Protable digital audio mixer console

Buy 12 Channel bluetooth Digital Microphone Sound Mixer Console Professional Karaoke Audio Mixer Amplifi for R3,580.09

Features: 6 Channel Mic/ Line 48V Phantom Power One Group AUX Output and Return High Precision 60mm Long Life Faders Builtin Digital Effects Recording and Headphone Listen Output Ultrathin Design USB/MP3 Player Material: Metal Power adapter: INPUT: 100240VAC 50/60Hz 0.23A OUTPUT: +15V/0.3A 15V/0.2A +48V/0.05A Item size: Approx.34 x 33.7 x 3.8cm Package Included: 1 x CT-60S Mixer Console 1 x US Power Adapter 1 x Plug Adapter 1 x User Manual (English)

Its a One-Rack Attack! The X32 CORE takes the brain of the flagship X32 Digital Mixing Console and packs it all into a single rack space. Combine the X32 CORE with our S16 Digital Snakes to effortlessly run sound with high I/O counts in multiple locations. Dual AES50 networking Cat 5e connectors allow for up to 96 remote inputs and 48 output channels to be controlled from and processed by X32 CORE. All of this can be managed concurrently from various locations and instances of our free control software applications. XiQ. XiControl and XControl. 40-Input. 25-Bus Digital Rack Mixer with AES50 Networked Audio. USB Audio Interface and iPad/iPhone Remote Control

The 40-input, 25-bus M32C takes the brain of the flagship M32 Digital Mixing Console and packs it all into a high-performance aluminium and steel 1U form factor. Combine the M32C with our DL16 or DL32 Stage Boxes to effortlessly run sound with high I/O counts in multiple remote locations. Dual AES50 networking CAT5 connectors allow for up to 96 remote inputs and 48 output channels to be controlled from and processed by the M32C. All of this can be managed concurrently from various locations and instances via our free remote control software applications, M32-EDIT, M32-MIX, and M32-Q. Above all, M32C is designed to put the power of digital in your hands, without compromise. MIDAS singular focus on a matchless value proposition means M32C integrates advanced features such as integrated personal monitor mixing and true high-speed digital audio networking as standard features.

The X32 Core from Behringer is a 40-channel, 25-bus digital mixer that fits in a single rackspace for live and installed sound applications. Its dual AES50 ports feature Klark Teknik's SuperMAC networking capability for ultra-low jitter and latency. The X32 Core also features an expansion port that comes filled with a 32 x 32 channel USB 2.0/FireWire 400 audio interface card, allowing you to record directly to a computer with zero-latency monitoring. The X32 Core has basic analog connections, including a pair of 1/4" TRS monitoring outputs, a headphone output, and a talkback mic input. It also has a MIDI input and output. In addition to its AES50 ports, the X32 has an Ultranet RJ45 output for connection to P16 personal monitor mixer (sold separately.) A networked remote control connection is available, via Ethernet, for show setups with on-screen software editors. Internally, the X32's 40-bit floating-point DSP processes its main LCR channels, 6 matrix buses and all 16 mix buses featuring inserts, 6-band parametric EQs and full dynamics processing, plus 8 DCA and 6 mute groups. It features powerful scene management capable of handling and recalling complex productions. A front-panel USB type-A port provides preset storage, system updates, and uncompressed stereo recordings. Additionally, the Virtual FX rack contains 8 true-stereo effects, featuring high-end simulations such as Lexicon 480L and PCM70, EMT250 and Quantec QRS. Free Control Software Applications Behringer iPad and iPhone apps for professional remote operation are free downloads on the Apple App Store. All of the X32's features can be managed concurrently from various locations and instances of the XiQ, XiControl, and XControl apps. Front Side Control A set of front-panel controls can be configured by the engineer to enable a restricted amount of user interaction, while hiding away all the complexity. Versatile and Expandable The X32 Core forms the nucleus of an ultra-flexible studio control room setup when paired with S16 I/O and P16 personal monitoring systems (sold separately) in each tracking room. The built-in 32 x 32 USB recording interface, 8 stereo effects engines, zero-latency monitoring and 100% total recall deliver the tools to handle a wide variety of projects. Processing Number of Channels 32 input channels 8 aux in channels 8 FX return channels 16 buses, 6 matrices main LRC Effects Engine Internal: 8 true-stereo 16 mono Scene File Memory 100 total recall scenes (including preamp and fader) Signal Processing 40-bit loading point Conversion Cirrus Logic A/D CS5368, D/A CS4385 24-bit @ 44.1 / 48 kHz 114 dB dynamic range Latency Timings Local I/O: 0.8 mS (local in > console processing > local out) Networked I/O: 1.1 mS (stagebox in > console processing > stagebox out) Total I/O Channels 128 / 144 Connectors Talkback Mic Input 1 x XLR (no internal mic) Monitor Outputs 2 x 1/4" TRS balanced Headphone Output 1 x 1/4" TRS stereo AES50 Ports 2 x SuperMAC Expansion Port 1 x 32-channel I/O card, various standards available P-16 Connector 1 x Ultranet (no power supplied) MIDI In/Out 1 / 1 Ethernet Port 1 x RJ45 (for remote control) USB Port 1 x USB 2.0 type A (for audio and data import/export) Indicator LCD Screen 128 x 64 LCD with RGB color backlight (Channel Selector Screen) Power Power Supply 100 to 240V (50/60 Hz) switch-mode autorange Power Consumption 120 W Dimensions & Weight Dimensions (W x D x H) 19 x 12 x 1.724" (483 x 307 x 44 mm) Weight 7.9 lb (3.6 kg) Packaging Info Package Weight 10.4 lb Box Dimensions (LxWxH) 21.0 x 15.0 x 4.0"

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PreSonus StudioLive 32.4.2AI Digital Recording Console with Active Integration is designed for live sound reinforcement, live recording, and studio recording applications. The mixer is an integrated hardware and software system with dual digital Fat signal processing on every channel, recallable scene presets, virtual sound check, remote control using a Windows computer, Mac, or iPad, remote monitor mixing using an iPhone or iPod Touch, and all the software you need for live mixing, recording, and distributing your music online. The unit features 32 input channels with +48V phantom powered XLR XMAX microphone preamplifiers and bypass-able balanced 1/4" TRS line-level inputs, a 48-In/34-Out FireWire s800 recording and playback interface with two FireWire ports, 14 auxiliary buses, 4 subgroups, a talkback button, and extensive LED metering. For outputs the mixer includes a balanced XLR mono output, a left and right pair of balanced stereo XLR main outputs, a left and right pair of balanced 1/4" TRS control-room outputs, a left and right stereo pair of RCA connectors for Tape output, an SPDIF out, and three balanced 25-pin D-sub pre-insert direct outputs. For effects, the mixer features 32-bit floating point processing with 4-band parametric EQs, eighteen 31-band graphic EQs, high-pass filters, limiters, compressors, expander/gates with key listen and key filter, reverbs, and delays. For mixing, each channel features a 100mm long-throw fader, military-grade quick-touch buttons for toggling effects, and rotary encoders for controlling functions such as the attack, ratio, and release of the compressor, the panning position of a channel, and the frequency setting of the equalizers or filters. The mixer comes with Active Integration Virtual StudioLive advanced librarian/editor control software for a Windows computer or Mac: the StudioLive remote control application for Apple iPad (free from Apple App Store), the QMix remote auxiliary mix application for iPhone or iPod Touch (free from Apple App Store), Capture integrated multi-track-recording software, and Studio One digital audio workstation including 6GB of loops, plug-ins, and virtual instrument sounds. Active Integration Synchronizes StudioLive hardware and software ecosystem of sessions and settings over a wired or wireless network with 32-bit floating point DSP to improve workflow in live performance, live recording, mixing, and digital distribution Network Connectivity Allows you to connect mixer directly to a router via the included USB Wi-Fi LAN adapter or into a network switch via Ethernet port for wireless Wi-Fi or wired control of the mixer XMAX Preamplifier Utilizes 30V power rails and discrete components in a Class-A circuit design to boost microphone signals by 400 times up to line level Burr Brown A/D/A Conversion Provides clean analog-to-digital and digital-to-analog conversion Mixing-Surface Quick Scenes Provides dedicated buttons on the mixer for quickly switching between different scenes of signal processing settings Mixing-Surface Mute Groups Provides 6 dedicated buttons on the mixer for muting and unmuting multiple channels and buses OMAP L138 Processor Provides 64 times the processing power and 10,000 times the RAM of previous StudioLive DSP One-to-One Control Enables direct control over the mixer without navigating layers of complicated submenus Solo Modes Allows latch solo for soloing multiple channels or buses at once, CR solo for patching solo bus to monitor bus, and radio solo for soloing one channel or bus at a time to speed up sound checks Quick Null Allows you to zero-out any mixer parameter without nullifying the entire mix Dual Fat-Channel Signal Processing Each Fat-channel processor provides 4-band parametric EQ, compressor, gate with sidechain key filter, and limiter on all 24 input channels with ability to do A/B comparisons between the two processors Fat Channel Categories Organizes Fat channel signal processing settings into preset categories you can browse such as vocals, drums, etc Capture 2.1 Live-Recording Software with Active Integration Provides a digital multi-track hard-disk recording environment with 32-bit 96 kHz audio engine, stereo or multi-track workflow, and automated presets for recalling channel strips and auto-saving Studio One Artist 2.6 DAW with Active Integration Provides full-featured DAW for recording, editing, and mixing your music with Active Integration of Capture session labels and StudioLive mixer scenes and settings. The start page for Studio One now includes a Nimbit and Soundcloud dashboard, complete with fan and sales statistics Nimbit Dashboard Enables self publishing and paid distribution of music through Nimbit.com, your own website, and integrated social-networking sites such as Facebook and Twitter. Nimbit allows you to sell tracks, tickets, and merchandise direct to fans, accept donations, gather email addresses, and overview stats about who is interested in your content QMix-AI iPhone/iPod Touch Aux Mix App Enables control of individual auxiliary artist mixes using an iPhone or iPod Touch with separate level controls for each element in the mix or a "Wheel of Me only" control for raising the level of one element while reducing the levels of all others. Active Integration enables direct control over mixes without having to route through a computer StudioLive Remote-AI iPad App Enables remote control of the entire mixer using a Windows computer, Mac, or iPad so you can adjust channel processing, gating, compression, equalization, panning, effects, and channel levels from any position within the studio or venue. Active Integration enables direct control over the mixer using an iPad through a router without having to connect to a computer Virtual StudioLive-AI Enables universal and secure drag and drop control over the mixer using a Windows computer or Mac for channels, subgroups, auxiliary sends, main levels, mutes, solos, EQ, and more. Active Integration enables synchronization of channel-strip settings and labels between Virtual StudioLive software and StudioLive mixer Virtual Sound Check Allows you to pull up and playback a previously recorded rehearsal or performance so you can adjust the mixer to accommodate the acoustic characteristics of a room without needing the band to be present for the sound check Smaart Measurement Technology Provides real-time analysis, time-frequency spectrograph equalization, and time alignment to correct for the acoustic characteristics of your room Expandable Enables the replacement of the stock Ethernet/Firewire card with a Thunderbolt, an AVB, or a Dante Audio over Ethernet card Preamp Number of Channels

The PreSonus StudioLive 24.4.2AI Digital Recording Console with Active Integration is designed for live sound reinforcement, live recording, and studio recording applications. The mixer is an integrated hardware and software system with dual digital Fat signal processing on every channel, recallable scene presets, virtual sound check, remote control using a PC, Mac, or iPad, remote monitor mixing using an iPhone or iPod Touch, and all the software you need for live mixing, recording, and distributing your music online. The unit features 24 input channels with +48V phantom powered XLR XMAX microphone preamplifiers and bypass-able balanced 1/4" TRS line level inputs, a 40-In/26-Out FireWire s800 recording and playback interface with two FireWire ports, 10 auxiliary buses, 4 subgroups, a talkback button, and extensive LED metering. For outputs the mixer includes a balanced XLR mono output, a left and right pair of balanced stereo XLR main outputs, a left and right pair of balanced 1/4" TRS control room outputs, a left and right stereo pair of RCA connectors for Tape output, an SPDIF out, and three balanced 25-pin D-sub pre-insert direct outputs. For effects, the mixer features 32-bit floating point processing with 4-band parametric EQs, twelve 31-band graphic EQs, high pass filters, limiters, compressors, expander/gates with key listen and key filter, reverbs, and delays. For mixing, each channel features a 100mm long-throw fader, military-grade quick touch buttons for toggling effects, and rotary encoders for controlling functions such as the attack, ratio, and release of the compressor, the panning position of a channel, and the frequency setting of the equalizers or filters. The mixer comes with Active Integration Virtual StudioLive advanced librarian/editor control software for PC or Mac: the StudioLive remote control application for Apple iPad (free from Apple App Store), the QMix remote auxiliary mix application for iPhone or iPod Touch (free from Apple App Store), Capture integrated multi-track-recording software, and Studio One digital audio workstation including 6GB of loops, plug-ins, and virtual instrument sounds. Two 24.4.2AI mixers can be daisy chained together via FireWire to effectively double the capabilities of your mixing platform. Active Integration Synchronizes StudioLive hardware and software ecosystem of sessions and settings over a wired or wireless network with 32-bit floating point DSP to improve workflow in live performance, live recording, mixing, and digital distribution Network Connectivity Allows you to connect mixer directly to a router via the included USB Wi-Fi LAN adapter or into a network switch via Ethernet port for wireless Wi-Fi or wired control of the mixer XMAX Preamplifier Utilizes 30V power rails and discrete components in a class A circuit design to boost microphone signals by 400 times up to line level Burr Brown A/D/A Conversion Provides clean analog to digital and digital to analog conversion OMAP L138 Processor Provides 64 times the processing power and 10,000 times the RAM of previous StudioLive DSP One to One Control Enables direct control over the mixer without navigating layers of complicated submenus Solo Modes Allows latch solo for soloing multiple channels or buses at once, CR solo for patching solo bus to monitor bus, and radio solo for soloing one channel or bus at a time to speed up sound checks Quick Null Allows you to zero out any mixer parameter without nullifying the entire mix Dual Fat Channel Signal Processing Each Fat channel processor provides 4-band parametric EQ, compressor, gate with sidechain key filter, and limiter on all 24 input channels with ability to do A/B comparisons between the two processors Fat Channel Categories Organizes Fat channel signal processing settings into preset categories you can browse such as vocals, drums, etc Capture 2.1 Live-Recording Software with Active Integration Provides a digital multi-track hard-disk recording environment with 32-bit 96 kHz audio engine, stereo or multi-track workflow, and automated presets for recalling channel strips and auto-saving Studio One Artist 2.6 DAW with Active Integration Provides full featured DAW for recording, editing, and mixing your music with Active Integration of Capture session labels and StudioLive mixer scenes and settings. The start page for Studio One now includes a Nimbit and Soundcloud dashboard, complete with fan and sales statistics Nimbit Dashboard Enables self publishing and paid distribution of music through Nimbit.com, your own website, and integrated social networking sites such as Facebook and Twitter. Nimbit allows you to sell tracks, tickets, and merchandise direct to fans, accept donations, gather email addresses, and overview stats about who is interested in your content QMix-AI iPhone/iPod Touch Aux Mix App Enables control of individual auxiliary artist mixes using an iPhone or iPod Touch with separate level controls for each element in the mix or a "Wheel of Me only" control for raising the level of one element while reducing the levels of all others. Active Integration enables direct control over mixes without having to route through a computer StudioLive Remote-AI iPad App Enables remote control of the entire mixer using a PC, Mac, or iPad so you can adjust channel processing, gating, compression, equalization, panning, effects, and channel levels from any position within the studio or venue. Active Integration enables direct control over the mixer using an iPad through a router without having to connect to a computer Virtual StudioLive-AI Enables universal and secure drag and drop control over the mixer using a PC or Mac for channels, subgroups, auxiliary sends, main levels, mutes, solos, EQ, and more. Active Integration enables synchronization of channel strip settings and labels between Virtual StudioLive software and StudioLive mixer Virtual Sound Check Allows you to pull up and playback a previously recorded rehearsal or performance so you can adjust the mixer to accommodate the acoustic characteristics of a room without needing the band to be present for the sound check Smaart Measurement Technology Provides real time analysis, time-frequency spectrograph equalization, and time alignment to correct for the acoustic characteristics of your room Expandable Enables the replacement of the stock Ethernet/Firewire card with a Thunderbolt, an AVB, or a Dante Audio over Ethernet card Preamp Number of Channels 24 Type Balanced XLR Female Frequency Response To Direct Output: 20 to 40,000 Hz at ± 0.5 dBu To Main Output: 20 to 20,000

Please always contact us first,before placing an order our stock is limited   Description Hercules DJ Console RMX 2 DJ Controller Silver/Black Retail Box 1 year Limit warranty   Product Overview The Hercules DJConsole RMX 2 is a high-resolution digital audio console designed for mobile DJs. Stellar features include a brushed aluminium top panel, a broad working surface, easy-to-access buttons and knobs, precise and comprehensive controls, a built-in audio interface with 4 inputs and 4 outputs. Get ready to see how the DJConsole RMX 2 is one of the most versatile portable DJ consoles in its category. The Hercules DJConsole RMX 2 is a MIDI controller and therefore compatible with other MIDI-controlled software applications.   Highlights • Brushed-aluminium top panel and rugged metal enclosure provides durability and a stylish appearance. • 24-bit/96kHz high-resolution audio-Ensures rich, detailed sound. • 2 jog wheels with pressure detection • 8 velocity pads and high-resolution faders  • 14-bit MIDI mode allow you to easily create custom mixes.  • Changeable crossfader compatible for simple customization. • Lightweight, compact design  • Enables simple carrying on your shoulder or in the included transport bag. • Power adapter-Protects the audio from USB power fluctuations  • XLR balanced main output and XLR balanced microphone input Features Mobility and Stability for High-Resolution Mixes The Hercules DJConsole RMX 2 has been designed to enable mobile DJs as well as club and studio DJs to mix digital music at high resolution. This "nomadic" device simply connects to the USB port of a PC or Mac laptop. Broad enough in size to allow DJs to mix with unrivalled ease and precision, it is also compact enough to follow users to any event, and comes with its own transport bag.  RMX 2 is capable of sampling high-resolution 96KHz/24-bit audio for outstanding audio quality. For live mixing and seamless integration with the DJ's professional environment, the DJConsole RMX 2 features a solid metal casing and non-slip pads guaranteeing perfect stability.     Built-in Audio Interface With Specialized DJing Audio Features As an expert in the design of audio interfaces, Hercules determined that the integration of an audio interface featuring 4 inputs and 4 outputs on the Hercules DJConsole RMX 2 was both obvious and essential. The RMX 2 offers 2 balanced XLR outs and 2 RCA outputs. 4 RCA inputs allow you to mix 2-channel audio from two separate sources.   Dedicated Software for Optimum Digital DJing Control The RMX 2 comes with VirtualDJ 8 and DJUCED--function-rich software for both beginners and advanced DJs. Their user-friendly design gets you started mixing in just minutes: the controller and the software fit perfectly together. Instantly view the beats, track lengths, and which songs fit well for the next track to be played. Set the pitch intuitively or sync automatically for smooth transitions. Customize your songs with loops, effects and samples.   Specifications DJ Audio Interface-High Resolution Audio • 96KHz / 24-bit in Windows (ASIO) & Mac (Core Audio) • Supports lower sampling rates ( KHz)   Outputs Output channels 1-2 2 balanced XLR = Master out • Strong level, for public address amplifiers  • Balanced output = music protected from interferences in cables   2 RCA = Booth out • Use = for monitor speakers, close from the DeeJay   Output channels 3-4 • 2 stereo ¼" jack headphones outputs • 2 RCA output (to connect to an external mixer)   Inputs 4-channel input in RCA, to mix 2 external sources • Line/Phono switches: for line or phono sources • Level setting (software): standard (line), boost (CDJ players)   Microphone input: XLR/Jack combo plug, balanced • Balanced input, for the best sound with high-end microphones • Also support consumer unbalanced microphones     DJ Control Surface 2-deck DJ Controller • 36 transport buttons • 12 rotary potentiometers • 8 velocity sensitive pads • 5 faders • 2 rotary encoders • 2 jog wheels with pressure detection   Transport buttons DJConsole Rmx2 transport buttons are made of: • A tactile switch with a short travel and a detent, • A rubber cap with a smooth contact, and 22 buttons include an inner backlight showing the status.   Rotary potentiometers • 2 potentiometers (microphone and headphones volume) set an analogue volume (setting headphones & mic preamplifiers). • 10 other rotary potentiometers send an extended MIDI control (14-bit MIDI mode, compatible with standard 7-bit MIDI control). • All rotary potentiometers have a rubber cap.   • Each deck has 2 sets of 4 pads, with 4 modes per pad (Loop, Effect, Sample, Cue), providing 16 controls per deck.   Velocity sensitive pads • Each deck has 2 sets of 4 pads, with 4 modes per pad (Loop, Effect, Sample, Cue), providing 16 controls per deck. • As pads are velocity sensitive, they can send progressive commands (for example set the volume of a sample). • All pads include a backlight.   Faders • 5 faders send an extended MIDI control (14-bit MIDI mode, compatible with standard 7-bit MIDI control). • The volume and pitch faders have a rubber pad. • The pitch fader has a centre detent. • The cross-fader is removable (its slot fits with a Mini-Innofader®).                    

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

RSS by Roland is continuing to evolve digital audio and live audio mixing. The V-Mixing System is fully digital using Roland's REAC (Roland Ethernet Audio Communication) technology to transfer audio from the high quality mic pre-amps on stage to the mixing console. V-Mixing System is the next generation in live audio mixing technology.

Behringer X32 Digital Mixer Ever since the “dawn of digital” audio engineers the world over have had a love-hate relationship with their consoles. The new BEHRINGER X32 digital mixing console lets you focus on your event, instead of navigating a vast sea of knobs, buttons and menus like most other live digital mixers. X32 is intuitive and powerful with 40 processing channels and 25 mix buses, all equipped with serious signal processing (dynamics, EQ and inserts), which can be configured quickly to meet the demands of virtually any gig, large or small

Yamaha 02Rv2 digital Studio recording mixing console for sale R showroom mint condition,with 3 ADAT Expansion cards Digital motor faders 1x Tascam digital audio interface tdif1 cd8-td2 2x Aes / Ebu cd8-ae-s expansion card 40 input channels (24 analog and 16 digital) 8 output busses (analog/digital) 16 direct outputs 8 aux sends perfect for church, place of worship,studio,or live sound or recording studios Brand new faders all round, Will do fader calibration for you to show you its new faders with Sony Dm100 sleek fader buttons with spare fader buttons add will be removed if desk is sold. DETAILS OF THE MIXER HERE...... http://usa.yamaha.com/products/live_sound/mixers/digital-mixers/02r/