60s 70s

Buy Double Platinum - Greatest Hits of the 60s & 70s (2-Discs) [CD] for R100.00

Another 18 track SA psych compilation by some of the most `out there` bands of the late `60s and `70s has been digitally re-mastered with liner notes and period pics. Released on Fresh Music, catalogue number Freshcd 162. Tracklisting Freedom`s Children –The kid he came from Hazareth McCully Workshop-Why cant it rain The Tidal Wave – Spider Spider Omega Limited – Tchaikovsky 1 The Flames –Solitude Abstract Truth-Pollution   The Invaders-Shockwave Falling Mirror- I wish I was a purple door The Bats-The Rock Machine Dickie Loader with Freedom`s Children-The end The Third Eye-Apricot brandy  The Gonks-Woman yeah Hedgehoppers – Near her John & Phillipa Cooper- Man in a bowler hat Tribe after Tribe-Swans The Illegal Gathering-Button your lip Band of Gypsies- She`s a mermaid Finch & Henson-Lonely Spaceman

18 track SA psych compilation by some of the most `out there` bands of the late `60s and early `70s has been digitally re-mastered with liner notes and period pics. Released on Fresh Music, catalogue number Freshcd 148. Tracklisting Suck –The Whip   Astral 3 –The Invaders *   The Boy and the Bee – Omega Limited   Straight ahead-Otis Waygood   My back feels light/What can you say –Abstract Truth *   The eagle has landed – Dickie Loader with Freedom`s Children   You keep me hanging on –The Flames   Blurry visions – Buzzard *   Fire-The Third Eye   Predictions – Hawk *   Kafkasque – Freedom`s Children *   Blue machines & dreams – Bryan Miller`s Destruction   The mad professor-John & Phillipa Cooper   Cathy come home –The Fireflies   Morning light – Tidal Wave *   Race with the devil – The Bats   Magic dragon- The Idiots   Birds flying high – McCully Workshop

        V/GOOD- HAIRLINE SCRATCHES ON SIDE 1 V/GOOD VINYL GRADING: (2nd)           EX (Excellent): Pretty much like a new LP but it isn't sealed.           VG+ (Very Good +): Looks relatively flawless, with only superficial signs of use.           VG (Very Good): May exhibit minor surface marks with some mild surface noise.           VG- (Very Good -): May have numerous light scratches or marks that will affect music quality some, but readily playable.           G (Good): Heavier wear and surface noise, but will likely still play. Most vinyl conditions are visually graded, not play tested.)

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 15 - 20 working days 2004 compilation from the 60s/70s rock/soul outfit whose first hit was a cover of The Temptaions' 'Get Ready', which is included here along with 17 other tracks. Spectrum. Features Summary 2004 compilation from the 60s/70s rock/soul outfit whose first hit was a cover of The Temptaions' 'Get Ready', which is included here along with 17 other tracks... Contributors Rare Earth Format CD Release date 20040412

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days 2004 compilation from the 60s/70s rock/soul outfit whose first hit was a cover of The Temptaions' 'Get Ready', which is included here along with 17 other tracks. Spectrum. Features Summary 2004 compilation from the 60s/70s rock/soul outfit whose first hit was a cover of The Temptaions' 'Get Ready', which is included here along with 17 other tracks... Contributors Rare Earth Format CD Release date 20040412

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 11 - 14 working days UK compilation featuring legendary Capitol easy listening stars of the 50s, 60s, & 70s including Nat King Cole, Dean Martin, Peggy Lee, Bing Crosby, Julie London, & more. Two CDs with 40 tracks. EMI Gold. 2004. Features Summary UK compilation featuring legendary Capitol easy listening stars of the 50s, 60s, & 70s including Nat King Cole, Dean Martin, Peggy Lee, Bing Crosby... Contributors Various Artists Format CD Release date 20041101

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days A unique blend of classic country, 60s R&B soulfulness and heart-on-the-sleeve openness of 70s singer-songwriters. Features Summary A unique blend of classic country, 60s R&B soulfulness and heart-on-the-sleeve openness of 70s singer-songwriters. Contributors Lady Antebellum Format CD Release date 20100204

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days Known for defying the confines of working within one genre, this standard bearer for "old school" R&B returns with a new release that celebrates the classic sounds of 60s and 70s soul with a futuristic twist. Featuring ten new tracks, Stone Rollin is the follow up to Saadiq's 2008 solo album The Way I See It, which boasted four Billboard R&B chart singles and was nominated for three GRAMMY Awards including Best R&B Album. Features Summary Known for defying the confines of working within one genre, this standard bearer for "old school" R&B returns with a new release that celebrates the classic sounds of 60s and 70s soul with a futuristic twist... Contributors Raphael Saadiq Format CD Release date 20110404

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days 2007 collection by the American singer/songwriter that captures the absolute best of his recordings from his prolific and most successful years with Uni Records (late '60s/early '70s). 16 tracks including 'I Am...I Said', 'Cracklin' Rosie', 'Stones', 'Play Me', 'Sweet Caroline' and many more. Universal. Features Summary 2007 collection by the American singer/songwriter that captures the absolute best of his recordings from his prolific and most successful years with Uni Records (late '60s/early '70s)... Contributors Neil Diamond Format CD Release date 20070320

 Rarely used and in excellent condition. Used in home studio for a couple of years but mostly safely boxed away. Kept in a smoke free studio.Unit still looks new.   560 Discrete 10 Band Graphic EQ   Features 10 bands of API proprietary equalization Familiar graphics operation on one octave centers 12 dB of boost/cut per band "Proportional Q" narrows filter Q at extremes Additional resolution within the ±4 region Center detent for reliable reset Silent bypass button Based on the original 1969 API 560 EQ  Originally conceived for use in API consoles of the '60s and '70s, the 560 is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched. With a wide range of 500 mounting options, from racks to consoles, the 560 proves an invaluable asset to all critical performance applications. Based on API's original 560 EQ, the current production 560 has improved resolution in the ±4 dB area and possesses our exclusive circuitry and proprietary components, including the API 2520 Op Amp.  The extraordinary headroom made possible with the 2520 offers consistent analog performance even when using radical EQ curves. Of course, the 2520's ability to drive low impedance loads is key when it is paired with API's custom output transformers. The results are quite audible with better low frequency reproduction and tighter imaging, which gives you that legendary API "punch in your gut" sound.  The 10 precision EQ bands make the 560 ideal for signal sweetening and room tuning. A great companion to a parametric EQ, the 560 utilizes API's unique "Proportional Q" design introduced during the '60s. This design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. Additionally, boost and cut characteristics are identical, allowing previous actions to be undone if desired.  Reliable, durable and uniform, the API 560 EQ delivers that "one-of-a-kind API sound" with precision easy set filtering and high headroom in a compact package. If you want the sound of classic American music in an easy-to-set graphic EQ package, you want the API 560.

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

Vox - NT15C1 G2 Classic Combo The Vox Night Train NT15C1 G2 tube combo amplifier is at home on any stage or in any studio. You've got classic Vox clean and overdrive tones, plus modern high-gain sounds for maximum versatility. Part of the second generation of Vox's Night Train NT15C1 G2 Series, the Night Train NT15C1 G2 now boasts built-in high-quality reverb. The 12" Celestion G12H Anniversary speaker gives you classic '60s and '70s tone with aggressive lows and chiming highs. For powerful tone shaping, you've got the popular "Thick" switch that gives you more flexibility than standard tone controls. Call Sweetwater to add the Vox Night Train NT15C1 G2 to your guitar rig today!

Possibly late 60s or early 70s re-issue of 1965 German DEUTSCHE GRAMMOPHON pressing, release number 138 776, of album: LUDWIG VAN BEETHOVEN (1770-1827): Klavierkonzert Nr. 3 c-moll op. 37: WILHELM KEMPFF, Klavier; BERLINER PHILHARMONIKER, Dirigent: FERDINAND LEITNER. The track details are as shown on the images provided. The record is in a hardly played, near mint condition. The cover has lightly scuffed corners and edges, otherwise in an excellent shape.       

Possibly late 60s or early 70s German EMI ELECTROLA - DIE STIMME SEINES HERRN - CLUB-SONDERAUFLAGE / CLUB-EDITION pressing, release number SFGLP 78 208, of album GIACOMO PUCCINI: Madame Butterfly - Grosser Querschnitt: ANNELIESE ROTHENBERGER, Sopran; NICOLAI GEDDA, Tenor; SIEGLINDE WAGNER, Alt; HERMANN PREY, Bariton; HANS GÜNTHER, Tenor; Der RIAS-KAMMERCHOR, Leitung: GÜNTHER ARNDT; Das ORCHESTER DER DEUTSCHEN OPER BERLIN, Dirigent: GIUSEPPE PATANÉ. The track details are as shown on the images provided. The record is in a hardly played, near mint condition. The cover has very slightly scuffed corners, plus some very light ring-wear, otherwise in an excellent shape.        

The Academy Award-winning producer of Man on Wire unveils the incredible and moving story of Rodriguez, a 70s U.S. rock icon who never was. In the late 60s, a musician was discovered in a Detroit bar by two celebrated producers who were struck by his soulful melodies and prophetic lyrics. They recorded an album that they believed was going to secure his reputation as one of the greatest recording artists of his generation. Despite overwhelming critical acclaim, the album bombed and the singer disappeared into obscurity amid rumors of a gruesome on-stage suicide. But a bootleg recording found its way into apartheid South Africa and, over the next two decades, it became a phenomenon. Two South African fans then set out to find out what really happened to their hero. Their investigation led them to a story more extraordinary than any of the existing myths about the artist known as Rodriguez. This is a film about hope, inspiration and the resonating power of music.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 24 hours "On the last album, there was too much of me." That s how Anthony Gonzalez - the sonic auteur behind the sublime sound of M83 - describes the primary inspiration for his forthcoming album JUNK, released in April 2016. Album opener "Do it, try it" is a catchy yet melange of old school house music pianos, synthesized vocals and pop art bubblegum hooks. For this album Gonzalez found himself listening to 60s film soundtracks and 70s groovy hits for a fresh timeless sound. Highly anticipated, JUNK is not just M83's first studio album in half a decade; it s also the follow-up to Hurry Up, We re Dreaming - which, upon release in 2011, placed M83 in the direct current of the mainstream. Features Summary "On the last album, there was too much of me." That s how Anthony Gonzalez - the sonic auteur behind the sublime sound of M83 - describes the primary inspiration for his forthcoming album JUNK... Contributors M83 Format CD Release date 20160418

1970 German PHILIPS pressing, release number 6305 003. German cult comedy group of the 60s and 70s, featuring multi-instrumentalists INGO INSTERBURG, KARL DALL, PETER EHLENBRACHT, JÜRGEN BARZ. The record and gate-fold cover are in excellent condition. SIDE ONE has 11 tracks & SIDE TWO has 12 tracks.  

In the late '60s and early '70s guitarists wanted hum-free tone based on the sound of an amp about to blow up. You asked - so Fender listened and created the Telecaster Deluxe in 1973. Today's version, the American Professional Telecaster Deluxe ShawBucker, brings modern, player-oriented features to the stage and studio, and can still make an amp sizzle without breaking a sweat. The best of yesterday and today, the American Professional Telecaster is the latest form of electric inspiration from Fender. Step up and stake your claim to a legend. New Pickups The newly redesigned Shawbucker humbucking pickups are voiced specifically for each position, bringing out the nuances of your playing Product Attributes: Nut Width: 1.6875" (42.8 mm) Number of Frets: 22 Scale Length: 25.5" (648 mm) UPC: 682500021367 Body Material: Alder Finish: Gloss Polyurethane Neck Material: Maple Bridge: Other Fingerboard Material: Rosewood Pickup Configuration: SS Body Style Ebony Body Shape: Tele Product Features: Bone nut; 22 narrow-tall frets for easier bending Includes Elite Molded hardshell case New modern "Deep C"-shaped neck profile String-through-body Telecaster bridge with bent steel saddles Treble bleed circuit maintains highs when reducing volume Two Tim Shaw-designed ShawBucker humbucking pickups

Possibly late 60s, or early 70s German EMI ELECTROLA pressing, release number 1 C 063-11 076, of: CHARLES GOUNOD: CÄCILIEN MESSE, Messe solonnelle für Soli, Chor, Orchester und Orgel (1855): PILAR LORENGAR, Sopran, HEINZ HOPPE, Tenor, FRANZ CRASS, Bass, CHOEURS RENE DUCLOS, ORCHESTRE DE LA SOCIETE DES CONCERTS DU CONSERVATOIRE PARIS, HENRIETTE PUIG-ROGET, Orgel, Dirigent / Conductor: JEAN-CLAUDE HARTEMANN. Seite / Side1: 1. Kyrie / 2. Gloria / 3. Credo. - Seite / Side 2: 1. Offertorium / 2. Sanctus / 3. Benedictus / 4. Agnus Dei / 5. Domine salvum (Priere de l'Eglise - Priere de l'Armee - Priere de la Nation). The record is in a hardly played, near mint condition. The cover has slightly bumped top and bottom corners, plus some barely noticeable ring-wear, otherwise in a very good plus condition.