Audix d6 cardioid

Audix D6 Dynamic Instrument Microphone The D6 is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 is equipped with a VLM¿ diaphragm for natural, accurate sound reproduction. Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance.

Audix ADX10P Contractor Microphone The ADX10 is a miniaturized condenser microphone designed for lavalier applications such as speech, presentation and theatrical production. Known for for its clarity, resistance to feedback and ease of operation, the ADX10 has the ability to accurately capture and reproduce vocals from a comfortable distance of 4-8 inches. The ADX10 is characterized with a uniformly controlled cardioid polar pattern, helping to isolate the area or section being miked from other vocals or instruments on stage. With a smooth and accurate frequency range of 50 Hz - 18 kHz, the ADX10 is lightweight, low profile and will provide natural sound with exceptional transient response. The ADX10, primarily for use with the Audix RAD360 wireless system, includes a tie-clip, 3' attached cable terminating to a mini-XLRf connector. The wired version (ADX10-P) includes an 8' cable terminating to a mini-XLRf connector, tie clip, external windscreen and a phantom power adapter module (APS-910). The ADX10-FLP, specifically for use with a flute, includes a clip that attaches to the headstock of a flute, an 8' cable terminating to an mini XLR-f connector and a phantom power adapter (APS-910). Manufactured to high standards and tight tolerances, the ADX10 features a modular threaded capsule, a machined brass body with matte black finish, high quality shielded microphone cable and a variety of optional accessories.

Audix USB12 Test & Measurement Microphone The USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer via the USB port. This mic is designed to naturally capture and reproduce vocals and instruments with stunning detail. The USB12 is clear, flexible, easy to use and has excellent sound response. With a uniformly controlled cardioid polar pattern, the USB12 provides isolation and control at the sound source with a smooth, accurate response over a frequency range of 50 Hz - 16 kHz. The USB12 supports both 44.1k and 48k sample rates for playback and recording. This high definition condenser microphone features a push-to-talk button, “steady on” or “momentary on” as well as a headphone jack for real time monitoring. The USB12 is also equipped with a bass roll-off filter to control unwanted low frequency signals.

Audix ADX51 Studio Conser Microphone The ADX51 is a professional, pre-polarized condenser microphone for stage, studio and broadcast applications. The ADX51 is clear sounding, accurate in response and handles both close and distance miking for various acoustic instruments. Designed with a uniformly controlled cardioid polar pattern, the ADX51 captures the acoustics of the instrument being miked while isolating it from other instruments. The ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter. The ADX51 includes a tension-fit heavy duty nylon mic clip (DCLIP), external foam windscreen (W-81), and zippered carrying pouch (P1).

Audix ADX40 Contractor Microphone The ADX-40 is a miniature pre-polarized condenser microphone designed to hang from an overhead position for applications in professional live sound, music, and broadcast. Available with a choice of three optional interchangeable microphone capsules (cardioid, omni, and hypercardioid), the ADX-40 is most commonly used for plays, theatrical productions, choirs, group vocals, and room ambience miking. With a smooth uniform response over a frequency range of k Hz, the ADX-40 provides a warm, rich sound not typical of microphones this size. It is machined from solid brass and comes in a non-reflective black finish. Supplied with an attached 30' cable, the ADX-40 operates on phantom power (9-52volts) with the preamp module provided (APS-910). If phantom power is not available, there is an optional power supply (APS-911) that operates in phantom or battery mode with bass roll-off and on-off switches. Low noise electronic circuitry, low impedance, and balanced output allow interference-free performance even with long cable runs.

Audix - ADX20iP Condenser Instrument Microphone The ADX20iP is applicable for professional stage and studio applications. This mic is primarily used for miking most reed and brass instruments. The ADX20iP has a uniformly controlled cardioid polar pattern, which provides excellent isolation and feedback control on stage with natural sound reproduction at very close distances. The ADX20iP is lightweight, compact and simple to use. Included with the ADX20iP is a gooseneck clip with spring tension for easy mounting to the bell of an instrument. The ADX20i requires phantom power of 9-52 V.

Audix - CX212B Studio Condenser Microphone The CX212B is a multi-pattern, dual diaphragm condenser microphone with a contemporary design and excellent performance characteristics. It is an exceptional tool for professional audio production, project studios and live stage performances. Delivering a smooth, uniform frequency response from 20 Hz - 20 kHz, the CX212B offers a choice of three polar patterns: cardioid, omni-directional, and figure 8. Additionally, the CX212B is equipped with a bass roll-off filter to help eliminate rumble in the lower frequencies. The CX212B can handle sound pressure levels up to 132 dB and is ideal for a wide variety of acoustic instruments, vocals, string sections, ensembles and ambient room miking. The CX212B is designed with low noise preamp circuitry and operates on phantom power. For optimum results use the CX212B with a high quality mic preamplifier and microphone cable. SUPPLIED ACCESSORIES MC112B - Mic stand adapter. Includes thumb screw and threaded adapter that securely holds mic in place. SMTCX112 - Heavy-duty aluminum caged shock mount system with nylon cable. CASEDPA - Aluminum flight carrying case OPTIONAL ACCESSORIES WSCX - Optional external foam windscreen for reducing wind, sibilance, and pop noise. APS2 - Two-channel 48 V phantom power supply. 110 V switchable to 240 V. Detachable power cord. PD133 - Optional two-layer mesh pop diffuser for controlling acoustic plosives. CBL20 - 20' premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with braded shield for conductivity. 6 mm PVC jacketed.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The Audix FireBall is a dynamic instrument microphone; well suited for both diatonic and chromatic instruments. Characterised with a cardioid pick-up pattern and a smooth, uniform frequency response of K the Audix FireBall will handle both live sound and studio applications. The FireBall Microphone is clear, accurate, and capable of handling sound pressure levels in excess of 140 dB without distortion. The Fireball from Audix has a transformer less design, low impedance, and balanced output allow interference-free performance, even with long cable runs. The Audix FireBall consists of a durable steel mesh grill with a CNC machined aluminum body that is coated with a three-stage anodizing process. Applications: live Stage, studio Harmonica Vocals Beatboxing Percussion Saxophone, trumpet, trombone Flute Accordion Specifications: Type: Dynamic Polar Pattern: Cardioid Frequency Response: 50Hz - 16kHz Impedance: 280 Ohms Sensitivity: 1.5 mV/Pa @1k

The CM1-6W and CM1-6WS hanging ceiling microphones provide a unique combination of coverage patterns, quality audio, pleasing aesthetics, and significant noise cancelling abilities when paired with the appropriate DSP algorithms. Typically, audio quality is best when the talker is close to the mic, and the mic is further from the speaker, but its not always possible to install mics on a table. Whether its a matter of budget, logistics, or aesthetic preferences, ceiling mics are a viable solution for high quality audio pickup. Manufactured by Audix, the CM1-6W and CM1-6WS are 6-inch miniaturized, gooseneck condenser microphones with fully integrated preamps designed with very high sensitivity for distance pickup. They are available with a cardioid or supercardioid capsule. Applications for these specific microphones include: Video and teleconferencing Distance learning Surveillance Medical procedures Ambient room pickup