Clipping

A two channel flexible pedal The LT DUAL offers the ultimate in distortion flexibility. Channel 1 lets you move from clean, to boost to overdrive. Channel 2 then takes you from super crunch right up to screaming lead. The unique switching operation will transform a single channel amp into a three channel tone machine. Blackstar’s patented ISF (Infinite Shape Feature) circuit, giving you infinite adjustment over the characteristics of the tone control, will take you from the USA to the UK and anywhere in between, whilst the patent-applied-for clipping circuit delivers amazing valve-like tone and compression for a wide variety of playing styles.LT DUAL Guitar Pedal Overview Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals 2 Gain and Level equipped channels Shared Tone and patented ISF control Clean boost to high gain drive in a single pedal Small form-factor - great for pedalboards Rugged construction

Aggressive high gain tones The LT METAL is designed to deliver the aggressive high gain tones that modern guitarists need. It features Blackstar’s patented ISF (Infinite Shape Feature) circuit, giving you infinite adjustment over the characteristics of the tone control and taking you from scooped US high gain to classic British heavy metal and anywhere in between. Blackstar’s patent-applied-for clipping circuit delivers amazing valve-like tone and compression for a wide variety of playing styles. Now you can effectively design your own tone and finally find 'the sound in your head'.LT METAL Guitar Pedal Overview Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals Gain, Level and Tone controls, plus patented ISF control 9V battery powered Small form-factor - great for pedalboards Rugged construction

Small, rugged distortion pedal The LT DIST features Blackstar’s patented ISF (Infinite Shape Feature) circuit, giving you infinite adjustment over the characteristics of the tone control and taking you from the USA to the UK and anywhere in between. Blackstar’s patent-applied-for clipping circuit delivers amazing valve-like tone and compression for a wide variety of playing styles. Now you can effectively design your own tone and finally find 'the sound in your head'.LT DIST Guitar Pedal Overview Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals Gain, Level and Tone controls, plus patented ISF control 9V battery powered Small form-factor - great for pedalboards Rugged construction

Warm boost to screaming lead saturation The LT DRIVE delivers gain from warm boost to screaming lead saturation. Blackstar’s patent-applied-for clipping circuit delivers amazing valve-like tone and compression for a wide variety of playing styles.LT DRIVE Guitar Pedal Overview Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals Simple and effective Gain, Level, Tone layout 9V battery powered Small form-factor - great for pedalboards Rugged construction

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Preamplifier Joemeek optical compressor Equalizer Fader Input impedances Mic 1.2kohm - line 20kohm Pre-amp overall gain 0dB to 60dB Common mode rejection 70dB Equivalent input noise -dBu (unweighted) Distortion % (below Compressor threshold) Frequency response 10Hz to 70kHz (-3dB) Maximum input before clipping Mic: +19.5dBu; line: +44.5dBu Headroom before clipping +19.5dBu Compressor threshold +¿dBu to -20dBu (variable) Compressor ratio 5:1 (typical) Compressor attack time 1 msec to 100 msec (adaptive) Compressor release time 0.1 sec to 3 sec (adaptive) EQ Boost and Cut +/-15dB (zero phase-shift bell response) lF Frequency 80Hz (fixed) MID Frequency 300Hz to 5kHz variable HF Frequency 12kHz (fixed) EQ "Q" octaves) Output Gain -¿dBu to +16dBu (variable) Nominal output levels +4dBu/-10dBv (selectable) Output impedance 75ohm Output level switch 12dB attenuation Noise Floor -85dBu (typical, with ~40dB mic gain) VU Meter 8 segment bargraph Power supply 12V ac mains adaptor Power consumption 12W Dimensions 8.66 x 1.73 x x 44 x 180mm) Poids 2.20lbs (1kg)

High Quality Shure BLX24 Vocal Wireless System with PG58 Handheld Mic. Includes, BLX4 wireless receiver and BLX2 handheld transmitter with PG58 microphone. Up to a 100m line-of-sight range of operation. The BLX4 receivers one-touch QuickScan frequency selection finds the clearest available channel and tunes the unit to it. Its front-panel LCD display indicates the group and channel it is tuned to, allowing you to set the BLX2 transmitter to match. A dual-colored LED indicator displays green for normal audio levels and red to alert you if your levels are clipping. The unit has a microprocessor-controlled internal diversity antenna to prevent interference and dropouts. Two included AA batteries provide The BLX2 transmitter with up to 14 hours of operation. You can use up to 12 compatible BLX systems simultaneously per frequency band. This Bundle Includes: 1 x BLX4 Single-Channel Wireless Receiver The BLX4 Single-Channel Wireless Receiver from Shure is a single-channel receiver. It has microprocessor-controlled internal antenna diversity for reduced signal interference and dropouts. The one-touch QuickScan frequency selection feature allows you to quickly locate the frequency with the least amount of interference available. Its front-panel dual-color LED status indicator displays green for normal levels and red when clipping for fast metering. It has an XLR output in additional to an instrument level 1/4in output. The BLX4 can be used with up to 11 other compatible systems simultaneously per frequency band. 1 x BLX2 Handheld Transmitter with PG58 Microphone The BLX2 Handheld Transmitter with PG58 Microphone from Shure provides a 100m line of sight operating range. It is powered by two included AA batteries for up to 14 hours. It is compatible with Shure BLX wireless systems set to the same frequency band. A padded zipper case and microphone clip are included.

FOCUSRITE iTRACK ONE PREAMP Capture High Resolution Audio From A Mic Or Guitar Directly Onto Your Iphone Or Ipad, Wherever And Whenever You Want Never Before Have You Been Able To Record A Professional Condenser Microphone Into Your Iphone Or Ipad Without Needing Any External Power, Making It Even Easier To Record On The Go. Connect Your Mic To A Class-Leading Focusrite Preamp And Experience Our World Famous Sound Quality On Ios Plug Your Guitar Straight In To Capture Every Nuance Of Your Tone Without Any Clipping Or Unwanted Distortion, Even With Seriously Hot Pickups Compact And Lightweight, With A Micro-Suction Base To Stick It On Any Flat Surface, Itrack One Pre Will Stay Put Anywhere While You Lay Down Your Tracks With Confidence You Don’t Need To Learn Anything New. Connect A Mic, Guitar Or Other Instrument To Garageband, Auria, Cubasis And Your Other Favourite Music Making Apps Plug Straight In And Use The Illuminated Gain Halo To Quickly Find The Perfect Recording Level. Green Is Good, Red Is Clipping Compatibility Made For Iphone SE, Iphone 6s, Iphone 6s Plus, Iphone 6, Iphone 5s, Iphone 5c, Iphone 5, Ipad Pro (12.9-Inch), Ipad Pro (9.7-Inch), Ipad Air 2, Ipad Air, Ipad Mini 4, Ipad Mini 3, Ipad Mini 2, Ipad Mini, Ipad (4th Generation), Ipod Touch (5th And 6th Generation). Please Note: Itrack One Pre Is Compatible For Recording With The Iphone 7, However, Simultaneous Recording And Monitoring Is Not Possible Due To The Iphone 7 Not Having A 3.5mm Headphone Output

Digitech - CM-2 Hardwire Tube Overdrive Stomp Box The DigiTech HardWire CM-2 is a tube overdrive pedal that has what you're looking for, whether you need a little gain in front of your clean combo or just some boost into your distorted tube head. The CM-2 pedal's Classic/Modified option switches between classic overdrive circuitry for a smooth overdriven tube sound to a fatter, hot-rodded tone with extra gain without stepping on your signature tone. Low and High tone controls open up endless sonic possibilities. The DigiTech HardWire pedal series represents DigiTech's commitment to quality and attention to subtle details. In addition to technical enhancements like true bypass and high voltage operation, all HardWire pedals feature rugged, all-metal construction; a wide, stage-stable footprint; durable, custom-machined metal knobs for a sure grip; and precision potentiometers that guarantee knob positions will stay put. The rugged, durable construction of Extreme Performance Pedals is just the beginning. Inside each DigiTech HardWire pedal are technological features that serious players require—all updated and improved to their utmost capacity. True bypass preserves the purity of your original tone as signal passes through the pedal. High voltage operation further protects your sound by eliminating clipping and other signal degradation caused by power drain. With the high-output pickups found on some electric guitars, it's not unusual to hear clipping when playing through an effects pedal. This occurs when the voltage range produced by a guitar's pickup is greater than the operating voltage of the effects pedal—normally limited to the voltage supplied by the effect's battery or power supply. HardWire pedals incorporate circuitry that increases the operating voltage headroom above that of the typical pedal. As such, HardWire pedals benefit a wider range of guitars and are also at home in an amplifier's effects loop. HardWire Pedals include the following stage accessories: Stomplock™ knob guard locks your tone in place and prevent tampering or accidental knob adjustments onstage Pedal Switch Glow Sticker helps you locate the pedal in adverse stage lighting Custom-cut Hook and Loop Pedalboard Pad to attach and lock your pedals to your pedalboard

100% brand new, high quaity. Heavy-duty, durable and practical. Used for clipping non woven background cloth, background paper, vinyl background cloth. Toothed area below jaw ends to hold objects more firmly. Convenient and quick, handle with non slip pattern, to ensure comfortable grip. Description: 100% brand new, high quaity. Heavy-duty, durable and practical. Used for clipping non woven background cloth, background paper, vinyl background cloth. Toothed area below jaw ends to hold objects more firmly. Convenient and quick, handle with non slip pattern, to ensure comfortable grip. Color: Black Material: Nylon Maximum Jaw Capacity: 2.8cm Clip Total Length: approx. 6.8cm Quantity: 10pcS Package Content: 10x Background Clip Brand name Tiptiper Item Weight 141 g Package Dimensions 10 x 7 x 4.8 cm Manufacturer reference MP-XE00014167    

The MYTHO 6 from RCF is an active 2-way reference studio monitor, ideal for home or professional studios. The die-cast aluminum cabinet houses a 6.5" neodymium woofer and a 1" aluminum dome tweeter to provide crisp, detailed sound with a wide frequency response. Internal Class-AB amplifiers provide a total power of 300W for a strong performance with low distortion. The cabinet has a reflection-free design, a low-distortion reflex port for extended bass, and a constant directivity waveguide to provide a wide "sweet spot". The speaker's rear panel has an XLR/TRS combo input, allowing you to connect to a wide variety of systems and devices. The MYTHO 6 also features DSP technology that provides fine crossover tuning, accurate EQ, soft signal clipping, and transducer protection. A set of DIP-switches lets you adjust bass and treble settings, EQ, woofer/tweeter muting, and more. The speaker also has a selectable operating voltage for worldwide use. Die-cast aluminum cabinet features a reflection-free design 6.5" neodymium woofer and a 1" aluminum dome tweeter to provide crisp, detailed sound with a wide frequency response Internal Class-AB amplifiers provide a total power of 300W for a strong performance with low distortion Low-distortion reflex port for extended bass Constant directivity waveguide provides a wide "sweet spot" Rear panel features an XLR/TRS combo input, allowing you to connect to a wide variety of systems and devices DSP technology provides fine crossover tuning, accurate EQ, soft signal clipping, and transducer protection A set of DIP-switches lets you adjust bass and treble settings, EQ, woofer/tweeter muting, and more Selectable operating voltage for worldwide use For More Info: http://www.rcf.it/products/recording/mytho-reference-monitors/mytho-6

olympus-floating-foam-strap-yellow Product Description Keeps waterproof cameras from quickly sinking to the bottom Gentle positive buoyancy allows you to take steady underwater pictures without having your hand forced to the surface Adjustable for the perfect fit on your wrist or arm Carabineer loop for clipping to your lifejacket or scuba gearKeeps SW Series cameras from quickly sinking to the bottom. Gentle positive buoyancy of strap allows users to take steady underwater pictures without having their hand forced to the surface. Adjustable for the perfect fit on your wrist or arm. Carabineer loop for clipping to your lifejacket or scuba gear. Our Guarantee to You We guarantee the utmost in Quality, Authenticity and Customer Satisfaction All our Items are Brand New and 100% Authentic with Original Box and Papers Price Beat or Match, if we can't (which is hardly ever), we will give you R150 off your next order with us. At these prices stocks are very limited, so order now to avoid disappointment Please view our other listings HERE Looking for something that we have not listed. Let us know - Will will get the best price for you

Hotrod your valve amp The LT BOOST’s patent-applied-for gain circuit is designed to push your guitar amp into smooth overdrive and has been refined to ensure the maximum delivery of your dynamics and tone. This is an extremely flexible pedal and can be used into a clean amp as a volume boost, an additional equalisation stage, or to drive your amplifier into dynamic overdrive.LT BOOST Guitar Pedal Overview Patent-Applied-For clipping circuit that matches the tone and response of our valve pedals Continuously variable boost Bass and Treble controls for tonal refinement 9V battery powered Small form-factor - great for pedalboards Rugged construction

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The DPS II updates the latest ART advances in Tube Microphone Preamps. The DPS II adds continuously variable input impedance, lED input meters, auto mic/instrument switching, OPlIJ (Output Protection limiting) flexibility and more tube warmth to the DPS II. Twin high performance discrete preamplifiers with local feedback are coupled with our flexible V3IJ (Variable Valve Voicing) 12AX7A gain stage (which delivers both flexibility and consistency in settings) and choice of analog and digital outputs. The new enhanced mic preamp can accept +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. A lED input meter, monitors the signal level of the input amplifier. The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs. Enhancements to our legendary tube stage maintain our classic warm sound and add additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments making this an incredible DI box. The enhanced OPl is available to control overshoots and normalize levels before digital clipping occurs. A versatile insert loop on each channel provides access for additional signal processing or direct access to our high quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSlINK or ADAT (front panel selectable). The A/D is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32KHZ to 100KHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits. The DPS II also features ART A-to-D digital conversion and ART Tube Technology similar to that of the ART DI/O Preamp System. This ensures that when you are going from the analog preamplification to digital, your signal will be as warm and musical as you decide it to be. Ask you ART representative about the...

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The DJ PRE II (formerly named the Phono MicroPRE) acts as an interface between your turntable and your audio recording / playback system. The analog input capacitance can be switched between 100pF and 200pF to optimize your phono cartridge response. A switchable low cut filter removes turntable rumble while leaving the audio pristine. The front gain trim control and signal/clip lED allow you to optimize the preamp's gain for a wide range of input sources. The built-in low noise phono preamp circuitry is highly accurate and precisely conforms to the RIAA standard. The line output jacks are low impedance and can be used with any sound card. Housed in an all aluminum black anodized case, the DJ PRE II can be powered by a wide variety of external supplies. If you need to amplify and EQ your vinyl records to interface with your audio workstation, sound card, home stereo system or main monitor system, the DJ PRE II gives you flawless audio reproduction in a rugged and reliable package. Specifiactions - Signal To Noise Ratio: > 90dB below clipping - Frequency Bands: FIlTER TYPE: Switchable, low Cut, -3dB at 22Hz - Maximum Gain: 45dB at 1KHz - Input Impedance: 47k Ohms in parallel with either 100pF or 200pF - Maximum Input level: 40mVrms at 1KHz - Maximum Output level: +6dBu (1.4Vrms) - Input Connectors: RCA - Output Connectors: RCA - Total Harmonic Distortion:.01% Typical at 1KHz - Frequency Response: 10Hz -50KHz, +/-.5dB - Power: 7-12V DC or 9-12V AC at 150mA - Dimensions: 1.75H x 4.2W x 3.5D - Weight: 1.25 lbs (.57kg)

12 channel PA-mixing console with very low noise architecture ALT 3-4 bus (2 subgroups) Internal 24bit DSP-effect unit with 100 presets & foot switch USB in/out for direct recording to PC 8 balanced input channels, 4 Mono + 4stereo: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send with pre/post switch EFX send for effects section (post) PAN/BAL control ALT 3-4 / Channel mute button LEVEL with 60mm fader control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer 19''brackets voor rack mounting included Free recording software available: Audacity Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (ALT 3/4, AUX/EFX, CTRL ROOM) +20dB (INSERT) More than 100mW (HEADPHONES) @33Ohm T.H.D: dB 20Hz~20kHz (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, ALT 3/4, AUX/EFX SEND, CTRL ROOM) @10kOhm Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 74dB MIC IN TO MAIN L/R 74dB MIC IN TO ALT dB MIC IN TO AUX (PRE) 76dB MIC IN TO AUX (POST) 76dB MIC IN TO EFX 80dB MIC IN TO CONTROL ROOM L/R 52.2dB IN TO REC L/R 54dB LINE IN TO MAIN L/R 54dB LINE IN TO ALT dB LINE IN TO AUX (PRE) 56dB LINE IN TO AUX (POST) 60dB LINE IN TO CONTROL ROOM L/R 44dB STEREO IN TO MAIN L/R 44dB STEREO IN TO ALT dB AUX RETURN IN TO MAIN L/R 20dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB)p Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R, ALT3/4, TAPE IN or PFL Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 36W Weight: 4,6 kg Dimensions: 328(W) x 90(H) x 420(D) mm

8 channel PA-mixing console with very low noise architecture Internal 24bit DSP-effect unit with 100 pre-sets & foot switch USB in/out for direct recording to PC 4 balanced microphone input channels, 2 mono line + 3 stereo line: Input gain Inserts on mono channels Peak indication @ -5dB High pass filter @ 75Hz 3band equalizer (12kHz/2,5kHz/80Hz) AUX send for monitoring (pre) EFX send for effects section (post) PAN/BAL control LEVEL with rotary control 48V Phantom power on all balanced micros Use of external effects possible Balanced Main L/R output control Headphone and control room output 2x 10section LED VU-meters External power transformer Free recording software available: click the logo to start download. Max output level (0.5% thd @ 1kHz): +26dB (MAIN L/R) +20dB (INSERT) T.H.D: Frequency response: 20Hz~20kHz, +1/-2dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Hum and Noise (average Rs=150Ohm): -127dB equivalent input noise -95dB residual noise (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) -88dB (MIX L/R, AUX SEND, EFX SEND, CTRL ROOM) Master fader at nominal level and all channel volumes at minimum. Maximum Voltage Gain: 66dB MIC IN TO MAIN L/R 60dB MIC IN TO AUX 66dB MIC IN TO EFX 76dB MIC IN TO CONTROL ROOM L/R 58.2dB IN TO REC L/R 46dB LINE IN TO MAIN L/R 46dB LINE IN TO AUX 46dB LINE IN TO EFX 56dB LINE IN TO CONTROL ROOM L/R 36dB STEREO IN TO MAIN L/R 6dB AUX RETURN IN TO MAIN L/R 16dB TAPE IN TO MAIN L/R Crosstalk (@ 1kHz): -70dB between input channels -70dB between input/oputput channels Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB) Gain Control (combined mono/stereo input channel) 40dB Variable (-20dB ~ +20dB) Input channel Equalization: HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving *Turnover/roll off frequencies: located 3dB below max. boost/cut LED Meters: 2x 10 segment LED for MAIN L/R Internal Digital Effect: 100 selectable presets FOOT Switch control (ON/OFF) Channel indicators: Peak: an indicator for each channel turns on when the pré-channel fader signal is 5dB below clipping Phantom Power (balanced input): +48V DC Power Supply: AC 230 V, 50Hz Power consumption: 25W Weight: 3,4 kg Dimensions: 249(W) x 75(H) x 295(D) mm

The XR powered mixer include many of the latest technological developments from Peavey engineering. Incorporating a pair of 600 Watt amplifiers, dual 7-band EQ, digital effects, FLS® (Peavey's award-winning Feedback Locating System), DDT™ speaker protection and a host of other features, these compact powered mixers are perfect for any application.•10 line inputs •3-band equalization on each channel •Monitor send on each channel •25 dB pad: channels 1-6 •Dual main or main/monitor power amp mode switch •Dedicated 7-band EQ for main/monitors with FLS™ •DSP-based effects •16 presets with parameter control •Dual 600 Watt per channel internal power amplifiers •DDT speaker protection with activity LED •Mute switch for input channels 1-8 •Signal/clipping indicator on each channel •48 Volt phantom power •8 improved, low-noise, mic preamps •Weight Unpacked: lb(11.4 kg) •Weight Packed: lb(14.2 kg) •Width Packed: cm) •Height Packed: cm) •Depth Packed: cm)

The XGA- amplifier offers clean, reliable power in a durable, lightweight enclosure. If you demand professional amplification performance, the XGA- is perfect for delivering pure, consistent wattage night after night.   With watts of Instant Peak Power ( watts RMS), the XGA- is ideal for powering PA systems and DJ rigs. To ensure seamless, reliable performance, the amp features front-to-rear airflow and a variable-speed cooling fan for thermal stability, along with a limiter circuit switch, DC output protection and short circuit protection.   For true connecting convenience, the XGA- boasts XLR and ¼-inch balanced inputs, as well as RCA unbalanced inputs and three Speakon outputs. The unit also provides front panel indicators for Signal, Clip, Protect and Bridge, plus level controls for channels 1 and 2. Selectable modes for Stereo and Mono Bridge give you even more flexibility, while its sleek, lightweight design ensures total portability.   With clean, dependable power in a resilient, 26-pound enclosure, the XGA- offers unmatched value for anyone who is serious about sound.   Watt IPP* High Power output to drive professional loudspeakers without clipping Front-to-rear airflow and cooling fan for thermal stability and reliability XLR and ¼” (6.5mm Jack) balanced and RCA unbalanced inputs Limiter circuit switch for amp output protection Stereo and Mono Bridge Variable speed fan for low noise Comprehensive front panel indicators including signal, clip, protect and bridge 3 Speakon outputs for Channels A/B/Bridge 5-way binding banana plug channel outputs Bridge control switch DC output protection and Short circuit protection Frequency response 10Hz – 50kHz at 1.5 dB Ground lift switch Total Harmonic Distortion: Less than 0.1% Input sensitivity & Impedance: 0.77v Signal to Noise (20 Hz – 20 kHz) > 100dB * Instant Peak Power Dimensions (WxDxH) 19” x 13.8” x x 350 x 88mm) Weight: Lbs ( kgs)   Frequency Response 10Hz ~ 50kHz ±1.5dB Signal to Noise (LF / HF) >90dB THD (LF / HF) > 0.1% Input Sensitivity 0.77v Maximum Input Level 21dBv/9v Damping Factor (F=1kHz Input Impedance 20K Ω Fuse 5mm x 20mm AC 115v/230v Hz Output Stereo 8 Ω 2 x 400W RMS Output Stereo 4 Ω 2 x 550W RMS Output Bridged W RMS Dimensions (WxDxH) 19” x 13.8” x mm x 350mm x 88mm) Net Weight 26.8 lbs (12.1 kg)

Get flexible connectivity, pristine sound and a host of included software with this low-latency interface. KOMPLETE never sounded so good. 4 analog ins/outs, plus digital in/out, and MIDI in/out USB powered, 24-bit/96 kHz recording Includes instruments collection, sequencer and DJ software KOMPLETE SOUNDS BETTER KOMPLETE AUDIO 6 is a premium-quality 6-channel audio interface that picks up where its predecessor AUDIO KONTROL 1 left off. It provides everything you need to record, play and perform music, with four analog ins/outs, digital in/out, MIDI and low-latency performance all in a sleek, rugged metal casing. The two mic inputs are armed with high-end pre-amps while Cirrus Logic converters deliver pristine, transparent sound. Upgrade your setup with KOMPLETE AUDIO 6 because KOMPLETE sounds better. The KOMPLETE AUDIO 6 package also includes KOMPLETE ELEMENTS, with over sounds and effects, plus software for recording, sequencing and DJing. A SOUND DECISION KOMPLETE AUDIO 6 lets you experience every facet of your sound, whether you're playing virtual instruments or recording audio. After all, if you're using MASCHINE or KOMPLETE Instruments and Effects, you're armed with an array of sounds in the highest-possible audio fidelity. KOMPLETE AUDIO 6 gives you the hardware to match. Pristine sound doesn't happen by accident it's the result of knowledge, experience and close attention to detail. KOMPLETE AUDIO 6 has been designed in-house by NATIVE INSTRUMENTS, and takes the already award-winning sound quality of the AUDIO KONTROL 1 to a new level. From the custom, streamlined circuit design, through the hand-picked components to the analog volume knob on top of the unit every part of the interface is designed to preserve signal clarity. KOMPLETE CONNECTIVITY KOMPLETE AUDIO 6 is designed to be flexible, with plenty of options for connecting mics, guitars, MIDI instruments or outboard gear:4 analog inputs: 2 balanced mic/line/instrument (XLR); plus 2 balanced line (1/4" TRS) 4 balanced analog outputs (1/4" TRS) Digital stereo input and output (S/PDIF / RCA) for lossless signal transmission MIDI in/out for master keyboard, MASCHINE or any third-party MIDI controller Headphone output with independent level control and source switch Completely USB powered, with an extra sturdy custom USB socket RECORD AND MONITOR New chips, new audio drivers and new circuitry ensure that latency is low, and the direct monitoring option provides 100% latency-free monitoring for recording guitars, vocals, or other live sources. Other important recording features:Low-latency performance for using virtual instruments and effects High-quality pre-amps with individual gain controls Direct monitoring for live, latency-free recording Mono input switch for recording vocals, guitar or other mono sources 48V phantom power for using condenser mics and active DI boxes 15 status LEDs provide visual feedback for all signals and indicate clipping SOFTWARE, SOUNDS AND SEQUENCER INSIDE Just like the AUDIO KONTROL 1, a generous software package is included in KOMPLETE AUDIO 6, so you can produce songs or mix tracks right out of the box:KOMPLETE ELEMENTS over 3 GB of inspiring instruments and effects CUBASE LE 6 sequencer and recording software TRAKTOR LE 2 DJ software6 In / 6 Out portable audio / MIDI interface with sturdy metal casing, USB 2.0 bus powered Premium sound quality: 24-bit / 96kHz Cirrus Logic AD/DA converters Low latency via newly developed chip technology and driver architecture 2 balanced mic / line / instrument inputs (XLR / 1/4" TRS Neutrik, phantom powered) with individual gain controls 2 balanced line inputs (1/4" TRS) with activity and clip LEDs plus digital stereo input (S/PDIF) with RCA connector 4 balanced analog outputs (1/4" TRS) plus digital stereo output (S/PDIF) with RCA connector Headphone output with level control and source switching between channels 1|2 and channels 3|4 Direct monitoring with zero latency including mix control knob and mono switch Large volume control knob and 15 status LEDs for full visual monitoring of the signal chain High performance drivers for Mac and PC (ASIO / Core Audio / DirectSound / WASAPI) Custom-built USB port for extra-solid connection

Heavy-duty public address power amplifiers deliver clean audio power from to watts RMS with less than 0.5% distortion. Rugged and overbuilt to provide years of reliable service they are equipped with torroridal transformers, extensive heat-sinking, forced fan cooling and protective circuits against short-circuit, clipping and over-temperature.

Lexicon Omega Studio USB Audio Interface Pure Inspiration The recording professionals at Lexicon Pro know a thing or 2 about great audio -- that famed Lexicon reverb 'sound' has been on just about every hit recording since Lexicon invented digital reverb more than 30 years ago. So when they set out to bring that sound home -- they got truly inspired. The Complete System Nothing is more frustrating than buying a 'recording system', only to find out that you need a gaggle of extras just to make it all work. Omega Studio is a completely integrated computer recording system that includes the Omega 8x4x2 USB I/O Mixer, Steinberg's Cubase LE audio and MIDI recording software, and Lexicon's world-class Pantheon VST Reverb plug-in. The Omega Desktop Recording Studio quite literally contains all the necessary components to transform your computer into a professional 24-bit recording studio - all in one box. A Real Mixer Unlike standard computer I/O boxes based on a patch bay concept, the Lexicon Omega Studio is designed and built around the same paradigm as large-format recording consoles. An 8-input, 4-Bus, 2-output USB I/O mixer with inserts, instrument input, MIDI I/O and complete metering and monitoring functions gives you the freedom to record up to 4 tracks at once and mix without the need for additional mixing hardware. Two dbx Silver Series mic preamps with 48V phantom power provide a pristine front end for high-end condenser or more common dynamic microphones, insuring premium sound quality from the first take to the last. TRS insert points allow you to plug in your favorite dynamic processors before the signal reaches 1 of the 4 busses, where 24-bit converters transform the analog signal into a digital masterpiece. Four servo-balanced TRS line inputs with up to +22dBu input levels let you hook up everything from keyboards to guitar preamps, including high-output professional gear. Stereo digital inputs are available via SPDIF jacks, and an additional high-impedance instrument input is included on the front panel for easy access to guitars and basses. Finally, a fully opto-isolated MIDI input to ensures that there is no annoying ground loop hum or MIDI talk-through noise common with many I/O boxes and sound cards; MIDI output has rock-solid synchronization to USB frame rate to support applications requiring critical sync. The Omega I/O mixer also features channel peak indicators for each analog input as well as an assignable bargraph meter for the 4 busses. By monitoring the signal before the A/D converters, clipping and distortion can be averted, unlike software-only level monitoring that can miss 'overs', ruining the track. All these gazintas and getoutzas are put together just like a big recording console, with input gain controls, four recording busses, and full monitoring features, in one attractive, portable I/O Mixer. Just plug it into your Mac or PC computer with the included USB cable, and you're instantly ready to capture the moment. Steinberg Cubase LE Multi-Track Recording Software Steinberg is a leader in computer-based recording. From the first idea to complete compositions, Cubase is the virtual studio for all musicians and producers looking for a creative way to realize their projects. Cubase LE integrates seamlessly with the Omega I/O Mixer to achieve an easy-to-use, 48-track complete recording solution that includes all of the modules that you need to track, edit and mix your masterpiece.

Play along with wireless audio from your Bluetooth device. Speaker Size: 10" low frequency driver; 1" tweeter; USB Charging Port: 5V, 1A; Bluetooth Input: Audio streaming from Bluetooth devices; Power: 100W RMS; Frequency Response: 50Hz - 20kHz (at +/- 3dB); Max Current: 1.2A; External Audio Inputs; Input Connectors: Balanced 1/4” TRS jacks, RCA; Maximum Input Level: TRS inputs: +21.5 dBU (9.2VRMS); Input Impedance @ 1 kHz:TRS inputs: 10KΩ; External Audio Outputs; Output Connectors: Stereo Link Input/Output: 1/4” TRS; Headphones: 1/4” TRS; Stereo Output: 1/4" TS (unbalanced); Maximum Output Level: Stereo Link output: +21.5dBu (9.2VRMS) (before clipping); Headphone output: 100mW RMS@75Ω; Output Impedance: Stereo Link output: 1KΩ; Headphone output: 75Ω; Equalization circuit:Circuitry: Three-Band Analog EQ; Operation: EQ Bass: ±10dB @ 80Hz; EQ Mid: ±10dB @ 1.0kHz; EQ Treble: ±10dB @ 12kHz

The UltraScope from Blackmagic is a 3Gbps SDI and optical-fiber SDI scope. It is designed for editors and colorists. This unit is intended to provide the technical accuracy required for use in broadcast and engineering video work. 3Gbps SDI & Optical-Fiber SDI Scope This unit is a 3Gbps SDI and optical-fiber SDI scope designed for professional use. Parade Display for Colorists A real-time RGB parade waveform view is available for color correction. You can see the color balance in blacks, mids, and whites. RGB parade is also well suited for checking for illegal colors because any video that drops below the black line, or above the 100% line, is an illegal RGB color. Parade can also be switched to component to allow you to align equipment and decks. Waveform Display for Alignments When adjusting video levels or matching black background levels when keying, the waveform display can facilitate this work. Waveform view can be set to luminance-only or composite. Composite video is synthesized from the SDI input, which can make it easier to align traditional equipment such as decks. Since many editors know and understand composite waveform monitors, this module is usually very easy for them to use, despite the fact that it is a digital solution. Component Vectorscope View A vectorscope is the only way to ensure the accuracy of the colors you see. Use this device to determine if color has been removed or nulled out for accurate white balance or adjust tint, among many other adjustments and readings. Histogram for Location Shoots Historgram view allows you to see where your pixels are distributed in the spectrum of black to white, thereby ensuring that you make the proper capture and can more effectively manage post-production work. Audio view for Monitoring Levels Keep track of audio with (8) channels of audio metering plus a stereo phase meter. The stereo phase meter plots left-right audio as an XY scope display so you know exactly what your audio is at all times. The audio scope allows you to see mono audio as you see a vertical line or stereo audio as a scope puff in all directions. Audio problems such as clipping and out-of-phase audio can be seen as a left- or right-leaning display. Picture View with VITC Timecode The picture view allows you to track video input so you always know what feed is connected to your Blackmagic UltraScope. Input video is selected from either the optical-fiber SDI or regular SDI inputs. The video standard is automatically detected and displayed above the video image. VITC timecode and RP188 HD timecode are also detected and read into a timecode counter on the top, right-hand side of the video image.

LT Boost Guitar Pedal LT Boost Guitar Pedal Features For clipping circuit that matches the tone and response of our valve pedals Continuously variable boost Bass and Treble controls for tone refinement 9V battery powered Small form-factor - great for pedal boards Rugged construction

LT Distortion Guitar Pedal LT DIST Guitar Pedal Features For clipping circuit that matches the tone and response of our valve pedals Gain Level and Tone controls, plus patented ISF control 9V battery powered Small form-factor - great for pedal boards Rugged construction

LT Drive Guitar Pedal LT Drive Guitar Pedal Features For clipping circuit that matches the tone and response of our valve pedals Simple and effective Gain, Level, Tone layout 9V battery powered Small form-factor - great for pedal boards Rugged construction

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The Biyang OD-10 Mad Driver is a souped up Tube Screamer with more options. Has three modes with varying EQ and Gain levels. There is Normal mode which is a Tube Screamer but less muddy in the mid ranges. There is also Bright mode which has more trebly attack in the clipping. lastly, there is the truly great Warm mode which has a bit more compression so feels oh so velvety. This is a fantastic overdrive pedal that is simply better than a TS. No need to pay boutique prices. Sounds great, and is built like a tank. Features: Warm Analog Overdrive Three Modes: Normla, Bright, and Warm Volume, Tone, and Drive Controls True Bypass Super solid metal casing Uses 9V battery or standard Boss style adapter Package included: 1 * effects pedal (without battery)

Affordably Adds Eight Preamps... and Eight Compressors! This is cool. Focusrite's Octopre MkII Dynamic does more than take advantage of your interface's lonely, unused ADAT input for a beefed-up channel count. It actually features eight "single-dial" Focusrite compressors, aimed to give you much of the character of the renowned Focusrite Red 3 (without the hefty price tag). So, let's go over it again. The Octopre MkII Dynamic sports eight award-winning preamps from Focusrite that you can pipe into your existing audio interface via ADAT. That means you can get ready to track an entire band at once. And while you track, rather than use all of your computer's bandwidth calling up a CPU-hungry compression plug-in, you can score just the right amount of compression, right from the get go. What else do you need to know about the Focusrite Octopre MkII Dynamic? Well, you'll definitely want to know that these microphone inputs have a lot of gain. And the preamps are also optimized to handle super-extreme sound sources without clipping, so you'll have no problems tracking acoustic drums. As for the built-in compression

The JBL JRX118SP is A 300-watt (continuous, 500W peak) Powered Sub, with a specially designed amplifier and the same driver as the non-powered version (JRX118S). It offers dual inputs with balanced XLR connectors, a built-in stereo crossover network and peak limiter to protect the amplifier and speaker from clipping. Specifications - Frequency Range (-10dB): 38Hz - 300Hz - Frequency Response: (+/-3dB): 55Hz - 300Hz - Amplifier Power: Peak: 500 Watts, Continuous: 300 Watts with 0.2% THD - Maximum SPL: 123dB - Low Frequency Driver: JBL -G - Input Connectors: XLR/M x 2 (line level, balanced), 1/4 in. TS phone jack x 1 (speaker level) - Output Connectors: XLR-F x 2 (selectable, Thru or High Pass) - Dimensions: 23.5 x 20.3 x 23.5 in. (597 x 516 x 597 mm) - Weight: (40.4 kg).

Key Features High Quality Mic Preamps Scarlett 2i2 features two high quality award-winning Focusrite mic pres. With more than 25 years of experience in designing analogue equipment, Focusrite produce the best mic preamps in the industry. The preamps found in the Scarlett 2i2 are no exception to this, and share the same design as those found in our flagship interfaces: Saffire PRO 40 and Liquid Saffire 56. Excellent Digital Performance With 24-bit resolution at sample rates of up to 96 KHz, the digital conversion in the Scarlett 2i2 is of very high quality meaning that every note and every subtle detail is captured with great clarity. Rugged Metal Unibody Case The anodised aluminium unibody chassis ensures that your Scarlett 2i2 can withstand the harsh environment of the road. It also makes Scarlett 2i2 the most beautiful interface around. Truly Portable Interface Scarlett 2i2 is very light and compact making it easy to fit in a laptop bag. It’s also bus powered meaning that you don’t need an additional power supply. Simply plug in to your computer and hit record! Included Software – DAW and Effects Inside the box you’ll find Ableton Live Lite 8, as well as Focusrite’s Scarlett plug-in suite. Compatible with all major DAWs, Scarlett plug-in suite provides EQ, Compression, Gate and Reverb – essential tools for polishing your mix. Unique LED Gain Halos The gain halos which surround the gain knob for each input provides an easy way to know that the signal you’re recording is the right level. It will show green when the signal is at a good level (above -24dBFS). If it turns to red, you know that the signal is too loud and is therefore clipping – if this happens, simply reduce the gain until the halo returns to green. Direct Monitor Function Flick the direct monitor switch on the front panel of your 2i2 and you will hear what you’re recording through your speakers or headphones, without the signal having to go through your computer. This avoids the possibility of latency, which can be distracting when recording. Mac OSX Lion Ready Scarlett 2i2 has been fully tested with Mac OSX 10.7, Lion. So you can rest assured that your brand new Mac and Scarlett 2i2 will run together perfectly!