Hepa pre filter post

2 switchable effects. The Ibanez AW7 from the Tone-Lok series isn't just any autowah. First, a Cry Baby-style wah with both low and high frequencies cut. Second, an LPF-style wah with only high frequencies cut. The Ibanez AW7 guitar effects pedal also works as a notch filter with the Sens at 0, similar to having a wah turned on but not "rocked." Built-in distortion circuit can be switched to either pre or post wah. On the outside, Tone-Lok effects are equipped with the Ibanez exclusive "set and forget" Push-Lok rotary pots. Push the knobs down and your tone settings lock securely inside the case—no more lost settings or broken knobs. On the inside, Tone-Lok pedals feature hi-fidelity components carefully tweaked with the constant input from a new generation of Ibanez players. And all this great stuff comes encased in cool looking, road-tough metal boxes at prices the working player can afford. Features 2 switchable effects: Cry Baby-style wah with both lows and highs cut or an LPF-style wah with only highs cut With Sens at 0 it works as a notch filter, like having a wah turned on but not "rocked"

Looking at adding analog tube warmth to your audio without spending a fortune, then this dual channel vacuum tube pre-amp is what you need, features: 2 x 12AX7 high voltage tubes Pre and post gains (great for adding some tube overdrive) Mic/Line operation EQ (low cut filter, lo mid and hi mid peak/dip filters and high frequency shelving filter) Phase reverse 20 dB pad 48 volt phantom power Analog and digital outs This unit really warms up, vocals, bass (especially synth bass), acoustic/electric guitars or any other acoustic instrument including drums. This VTP1 has just been totally refurbished and is as good as brand new. Price: R negotiable You won't get a better vacuum tube pre-amp for this price.

In Soundcraft Launched the Spirit FX16 Which Immediately Became Popular With its 16 Direct Outputs and Built-In Effects Unit In Wide Ranging Applications. 10 Years Later Soundcraft Has Given The FX16 an Overhaul Bringing it in Line With the Soundcraft Professional Range Using the Latest 24-bit, Digital Lexicon® Effects Processor and Creating the Soundcraft FX16ii™. The Soundcraft FX16ii mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level. The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from. The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space. Key Features: 26 inputs 16 mono microphone channels. 4 stereo returns 4-bus architecture, with sub-group routable to mix Built-in 24 bit Lexicon digital effects processor 32 FX settings Tap Tempo 3 FX parameter adjust rotaries User FX settings store function Direct outputs for multi-track recording individually switch-able for pre-post-fade operation Inserts on all mono channels Inserts on stereo mix output Classic Soundcraft 3-band EQ with swept mid-band Stereo 18dB/octave 100Hz high-pass filter Dual global +48V phantom power split channels 1-8 and 9-16 Channel Mute control 10-segment tri-coloured metering Two sub-group outputs Separate mono sum output Integral universal power supply   1 year limited guarantee. For more info on this product please click here  

Canon XA30 Professional Camcorder - Bundle with Video Bag, 32GB Class 10 SDHC U3 Card, Spare Battery, 58mm UV Filter, Cleaning Kit, Memory Wallet, Card Reader R12,883.00 At Aanbh Trading We are here to understand your requirements, and deliver them to you in the most efficient manner possible. To achieve this we have a dedicated team who can answer all your queries both pre and post sales by either phone or e-mail.Our objective is to pass on these savings to our customers by offering the lowest prices in the market within the range we carry. We guarantee that all advertised products are currently in stock. Company Name: Aanbh Trading Telephone Number: 0783280204 Email:sales@aanbh-trading.com Store hours: Monday - Friday ( 8.30am - 5.30pm ) Saturday ( 8.30am - 1.30pm) Website:www.aanbh-trading.com

12 channel PA-mixing console with very low noise architecture ALT 3-4 bus (2 subgroups) Internal 24bit DSP-effect unit with 100 presets & foot switch USB in/out for direct recording to PC 8 balanced input channels, 4 Mono + 4stereo: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send with pre/post switch EFX send for effects section (post) PAN/BAL control ALT 3-4 / Channel mute button LEVEL with 60mm fader control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer 19''brackets voor rack mounting included Free recording software available: Audacity Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (ALT 3/4, AUX/EFX, CTRL ROOM) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm T.H.D: dB 20Hz~20kHz (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 74dB MIC IN TO MAIN L/R 74dB MIC IN TO ALT dB MIC IN TO AUX (PRE) 76dB MIC IN TO AUX (POST) 76dB MIC IN TO EFX 80dB MIC IN TO CONTROL ROOM L/R 52.2dB IN TO REC L/R 54dB LINE IN TO MAIN L/R 54dB LINE IN TO ALT dB LINE IN TO AUX (PRE) 56dB LINE IN TO AUX (POST) 60dB LINE IN TO CONTROL ROOM L/R 44dB STEREO IN TO MAIN L/R 44dB STEREO IN TO ALT dB AUX RETURN IN TO MAIN L/R 20dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB)p Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R, ALT3/4, TAPE IN or PFL Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 36W Weight: 4,6 kg Dimensions: 328(W) x 90(H) x 420(D) mm

16 channel PA-mixing console with very low noise architecture 4 subgroups with independent sub-masters Internal 24bit DSP-effect unit with 100 presets & foot switch USB in/out for direct recording to PC 12 balanced input channels, 8 Mono + 4stereo: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer with parametric mid 1 AUX send pre (monitoring) 1 AUX send with pre/post switch EFX send for effects section (post) PAN/BAL control Channel mute button PFL-switch LEVEL with 60mm fader control L-R and subgroup select 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R + subgroup output controls Headphone and control room output 2x 10section LED VU-meters 7band equalizer on master mix External power transformer 19" brackets for easy rack mounting included Free recording software available: Audacity Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (ALT 3/4, AUX/EFX, CTRL ROOM) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm T.H.D:

Fishman Platinum PRO-EQKey Features at a Glance 17V discrete Class-A preamp 5-band tone control with sweepable mids and low frequency filter EQ modes switchable between guitar and bass Phase control and notch filter reduce feedback One-knob adjustable compressor Integrated fully chromatic digital tuner Volume boost footswitch with level control (up to +12 dB) Balanced XLR DI with pre/post EQ setting and ground lift Price: R2500 (worth R4900) In Uitenhage Call or WhatsApp: 079-813-7614

8 channel PA-mixing console with very low noise architecture Internal 24bit DSP-effect unit with 100 pre-sets & foot switch USB in/out for direct recording to PC 4 balanced microphone input channels, 2 mono line + 3 stereo line: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send for monitoring (pre) EFX send for effects section (post) PAN/BAL control LEVEL with rotary control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer Free recording software available: click the logo to start download. Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (INSERT) T.H.D: Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 66dB MIC IN TO MAIN L/R 60dB MIC IN TO AUX 66dB MIC IN TO EFX 76dB MIC IN TO CONTROL ROOM L/R 58.2dB IN TO REC L/R 46dB LINE IN TO MAIN L/R 46dB LINE IN TO AUX 46dB LINE IN TO EFX 56dB LINE IN TO CONTROL ROOM L/R 36dB STEREO IN TO MAIN L/R 6dB AUX RETURN IN TO MAIN L/R 16dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB) Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 25W Weight: 3,4 kg Dimensions: 249(W) x 75(H) x 295(D) mm

MH2, the third desk in Soundcraft’s acclaimed MH Series, delivers all the critical mixing features of its siblings in a fixed frame format, achieving a performance/price ratio unheard of in any other console in its class. Group or Aux on fader operation is selected at the touch of a button for familiar and uncomplicated operation. Soundcraft sound quality is guaranteed with the same mic preamp design used in the MH4 and MH3, classic British EQ and meticulous circuit design. And with important new features like separate line inputs on every channel, the argument for mixing with MH2 is compelling. Four frame sizes are available, all with an integrated switched mode PSU which can be removed for easy maintenance. Naturally, a rear panel connector is provided to fit an external power supply for complete dual redundancy assurance. KEY FEATURES: Frame sizes: and 48+4 Styling based closely on MH3/4, with a single-piece front panel MH3/4 mic amp design with 50dB range plus -20dB level shift and separate 1/4" Line input Swept high-pass filter and 4-band EQ (all bands swept) 10 Auxes, of which 2 can be switched to create 1 x stereo send Pre/post fader switching in pairs (except 5-8 as one block of 4) 8 full-time Group busses with paired routing LCR panning on inputs-mix 8 VCAs and 6 Mute Groups 4 Stereo Input channels with mic/line capability 4 stereo line returns with 3-band fixed EQ, returns can route to output channels 11x4 Matrix built-in 10 x linear 60mm output faders, plus 8 rotary output faders with SWAP facility to allow linear faders to control either all 10 Auxes or 8 Grps and 2 Auxes Inserts on Groups and Mix outputs (Group insert moves between Grp & Aux) 12-segment Input and Output metering Central assignment of VCA Groups, with individual LED displays per channel   1 year limited guarantee. For more info on this product please click here  

MarkBass - Little Mark Tube Head Amp The Markbass Little Mark tube amp head gives the warmth and richness of a tube preamp, the clean attack of a solid state preamp, or a mix of both. The bass amp head features a mix control for mixing between a solid state preamp and tube preamp. The result offers a range of sounds, from the crisp, Markbass sound in the solid state, to a heavy tube sound in the tube state, and anything in between. On the front panel there are 2 inputs with separate gain controls: one 1/4" jack, and one combo jack that accepts either an XLR or 1/4". The Vintage Loudspeaker Emulator (VLE) and Variable Preshape Filter (VPF) allow access to a wide array of timbres, from classic tones to modern hi-fi sound. A phantom power switch accompanies the XLR input, for using a microphone on a double bass. Mute control is as simple as a push and a pull on the master volume switch. The Markbass Little Mark has 4 bands of equalization, line out control, and pre/post EQ switch for the XLR out (on the rear panel). Rack ears not included. The bass amp head features a single 6205 miniature tube.

Key Features: 100mm faders +48V phantom power 16, 24 or 32 channel frame sizes Up to 40 inputs (including stereo inputs and returns) 18dB/octave high-pass filter 6 aux sends, 4 of them pre/post switchable Group and mix inserts 12-segment LED metering Integral PSU Comes with steal casing