Rockin 60s volume

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Product Description World in Action was, undoubtedly, ITV's flagshipcurrent-affairs series. Over four decades this multiple BAFTA winnerwas fearless, trailblazing and hard-hitting in its coverage of subjectsthat other programmes would not dare to touch - earning the ire of ITVregulators and, at times, the Government, with the team ofteninvestigating stories at their own personal risk. This volume comprises 23 programmes covering major stories from the'60s to the '90s; these include the 1967 Arab-Israeli conflict, theassassination of Martin Luther King, the Angry Brigade trials inLondon, EXIT's 'suicide manual', New York's drug-fuelled crime wave,the Hillsborough disaster, and the NHS in crisis.    

Handwired 18-watt 2-channel All-tube 2x12" Guitar Combo Amplifier with Tube Tremolo - Black. The 18 Watt 1973X is an accurate re-issue of the revered 1973 dual-channel, all-valve, 2 x 12″ combo, produced between 1966 and 1968. Just like the original the 1973X is hand soldered, with valve-driven Tremolo, and no negative feedback in its cathode-biased EL84-driven output stage. Its two-channel design is straightforward and effective – just Volume and Tone controls on channel one, and Volume, Tone, Speed and Sensitivity on the Tremolo channel. Because of its lower Wattage, the 1973X’s power valves will overdrive sooner than an amp of higher power. This means that the 1973X produces harmonically rich and responsive, vintage Marshall tone at volumes that won’t shift your hearing; this is great for the studio, and gives you greater control of your live sound. That said, at full whack it still packs quite a punch. The T1221/67 Greenback speakers used in the original 1973 combo would mature over time, their sound softening with age. The special 12″ Celestion® G12M-20 Greenbacks in the 1973X have been ‘aged’ to get as close as possible to that vintage, ’60s mojo. Power: 18W Two inputs ” standard and tremolo Controls: Volume, Tone (channel 1); Volume, Tone, Speed and Sensitivity (tremolo channel) Tube complement: 2xECC83 (pre-amp); 1xECC83, 2xEL84 (power amp) Speakers: 2x12" 20W "aged" Celestion G12M-20 Footswitch included. BRAND NEW WITH FULL WARRANTY www.nxtleveltech.co.za NATIONWIDE DELIVERY OFFERED

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

Dunlop - M 68 MXR Univibe The Uni-Vibe Chorus/Vibrato is one of the most iconic effects in music history. Since the late ¿60s, groundbreaking guitar players have used it to expand the tonal and textural palette of the electric guitar. The MXR team has just remastered the classic effect for modern players. The MXR Chorus/Vibrato delivers the same chewy, Leslie-sounding goodness with a smaller footprint. With its simple three-knob interface, you can dial up the iconic effect to your taste in short order. First, use the VIBE switch to select either Chorus Mode¿dry signal mixed with pitch-shifted signal¿or Vibrato Mode¿only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity. The MXR Uni-Vibe Chorus/Vibrato comes in a Phase 90-sized housing¿a fraction of the size and weight of the original Uni-Vibe pedal¿and features true bypass switching. Perfect for taking this lush, swirly pedal out on the road.

In the late '60s and early '70s guitarists wanted hum-free tone based on the sound of an amp about to blow up. You asked - so Fender listened and created the Telecaster Deluxe in 1973. Today's version, the American Professional Telecaster Deluxe ShawBucker, brings modern, player-oriented features to the stage and studio, and can still make an amp sizzle without breaking a sweat. The best of yesterday and today, the American Professional Telecaster is the latest form of electric inspiration from Fender. Step up and stake your claim to a legend. New Pickups The newly redesigned Shawbucker humbucking pickups are voiced specifically for each position, bringing out the nuances of your playing Product Attributes: Nut Width: 1.6875" (42.8 mm) Number of Frets: 22 Scale Length: 25.5" (648 mm) UPC: 682500021367 Body Material: Alder Finish: Gloss Polyurethane Neck Material: Maple Bridge: Other Fingerboard Material: Rosewood Pickup Configuration: SS Body Style Ebony Body Shape: Tele Product Features: Bone nut; 22 narrow-tall frets for easier bending Includes Elite Molded hardshell case New modern "Deep C"-shaped neck profile String-through-body Telecaster bridge with bent steel saddles Treble bleed circuit maintains highs when reducing volume Two Tim Shaw-designed ShawBucker humbucking pickups

Features: The tachometer has the characteristics of small volume, high cost performance, quick reaction speed and beautiful appearance. Applicable to a variety of mechanical equipment of the motor speed detection, the use of this instrument can accurately measure the engine and the speed of various motors, the built-in menu to select Frequency test. Specification: Power supply: DC8V~15V power supply Overall Dimension: 72mm x 36mm x 20mm Opening size: Long 68mm x 33mm Installation mode: Embedded Accuracy: 5000rpm: 2rpm Refresh Speed: 120-1200rpm: 0.2-0.5s 2400-9999rpm: 0.25-0.06s Range of measurement: 5-9999 rpm/per minute Time of back to zere: 5-9999rpm: 10s 1-9999rpm: 60s Display: Super highlight 0.56 inch LED digital tube display Input signal: Voltage pulse signal, active contact signal, PNP or NPN proximity switch Package Includes: 1 x RPM Speed Meter Details Pictures:

Absolute canon of a dread. The DV6 has been referred to as "Guild's best kept secret," and "Guild's best bang for the buck." Solid Rosewood back and sides, solid spruce top, Grover tuners... Probably the best value acoustic guitar I have owned and played - plays and sounds like a guitar three times the price. Very nice specs on this guitar too. The Guild DV-6 is an all-solid wood dreadnought, a larger vintage-style instrument, great early '60s Guild tone. The acoustic guitar features a solid spruce top, solid rosewood back and sides, scalloped spruce bracing, tortoise bindings, rosewood fingerboard and bridge, bone nut and saddle, Grover tuners, and a hand-rubbed satin gel varnish finish. Some play wear is present, but overall this guitar is in excellent condition with no repairs or breaks at all. And this guitar has opened right up tone wise. Huge tone, volume, dynamics, big blooming notes... Comes with hardcase and safe courier anywhere in SA is included in the price. Open to trades and part trades. FEATURES Body Style: Dreadnought Scale Length: 25.5" (648mm) Top: Solid Sitka Spruce Bracing: Guild Scalloped Spruce Back and Sides: Solid Indian Rosewood Neck: Mahogany Nut: 1.69" (43mm) Fingerboard: Indian Rosewood Bridge: Indian Rosewood Hardware: Chrome Finish: Hand-Rubbed Satin Gel Varnish Number of Frets: 20 Machine Heads: Grover Rotomatic Diecast Tuners