Allen heath digital

38 IN/28 OUT DIGITAL MIXER 32 Mic / Line Inputs (TRS + XLR) 33 Motor Faders 3 Stereo Inputs (TRS) 24 Mix Outputs (XLR) 4 Stereo Groups (switchable to Mix mode) Up to 11 Monitor Mixes (4 mono + 7 stereo)* 2 Stereo Matrix Outs 4 DCA Groups 4 Mute Groups 4 FX Engines 4 FX Sends / Returns 10 Soft Keys 32×32 USB Audio Interface DAW MIDI Control AES Digital Out

The ZED60-14FX Live and Studio Mixer from Allen & Heath is a 10-channel mixer with 16 built-in effects that is designed for an array of live and studio applications. Channels 1 through 6 have Neutrik XLR connectors for mic level signals, and 1/4" TRS inputs for balanced or unbalanced line level signals. Channels 7 and 8 also have Neutrik XLRs, but feature Class A FET Hi-Z instrument-level inputs for direct connection of electric guitars and basses. Additionally, channels 1 through 8 are all equipped with 3-band EQ and 48V phantom power. The mixer also features two stereo inputs (ST1 & ST2) that have 1/4" TS and RCA jacks (ST1 only) for connecting line level outputs from devices such as keyboards, samplers or iPods. Each of the stereo channels feature a 2-band EQ. All 10 channels can be routed to a "record" buss that can be output to a computer running DAW software via the USB port, or routed into a hardware recording device via the RCA record out jacks. Each channel also features a "listen" button, that when engaged takes the corresponding signal off the master and recording busses and sends it to the headphone buss. This can be useful in a live recording scenario for making discrete EQ adjustments to a channel before adding it to the master or record busses. Designed with versatility in mind, the ZED60-14FX's master section is equipped with balanced XLR left and right main outputs with 1/4" inserts on each channel. These inserts can be useful for inserting outboard gear such as EQs or limiters at the end of your signal chain before the master mix is output to your speakers. Also, there is a balanced 1/4" aux output for connecting additional sound reinforcement components such as a sub-woofer, and an FX bus out that can be used to send the FX mix to additional gear such as an external effects unit. While you can connect an external effects unit via the FX bus out jack, the mixer also features sixteen built-in digital effects that include multiple delays, reverbs, a doubler, flanger, and chorus. The DSP engine, which uses the same effects algorithms as Allen & Heath's flagship digital consoles, is designed for low-noise and low-distortion signal processing. Rugged Design Designed with durability in mind for live gigging and recording, the ZED60-14FX uses many of the same exact components used in Allen & Heath's larger, high-end mixers. The vertically mounted, per-channel circuit boards make servicing much easier should it be required, with the ability to remove one particular channel from the mixer at a time Low Noise, High Gain Microphone Pre-Amps Based on the pre-amps from the Allen & Heath MixWizard series consoles. Designed to maximize sound quality with high gain, low-noise and consistent output Hi-Z Guitar Inputs Channels 7 and 8 include high impedance FET circuits running in Class A mode for use with low output electric guitars and basses. Designed to emulate the type of circuits used in valve guitar combos and head amplifiers, the input circuit has a soft overdrive characteristic, giving a warm 2nd harmonic character to the sound if desired Per-Channel EQ Channels 1-8 are equipped with a 3-band equalizer with sweepable mids and a high pass filter. The 2 stereo channels have 2-band low and high frequency shelving Onboard Digital Effects Processor Sixteen built-in digital effects that include multiple delays and reverbs, a doubler, flanger and chorus. The digital effects algorithms are the same as those used on the flagship Allen & Heath digital consoles Recording Buss All channels, including the effects buss, have switchable routing to the recording buss that is sent to the stereo RCA recording out and the USB out, useful for dropping or adding in microphones or effects to tape during a live recording scenario USB Connectivity When used in tandem with your Mac or PC running DAW software, the mixer can send and/or receive up to 16-bit, 48 kHz audio via the USB port

THE SHAPE OF THINGS TO COME With its responsive touchscreen, 25 motor faders and acclaimed AnalogiQTM recallable preamps, Qu-24 combines exceptional ease of use with class-leading audio performance. Drawing on the technologies and workflow pioneered on our GLD and iLive touring systems, Qu makes Allen & Heath digital mixing more accessible and more compact than ever. Qu-16 and Qu-24 harness the full potential of digital mixing technology, with total recall of settings (including the all-important fader position and preamp gain), convenient recording and playback solutions, iPad control, personal monitoring options and the choice of local or remote Cat5 I/O. We have been creating high end mixing consoles for some of the most discerning ears in the business since 1969. Were not a software house, we dont make stomp boxes or cable testers creating excellent mixers is, has been and always will be our great passion. Qu-16 and Qu-24 have been designed by our in-house research and development team in Cornwall, Great Britain, and are directly directly descended from the GLD and iLive digital mixing systems that have earned the industrys respect night after night on tour and in live venues across the globe so you can be confident that youre standing behind a premium mixer that looks, feels, and sounds like a pro. I

Allen & Heath GLD 80 Digital Mixer GLD, a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n' play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs). At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLive's acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. GLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag 'n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer's local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

Allen & Heath - QU 16 RK Rack mounting kit for Qu-16 This set of rack rails is designed to attach to Allen & Heath's Qu-16 digital mixer in order to make it rackmountable.

Allen & Heath ZED 420 Digital Mixer ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7x2 matrix.

Allen & Heath ZED 12 FX Digital Effects Mixer ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Allen & Heath XB2 14 Digital Mixer Compact, cost effective and versatile… the XB2-14 is designed for a broad range of applications from small radio or internet broadcast studios, to larger studios with multiple rooms, hospital radio, university radio and community radio. The XB2-14 is equipped with a wealth of features specifically for broadcasters, including telephone communication modules for telephone callers, mic fader start sensing for external connection and internal automatic muting of the speaker outputs, stereo channel

Allen & Heath ZED 16 FX Digital Effects Mixer ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality FX unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Allen & Heath M-MADI Dual port MADI card supports two streams of 64 channel bi-directional 24-bit 48kHz serial digital audio transmission using two 75 ohm coaxial cables per port. An additional AUX connector can be configured to mirror stream 1 outputs, pass thru stream 1 inputs, or as a word clock input or output.. Daisy chain or split signals to multiple devices, sync with either stream or an external word clock. The second port can be configured as an independent stream or as a redundant backup connection using a second cable. Signals from either stream can be routed to the iLive channels in blocks of 8. iLive and GLD outputs can be patched to MADI and appear at both stream outputs. M-MADI is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Allen & Heath - M MADI Audio Interface Dual port MADI card supports two streams of 64 channel bi-directional 24-bit 48kHz serial digital audio transmission using two 75 ohm coaxial cables per port. An additional AUX connector can be configured to mirror stream 1 outputs, pass thru stream 1 inputs, or as a word clock input or output.. Daisy chain or split signals to multiple devices, sync with either stream or an external word clock. The second port can be configured as an independent stream or as a redundant backup connection using a second cable. Signals from either stream can be routed to the iLive channels in blocks of 8. iLive and GLD outputs can be patched to MADI and appear at both stream outputs. M-MADI is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Allen & Heath XB2 14 Digital MixerCompact, cost effective and versatile the XB2-14 is designed for a broad range of applications from small radio or internet broadcast studios, to larger studios with multiple rooms, hospital radio, university radio and community radio.The XB2-14 is equipped with a wealth of features specifically for broadcasters, including telephone communication modules for telephone callers, mic fader start sensing for external connection and internal automatic muting of the speaker outputs, stereo channel.(020)

Allen & Heath M-DANTE DanteTM is a ground breaking, Ethernet compliant audio networking technology developed by Audinate to satisfy the increasing demands of the live sound industry for high performance audio, routing flexibility and affordable direct to computer recording. It uses CAT5 cable and standard networking components to distribute multiple streams of audio plus integrated control data with sub millisecond latency. M-Dante is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It implements the new Brooklyn II chipset from Audinate which takes Dante technology to a new level with a full 64 channels of bi-directional audio. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Whether you're recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-24 Chrome Edition is designed with a clean, logical layout, so you can get to what you need, fast. Featuring audiophile sound quality, touchscreen control, 24 AnalogiQ preamps integrated with DSP, total recall, 25 flying faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-24 Chrome Edition will drastically improve both your workflow and your end product. Intuitive - and very comfortable to work on Having a mixer with massive processing power and sophisticated functionality is nice, but if you can't get to the controls you need instantly, it's all for naught. With the Qu-24, the digital console has evolved to the point where you forget that it's digital, and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you're a digital novice or coming from years of analog mixing, you'll find the Qu-24 intuitive - and very comfortable to work on. Touchscreen control speeds up your workflow The Allen & Heath Qu-24 rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder - the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more. AnalogiQ preamps and 24bit conversion, for warm, musical sound Allen & Heath fortified the Qu-24 with 24 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique padless 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24bit A-D converters matched to high-grade 24bit D-A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Total-recall moving-fader automation supercharges your mixing We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, "flying" faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you're dealing with multiple monitor mixes. Simply push a mix key and the faders immediately fly to the send levels for that mix. The Qu-24 sports 25 motorized ALPS faders. The 24 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There's also a dedicated master fader which dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns and Mix masters. Features: 24 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy Ergonomic layout and workflow is comfortable, fluid, and intuitive Color touchscreen and dedicated data encoder give you quick and easy access to all settings Key processing tools are presented clearly on the SuperStrip, with one function per physical control 25 automated, motorized ALPS faders (24 arranged over two layers) speed up and enhance your mixing Four groups give you subgrouping flexibility to LR for level masters and/or processing Total recall lets you save and recall scenes (snapshots) at the press of a button Onboard studio-grade dynamics and FX algorithms derived A&H's iLive pro touring series Built-in interface streams multitrack audio to/from your Mac (OSX class-compliant) Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools Qu-Drive delivers 18 channels of 48kHz/24bit recording/playback to/from your USB hard drive Five dedicated cores of high efficiency ARM processing provide state-of-the-art processing Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue Fully compatible with A&H's ME Personal Mixing System dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake Matrix adds 2 further stereo outputs equipped with full processing to the console's extensive I/O 18 gauge, cold-rolled Zintec steel frame delivers strength rigidity, and distinctive looks

Achieve the ultimate in control over your mix with the Allen & Heath ME-1 Personal Mixer. Each performer can tailor their monitor mix easily and quickly with this networked solution. The compact and smart design of the ME-1 makes operation and setup a breeze. Give your musicians control of up to a 40-source mix. A dimmable OLED is easy to read on both dark and bright stages. Connect multiple units together and to the source via Dante, EtherSound, or MADI. This unit also works with other personal monitoring systems, call your Sweetwater Sales Engineer to learn more. Allen & Heath ME-1 Personal Mixer at a Glance: Take control with a personal monitor mixer Easy-to-use controls Assignable keys for quick recall Take control with a personal monitor mixer Add a personal monitor system to your Allen & Heath iLive and GLD digital mixers with the ME-1 Personal Mixer. This lets you give the entire band control of their own monitor mixes. Simple to setup and operate, the ME-1 offers powerful control that's perfect for houses of worship, studios, rehearsals, stages of all sizes, and more. Standard PoE Ethernet hubs let you daisy chain these personal monitors together to give the entire band personalized control over what they hear. When set to compatibility mode the Allen & Heath ME-1 Personal Mixer integrates with Aviom monitor systems. Easy-to-use controls The Allen & Heath ME-1 Personal Mixer's large OLED screen displays all the info you need to tweak your mix to perfection. It clearly shows level and pan for each channel, system setup, and menus. You can navigate the functions and menus of the Allen & Heath ME-1 using a simple 1-knob control. This large rotary knob gives you access to all the functions you need including level, pan, master EQ, limiter, trim, and more. If you can turn a knob, you can use the Allen & Heath ME-1. Assignable keys for quick recall Customize the Allen & Heath ME-1 Personal Mixer your way with 16 backlight programmable keys. Each key can be assigned to a single mono/stereo source or to a group. Set up one key for the vocal mic, another for the entire drum kit, the entire rhythm section, or whatever you need to call up at a moments notice. Set up each button to recall the channels you want with the level, pan, and more set to your liking. You can save, transfer, and load your settings via a USB key for quick archiving and loading to other ME-1 personal mixers. Allen & Heath ME-1 Personal Mixer Features: Personal monitor mixer that will handle up to 40 sources (from GLD and iLive mixer) Simple 1-knob control over major functions Easy to read OLED screen 16 assignable keys Daisy chain mixers or use standard PoE Ethernet hub Built-in ambiance mic USB port for archiving and transferring user presets Compatibility mode integrates mixer with Aviom systems