ultramarine was obtained from the semi-precious stone lapis lazuli. Not until the first third of the 19th century was it possible to produce ultramarine by synthetic means. Pigment: Ultramarine blueCI number: PB 29 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Finely translucent, very pure blue with a red tinge. In the Middle Ages, ultramarine was obtained from the semi-precious stone lapis lazuli. Not until the first third of the 19th century was it possible to produce ultramarine by synthetic means...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Lighter than dark ultramarine and with a slightly less pronounced red tinge. Pigment: Ultramarine blueCI number: PB 29 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Lighter than dark ultramarine and with a slightly less pronounced red tinge. Pigment: Ultramarine blueCI number: PB 29 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Ultramarine Blue Pigment (PB29). Inorganic pigment consisting kaolin, soda ash, sulfides and coal. Semi-transparent. High tinting strength. Excellent Lightfastness. Medium to slow drying rate. Suitable in all media except Lime-fresco. For fresco, we recommend Ultramarine Lime-wash pigment. Used since early 19th Century. Toxicity B Features Summary This fine artist pigment is manufactured by Cornelissen. It comes in a 15 ml container and is of the colour 'Ultramarine Blue'. Mix with drying oils to make oil paint.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days A great glazing colour, warm Ultra Blue is one of the few mineral colours that is completely transparent. Lightfast with moderate tinting strength. Consider using Alizarin Permanent instead of Alizarin Crimson to mix violets.Pigment: Complex silicate of sodium & aluminum with sulfur (PB 29)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, TRANSPARENT pdf=Gamblin Artists Oil Phthalo Blue, Ultramarine Blue, Prussian Blue, Ultramarine Violet Data Sheet.pdf Gamblin Artists Oil Phthalo Blue, Ultramarine Blue, Prussian Blue, Ultramarine Violet Data Sheet Features Summary A great glazing colour, warm Ultra Blue is one of the few mineral colours that is completely transparent. Lightfast with moderate tinting strength. Consider using Alizarin Permanent instead of Alizarin Crimson to mix violets...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Originating from the Williamsburg neighbourhood of Brooklyn, each oil colour is milled in small batches to bring out the best qualities of the pigment used. Williamsburg's oil paints have gathered an international presence while preserving the handmade integrity of the paint. Tubes are available 37 ml and 150 ml sizes. This is a 37ml tube of Williamsburg Oil Paint in SF Ultramarine Blue. Features Summary Originating from the Williamsburg neighbourhood of Brooklyn, each oil colour is milled in small batches to bring out the best qualities of the pigment used...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Originating from the Williamsburg neighbourhood of Brooklyn, each oil colour is milled in small batches to bring out the best qualities of the pigment used. Williamsburg's oil paints have gathered an international presence while preserving the handmade integrity of the paint. Tubes are available 37 ml and 150 ml sizes. This is a 37ml tube of Williamsburg Oil Paint in SF Ultramarine Blue French. Features Summary Originating from the Williamsburg neighbourhood of Brooklyn, each oil colour is milled in small batches to bring out the best qualities of the pigment used...

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