Oil colour prussian blue

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Prussian Blue: First synthetic colour of the Industrial Revolution, discovered by accident in 1704 while a chemist was trying to formulate artificial crimson. Cool blue with more muted tint than Phthalo Blue. It has a high tinting strength, is lightfast, and is especially beautiful in its transparency.Pigment: Ferri-ammonium ferrocyanide (PB 27:1)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, SEMI-TRANSPARENT pdf=Gamblin Artists Oil Phthalo Blue, Ultramarine Blue, Prussian Blue, Ultramarine Violet Data Sheet.pdf Gamblin Artists Oil Phthalo Blue, Ultramarine Blue, Prussian Blue, Ultramarine Violet Data Sheet Features Summary Prussian Blue: First synthetic colour of the Industrial Revolution, discovered by accident in 1704 while a chemist was trying to formulate artificial crimson...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days PB27. Very Fast Drying. Transparent. Very Good Lightfastness. High Oil Content. Ferri-ammonium Ferrocyanide, discovered in Berlin in 1704 and introduced through the early 18th century, was one of the first synthetic inorganic pigments and also one of the most controversial. The earlier and less purified versions had a mixed reputation; they were said to fade in hues, or even to migrate or leech through succeeding paint layers. But modern standards of washing have dispensed with the tendency to fade, and the migratory properties ascribed to this colour are no longer reported. At any rate, Prussian Blue, like Alizarin, is one of those colours some painters find essential. Its inky depth when unmixed is belied by a range of uniquely intense blues resulting from hues, particularly with Zinc White. On its own and in more concentrated mixes it exhibits a slight bronzy sheen which can be used almost like a complementary glaze. Features Summary PB27. Very Fast Drying. Transparent. Very Good Lightfastness. High Oil Content. Ferri-ammonium Ferrocyanide, discovered in Berlin in 1704 and introduced through the early 18th century...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days PB27. Very Fast Drying. Transparent. Very Good Lightfastness. High Oil Content. Ferri-ammonium Ferrocyanide, discovered in Berlin in 1704 and introduced through the early 18th century, was one of the first synthetic inorganic pigments and also one of the most controversial. The earlier and less purified versions had a mixed reputation; they were said to fade in hues, or even to migrate or leech through succeeding paint layers. But modern standards of washing have dispensed with the tendency to fade, and the migratory properties ascribed to this colour are no longer reported. At any rate, Prussian Blue, like Alizarin, is one of those colours some painters find essential. Its inky depth when unmixed is belied by a range of uniquely intense blues resulting from hues, particularly with Zinc White. On its own and in more concentrated mixes it exhibits a slight bronzy sheen which can be used almost like a complementary glaze. Features Summary PB27. Very Fast Drying. Transparent. Very Good Lightfastness. High Oil Content. Ferri-ammonium Ferrocyanide, discovered in Berlin in 1704 and introduced through the early 18th century...

Buy Maimeri Classico Fine Oil Colour - Prussian Blue (60ml) for R195.00

Buy Schmincke Akademie Oil Colour Tube - Prussian Blue (200ml) for R462.00

Buy Maimeri Classico Fine Oil Colour - Prussian Blue (60ml) for R182.00

Buy Holbein Duo-Aqua - Prussian Blue Water Soluble Oil Colour (40ml)(Tube) for R371.00

Buy Talens Van Gogh Oil Colour - Prussian Blue S1 (200ml) for R397.00

Buy Schmincke Akademie Oil Colour Tube - Prussian Blue (200ml) for R441.00

Buy Maimeri Classico Fine Oil Colour - Prussian Blue (60ml) for R188.00

Buy Williamsburg Oil Colour - Prussian Blue (37ml) for R327.00

Buy Williamsburg Oil Colour - Prussian Blue (37ml) for R331.00

Buy Maimeri Classico Fine Oil Colour - Prussian Blue (60ml) for R189.00

Buy Talens Rembrandt Oil Colour Tube - Prussian Blue (40ml) for R237.00

Buy Michael Harding Oil Colour - Prussian Blue (60ml) for R353.00

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days PB15.3 Fast Drying. Transparent. Excellent Lightfastness. High Oil Content. A Chlorinated Copper invented in 1935, this was one of the first synthetic organic pigments to be accepted as reliably permanent. It is sometimes seen as a modern replacement for Prussian blue, but its unmixed colour is slightly more cyan, and in hues it exhibits a unique range of throbbing, intense, greenish blues which are quite distinct from the latter. Having the most powerful tint power of any colour in my range, this paint will blow any mix apart; if you wish to avoid doing so, add it in tiny quantities and with caution! Its ferrous content makes it a great drier, and like Prussian Blue it shows a tendency to bronze on drying. Features Summary PB15.3 Fast Drying. Transparent. Excellent Lightfastness. High Oil Content. A Chlorinated Copper invented in 1935, this was one of the first synthetic organic pigments to be accepted as reliably permanent...

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days Traditional colour. Black blue with very high tinting power. It's real shade is only revealed in glazes. Has a tendency towards bronzing on account of it's high pigmentation. Traditional colour. Pigment: Iron-cyan-blueCI number: PB 27 Lightfastness: **** On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process. Features Summary Traditional colour. Black blue with very high tinting power. It's real shade is only revealed in glazes. Has a tendency towards bronzing on account of it's high pigmentation...