Allen heath pa input

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Allen & Heath - ZED2842 Mixer ZED-428 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-428 has Configurable USB audio in/out makes it easy to capture stereo recordings, 24 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7×2 matrix. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 5-6 5) Matrix 1-2. RETURN OPTIONS 1) To Playback input 2) To Stereo 3 channel

Allen & Heath - ZED60 10FX Mixer Live or in the studio, ZED60-10FX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZED60-10FX adds premium quality 60mm faders for that intuitive, tactile mixing experience. This mixer is a guitarist¿s dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZED60-10FX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZED60-10FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that¿s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) RETURN OPTIONS: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts)

Allen & Heath ZED 420 Digital Mixer ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7x2 matrix.

Allen & Heath M-WAVES Allen & Heath's M-Waves audio-interface card is one of a range of audio networking cards which can be fitted to iLive or GLD to enable integration with other systems. Benefitting from SoundGrid networking technology, it s ideal for Waves high precision plug-in processing, multitrack recording and playback. M-Waves gives access to 64 input and 64 output channels and can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48 & iDR-64) or expander (xDR-16), and Port B in iLive modular MixRacks (iDR0, iDR10) if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Allen & Heath - GLD AR2412 Audio Rack AR2412 is a 24 XLR input, 12 XLR output AudioRack. Adding an AR2412 to your Qu system lets you position some or all of your I/O up to 120m from the Qu mixer, connected over a single Cat5 cable running Allen & Heath’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a Monitor port for connection to ME-1 personal mixers, and an Expander port for daisy chaining to an AR84 AudioRack

Allen & Heath GLD 80 Digital Mixer GLD, a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n' play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs). At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLive's acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. GLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag 'n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer's local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

Allen & Heath PA20 CP 16 Mono 2 Stereo 2 x 500W Powered Mixer PA20-CP is a sturdy 'walk up and go' powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience.

Allen & Heath PA12 CP Powered Mixer PA12-CP is a sturdy 'walk up and go' powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience.

Allen & Heath M-MADI Dual port MADI card supports two streams of 64 channel bi-directional 24-bit 48kHz serial digital audio transmission using two 75 ohm coaxial cables per port. An additional AUX connector can be configured to mirror stream 1 outputs, pass thru stream 1 inputs, or as a word clock input or output.. Daisy chain or split signals to multiple devices, sync with either stream or an external word clock. The second port can be configured as an independent stream or as a redundant backup connection using a second cable. Signals from either stream can be routed to the iLive channels in blocks of 8. iLive and GLD outputs can be patched to MADI and appear at both stream outputs. M-MADI is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Allen & Heath - M MADI Audio Interface Dual port MADI card supports two streams of 64 channel bi-directional 24-bit 48kHz serial digital audio transmission using two 75 ohm coaxial cables per port. An additional AUX connector can be configured to mirror stream 1 outputs, pass thru stream 1 inputs, or as a word clock input or output.. Daisy chain or split signals to multiple devices, sync with either stream or an external word clock. The second port can be configured as an independent stream or as a redundant backup connection using a second cable. Signals from either stream can be routed to the iLive channels in blocks of 8. iLive and GLD outputs can be patched to MADI and appear at both stream outputs. M-MADI is one of a range of digital audio networking options available for iLive and GLD to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It can be fitted to the Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard. It can also be fitted to the I/O Module expansion slot in a GLD-80 mixer.

Allen & Heath - ZED10 Mixer ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) RETURN OPTIONS 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts)

The Allen and Heath ZED-18 has an incredibly advanced feature-set for a mixer at this level - it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. MusiQ ZED-18 features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ - with optimized slope (or Q factor) for equalizing individual instruments. DuoPre Based on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. SONAR X1 LE - Provided Free! Allen & Heath has included Cakewalk SONAR X1 LE with ZED-18 so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features - Powered by SONAR X1 - 32 audio tracks - 64 MIDI tracks - 8 simultaneous inputs and outputs - 24-bit/96 kHz audio quality - 24 simultaneous effects - 8 simultaneous virtual instruments

Whether you're recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-24 Chrome Edition is designed with a clean, logical layout, so you can get to what you need, fast. Featuring audiophile sound quality, touchscreen control, 24 AnalogiQ preamps integrated with DSP, total recall, 25 flying faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-24 Chrome Edition will drastically improve both your workflow and your end product. Intuitive - and very comfortable to work on Having a mixer with massive processing power and sophisticated functionality is nice, but if you can't get to the controls you need instantly, it's all for naught. With the Qu-24, the digital console has evolved to the point where you forget that it's digital, and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you're a digital novice or coming from years of analog mixing, you'll find the Qu-24 intuitive - and very comfortable to work on. Touchscreen control speeds up your workflow The Allen & Heath Qu-24 rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder - the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more. AnalogiQ preamps and 24bit conversion, for warm, musical sound Allen & Heath fortified the Qu-24 with 24 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique padless 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24bit A-D converters matched to high-grade 24bit D-A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Total-recall moving-fader automation supercharges your mixing We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, "flying" faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you're dealing with multiple monitor mixes. Simply push a mix key and the faders immediately fly to the send levels for that mix. The Qu-24 sports 25 motorized ALPS faders. The 24 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There's also a dedicated master fader which dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns and Mix masters. Features: 24 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy Ergonomic layout and workflow is comfortable, fluid, and intuitive Color touchscreen and dedicated data encoder give you quick and easy access to all settings Key processing tools are presented clearly on the SuperStrip, with one function per physical control 25 automated, motorized ALPS faders (24 arranged over two layers) speed up and enhance your mixing Four groups give you subgrouping flexibility to LR for level masters and/or processing Total recall lets you save and recall scenes (snapshots) at the press of a button Onboard studio-grade dynamics and FX algorithms derived A&H's iLive pro touring series Built-in interface streams multitrack audio to/from your Mac (OSX class-compliant) Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools Qu-Drive delivers 18 channels of 48kHz/24bit recording/playback to/from your USB hard drive Five dedicated cores of high efficiency ARM processing provide state-of-the-art processing Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue Fully compatible with A&H's ME Personal Mixing System dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake Matrix adds 2 further stereo outputs equipped with full processing to the console's extensive I/O 18 gauge, cold-rolled Zintec steel frame delivers strength rigidity, and distinctive looks

The ZED60-14FX Live and Studio Mixer from Allen & Heath is a 10-channel mixer with 16 built-in effects that is designed for an array of live and studio applications. Channels 1 through 6 have Neutrik XLR connectors for mic level signals, and 1/4" TRS inputs for balanced or unbalanced line level signals. Channels 7 and 8 also have Neutrik XLRs, but feature Class A FET Hi-Z instrument-level inputs for direct connection of electric guitars and basses. Additionally, channels 1 through 8 are all equipped with 3-band EQ and 48V phantom power. The mixer also features two stereo inputs (ST1 & ST2) that have 1/4" TS and RCA jacks (ST1 only) for connecting line level outputs from devices such as keyboards, samplers or iPods. Each of the stereo channels feature a 2-band EQ. All 10 channels can be routed to a "record" buss that can be output to a computer running DAW software via the USB port, or routed into a hardware recording device via the RCA record out jacks. Each channel also features a "listen" button, that when engaged takes the corresponding signal off the master and recording busses and sends it to the headphone buss. This can be useful in a live recording scenario for making discrete EQ adjustments to a channel before adding it to the master or record busses. Designed with versatility in mind, the ZED60-14FX's master section is equipped with balanced XLR left and right main outputs with 1/4" inserts on each channel. These inserts can be useful for inserting outboard gear such as EQs or limiters at the end of your signal chain before the master mix is output to your speakers. Also, there is a balanced 1/4" aux output for connecting additional sound reinforcement components such as a sub-woofer, and an FX bus out that can be used to send the FX mix to additional gear such as an external effects unit. While you can connect an external effects unit via the FX bus out jack, the mixer also features sixteen built-in digital effects that include multiple delays, reverbs, a doubler, flanger, and chorus. The DSP engine, which uses the same effects algorithms as Allen & Heath's flagship digital consoles, is designed for low-noise and low-distortion signal processing. Rugged Design Designed with durability in mind for live gigging and recording, the ZED60-14FX uses many of the same exact components used in Allen & Heath's larger, high-end mixers. The vertically mounted, per-channel circuit boards make servicing much easier should it be required, with the ability to remove one particular channel from the mixer at a time Low Noise, High Gain Microphone Pre-Amps Based on the pre-amps from the Allen & Heath MixWizard series consoles. Designed to maximize sound quality with high gain, low-noise and consistent output Hi-Z Guitar Inputs Channels 7 and 8 include high impedance FET circuits running in Class A mode for use with low output electric guitars and basses. Designed to emulate the type of circuits used in valve guitar combos and head amplifiers, the input circuit has a soft overdrive characteristic, giving a warm 2nd harmonic character to the sound if desired Per-Channel EQ Channels 1-8 are equipped with a 3-band equalizer with sweepable mids and a high pass filter. The 2 stereo channels have 2-band low and high frequency shelving Onboard Digital Effects Processor Sixteen built-in digital effects that include multiple delays and reverbs, a doubler, flanger and chorus. The digital effects algorithms are the same as those used on the flagship Allen & Heath digital consoles Recording Buss All channels, including the effects buss, have switchable routing to the recording buss that is sent to the stereo RCA recording out and the USB out, useful for dropping or adding in microphones or effects to tape during a live recording scenario USB Connectivity When used in tandem with your Mac or PC running DAW software, the mixer can send and/or receive up to 16-bit, 48 kHz audio via the USB port

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ GL_24_Main FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp available NB: RPS11 Power Supply to be Purchased separately.NB: RPS11 Power Supply to be Purchased separately.

This classic dual function mixer offers a well thought out feature set built into a rugged, small footprint chassis ideal for flight casing and venue installation where space is tight. Uniquely at this level, the GL is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix,provides the ideal solution for IEM and stereo Recording. 8 audio groups andL,R and M busses are also provided, allowing for full dual functionality with 10mixes with faders, inserts and XLR drive GL is a compact, dual function, LR, M, 8 group, 10 aux, 124 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.​ NB: RPS11 Power Supply to be Purchased separately. GL_24_Main RELATED PRODUCTS RB_LedLamp RB_ICE-16D FEATURE SUMMARY and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 124 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses RPS11 high performance external linear power supply Built-in combiner for redundant backup supply Individual circuit card assembly with nutted pots Sys-Link V2 console input/output linking option 4-pin XLR lamp sockets Allen & Heath LEDlamp availableNB: RPS11 Power Supply to be Purchased separately.

ZED-6 has been created for musicians, singer / songwriters and venues seeking Allen & Heath’s renowned build and audio quality in a compact, portable format. Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that ZED-6 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.   2 Mic / Line Inputs with separate XLR and TRS jack sockets 2 Stereo Inputs with TRS jack sockets 2 Guitar DI high impedance inputs, eliminating the need for DI boxes Lo-cut filter for cleaning up unwanted low frequency noise 2 band EQ for easy creative and corrective tonal shaping 60mm smooth travel fader on main mix XLR main outputs Flexible signal monitoring 8 LED signal metering 48V Phantom Power for condenser mics Robust internal power supply

Live or in the studio, ZEDFX is a compact, portable mixer that is ideal for small bands. This mixer is a guitarists dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZEDFX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years8 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks

Live or in the studio, ZEDFX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZEDFX adds premium quality 60mm faders for that intuitive, tactile mixing experience. This mixer is a guitarists dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards. ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZEDFX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years4 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks

Xone:22 effortlessly raises the bar on entry-level mixer design, offering top quality audio and a professional feature set usually only found in the booth of a top-rated club, all at a stunningly affordable price. Equipped with Allen & Heath’s characteristic sound and build quality, this is the first time a DJ mixer at this level has incorporated professional grade features, such as total kill EQ, accurate metering, balanced outputs, high quality faders and professional-standard audio headroom. And to top it all off, there’s a “lite” version of Xone’s now legendary VCF filter system.2 stereo channels with configurable dual phono/line inputs VCF system – low-pass and high-pass filters, frequency and resonance controls 3-band full cut EQ Soft-switched external FX loop 18dB pro standard headroom and low audio distortion Main mix output on balanced XLR, 25dBu maximum output level Signal monitoring with 10-segment LED meters and meter mode selection Cue mix control, and cue to master switch Dedicated local monitor output (booth output) Record output MIC input on balanced XLR, with 2-band EQ Crossfader curve switch Universal voltage external power supply

Live or in the studio, ZEDFX is an ultra-portable mixer for solo artists and small bands. Based on our top selling ZED-10FX, the new ZEDFX adds premium quality 60mm faders for that intuitive, tactile mixing experience.  This mixer is a guitarist’s dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.  ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX.   Most important of all, ZEDFX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years. Features: 4 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks 1 year limited guarantee For more info on this product please click here

Xone:22 effortlessly raises the bar on entry-level mixer design, offering top quality audio and a professional feature set usually only found in the booth of a top-rated club, all at a stunningly affordable price. Equipped with Allen & Heath’s characteristic sound and build quality, this is the first time a DJ mixer at this level has incorporated professional grade features, such as total kill EQ, accurate metering, balanced outputs, high quality faders and professional-standard audio headroom. And to top it all off, there’s a “lite” version of Xone’s now legendary VCF filter system. Featuures: 2 stereo channels with configurable dual phono/line inputs VCF system - low-pass and high-pass filters, frequency and resonance controls 3-band full cut EQ Soft-switched external FX loop 18dB pro standard headroom and low audio distortion Main mix output on balanced XLR, 25dBu maximum output level Signal monitoring with 10-segment LED meters and meter mode selection Cue mix control, and cue to master switch Dedicated local monitor output (booth output) Record output MIC input on balanced XLR, with 2-band EQ Crossfader curve switch Universal voltage external power supply 1 year limited guarantee For more info on this product please click here

Live or in the studio, ZEDFX is a compact, portable mixer that is ideal for small bands. This mixer is a guitarist’s dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.   ZEDFX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZEDFX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years. Features: ¿8 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks 1 year limited guarantee For more info on this product please click here

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

ZED-24 has an incredibly advanced feature-set for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more! Features: 16 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator  ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR X1 LE bundled with mixer USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-   Send options:   1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4   Return options:   1) To Stereo 3 channel   MusiQ ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.   DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.   SONAR X1 LE – Provided Free! We’ve included Cakewalk SONAR X1 LE with ZED-24 so you can immediately start to use it to create your own music – just add a PC and it couldn’t be easier to get going. You’ll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways – e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments 1 year limited guarantee. For more info on this product please click here