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Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The DPS II updates the latest ART advances in Tube Microphone Preamps. The DPS II adds continuously variable input impedance, lED input meters, auto mic/instrument switching, OPlIJ (Output Protection limiting) flexibility and more tube warmth to the DPS II. Twin high performance discrete preamplifiers with local feedback are coupled with our flexible V3IJ (Variable Valve Voicing) 12AX7A gain stage (which delivers both flexibility and consistency in settings) and choice of analog and digital outputs. The new enhanced mic preamp can accept +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. A lED input meter, monitors the signal level of the input amplifier. The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs. Enhancements to our legendary tube stage maintain our classic warm sound and add additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments making this an incredible DI box. The enhanced OPl is available to control overshoots and normalize levels before digital clipping occurs. A versatile insert loop on each channel provides access for additional signal processing or direct access to our high quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSlINK or ADAT (front panel selectable). The A/D is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32KHZ to 100KHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits. The DPS II also features ART A-to-D digital conversion and ART Tube Technology similar to that of the ART DI/O Preamp System. This ensures that when you are going from the analog preamplification to digital, your signal will be as warm and musical as you decide it to be. Ask you ART representative about the...

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The DJ PRE II (formerly named the Phono MicroPRE) acts as an interface between your turntable and your audio recording / playback system. The analog input capacitance can be switched between 100pF and 200pF to optimize your phono cartridge response. A switchable low cut filter removes turntable rumble while leaving the audio pristine. The front gain trim control and signal/clip lED allow you to optimize the preamp's gain for a wide range of input sources. The built-in low noise phono preamp circuitry is highly accurate and precisely conforms to the RIAA standard. The line output jacks are low impedance and can be used with any sound card. Housed in an all aluminum black anodized case, the DJ PRE II can be powered by a wide variety of external supplies. If you need to amplify and EQ your vinyl records to interface with your audio workstation, sound card, home stereo system or main monitor system, the DJ PRE II gives you flawless audio reproduction in a rugged and reliable package. Specifiactions - Signal To Noise Ratio: > 90dB below clipping - Frequency Bands: FIlTER TYPE: Switchable, low Cut, -3dB at 22Hz - Maximum Gain: 45dB at 1KHz - Input Impedance: 47k Ohms in parallel with either 100pF or 200pF - Maximum Input level: 40mVrms at 1KHz - Maximum Output level: +6dBu (1.4Vrms) - Input Connectors: RCA - Output Connectors: RCA - Total Harmonic Distortion:.01% Typical at 1KHz - Frequency Response: 10Hz -50KHz, +/-.5dB - Power: 7-12V DC or 9-12V AC at 150mA - Dimensions: 1.75H x 4.2W x 3.5D - Weight: 1.25 lbs (.57kg)

The ART TubeOpto 8™ is the ideal Eight Channel input / output expander for any ADAT lightpipe equipped audio interface, direct-to-disc recorder or DAW. Eight high quality second generation discrete Class-A vacuum tube microphone preamps are packaged in a single rack space unit with eight channel 24-bit digital I/O. Every input on the TubeOpto8 offers full control of the signal path with pad, phase and low frequency roll-off switches. Input gain and variable output level control of each channel allows up to 70dB of clean gain with incredible sonic transparency or for the tube stage to be dialed in for warming effects and soft clipping. Each channel has wide range LED meters monitor the preamp output levels while clip indicators monitor mic-preamp peak levels. ADAT lightpipe I/O handles eight channels of 24-bit audio input and output at either 44.1 or 48 kHz sample rates. Wordclock in and thru-puts allow multiple Tubeopto8's to be synced in complex system configurations. Features: Eight Fully Featured Class-A Tube Mic Preamps Eight Channels of ADAT lightpipe Digital 24 Bit Audio I/O at 44.1 or 48kHz Input Gain and Output Level Controls on Every Channel Input Pad, Phase flip and Low Frequency Roll Off Switches on Every Channel Two Additional Front Mounted High Impedance Instrument Line Inputs Eight 1/4-inch TRS Balanced Outputs 1 year limited guarantee. For more info on this product please click here

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The DUAlXDirect provides two independent high quality active interfaces that let you connect instrument, line, or speaker level signals to a mixer or other balanced inputs. Each of the high impedance 1/4" and XlR inputs (provided via "combo" jacks) are buffered and converted by very low noise active electronics into an isolated, balanced, low impedance signal output. The DUAlXDirect has an extremely flat and wide frequency response and can handle high signal levels. This gives the DUAlXDirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments. The input ATTENUATOR switches allow for a wide range of signal levels and the input THRU jacks allow for tapping off of your signal chain. The GROUND lIFT switches let you totally separate the input and output signal grounds, when appropriate, to isolate two systems, thereby reducing hum and ground-loop noise. The DUAlXDirect's active circuitry is powered by phantom voltage from the OUTPUT connections or by an internal 9V battery, when external power is not available. When powered by a battery, it draws less than 7.5 mA which should provide more than 100 hours of operation with a new battery (alkaline recommended). If phantom power is available, then the DUAlXDirect will automatically draw its power from the external source. The POWER ON/OFF switch lights more dimly when the unit is running off of the battery, lights more brightly when it is running off of phantom power, and is off when the unit is inactive. **Technical Specifications:** Frequency Response: 10 Hz - 100 kHz, +- 0.5 dB @ +0 dBu THD:

An ultra-wide zoom lens with a constant f/2.8 aperture, the 14-24mm f/2.8 DG HSM Art Lens from Sigma is an outstanding option for architectural and landscape shooters with full-frame Sigma SA cameras. A part of the esteemed Art-series of lenses, a sophisticated optical design is used that incorporates three FLD, three SLD, and three aspherical elements to help reduce chromatic aberrations and keep distortion under control. A Super Multi-Layer coating has also been applied to suppress lens flare and ghosting for accurate color fidelity and high contrast. Complementing the imaging capabilities, the lens sports a Hyper Sonic Motor to produce quick, smooth, and quiet autofocus performance with full-time manual focus override. The lens features a rounded 9-blade diaphragm that gives a smooth look to out-of-focus areas, which stops down to f/22, and offers a minimum focus distance of 10.2". Finally, a weather-sealed brass bayonet mount helps keep water and dust away from your equipment when shooting in rugged conditions. Ultra-wide zoom lens for Sigma SA-mount cameras, provides a 14-24mm focal length with full-frame sensors. Constant f/2.8 maximum aperture for working in low-light conditions, stops down to f/22. Three Fluorite Low Dispersion (FLD), three Special Low Dispersion (SLD), and three aspherical elements in the design help reduce color fringing and chromatic aberrations for improved clarity. A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions. Front lens element has been treated with a water- and oil-repellent coating to benefit working in harsh environmental conditions. Nine-blade rounded diaphragm contributes to a smooth and pleasing bokeh quality. The integrated HSM (Hyper Sonic Motor) realizes quick and quiet autofocusing, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time. Focuses as close as 10.2" for getting close and personal to your subjects. Bayonet mount constructed from brass for improved durability, sealed to help keep water and dust out of your camera and lens

RCF ART-425A Digital active speaker system RCF ART 425-A is an active, wide dispersion 2 way sound reinforcement speaker. It integrates a high power 400 W digital amplifier, a complete electronic processor section and RCF low distortion, high power neodymium transducers. The system is unique in its class for output and vocal intelligibility. A new 15” neodymium woofer design with 3” voice coil has been specifically developed for the ART 425-A. Combined with the perfect reflex port design of the speaker, the new woofer delivers an extremely accurate reproduction of the mid-bass frequencies and a punchy bass. The new 2” neodymium compression driver with a pure titanium dome features a complex geometry suspension and direct drive coil offering a transparent midrange sound and extreme fidelity in high frequencies reproduction. Thanks to its features the ART 425-A offers the ultimate intelligibility for any portable sound application.

The RCF Art 310-A MK4 two-way active speaker is the optimum choice for vocal applications, music playback and demanding musicians. The ART 310-A MK4 is very easy to transport everywhere. Features 127 dB Max SPL 800 WATT 2-way peak power DSP Processing with FiRPHASE 10" High Powered Woofer 1" HF driver, mylar dome, 1.5" voice coil high power handling low impedance crossover design Applications Live sound Playback and monitoring Corporate events AV presentations Fixed Installations

RCF ART - 315A Active Apeaker System ART 315-A is the perfect speaker for live sound situations where extra vocal punch and extremely accurate high frequency response is needed. The 15" woofer delivers a very tight punchy bass and an accurate reproduction of the midrange. The high frequencies are precise and natural thanks to the compression driver with mylar dome in front of a low compression, optimised geometry, radial phase plug. Thanks to the versatility in both monitoring and playback, it represents the ideal multipurpose solution.

RCF ART - 315A Active Speaker System ART 315-A is the perfect speaker for live sound situations where extra vocal punch and extremely accurate high frequency response is needed. The 15" woofer delivers a very tight punchy bass and an accurate reproduction of the midrange. The high frequencies are precise and natural thanks to the compression driver with mylar dome in front of a low compression, optimised geometry, radial phase plug. Thanks to the versatility in both monitoring and playback, it represents the ideal multipurpose solution.

Sigma 85mm F1.4 DG HSM | Art (Canon) PRODUCT HIGHLIGHTS EF-Mount Lens/Full-Frame Format Aperture Range: f/1.4 to 16 Two Low Dispersion Elements One Aspherical Element Super Multi-Layer Coating Hyper Sonic AF Motor, Manual Override Rounded 9-Blade Diaphragm TSC Material, Brass Bayonet Mount Compatible with Sigma USB Dock

Sigma 50mm F1.4 DG HSM | Art PRODUCT HIGHLIGHTS Aperture Range: f/1.4 to f/16 One Molded Glass Aspherical Element Three Special Low Dispersion Elements Super Multi-Layer Coating Floating System & Large Diameter Design Hyper Sonic AF Motor Rounded Nine-Blade Diaphragm Thermally Stable Composite Material Brass Bayonet Mount Compatible with Sigma USB Dock

Sigma 70mm F2.8 DG | Art (Canon) Product Highlights EF-Mount Lens/Full-Frame Format Aperture Range: f/2.8 to f/22 Two FLD Elements, Two SLD Elements Low Dispersion and Aspherical Elements Super Multi-Layer Coating 1:1 Magnification, 10.2" Min. Focus Coreless DC AF Motor, Manual Override Weather-Sealed, Brass Bayonet Mount Rounded 9-Blade Diaphragm Compatible with Sigma USB Dock

Sigma 70mm F2.8 DG | Art (Sony E) Product Highlights E-Mount Lens/Full-Frame Format Aperture Range: f/2.8 to f/22 Two FLD Elements, Two SLD Elements Low Dispersion and Aspherical Elements Super Multi-Layer Coating 1:1 Magnification, 10.2" Min. Focus Coreless DC AF Motor, Manual Override Weather-Sealed, Brass Bayonet Mount Rounded 9-Blade Diaphragm

Sigma 18-35mm F1.8 DC HSM The Sigma 18-35mm F1.8 DC HSM Art lens is the world's first constant F1.8 zoom. Designed specifically for SLRs with APS-C sized sensors, it covers a 28-50mm equivalent range, and is initially available in Canon, Nikon and Sigma mounts with Sony and Pentax versions to follow. The 18-35mm offers the depth-of-field equivalent of a constant F2.7 on full-frame, and allows the use of lower ISO settings in low light. The lens uses Sigma's Hypersonic Motor for fast, silent focusing, and is compatible with the Sigma USB dock for fine-tuning autofocus calibration. Optically it's one of the finest zooms we've seen. Principal specifications Lens type Zoom lens Max Format size APS-C / DX Focal length 18–35 mm Image stabilisation No Lens mount Canon EF, Nikon F (DX), Pentax KAF, Sony/Minolta Alpha, Sigma SA Bayonet Aperture Maximum aperture F1.8 Minimum aperture F16.0 Number of diaphragm blades 9 Aperture notes Rounded diaphragm Optics Elements 17 Groups 12 Special elements / coatings 5 SLD glass elements, 4 glassmold aspherical elements Focus Minimum focus 0.28 m (11.02″) Maximum magnification 0.23× Autofocus Yes Motor type Ring-type ultrasonic Full time manual Yes Focus method Internal Distance scale Yes DoF scale No Physical Weight 810 g (1.79 lb) Diameter 78 mm (3.07″) Length 121 mm (4.76″) Zoom method Rotary (internal) Filter thread 72 mm Hood supplied Yes Hood product code LH780-03

Sigma 50mm f/1.4 DG HSM Art Lens for Canon EF Product Highlights Aperture Range: f/1.4 to f/16 One Molded Glass Aspherical Element Three Special Low Dispersion Elements Super Multi-Layer Coating Floating System & Large Diameter Design Hyper Sonic AF Motor Rounded Nine-Blade Diaphragm Thermally Stable Composite Material Brass Bayonet Mount Compatible with Sigma USB Dock Cape Town