Camcorder stereo audio mixer

Audio mixer with various inputs and output for use with Video and audio mixing. New condition

Flexible CombinationThe CVM-AX1 audio mixer has two mono output jacks and one stereo output jack, supporting two 3.5mm microphones or multiple sets of wireless microphones. It also has two volume adjustment buttons that allow you to independently control the input volume. Mono/Stereo Output SwitchJust adjust the button, you can freely choose the audio output mode you need and get different effects. Supports Positive & Passive Mic The CVM-AX1 audio mixer is suitable for most microphones. You can use it simply by adjusting the button according to your microphone's type. If using LINE IN input, set the switch to LINE;If using a positive microphoneMicrophone with internal battery-powered), set the switch to MIC;If using a passive microphoneMicrophone without internal battery-powered, set the switch to 3V. Support Real-time MonitoringThe CVM-AX1 audio mixer also has a Real-time Monitoring jack on the audio mixer that allows you to listen the audio while recording. Unique DesignThe audio mixer is made of aluminum and is sturdy and durable. Three cold shoe connectors ideal for shooting videos with any DSLR or camcorder that has a standard mounting shoe.

SONIFEX - SON-RB-DMX4 4X4 CH Digital Audio Mixer/Router The RB-DMX4 is a digital mixer capable of mixing or routing 4 mono input channels into 4 mono outputs, or 2 stereo inputs into 2 stereo outputs. The inputs are sample rate converted to allow sources of different sample rates to be mixed. The flexible Mix Matrix allows for a wide variety of mixing options and creativity, using 4 blocks of 4 way DIPswitches to select which inputs are mixed or routed to which outputs. The RB-DMX4 has 4 x digital mono audio inputs, each one selectable in pairs via front panel INPUTS 1 & 2 and INPUTS 3 & 4 push buttons, from either AES/EBU balanced XLRs, S/PDIF unbalanced phonos or TOSlink unbalanced optical inputs. Sample rate converters on each input mean that sources of different sample rates can be used with the output sample rate being defined independently. The colour of the INPUTS 1 & 2 and INPUTS 3 & 4 push-buttons indicate whether the input source is synchronised (no colour) or not (flashing green and red).

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 **LOCAL STOCK** 1 Metre 4-Pole 3.5mm Cable   This premium TRRS 4-Pole 3.5mm Male to Male cable with gilded interface offers a superior connection from pin to pin. It can be applied to all TRRS devices including iPhone and Android Smartphones, Game controllers, Headsets, in-car entertainment systems and camcorder 3.5mm AV outputs for connections between 4-Pole TRRS sockets.  FEATURES   TPE jacket and gold-plated connectors for durable using experience Extend peripheral between your audio output and input devices; universally compatible with all Smartphones and 4-Pole TRRS accessories Usually used in Cellphones to provide stereo audio and one additional MIC channel conductor that allows you to extend the length of your 3.5mm headset that supports microphone SPECIFICATION 3.5mm TRRS Cable (Male to Male)  Works with iPhone iPad Android Handsets & Headsets  Suitable for 3.5mm AV needs  TRRS Male to TRRS Male  Does not adapt between TRRS wiring standards  Length: 1 Metre Colours: Green, Grey, Purple, Pink, Black, Silver, Blue with gold-plated Connectors 

Premium 22-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface Premium ultra-low noise, high headroom mixer 8 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 8 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included) Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound Channel inserts on each mono channel for flexible connection of outboard equipment 3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send) Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels 2 subgroups with separate outputs for added routing flexibility; 3 multi-functional stereo aux returns with flexible routing Balanced main mix outputs with ¼" jack and gold-plated XLR connectors, separate control room, headphones and stereo rec outputs Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls "Planet Earth" switching power supply for maximum flexibility (100  - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving Conceived and designed by BEHRINGER Germany

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PS2 offers great functionality and dependable performance in a robust package. This 10-inch, 2-channel stereo mixer provides a professional solution at an affordable price, ensuring you don't need to sacrifice quality for cost.  With four Line inputs, two convertible Phono/Line inputs and a Master RCA output, the PS2 provides all the connections you need. A Record output even lets you connect the mixer to an external recording device, so you can capture the audio from your performance. 3-band rotary EQ and Gain Control for each channel also give you outstanding command over your highs, mids and lows, providing the ability to blend songs creatively and professionally.

Presonus audiobox usb free copy of our amazing Studio One® Artist DAW 2 dual-purpose front-panel input channels, each with high-quality mic preamplifiers 2 combo mic/instrument inputs Individual channel-trim controls with 0 to +35 dBu mic gain range 48V phantom power for condenser microphones Mixer control (blends the input signal with the computer playback stream for zero-latency monitoring) Headphone jack with level control Main-output level control LED clip indicator for each channel Input/Output 1 USB 1.1 port 2 combo XLR/¼” mic/instrument inputs 2 balanced ¼” main (L/R) line outputs 1 stereo ¼” headphone output MIDI in/out Digitalia 24-bit resolution and 44.1 and 48 kHz sampling rate Professional-grade A/D/A converters (+102 dBu dynamic range) Zero-latency monitoring via internal mixer Mac®- and Windows®-compatible, including Mac OS X 10.7 Lion and Windows 7 Supports ASIO, Core Audio, Direct Sound (Windows XP), Windows Audio Session API (Windows Vista and Windows 7) Physical 1/3U rack-mountable (with optional 3UMR rack-mounting system) Road-rugged construction with all-metal chassis and metal knobs Weighs just 5 lbs/2.3 kg Powered via USB bus—no wall wart! Bundled Software Studio One® Artist 2 PreSonus’ revolutionary new digital audio workstation, with unlimited track count and 6+ GB of 3rd-party resources.

Audio Technica ATR6250 Stereo Condender Video Recording Microphone still in a very good condition, working 100% perfect. Selling because of not being used TECH SPEC: The ATR6250 Stereo Condenser Video/Recording Microphone from Audio-Technica is a budget-friendly mic that's built to take daily use. This condenser mic has stereo pickup and is designed for use with video cameras and portable audio recorders. Everything you need to record, with the exception of the camcorder or voice recorder of course, is included with the ATR6250. Plugs into your video camera or audio recorder ELEMENT Stereo condenser POLAR PATTERNDual cardioid FREQUENCY RESPONSE70 – 18,000 Hz OPEN CIRCUIT SENSITIVITY-50 dB IMPEDANCE600 ohms WEIGHT79 g (2.8 oz) without cable OUTPUT CONNECTORScrew-in 3.5 mm (1/8") stereo (female)

Your price R .In-Store Price R. Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo)4 GROUP Buses + 1 Stereo Bus.4 AUX (incl. FX).“D-PRE” mic preamps with an inverted Darlington circuit,1-Knob compressors.High-grade effects: SPX with 24 programs.24-bit/192kHz 2in/2out USB Audio functions.Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter,Includes Cubase Al DAW software download version.PAD switch on mono inputs.+48V phantom power,XLR balanced outputs.Internal universal power supply for world-wide use.Metal chassis.Dimensions(W×H×D): 444 mm x 130 mm x 500 mm (17.5" x 5.1" x 19.7") Net Weight: 6.8 kg (15.0 lbs.)

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ZED-24 has an incredibly advanced feature-set for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more! Features: 16 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator  ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR X1 LE bundled with mixer USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-   Send options:   1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4   Return options:   1) To Stereo 3 channel   MusiQ ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.   DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.   SONAR X1 LE – Provided Free! We’ve included Cakewalk SONAR X1 LE with ZED-24 so you can immediately start to use it to create your own music – just add a PC and it couldn’t be easier to get going. You’ll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways – e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments 1 year limited guarantee. For more info on this product please click here

LIKE NEW Sound devices 302 Highlights mic or line level inputs and outputs 3 x microphone preamps l e d displays +48 v, +12 v and +12 v t phantom power channels 1 and 2 are stereo linkable high pass filter switches powered by 3 a a batteries includes x l 14 headphone extension cable 4 x adhesive rubber bumpers 4 x color dot stickers Features the 302 portable compact production field mixer from sound devices is a compact, battery powered professional audio mixer with three mic preamps and balanced transformers designed to handle very low frequencies it can be used to interface with wireless transmitters and receivers, camera audio inputs, or external audio recorders in e n g (electronic news gathering), e f p (electronic field production), and broadcast t v applications with a complete feature set like the super bright l e d display, internal limiter, and high pass filter, the 302 can accommodate nearly any over the shoulder production and perform reliably in just about any indoor outdoor field condition controls on the 302 mixer are accessible on its three main surfaces, and the mixer is powered by three internal a a batteries or an external 5 to 18 v d c adapter (sold separately) this mixer is a suitable tool for production companies and camera operators wanting to take control of their audio in addition, an x l 14 headphone extension cable, four adhesive rubber bumpers, four color dot stickers, and a setup menu reference card are also included 3 transformer balanced inputs the compact mixer features 3 transformer balanced microphone or line level switchable inputs via x l r female 3 pin connectors Flexible monitoring the 302's headphone monitor out is capable of varying output impedance between 8 to 2000 ohms the monitor source is capable of individual channel, mono, stereo, m s to stereo monitoring, and more Input and output limiting each input and stereo outputs provide limiting that prevents signal overload, eliminating noise and distortion polarity (phase) reverse switch channels 1 b'&' 2 are stereo linkable and channel 2 features a polarity (phase) reverse switch this makes the 302 ideal for decoding m s stereo captured audio signal Selectable phantom power the unit is capable of powering condenser microphones requiring +48 v, +12 v and +12 v t phantom power phantom power is individually switched for every channel High pass filters a three position high pass filter switch is available on every input and is used to reduce excessive low frequencies at 12 d b per octave at 80 hz or 160 hz center position is off