Shaping humanity science art

Author: John Gurche Publisher: Yale University Press (2013) ISBN-10: 0300182023 ISBN-13: 9780300182026 Dust Jacket Condition: Very Good. The dust jacket has some light rubbing and a few scratches. Small area at top of spine where laminate is lifting and there are some small closed tears. Slight wear to the edges. Book Condition: Very Good. A few smudges on the rear board and light wear at top of the spine.  Binding: Hardcover with dust jacket Pages: 368 Dimensions: 26 x 22.5 x 3 cm +++ by John Gurche +++ What did earlier humans really look like? What was life like for them, millions of years ago? How do we know? In this book, internationally renowned paleo-artist John Gurche describes the extraordinary process by which he creates forensically accurate and hauntingly realistic representations of our ancient humans ancestors. Inspired by a lifelong fascination with all things prehistoric and gifted with a unique artistic vision, Gurche has studied fossil remains, comparative ape and human anatomy and forensic reconstruction for over three decades.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 8 - 13 working days This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks--hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation. Features Summary "First published in Germany under the title Faces: Eine Geschichte des Gesichts." Author Hans Belting (Author), Thomas S. Hansen (Translator), Abby J. Hansen (Translator) Publisher Princeton University Press Release date 20170310 Pages 288 ISBN 0-691-16235-2 ISBN 13 978-0-691-16235-5