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South Africa
PEAVEY SP FHBX, EACH - Overview The new SP FH utilizes an 18" Low Rider® Black Widow® loudspeaker with a 4" voice coil and Kevlar®-impregnated cone in a folded-horn design that produces an earth-rumbling low end. Ideal for use in nightclubs and large concert productions, this subwoofer registers a focused frequency response from 30 Hz to 300 Hz and 1600 watts of program power (3200 watts peak). For three decades, the Peavey SP Series has provided astounding accuracy and clarity in sound reproduction and legendary reliability under heavy-use conditions, and the SP FH continues those traditions through innovative engineering. Features Compact folded bass horn design Compact folded bass-horn design Frequency Response: 30Hz - 300Hz Sensitivity 108dB (1w/1m) Peak Power Handling: 3200 watts One 1808-8 Low Rider Black Widow woofer Direct input jack with both 1/4 inch phone jacks and 4-pin Neutrik® Speakon® Built-in casters for easy transport Nominal Impedance: 8 ohms Durable Multi-construction enclosure Durable GatorHyde® covering Program Power Handling: 1600 watts Weight Packed: 176.00 lb(79.833 kg) Width Packed: 36.25"(92.075 cm) Height Packed: 38.25"(97.155 cm) Depth Packed: 26.5"(67.31 cm) *
R 12.415
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Durban (KwaZulu Natal)
At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears!•100 Watts (rms) into 4 Ohms (w/external speaker) •12" Blue Marvel® speaker •High and Low Gain inputs •TransTube tube emulation circuitry •Footswitchable Clean and Lead channels •3 band passive EQ on each channel •3 position EQ/Gain Voicing switch on each channel •Reverb with level control •Footswitchable Boost with level control •¼" stereo Speaker Simulated Direct Out jack with level control •Footswitch optional •80 Watts (rms) into 8 Ohms •Weight Unpacked: lb( kg) •Weight Packed: lb( kg) •Width Packed: cm) •Height Packed: cm) •Depth Packed: cm)
R 5.799
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Johannesburg (Gauteng)
At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features: 100 Watts (rms) into 4 Ohms (w/external speaker) 12" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswitchable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack with level control Footswitch optional 80 Watts (rms) into 8 Ohms Weight Unpacked: lb( kg) Weight Packed: lb( kg) Width Packed: cm) Height Packed: cm) Depth Packed: cm) 1 year limited guarantee For more info on this product please click here
R 4.897
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South Africa
At the 1995 NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isnt merely a question of gain structure. Its about the entire component chain and how each one interacts with the others. Its about damping factor and the corresponding speaker response. Its about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. Its about cabinet size, bracing, wood and thickness. But most importantly, its about what its not. Those other manufacturers half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86d the rest. Its a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You wont believe your ears! - 100 Watts (rms) into 4 Ohms (w/external speaker) - 12" Blue Marvel® speaker - High and Low Gain inputs - TransTube tube emulation circuitry - Footswitchable Clean and Lead channels - 3 band passive EQ on each channel - 3 position EQ/Gain Voicing switch on each channel - Reverb with level control - Footswitchable Boost with level control - ¼" stereo Speaker Simulated Direct Out jack with level control - Footswitch optional - 80 Watts (rms) into 8 Ohms
R 6.190
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South Africa
Overview At the 1995 NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features 100 Watts (rms) into 4 Ohms (w/external speaker) 12" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswitchable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack with level control Footswitch optional 80 Watts (rms) into 8 Ohms Weight Unpacked: 40.00 lb(18.144 kg) Weight Packed: 48.00 lb(21.772 kg) Width Packed: 15.75"(40.005 cm) Height Packed: 28.37"(72.0598 cm) Depth Packed: 23.87"(60.6298 cm) Please confirm stock availability before purchasing
R 6.199
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Durban (KwaZulu Natal)
At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears!•10" Blue Marvel® speaker •High and Low Gain inputs •TransTube tube emulation circuitry •Footswichable Clean and Lead channels •3 band passive EQ on each channel •3 position EQ/Gain Voicing switch on each channel •Reverb with level control •Footswitchable Boost with level control •¼" stereo Speaker Simulated Direct Out jack •Headphone jack •Footswitch optional •40 Watts (rms) •Weight Unpacked: lb( kg) •Weight Packed: lb( kg) •Width Packed: cm) •Height Packed: cm) •Depth Packed: cm)
R 3.999
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Johannesburg (Gauteng)
Product Description The Fender Super-Sonic series: High-performance, no-nonsense tube amps that create unmistakable Fender clean tones and expressive modern high-gain tones without masking the tonal character of the player's guitar. The new 100-watt Fender Super-Sonic Twin combo contains several sonically versatile new features, including an Arena/Club switch that takes the power down to 25 watts (to preserve its great high-volume tube tone at lower "club gig" volume levels); a Notch Tune control that lets you move the midrange notch and fine-tune the distortion characteristics for a variety of American and British amp sounds; a rear-panel damping control that lets you select "normal," "loose" or "tight" speaker response for sounds ranging from warm and loose to tight and focused; and the new Fender Automatic Bias control, which lets you easily set the output tubes to the recommended factory setting and to your preference of "hotter" or "cooler" bias with no need for meters or tools. Other features include a Vintage channel for shimmering clean tone derived from Fender Twin Reverb(r) and Showman(r) amps or the thick, punchy sound of a s-era Bassman amp(r); a Burn channel for edgy breakup and distortion with variable compression, thickness and sustain; dual 12 in. Celestion Vintage 30 speakers; tube-driven Fender long-spring reverb; effects loop with level control that also works as a footswitch-operated boost; custom Schumacher transformers; and a choice of Black/Silver or Blonde/Oxblood cosmetic treatments. Cover and pedalboard-friendly four-button footswitch included. Features: - Notch Tune Control - Damping Control - Automatic Bias Control - Arena/Club Switch - Includes Casters
R 35.899
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Johannesburg (Gauteng)
At the NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features: 10" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswichable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack Headphone jack Footswitch optional 40 Watts (rms) Weight Unpacked: lb( kg) Weight Packed: lb( kg) Width Packed: cm) Height Packed: cm) Depth Packed: cm) 1 year limited guarantee For more info on this product please click here
R 3.297
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South Africa
FEATURES Professional-grade components for optimized sonic performance 50 watts of clean, articulate stereo sound 3″ polypropylene-coated woofer.75″ ferrofluid-cooled silk-dome tweeter Ultra-wide frequency range perfect for full-range multimedia (80Hz - 20kHz) Choose which side of your desk gets the volume knob with CR3's convenient speaker placement switch Convenient front panel volume knob with lit power ring gives you on/off/volume control and power indication where you need it Plug your smartphone or other source right into the front of the speakers and listen instantly Front-facing headphone jack auto-defeats speaker output and provides tactile headphone volume control A choice of inputs for simple connection to almost any audio source (1/4", 1/8", RCA) Smooth waveguide design delivers unmatched clarity and sound dispersion at all listening levels Custom-tuned rear ports for smooth, even bass extension All-wood cabinet provides a natural sonic character superior to low-grade plastic designs Included accessories Acoustic isolation pads minimize boomy bass build-up and provide up/down tilt control for more focused listening 1/8″ to stereo RCA cable to connect computer output to speakers 1/8″ to 1/8″ cable to connect a smartphone or media player to front panel of speakers
R 2.300
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Benoni (Gauteng)
Overview At the 1995 NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isn't merely a question of gain structure. It's about the entire component chain and how each one interacts with the others. It's about damping factor and the corresponding speaker response. It's about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. It's about cabinet size, bracing, wood and thickness. But most importantly, it's about what it's not. Those other manufacturers' half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86'd the rest. It's a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You won't believe your ears! Features 10" Blue Marvel® speaker High and Low Gain inputs TransTube tube emulation circuitry Footswichable Clean and Lead channels 3 band passive EQ on each channel 3 position EQ/Gain Voicing switch on each channel Reverb with level control Footswitchable Boost with level control ¼" stereo Speaker Simulated Direct Out jack Headphone jack Footswitch optional 40 Watts (rms) Weight Unpacked: 24.00 lb(10.886 kg) Weight Packed: 29.00 lb(13.154 kg) Width Packed: 12.87"(32.6898 cm) Height Packed: 24.25"(61.595 cm) Depth Packed: 18.87"(47.9298 cm) Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Our Shop Shop F2 Second Level The Conservatory at Lakefield 106 Lakefield Avenue Lakefield Square Benoni Contact us at 110 - show phone - Tian - 718 - show phone - /Whatsapp Carlo - 844 - show phone - /Whatsapp Trading Hours: Monday - Friday 9:00am - 17:00pm Saturday 9:00am - 15:00pm If you can't find what you are looking for give us a call and we will gladly assist you
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South Africa
Lightfoce Halogen Globe Set In Tin Product Info THE TRUTH ABOUT CANDLEPOWER! DON¿T BE MISLED BY THE HYPE! LIGHTFORCE quote a scientifically measured candlepower figure when others just use grossly exaggerated advertising hype! Side by side, LIGHTFORCE is without peer in output and performance. Superior efficiency is the key to LIGHTFORCE¿s legendary light output and quality. LIGHTFORCE give you the choice to tune your light output specification by various bulb options! Bulbs used in LIGHTFORCE lights have been carefully selected to ensure maximum performance and durability. This is done by measuring and qualifying the efficiency in converting WATTS into *CANDLEPOWER. This combined with the superior LIGHTFORCE reflector is what creates the light output that has made LIGHTFORCE famous. For the technically minded; The bulb filament size and shape combined with the reflector design determine the concentration of a focused beam. The shape of the filament will determine the type of Beam, e.g. a vertical filament (VF) bulb will give a circular spot beam, whilst the horizontal filament (HF) will give a slightly oval spot. Special requirements? No problem! LIGHTFORCE have bulbs available including 12V 20W, 30W, 50W, 75W and 100W plus 24V 50W and 24V 100W for specialist applications. If using the light combined with a portable battery pack unit a lower wattage bulb will increase the time in the field. If you have any queries, we encourage you to contact your LIGHTFORCE dealer or email us directly with your technical enquiry. Package Contents: Lightfoce Halogen Globe Set In Tin
R 495
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South Africa (All cities)
Lightfoce Globe 64623 12V 100w Long Life - HF (standard for RM170 & RM240) Product Info THE TRUTH ABOUT CANDLEPOWER! DON’T BE MISLED BY THE HYPE! LIGHTFORCE quote a scientifically measured candlepower figure when others just use grossly exaggerated advertising hype! Side by side, LIGHTFORCE is without peer in output and performance. Superior efficiency is the key to LIGHTFORCE’s legendary light output and quality. LIGHTFORCE give you the choice to tune your light output specification by various bulb options! Bulbs used in LIGHTFORCE lights have been carefully selected to ensure maximum performance and durability. This is done by measuring and qualifying the efficiency in converting WATTS into *CANDLEPOWER. This combined with the superior LIGHTFORCE reflector is what creates the light output that has made LIGHTFORCE famous. For the technically minded; The bulb filament size and shape combined with the reflector design determine the concentration of a focused beam. The shape of the filament will determine the type of Beam, e.g. a vertical filament (VF) bulb will give a circular spot beam, whilst the horizontal filament (HF) will give a slightly oval spot. Special requirements? No problem! LIGHTFORCE have bulbs available including 12V 20W, 30W, 50W, 75W and 100W plus 24V 50W and 24V 100W for specialist applications. If using the light combined with a portable battery pack unit a lower wattage bulb will increase the time in the field. If you have any queries, we encourage you to contact your LIGHTFORCE dealer or email us directly with your technical enquiry. Package Contents: Lightfoce Globe 64623 12V 100w Long Life - HF (standard for RM170 & RM240)
R 245
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South Africa (All cities)
At the 1995 NAMM show thousands of players, media and dealers crammed into a small demo room inside the Peavey exhibit, one after another, where our engineers set up a blind A/B comparison between their new invention and a real tube amp. No one could tell the difference between the two. Some "golden ears" even thought the TransTube Bandit was the real tube amp. But How? In devising the TransTube Circuitry, our engineers studied every aspect of how a tube amp works. We learned that recreating tube tone isnt merely a question of gain structure. Its about the entire component chain and how each one interacts with the others. Its about damping factor and the corresponding speaker response. Its about power amp compression. How the amp breaks up when driven hard, harmonic structure and non-linear gain stages. Its about cabinet size, bracing, wood and thickness. But most importantly, its about what its not. Those other manufacturers half-hearted attempt at tube emulation failed because they focused on the wrong elements. So we concentrated on emulating the tone characteristics we all recognize and love about tubes and 86d the rest. Its a deceptively simple concept, but it took three U.S. Patents to map the entire process for the history books. Set up a comparison at your Peavey dealer and discover the TransTube difference for yourself. No marketing hype needed. You wont believe your ears! - 10" Blue Marvel speaker - High and Low Gain inputs - TransTube tube emulation circuitry - Footswichable Clean and Lead channels - 3 band passive EQ on each channel - 3 position EQ/Gain Voicing switch on each channel - Reverb with level control - Footswitchable Boost with level control - ¼" stereo Speaker Simulated Direct Out jack - Headphone jack - Footswitch optional - 40 Watts (rms)
R 4.420
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