Hotel architecture design

New Hotel Architecture and Design By: David Collins A first edition hardcover published by Conran in 2001 Black cover boards with silver writing to the spine, binding is tight & strong, no marks or inscriptions, dustjacket is complete clean & bright, a nice copy Postage within South Africa R50.00 Overseas Customers can contact us for a Postal Quotation Abe #

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Design, Creativity & Culture references design history, design process, cultural studies, media studies, visual culture, political culture and information technologies. It is inclusive, making reference to the full spectrum of design disciplines, providing examples from architecture, interior, product, graphic and fashion design, from a variety of cultures. The book provides examples and illustrations from a wide range of topics from the Big Bang to The Matrix, cave wall drawings to Twitter and Modernism to mass culture. Design, Creativity and Culture provides an inclusive, cross-cultural study of design that will make readers question design and culture. Features Summary Design, Creativity & Culture: An Orientation to Design is an accessible reader on the subject of design, culture and the creative processes active in society today... Author Maurice Barnwell Publisher Black Dog Publishing London UK Release date 20110916 Pages 240 ISBN 1-907317-40-6 ISBN 13 978-1-907317-40-8

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Integrate poetics into real-world spaces by bringing theory down to earth Practical Poetics in Architecture takes poetics out of the theory class and into the design studio, showing architects how the atmospheric and experiential qualities of built structures can be intentionally considered and planned. With an emphasis on analysing and explaining the sensibility of poetics at work in designing and constructing architecture, this book features projects from architects around the world that demonstrate the principles of poetics come to life. The rich illustration of two hundred colour images, including analytical diagrams, plans, sections, and photos, make this insightful guide a highly visual foray into a topic that has thus far remained more theoretical than practical. The text is matter-of-fact and concrete, yet remains richly connected to its forbears and the writings of William Lethaby, Gaston Bachelard, and Steen Eiler Rasmussen. The perspective is contemporary in its examples and its connections to the evolving science of perception. An established seminar topic in theory classes around the world, poetics tends to rely heavily on classic philosophic texts until now. Practical Poetics in Architecture brings theory down to earth to show architects how to invoke poetics when designing real projects. * Integrate poetics principles into real-world designs * Consider atmosphere in terms of form, space, and acoustics * Study actual projects that bring poetics into real spaces * Take cues from analytical diagrams of projects accounting for context Poetics the accumulated experience of place, space, and culture has become more critical in recent years as the atmospheric and experiential qualities of built spaces have become more elusive in the virtual age. Practical Poetics in Architecture provides real guidance for real projects, and brings poetics out of the mind and onto the plans. Features Summary Integrate poetics into real-world spaces by bringing theory down to earth Practical Poetics in Architecture takes poetics out of the theory class and into the design studio... Author Leon Van Schaik Publisher John Wiley & Sons Release date 20150424 Pages 248 ISBN 1-118-82889-5 ISBN 13 978-1-118-82889-2

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This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days The New Paradigm in Architecture tells the story of a movement that has changed the face of architecture over the last forty years. The book begins by surveying the counter culture of the 1960s, when Jane Jacobs and Robert Venturi called for a more complex urbanism and architecture. It concludes by showing how such demands began to be realized by the 1990s in a new architecture that is aided by computer design-more convivial, sensuous, and articulate than the Modern architecture it challenges. Promoted by such architects as Frank Gehry, Daniel Libeskind, and Peter Eisenman, it has also been adopted by many schools and offices around the world. Charles Jencks traces the history of computer design which is, at its heart, built on the desire for an architecture that communicates with its users, one based on the heterogeneity of cities and global culture. This book, the first to explore the broad issue of Postmodernism, has fostered its growth in other fields such as philosophy and the arts. First written at the start of an architectural movement in the mid-1970s, it has been translated into eleven languages and has gone through six editions. Now completely rewritten and with two new chapters, this edition brings the history up to date with the latest twists in the narrative and the turn to a new complexity in architecture. Features Summary The story of a movement that changed the face of architecture over the last 40 years of the 20th century. First written at the start of an architectural movement in the middle 1970s... Author Charles Jencks Publisher Yale University Press Release date 20020614 Pages 279 ISBN 0-300-09512-0 ISBN 13 978-0-300-09512-8

Engaging essays that roam across uncertain territory, in search of sunken forests, unclassifiable islands, inflammable skies, plagiarized tabernacles, and other phenomena missing from architectural history. This collection by "architectural history's most beguiling essayist" (as Reinhold Martin calls the author in the book's foreword) illuminates the unfamiliar, the arcane, the obscure -- phenomena largely missing from architectural and landscape history. These essays by Edward Eigen do not walk in a straight line, but roam across uncertain territory, discovering sunken forests, unclassifiable islands, inflammable skies, unvisited shores, plagiarized tabernacles. Taken together, these texts offer a group portrait of how certain things fall apart. We read about the statistical investigation of lightning strikes in France by the author-astronomer Camille Flammarion, which leads Eigen to reflect also on Foucault, Hamlet, and the role of the anecdote in architectural history. We learn about, among other things, Olmsted's role in transforming landscape gardening into landscape architecture; the connections among hedging, hedge funds, the High Line, and GPS bandwidth; timber-frame roofs and (spider) web-based learning; the archives of the Houses of Parliament through flood and fire; and what the 1898 disappearance and reappearance of the Trenton, New Jersey architect William W. Slack might tell us about the conflict between "the migratory impulse" and "love of home." Eigen compares his essays to the "gathering up of seeds that fell by the wayside." The seedlings that result create in the reader's imagination a dazzling display of the particular, the contingent, the incidental, and the singular, all in search of a narrative. Editorial Reviews Review With great wit and extraordinary knowledge -- skillfully supported by writing that makes us pay nothing yet delivers everything -- this book guides us into the rich subject of accident and anecdote as forms of historical criticism. Riveting accounts of landscapes, architectures, and the thickness of life bring the central epistemological dilemmas of our time into exquisite relief. A brilliant book. (Catherine Ingraham, Professor of Architecture, Pratt Institute; author of Architecture and the Burdens of Linearity) The owl of Minerva flies at dusk. Blam! Blam! Silence. The little soft-bodied creatures are safe again. Edward Eigen has written a book of crepuscular erudition, architectural history as would have been dreamed by the Lovecraftian lovechild of Edward Gorey, Laurence Sterne, and Jules Verne. It is baroque, wry, pessimistic, mannered, manorial, and seems to have all the time in the world. I have no idea what the world we are entering will make of it, but I am glad it has been published, since it can perhaps function as an idiosyncratic time capsule: this is what it was like to have a beautiful mind on the watershed of the twenty-first century. (D. Graham Burnett, Professor of History and History of Science, Princeton University; coauthor of Keywords:...Relevant to Academic Life, &c.) Read more About the Author Edward Eigen is Associate Professor of History of Architecture and Landscape Architecture at the Harvard Graduate School of Design and Associate Editor of Studies in the History of Gardens and Designed Landscapes. His writing has appeared in Cabinet, Pamphlet, Grey Room, and other publications. Read more #productDescription { color: #333333; word-wrap: break-word; font-size: small; line-height: initial; margin: 0.5em 0px 0em 25px; } #productDescription_feature_div > h2.default { color: #CC6600; font-size: medium; margin: 0 0 0.25em; } #productDescription_feature_div > h2.books { color:#333 !important; font-size:21px !important; line-height: 1.3; padding-bottom: 4px; font-weight: normal; margin: 0px; } #productDescription_feature_div > h2.softlines { color:#333 !important; font-size:21px !important; line-height: 1.3; padding-bottom: 4px; font-weight: bold; margin: 0px; } #productDescription > p, #productDescription > div, #productDescription > table { margin: 0 0 1em 0; } #productDescription p { margin: 0em 0 1em 1em; } #productDescription h3 { font-weight: normal; color: #333333; font-size: 1.23em; clear: left; margin: 0.75em 0px 0.375em -15px; } #productDescription table { border-collapse: inherit !important; margin-bottom: 0; } #productDescription table img { max-width: inherit !important; } #productDescription table td { font-size: small; vertical-align: inherit !important; } #productDescription ul li { margin: 0 0 0 20px; } #productDescription ul li ul { list-style-type: disc !important; margin-left: 20px !important; } #productDescription ul ul li { list-style-type: disc !important; margin-left: 20px !important; } #productDescription > ul ul li { list-style-type: disc !important; } #productDescription ul li ul li { margin: 0 0 0 20px; } #productDescription.aplus p { margin: 0 0 1em 0; } #productDescription small { font-size: smaller; } #productDescription.prodDescWidth { max-width: 1000px } P.when('jQuery').execute(function($){ $("#productDescription table").each(function() { var width = $(this).attr('width'); if (width) width += 'px'; else width = 'auto'; $(this).css('width', width); var padding = $(this).attr('cellpadding'); if (padding) padding += 'px'; else padding = '0px'; $(this).css('padding', padding); }); }); Product Dimensions: 5.4 x 0.8 x 8 inches Series: Writing Architecture Paperback: 408 pages Publisher: The MIT Press (February 2, 2018) Language: English ISBN-10: 0262534843 ISBN-13: 978-0262534840 Product Dimensions: 5.4 x 0.8 x 8 inches Shipping Weight: 1.4 pounds (View shipping rates and policies)

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days Dobrovic in Dubrovnik traces the past and the present of avant-garde modern architecture constructed in the nineteen- thirties, in the Mediterranean landscape of the south Dalmatian coast of the Adriatic Sea. Comprehensive historical, theoretical, and phenomenological readings of events and forms, in two essays by architects Krunoslav Ivanisin and Ljiljana Blagojevic respectively, describe a specific yet, by its spirit, universal Venture in Modern Architecture. Spatially condensed to an area within ten square miles and temporally to less than ten years, these quintessentially modern villas, gardens, and hotels built seventy years ago by the architect Nikola Dobrovic (1897- 1967), are presented through previously unpublished original design drawings, black and white photographs from the period of their construction, and the contemporary color photographs by Wolfgang Thaler. The color plates depict precisely the beauty in decay of heroic works of international modern architecture and convey admirably their meaningful Mediterranean resilience. Features Summary Dobrovic in Dubrovnik traces the past and the present of avant-garde modern architecture constructed in the nineteen- thirties, in the Mediterranean landscape of the south Dalmatian coast of the Adriatic Sea... Author Krunoslav Ivanisin (Author), Wolfgang Thaler (Author), Ljiljana Blagojevic (Author) Publisher Jovis Verlag Gmbh Release date 20151101 Pages 160 ISBN 3-86859-357-8 ISBN 13 978-3-86859-357-0

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days The National Design Triennial, Cooper-Hewitt, National Design Museum's groundbreaking exhibition series, celebrates the most creative and forward-thinking designs, cutting-edge trends, and future horizons across the fields of design practice, from architecture, interiors, and landscapes to product design, graphic design, fashion, animation, and new media. Published in conjunction with the latest installment of the Triennial series, Design Life Now: National Design Triennial 2006 features eighty-seven individuals and companies that are changing the face of design, including Pixar Films, Apple, Google, Nike, Target, Narciso Rodriguez, Tobias Wong, Santiago Calatrava, Herman Miller, and NASA. Four original essays by the exhibition's curators, profiles of the designers, and vibrant illustrations bring to life the ways in which these designers are challenging existing paradigms and expanding our understanding of the design world. Design Life Now is the inaugural title published by Cooper-Hewitt, National Design Museum's new publishing imprint, and marks a historic collaboration with Assouline Publishing, which will sell and distribute Cooper-Hewitt books to the trade worldwide. Features Summary The National Design Triennial, Cooper-Hewitt, National Design Museum's groundbreaking exhibition series, celebrates the most creative and forward-thinking designs... Author Barbara Bloemink (Author), Brooke Hodge (Author), Ellen Lupton (Author) Publisher Cooper Hewitt Museum Release date 20061215 Pages 240 ISBN 0-910503-98-2 ISBN 13 978-0-910503-98-3

Google SketchUp for Site Design, A Guide to Modeling Site Plans, Terrain and Architecture by Daniel Tal A 4th impression softcover published by Wiley in 2009 Picture cover boards are clean & bright, binding is tight & strong, no marks or inscriptions Postage within S Africa R60 thru P Office Overseas buyers can contact us for a postal quote

Alexander (Graham). Made of Africa: Conservation by Design. VERY SCARCE ITEM ON CONSERVATION ARCHITECTURE (CD included). Johannesburg: Buildaid Publishing, 2003. First Edition. 224pp., colour photos, floor plans, cd. Very Good, slightly edgeworn in Very Good dust-jacket. Hardcover. Very large item. 250x330mm Tall. (##4089)