Oil colour emerald green

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Pigment Classification: Zinc oxide-Monoazo-Phthalocyanine Colour Index: PW4-PY74-PG36 Colour index number: 77947-21090-74265 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/Transparency: Opaque Features Summary In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Pigment Classification: Zinc oxide-Monoazo-Phthalocyanine Colour Index: PW4-PY74-PG36 Colour index number: 77947-21090-74265 Lightfastness: Lightfast pigment according to ASTM Category 1 and 2 Opacity/Transparency: Opaque Features Summary In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Pigment classification: Zinc oxide-Monoazo-Phthalocyanine Colour index: PW4-PY74-PG36 Colour index number: 77947-21090-74265 Lightfastness: Lightfast pigment according to ASTM category 1 and 2 Opacity/transparency: Opaque Features Summary Pigment classification: Zinc oxide-Monoazo-Phthalocyanine Colour index: PW4-PY74-PG36 Colour index number: 77947-21090-74265 Lightfastness: Lightfast pigment according to ASTM category 1 and 2 Opacity/transparency: Opaque

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 11 - 16 working days PY3 & PG7 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content. Another blend of organic lake colours (Arylide yellow and Phthalo Green) with the two whites to give a safe and permanent substitute for the original Emerald Green, the notorious Copper Aceto-Arsenite, a brilliant green introduced circa 1810 and long since abandoned as being impermanent, highly reactive with other pigments and highly poisonous! My blend has none of these disadvantages. Some artists detest this uniquely strident colour, others love its acerbic tang, which invites an almost Fauve series of related mixes. Features Summary PY3 & PG7 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.Another blend of organic lake colours (Arylide yellow and Phthalo Green) with the two whites to give a safe and permanent substitute for the original Emerald Green...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days PY3 & PG7 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content. Another blend of organic lake colours (Arylide yellow and Phthalo Green) with the two whites to give a safe and permanent substitute for the original Emerald Green, the notorious Copper Aceto-Arsenite, a brilliant green introduced circa 1810 and long since abandoned as being impermanent, highly reactive with other pigments and highly poisonous. Some artists detest this uniquely strident colour, others love its acerbic tang, which invites an almost Fauve series of related mixes. Features Summary PY3 & PG7 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.Another blend of organic lake colours (Arylide yellow and Phthalo Green) with the two whites to give a safe and permanent substitute for the original Emerald Green...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days PY3 & PG7 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content. Another blend of organic lake colours (Arylide yellow and Phthalo Green) with the two whites to give a safe and permanent substitute for the original Emerald Green, the notorious Copper Aceto-Arsenite, a brilliant green introduced circa 1810 and long since abandoned as being impermanent, highly reactive with other pigments and highly poisonous! My blend has none of these disadvantages. Some artists detest this uniquely strident colour, others love its acerbic tang, which invites an almost Fauve series of related mixes. Features Summary PY3 & PG7 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.Another blend of organic lake colours (Arylide yellow and Phthalo Green) with the two whites to give a safe and permanent substitute for the original Emerald Green...

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This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Fiery, semi-translucent green with a blue tinge, also commonly referred to as emerald green. This colour has been available to artists since the mid-19th century, when it replaced the copper colours which were toxic at the time. Pigment: Hydrated chromium oxide greenCI number: PG 18 Lightfastness: ***** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Fiery, semi-translucent green with a blue tinge, also commonly referred to as emerald green. This colour has been available to artists since the mid-19th century...