Allen heath pa

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Allen & Heath ZED 420 Digital Mixer ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7x2 matrix.

Allen & Heath - ZED2842 Mixer ZED-428 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-428 has Configurable USB audio in/out makes it easy to capture stereo recordings, 24 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7×2 matrix. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 5-6 5) Matrix 1-2. RETURN OPTIONS 1) To Playback input 2) To Stereo 3 channel

Allen & Heath ZED R16 Firewire Mixer We are delighted to present Allen & Heath's first true recording mixer for over 10 years. The ZED-R16 is an exceptional recording mixer with 18 FireWire I/O which can also be used as a versatile live front of house mixer. The best per forming preamp in Allen & Heath's entire range is packaged with a high quality analogue to Firewire inter face and the most extensive EQ on any mixer at this price point (or even twice the price!) An analogue channel strip so well featured, which sounds this good, is a real find at this level.

Allen & Heath M-WAVES Allen & Heath's M-Waves audio-interface card is one of a range of audio networking cards which can be fitted to iLive or GLD to enable integration with other systems. Benefitting from SoundGrid networking technology, it s ideal for Waves high precision plug-in processing, multitrack recording and playback. M-Waves gives access to 64 input and 64 output channels and can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48 & iDR-64) or expander (xDR-16), and Port B in iLive modular MixRacks (iDR0, iDR10) if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Allen & Heath - ZED60 10FX Mixer Live or in the studio, ZED60-10FX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZED60-10FX adds premium quality 60mm faders for that intuitive, tactile mixing experience. This mixer is a guitarist¿s dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZED60-10FX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZED60-10FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that¿s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) RETURN OPTIONS: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts)

Allen & Heath - GLD AR2412 Audio Rack AR2412 is a 24 XLR input, 12 XLR output AudioRack. Adding an AR2412 to your Qu system lets you position some or all of your I/O up to 120m from the Qu mixer, connected over a single Cat5 cable running Allen & Heath’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a Monitor port for connection to ME-1 personal mixers, and an Expander port for daisy chaining to an AR84 AudioRack

Allen & Heath PA20 CP 16 Mono 2 Stereo 2 x 500W Powered Mixer PA20-CP is a sturdy 'walk up and go' powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience.

Allen & Heath ZED 12 FX Digital Effects Mixer ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Allen & Heath XB2 14 Digital Mixer Compact, cost effective and versatile… the XB2-14 is designed for a broad range of applications from small radio or internet broadcast studios, to larger studios with multiple rooms, hospital radio, university radio and community radio. The XB2-14 is equipped with a wealth of features specifically for broadcasters, including telephone communication modules for telephone callers, mic fader start sensing for external connection and internal automatic muting of the speaker outputs, stereo channel

Allen & Heath PA12 CP Powered Mixer PA12-CP is a sturdy 'walk up and go' powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience.

Allen & Heath GLD 80 Digital Mixer GLD, a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n' play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs). At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLive's acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. GLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag 'n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer's local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

Allen & Heath M-DANTE DanteTM is a ground breaking, Ethernet compliant audio networking technology developed by Audinate to satisfy the increasing demands of the live sound industry for high performance audio, routing flexibility and affordable direct to computer recording. It uses CAT5 cable and standard networking components to distribute multiple streams of audio plus integrated control data with sub millisecond latency. M-Dante is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It implements the new Brooklyn II chipset from Audinate which takes Dante technology to a new level with a full 64 channels of bi-directional audio. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Allen & Heath ZED 16 FX Digital Effects Mixer ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality FX unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Allen & Heath M-MADI Dual port MADI card supports two streams of 64 channel bi-directional 24-bit 48kHz serial digital audio transmission using two 75 ohm coaxial cables per port. An additional AUX connector can be configured to mirror stream 1 outputs, pass thru stream 1 inputs, or as a word clock input or output.. Daisy chain or split signals to multiple devices, sync with either stream or an external word clock. The second port can be configured as an independent stream or as a redundant backup connection using a second cable. Signals from either stream can be routed to the iLive channels in blocks of 8. iLive and GLD outputs can be patched to MADI and appear at both stream outputs. M-MADI is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Allen & Heath - ZED16FX Mixer¿ ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality FX unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that¿s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4 RETURN OPTIONS 1) To Stereo 3 channel

Allen & Heath - M MADI Audio Interface Dual port MADI card supports two streams of 64 channel bi-directional 24-bit 48kHz serial digital audio transmission using two 75 ohm coaxial cables per port. An additional AUX connector can be configured to mirror stream 1 outputs, pass thru stream 1 inputs, or as a word clock input or output.. Daisy chain or split signals to multiple devices, sync with either stream or an external word clock. The second port can be configured as an independent stream or as a redundant backup connection using a second cable. Signals from either stream can be routed to the iLive channels in blocks of 8. iLive and GLD outputs can be patched to MADI and appear at both stream outputs. M-MADI is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Allen & Heath - ZED10 Mixer ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) RETURN OPTIONS 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts)

Allen & Heath XB2 14 Digital MixerCompact, cost effective and versatile the XB2-14 is designed for a broad range of applications from small radio or internet broadcast studios, to larger studios with multiple rooms, hospital radio, university radio and community radio.The XB2-14 is equipped with a wealth of features specifically for broadcasters, including telephone communication modules for telephone callers, mic fader start sensing for external connection and internal automatic muting of the speaker outputs, stereo channel.(020)

Allen & Heath - ZED1802 Mixer ZED-18 has an incredibly advanced feature-set for a mixer at this level – it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4 RETURN OPTIONS To Stereo 3 channel

Whether you're recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-24 Chrome Edition is designed with a clean, logical layout, so you can get to what you need, fast. Featuring audiophile sound quality, touchscreen control, 24 AnalogiQ preamps integrated with DSP, total recall, 25 flying faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-24 Chrome Edition will drastically improve both your workflow and your end product. Intuitive - and very comfortable to work on Having a mixer with massive processing power and sophisticated functionality is nice, but if you can't get to the controls you need instantly, it's all for naught. With the Qu-24, the digital console has evolved to the point where you forget that it's digital, and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you're a digital novice or coming from years of analog mixing, you'll find the Qu-24 intuitive - and very comfortable to work on. Touchscreen control speeds up your workflow The Allen & Heath Qu-24 rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder - the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more. AnalogiQ preamps and 24bit conversion, for warm, musical sound Allen & Heath fortified the Qu-24 with 24 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique padless 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24bit A-D converters matched to high-grade 24bit D-A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Total-recall moving-fader automation supercharges your mixing We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, "flying" faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you're dealing with multiple monitor mixes. Simply push a mix key and the faders immediately fly to the send levels for that mix. The Qu-24 sports 25 motorized ALPS faders. The 24 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There's also a dedicated master fader which dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns and Mix masters. Features: 24 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy Ergonomic layout and workflow is comfortable, fluid, and intuitive Color touchscreen and dedicated data encoder give you quick and easy access to all settings Key processing tools are presented clearly on the SuperStrip, with one function per physical control 25 automated, motorized ALPS faders (24 arranged over two layers) speed up and enhance your mixing Four groups give you subgrouping flexibility to LR for level masters and/or processing Total recall lets you save and recall scenes (snapshots) at the press of a button Onboard studio-grade dynamics and FX algorithms derived A&H's iLive pro touring series Built-in interface streams multitrack audio to/from your Mac (OSX class-compliant) Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools Qu-Drive delivers 18 channels of 48kHz/24bit recording/playback to/from your USB hard drive Five dedicated cores of high efficiency ARM processing provide state-of-the-art processing Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue Fully compatible with A&H's ME Personal Mixing System dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake Matrix adds 2 further stereo outputs equipped with full processing to the console's extensive I/O 18 gauge, cold-rolled Zintec steel frame delivers strength rigidity, and distinctive looks

The Allen and Heath ZED-18 has an incredibly advanced feature-set for a mixer at this level - it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. MusiQ ZED-18 features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ - with optimized slope (or Q factor) for equalizing individual instruments. DuoPre Based on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. SONAR X1 LE - Provided Free! Allen & Heath has included Cakewalk SONAR X1 LE with ZED-18 so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features - Powered by SONAR X1 - 32 audio tracks - 64 MIDI tracks - 8 simultaneous inputs and outputs - 24-bit/96 kHz audio quality - 24 simultaneous effects - 8 simultaneous virtual instruments

Achieve the ultimate in control over your mix with the Allen & Heath ME-1 Personal Mixer. Each performer can tailor their monitor mix easily and quickly with this networked solution. The compact and smart design of the ME-1 makes operation and setup a breeze. Give your musicians control of up to a 40-source mix. A dimmable OLED is easy to read on both dark and bright stages. Connect multiple units together and to the source via Dante, EtherSound, or MADI. This unit also works with other personal monitoring systems, call your Sweetwater Sales Engineer to learn more. Allen & Heath ME-1 Personal Mixer at a Glance: Take control with a personal monitor mixer Easy-to-use controls Assignable keys for quick recall Take control with a personal monitor mixer Add a personal monitor system to your Allen & Heath iLive and GLD digital mixers with the ME-1 Personal Mixer. This lets you give the entire band control of their own monitor mixes. Simple to setup and operate, the ME-1 offers powerful control that's perfect for houses of worship, studios, rehearsals, stages of all sizes, and more. Standard PoE Ethernet hubs let you daisy chain these personal monitors together to give the entire band personalized control over what they hear. When set to compatibility mode the Allen & Heath ME-1 Personal Mixer integrates with Aviom monitor systems. Easy-to-use controls The Allen & Heath ME-1 Personal Mixer's large OLED screen displays all the info you need to tweak your mix to perfection. It clearly shows level and pan for each channel, system setup, and menus. You can navigate the functions and menus of the Allen & Heath ME-1 using a simple 1-knob control. This large rotary knob gives you access to all the functions you need including level, pan, master EQ, limiter, trim, and more. If you can turn a knob, you can use the Allen & Heath ME-1. Assignable keys for quick recall Customize the Allen & Heath ME-1 Personal Mixer your way with 16 backlight programmable keys. Each key can be assigned to a single mono/stereo source or to a group. Set up one key for the vocal mic, another for the entire drum kit, the entire rhythm section, or whatever you need to call up at a moments notice. Set up each button to recall the channels you want with the level, pan, and more set to your liking. You can save, transfer, and load your settings via a USB key for quick archiving and loading to other ME-1 personal mixers. Allen & Heath ME-1 Personal Mixer Features: Personal monitor mixer that will handle up to 40 sources (from GLD and iLive mixer) Simple 1-knob control over major functions Easy to read OLED screen 16 assignable keys Daisy chain mixers or use standard PoE Ethernet hub Built-in ambiance mic USB port for archiving and transferring user presets Compatibility mode integrates mixer with Aviom systems