Foot mono

12 channel PA-mixing console with very low noise architecture ALT 3-4 bus (2 subgroups) Internal 24bit DSP-effect unit with 100 presets & foot switch USB in/out for direct recording to PC 8 balanced input channels, 4 Mono + 4stereo: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send with pre/post switch EFX send for effects section (post) PAN/BAL control ALT 3-4 / Channel mute button LEVEL with 60mm fader control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer 19''brackets voor rack mounting included Free recording software available: Audacity Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (ALT 3/4, AUX/EFX, CTRL ROOM) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm T.H.D: dB 20Hz~20kHz (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 74dB MIC IN TO MAIN L/R 74dB MIC IN TO ALT dB MIC IN TO AUX (PRE) 76dB MIC IN TO AUX (POST) 76dB MIC IN TO EFX 80dB MIC IN TO CONTROL ROOM L/R 52.2dB IN TO REC L/R 54dB LINE IN TO MAIN L/R 54dB LINE IN TO ALT dB LINE IN TO AUX (PRE) 56dB LINE IN TO AUX (POST) 60dB LINE IN TO CONTROL ROOM L/R 44dB STEREO IN TO MAIN L/R 44dB STEREO IN TO ALT dB AUX RETURN IN TO MAIN L/R 20dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB)p Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R, ALT3/4, TAPE IN or PFL Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 36W Weight: 4,6 kg Dimensions: 328(W) x 90(H) x 420(D) mm

8 channel PA-mixing console with very low noise architecture Internal 24bit DSP-effect unit with 100 pre-sets & foot switch USB in/out for direct recording to PC 4 balanced microphone input channels, 2 mono line + 3 stereo line: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send for monitoring (pre) EFX send for effects section (post) PAN/BAL control LEVEL with rotary control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer Free recording software available: click the logo to start download. Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (INSERT) T.H.D: Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 66dB MIC IN TO MAIN L/R 60dB MIC IN TO AUX 66dB MIC IN TO EFX 76dB MIC IN TO CONTROL ROOM L/R 58.2dB IN TO REC L/R 46dB LINE IN TO MAIN L/R 46dB LINE IN TO AUX 46dB LINE IN TO EFX 56dB LINE IN TO CONTROL ROOM L/R 36dB STEREO IN TO MAIN L/R 6dB AUX RETURN IN TO MAIN L/R 16dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB) Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 25W Weight: 3,4 kg Dimensions: 249(W) x 75(H) x 295(D) mm

AD Conversion24 bit + AF method*DA Conversion24 bitSampling Frequency44.1 kHzProgram Memories340: 140 (User) + 200 (Preset)Nominal Input LevelINPUT: -10 dBu RETURN: -10 dBuInput ImpedanceINPUT: 1 M ohms RETURN: 220 k ohmsNominal Output LevelOUTPUT: 0 dBu SEND: -10 dBuOutput ImpedanceOUTPUT: 2 k ohms SEND: 2 k ohmsDigital OutputEIAJ CP1201, S/P DIFDynamic Range100 dB or greater (IHF-A)Display16 characters, 2 lines (backlit LCD) 2 characters, 7 segment LEDConnectorsINPUT jack OUTPUT jacks L (MONO)/R PHONES jack SEND jack RETURN jack DIGITAL OUT connector (coaxial) AMP CONTROL jack SUB EXP PEDAL/SUB CTL PEDAL 1,2 jack MIDI connectors (IN/OUT) AC Adaptor jackPower SupplyAC 14 V; Supply AC adaptor (BOSS BRC series)Current Draw650 mAAccessoriesAC Adaptor (BRC series) Owner’s ManualOptionsFoot Switch: FS-5U, FS-5L, Dual Foot Switch: FS-6 Expression Pedal: EV-5 (Roland), FV-300L + PCS-33 (Roland) Foot Switch Cable: PCS-31 (Roland), (1/4 inches Phone Plug (stereo) - 1/4 inches Phone Plug (mono) x 2)

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

16 channel PA-mixing console with very low noise architecture 4 subgroups with independent sub-masters Internal 24bit DSP-effect unit with 100 presets & foot switch USB in/out for direct recording to PC 12 balanced input channels, 8 Mono + 4stereo: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer with parametric mid 1 AUX send pre (monitoring) 1 AUX send with pre/post switch EFX send for effects section (post) PAN/BAL control Channel mute button PFL-switch LEVEL with 60mm fader control L-R and subgroup select 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R + subgroup output controls Headphone and control room output 2x 10section LED VU-meters 7band equalizer on master mix External power transformer 19" brackets for easy rack mounting included Free recording software available: Audacity Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (ALT 3/4, AUX/EFX, CTRL ROOM) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm T.H.D:

Aroma ACH - 1 Electric Guitar Effects Pedal Chorus True Bypass Features: - Super low power consumption - Aluminum alloy shell, durable and long service life - True bypass design, accurate and high sensitive, minimizes loss of tone - Built-in operation amplifier, low noise offers you natural and clear sound - LED indicator shows status of effect and battery condition - 3 adjustable knobs: Depth, volume, speed - Depth knob: Control depth of effect sound - Volume knob: Control volume of effect signal - Speed knob: Control speed of chorus effect - Durable jacks and foot switch - 1 / 4 inch mono audio jack for signal output - 1 / 4 inch mono audio jack for connecting guitar Specifications: - Input Impedance: 100K Ohm - Output Impedance: 150 Ohm on max volume - Recommended Load Impedance: 10K Ohm - Equivalent Input Noise: -90 dBu or less - Power Supply: DC 9V battery (not included) or AC adapter (not included) - Current Draw: 5.5mA (DC 9V) Age Range: > 8 years old Material: Metal Remote Control: No Type: Effects Package weight: 0.404 kg Product Size(L x W x H): 11.50 x 6.50 x 3.20 cm / 4.53 x 2.56 x 1.26 inches Package Size(L x W x H): 15.00 x 10.00 x 7.50 cm / 5.91 x 3.94 x 2.95 inches Package Contents: 1 x Aroma Chorus, 1 x English User Manual

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Today, the next-generation bass-synth pedal has arrived the SYB-5. Utilizing the latest in DSP technology, the SYB-5 faithfully reproduces the fat and sharp sound characteristics of classic analogue synthesizers. Enhanced Sound With the latest DSP All of the 11 internal synth sounds have been markedly refined and enhanced to produce a fatter, more cutting sound than ever. The sounds are built on variations of three oscillator Waves (Saw, Square, Pulse) and filters that modulate according to the envelope and lFO changes you apply. You won t believe how much synth-bass beef can come from such a small pedal. Enhanced Playability Via External Control An external pedal input jack has been added to the SYB-5 for connecting an EV-5 Expression Pedal (sold separately), which allows you to control filter cutoff and lFO rate in real time with your foot. In Modes 1-9 you can use the SYB-5 s onboard pedal to hold a note while playing a bass phrase over it. Time for a bass soloIJ You bet! Features/Specifications: 11 DSP variations of Saw, Square, and Pulse synth waves Control filter cutoff and lFO rate via EV-5 Expression Pedal (sold separately) Enhanced Wave Shape Mode provides sharper sounds Hold notes with the onboard pedal and jam over the top Further Specs: Nominal Input level: -20 dBu Input Impedance: 1 M ohms Nominal Output level: -20 dBu Output Impedance: 1 k ohms Recommended load Impedance: 10 k ohms or greater Residual Noise: -96 dBu (IHF-A, Typ.); All knobs at center position Connectors: Input jack, Output A (MONO) jack, Output B jack, EXP jack, AC adaptor jack (DC 9 V)

Roland AXSYNTHBK Shoulder Synthesizer - Built-in sound engine with voices from Roland¿s latest synthesizers Ribbon controller, D Beam, modulation bar, knobs, and easy to see display for stage USB MIDI for easy connection to PC Dedicated V-LINK button for video/visual control Long battery operation (approx. 6 hours) Keyboard 49 Keys (with velocity) Sound Generator Maximum Polyphony 128 voices Tones 256 Tones + 8 Special Tones (including SuperNATURAL) Controllers D-Beam, Ribbon Touch, Modulation Bar, Volume Knob Controller, Aftertouch Knob Controller, Portamento On/Off, Hold button On/Off, Bender Mode: Normal/Catch+Last Connectors Output Jacks: 2 x 1/4' inch phone type (L/MONO, R), Headphones (Stereo 1/4' inch phone type), Foot Pedal, USB connector (USB MIDI), MIDI connector (IN/OUT), AC Adaptor Others Battery 8 x Ni-MH rechargeable Batteries Display (3 x 7) segment LED Accessories Owner's Manual, Shoulder strap, AC Adaptor (PSB-1U) Size and Weight (excluding batteries) Width 1,142 mm 45 inches Depth 266 mm 10-1/2 inches Height 87 mm 3-7/16 inches Weight 3.9 kg 8 lbs. 10 oz. *

Massive Sound ¿ Professional Features The frequency range and crossovers of the Truesonic TSSUB18 and TSSUB15 have been tuned to provide smooth, low-end sound production in the 37Hz-125Hz range (42Hz-125Hz for the TSSUB15). They also offer stereo inputs, an internal active crossover, and are housed in rugged, compact, 18mm Birch plywood cabinets with durable metal recessed handles. When you're ready to extend the frequency range of your live performance reinforcement, Truesonic subwoofers are the effective, economical, and professional choice. Truesonic Substance Exacting details were planned and provided in the Truesonic TSSUB18 and TSSUB15. From the modern digital power amp to the internal crossover and handpicked drivers, they are class-leading subwoofers and worthy of the Truesonic name. As active subwoofer systems, The Truesonic TSSUB18 and TSSUB15 offer a massive 18" LF long-excursion driver and large 15" LF long-excursion driver respectively. They're rated at a whopping 1200 watts and feature a 3" copper sandwich voice coil, which means you'll have plenty of low-end volume when you need it most. TECH INFORMATION Powered System: Continuous-600 Watts, Peak-1200 Watts Frequency Response (-10dB): 42 Hz-12 5Hz under analog processor Maximum SPL @ 1m: 123 dB continuous / 126 dB Peak Transducer Low: 15" woofer, 3" copper sandwich voice coil, with long excursion Active Crossover: Band pass type 12 dB / oct. under analog processor Input Connectors: In-Left / Mono (Combo) Right (XLR-F) / Out-Left /Mono-Right (XLR - M) / Link-Left / Mono-Right (XLR-M) Balanced (15 kOhm) Input: Level L-R Input Line at 0dBu Crossover Frequency: L - R output with high pass filter at 80Hz or flat for L-R satellite External Controls: Volume control / Phase switch / HPF - 80 Hz bypass / Power-on with green LED / Clip limiter with red LED / Ground lift Power Supply: 120 - 240 Volts in switching power mode Enclosure Construction: 18 mm plywood cabinet, glued and reinforced, resistant black paint, metal grille, rubber foot, four optional wheels Mounting: One standard metal pole-mount, two metal handle Dimensions (HxWxD): 591 mm x 451 mm x 513 mm (23.27" x 17.76" x 20.2") Net Weight: 27.04kg / 59.49 lbs. Shipping Weight: 31.04 kg / 68.29 lbs. Dimensions (WxLxH): 591cm x 451cm x 513cm Weight: 68.29 lb