Prontor shutter cable film

 Prontor shutter cable for film camera - Made in Germany - 50cm

Buy Voigtlander Vitomatic I 35mm film camera PRONTOR SLK-V Shutter Color-Skopar 1:2.8 f=50mm - Voigtland for R1,399.00

Buy Voigtlander Vitomatic II 35mm film camera PRONTOR SLK-V Shutter Color-Skopar 1:2.8 f=50mm - Voigtlan for R1,499.00

Buy Nikon MC-10 electronic shutter release cable vintage SLR film camera F - Nikon for R199.00

RF-603 SPEEDLIGHT FLASH TRIGGERS FOR CANON The RF-603 Wireless Flash Trigger act as a wireless flash trigger as well as wireless shutter release trigger. RF-603 supports all Canon DSLR Camera and support Flash Speedlight with "Sleep mode" function: Nikon Canon Olympus Pentax Samsung and other Speedlight flashes which has "Wake up" function The RF603 has been improved in several functions: Transceiver-based system: units automatically detect when to switch to either transmitter or receiver mode. Hot shoe pass-through, allowing on-camera flash and radio triggering to be used simultaneously. Improved shutter sync speed up to s Use AAA batteries (not included) Improved on/off switch Prontor/Compur (PC) port for off-hot shoe synchronisation Non-proprietary 2.5mm (sub-miniphone) port for shutter release cables Shutter release cable included (Select between C1- and C3 cable) Since it is now a transceiver system you can now use it more flexible. With e.g. 4 RF-603 you can trigger 3 flashes (1 trigger, 3 receivers) as well as trigger the camera itself and then trigger 1 flash. One more good thing is that the only power source you now need is 2 AAA batteries. The power switch has been improved an now should prevent from accidently firing in the camera bag which could consume a lot of the battery power. Features:   Wireless flash trigger: As a flash trigger, RF-603 trigger both flash Speedlight and studio flashes the flash sync speed is up to s Transmission distance: 100m Wireless shutter release (C1 shutter connecting cord included to supports Canon 60D 70D 350D 450D 500D 550D 600D 650D 700D D D D): (C3 shutter connecting cord included to supports Canon 1D 5D 6D 7D 20D 30D 40D 50D) As the wireless shutter release, its working range is up to 100 meters (clear outdoor environment) Full-way press the release button can starts continuous shooting or long exposure   Features and specifications: 2.4GHz band-16 selectable operating frequencies to eliminate chance of interference The RF-603 transceiver system can be used to trigger all studio flash units through standard PC socket Flash sync speed: s Operating distance: 100m Shutter interface: 2.5mm socket Release: half-way press, full-way press Battery: AAA x 2 Receiver stand-by time: up to 45 hours Package include: 2 x RF-603 Transceivers for Canon cameras 1x cable for shutter release function (C1 shutter connecting cord included to supports Canon 60D 70D 350D 450D 500D 550D 600D 650D 700D D D D): (C3 shutter connecting cord included to supports Canon 1D 5D 6D 7D 20D 30D 40D 50D) English Manual   PLEASE REMEMBER TO INDICATE WHICH ONE OF THE CABLES YOU REQUIRE (IF YOU WANT BOTH THE C1 AND C3 CABLES - PLEASE ADD R50 FOR THE SECOND CABLE) I ONLY POST TO ADDRESSES IN SOUTH AFRICA - NO INTERNATIONAL SALES

SINGLE RF-603 SPEEDLIGHT FLASH TRIGGER FOR CANON The RF-603 Wireless Flash Trigger act as a wireless flash trigger as well as wireless shutter release trigger. RF-603 supports all Canon DSLR Camera and support Flash Speedlight with "Sleep mode" function: Nikon Canon Olympus Pentax Samsung and other Speedlight flashes which has "Wake up" function The RF603 has been improved in several functions: Transceiver-based system: units automatically detect when to switch to either transmitter or receiver mode. Hot shoe pass-through, allowing on-camera flash and radio triggering to be used simultaneously. Improved shutter sync speed up to s Use AAA batteries (not included) Improved on/off switch Prontor/Compur (PC) port for off-hot shoe synchronisation Non-proprietary 2.5mm (sub-miniphone) port for shutter release cables Shutter release cable included (Select between C1- and C3 cable) Since it is now a transceiver system you can now use it more flexible. With e.g. 4 RF-603 you can trigger 3 flashes (1 trigger, 3 receivers) as well as trigger the camera itself and then trigger 1 flash. One more good thing is that the only power source you now need is 2 AAA batteries. The power switch has been improved an now should prevent from accidently firing in the camera bag which could consume a lot of the battery power. Features:   Wireless flash trigger: As a flash trigger, RF-603 trigger both flash Speedlight and studio flashes the flash sync speed is up to s Transmission distance: 100m Wireless shutter release (CABLES NOT INCLUDED - AVAILABLE FOR R50 EXTRA) (C1 shutter connecting cord included to supports Canon 60D 70D 350D 450D 500D 550D 600D 650D 700D D D D): (C3 shutter connecting cord included to supports Canon 1D 5D 6D 7D 20D 30D 40D 50D) As the wireless shutter release, its working range is up to 100 meters (clear outdoor environment) Full-way press the release button can starts continuous shooting or long exposure   Features and specifications: 2.4GHz band-16 selectable operating frequencies to eliminate chance of interference The RF-603 transceiver system can be used to trigger all studio flash units through standard PC socket Flash sync speed: s Operating distance: 100m Shutter interface: 2.5mm socket Release: half-way press, full-way press Battery: AAA x 2 Receiver stand-by time: up to 45 hours Package include: 1x RF-603 Transceiver for Canon cameras I ONLY POST TO ADDRESSES IN SOUTH AFRICA - NO INTERNATIONAL SALES

Offered for your consideration is this KODAK RETINETTE IA CAMERA (Type 042).  Date of Manufacture: Lens: 45mm / 2.8. Shutter: Schneider Reomar Prontor   CONDITION CAMERA BODY: Cosmetically in Very Good Used Condition. The chrome has no dings, brassing or scuffs. There are tiny corrosion marks at one or two places. A shoddy job has been made of re attaching the vulcanite with glue and it is coming undone again. A bit of glue has been messed on the vulcanite on the film compartment door.  There are some bumps under the vulcanite. I don't know what they are. MECHANICALLY: All lens adjustment rings move freely. Shutter action appears normal. The lens is clean and clear. This camera has not been tested and is sold as is.   This item is part of an array of cameras, lenses and accessories, which we are listing now. Please use the direct link to have a look, and possibly a bid.   We will gladly combine shipping of multiple items won, to help save on shipping costs.   We take extra care in the packing of all our items, ensuring a safe journey, and do not charge extra for this service. L027

Camera & Video CameraCamcorder - Video Recorder 4K Ultra HD Camcorder HC-WXF990 SENSOR SECTION SENSOR FOR MAIN CAMERA Image Sensor 1/2.3-inch BSI MOS Sensor Total Pixels 18.91 megapixels Effective Pixels [Motion Image] 4K: 8.29 megapixels [16:9], Full-HD: 6.10 megapixels [16:9] (Level Shot Function OFF or Normal) Effective Pixels [Still Image] 7.00 megapixels [3:2] Effective Pixels [Still Image] 8.29 megapixels [16:9] Effective Pixels [Still Image] 6.22 megapixels [4:3] SENSOR FOR SUB CAMERA Image Sensor 1/4-inch MOS Sensor Total Pixels 5.27 megapixels LENS SECTION LENS FOR MAIN CAMERA F Value F1.8 (WIDE) / F3.6 (TELE) Optical Zoom 20x Focal Length 4.08 — 81.6 mm 35 mm Film Camera Equivalent [Motion Image (16:9)] 4K: 30.8 — 626 mm (Level Shot Function OFF), Full-HD: 37.0 — 752 mm (Level Shot Function OFF or Normal) 35 mm Film Camera Equivalent [Still Image] 34.5 — 690.3 mm [3:2] 35 mm Film Camera Equivalent [Still Image] 30.8 — 626 mm [16:9] 35 mm Film Camera Equivalent [Still Image] 37.6 — 752.8 mm [4:3] Filter Diameter 49 mm Lens Brand Leica Dicomar Lens LENS FOR SUB CAMERA F Value F2.2 Focal Length 3.54 mm 35 mm Film Camera Equivalent [Motion Image] 37.2 mm (Motion picture recording mode) CAMERA SECTION Standard Illumination 1400 lx Minimum Illumination 2 lx (Scene Mode Low Light 1/25), 1 lx (Night Mode (Color)), 0 lx (Night Mode (IR)) Focus Auto / Manual Zoom Intelligent Zoom OFF 20x Intelligent Zoom ON 4K: 25x, Full-HD: 40x Digital Zoom 60x / 1500x (The maximum value of zoom magnification can be set in two patterns) White Balance Auto / White Set / Sunny / Cloudy / Indoor1 / Indoor2 Shutter Speed Motion Image Auto Slow Shutter ON: 1/25 — 1/8000 (50p / 50i / 25p), 1/24 — 1/8000 (24p) Motion Image Auto Slow Shutter OFF: 1/50 — 1/8000 (50p / 50i / 25p), 1/48 — 1/8000 (24p) Still Image 1/2 — 1/2000 Iris Auto / Manual Image Stabilizer HYBRID O.I.S.+ with Active Mode, O.I.S. Lock, Level Shot Function (Strong mode: 2K only) HDR Movie (Except 4K Mode) Yes Creative Control (Except 4K Mode) Miniature Effect, Silent Movie, 8mm Movie, Time Lapse Rec RECORDING SECTION Recording Media SD/SDHC/SDXC Memory Card Recording Format [AVCHD] AVCHD Progressive Recording Format [iFrame / MP4] MP4 Compression Method MPEG-4 AVC/H.264 Recording/ Playback Mode AVCHD 1080/50p (28Mbps / VBR), (1920 x 1080/50p) AVCHD PH (24Mbps / VBR), (1920 x 1080/50i) AVCHD HA (17Mbps / VBR), (1920 x 1080/50i) AVCHD HG (13Mbps / VBR), (1920 x 1080/50i) AVCHD HE (5Mbps / VBR), (1920 x 1080/50i) MP4 2160p/25p(72M) (72Mbps / VBR), (3840 x 2160) MP4 2160p/24p(72M) (72Mbps / VBR), (3840 x 2160) MP4 1080p/50p(50M) (50Mbps / VBR), (1920 x 1080) MP4 1080p/50p(28M) (28Mbps / VBR), (1920 x 1080) MP4 1080p/24p(50M) (50Mbps / VBR), (1920 x 1080) MP4 720p/25p(9M) (9Mbps / VBR), (1280 x 720) iFrame 960 x 540/25p (28Mbps / VBR) Actual Recordable Time with Supplied Battery Approx. 45 min (4K MP4) Actual Recordable Time with Supplied Battery Approx. 55 min (50p mode) Actual Recordable Time with Supplied Battery Approx. 55 min (PH mode) Actual Recordable Time with Supplied Battery Approx. 55 min (HA mode) Actual Recordable Time with Supplied Battery Approx. 55 min (HG mode) Actual Recordable Time with Supplied Battery Approx. 55 min (HE mode) Actual Recordable Time with Supplied Battery Approx. 50 min (2160p/24p) Actual Recordable Time with Supplied Battery Approx. 1 h 0 min (1080p/24p) Actual Recordable Time with Supplied Battery Approx. 55 min (MP4 50M) Actual Recordable Time with Supplied Battery Approx. 55 min (MP4 28M) Actual Recordable Time with Supplied Battery Approx. 1 h 5 min (MP4 720p) Actual Recordable Time with Supplied Battery Approx. 1 h 5 min (iFrame) Thumbnail Display 20 thumbnails/page, 9 thumbnails/page, 1 thumbnail/page Audio Recording System AVCHD: Dolby Digital (5.1ch / 2ch) Audio Recording System iFrame, MP4: AAC (2ch) Microphone 5.1ch Surround, Zoom, Focus and Stereo Microphone Speaker Dynamic type STILL IMAGE SECTION Recording Format JPEG (DCF/Exif2.2) Recording Image Size Still Image [16:9] 25.9megapixels (6784 x 3816), 14 megapixels (4992 x 2808), 2.1 megapixels (1920 x 1080) Still Image [3:2] 20 megapixels (5472 x 3648), 10.6 megapixels (3984 x 2656）, 2.0 megapixels (1728 x 1152) Still Image [4:3] 20.4 megapixels (5216 x 3912), 10.9 megapixels (3808 x 2856), 0.3 megapixels (640 x 480) Simultaneous Recording 4K MP4: [16:9] 20.4 megapixels (6016 x 3384), 8.3 megapixels (3840 x 2160) Simultaneous Recording Other than 4K MP4: [16:9] 14.0 megapixels (4992 x 2808), 2.1 megapixels (1920 x 1080) Flash — GENERAL SECTION Power Supply 3.6V (Battery) / 5.0V (AC Adaptor) Power Consumption Max. 7.8W (Recording) / Max. 7.7W (Charging) Dimensions (W x H x D) Approx. 68 x 78 x 163mm (2.677 x 3.071 x 6.417 inch) Weight (w/o battery and SD card) Approx. 403g (0.888 lb) LCD Monitor 3.0-inch Wide LCD monitor (460,800 dots) Touch Panel Yes View Finder 0.24-inch Wide EVF (1.555.200 dots equivalent) Manual Ring / Dial Yes (Dial) Interface AV Yes HDMI Yes (micro) Microphones (stereo mini) Yes Headphone (stereo mini) Yes USB 2.0 Hi-Speed USB Charge Yes LED Video Light Yes Accessory Shoe Yes (cold) Lens Cover Yes (Auto) On-Screen Display Language English, Chinese Traditional, Thai, Arabian, Persian, Hindi, Chinese Simplified Wi-Fi Standard IEEE 802.11b/g/n Frequency 2.4GHz band NFC — STANDARD ACCESSORY AC Adaptor Yes AC Cable — DC Cable Yes (USB Type) Rechargeable Battery Pack Yes (1,940mAh) Battery Charger — IR Remote — HDMI Cable Yes (micro) AV Multi Cable — AV Cable — Shoe adaptor — (Built-in) Lens Hood Yes USB Cable Yes Editing Software HD Writer AE 5.3 (Download)

Blackmagic Production Camera 4K World’s most portable 4K digital film camera! Shoot Ultra HD TV or 4K feature films with the new Blackmagic Production Camera 4K. You get a large Super 35 size sensor with professional global shutter combined with precision EF mount optics, high quality visually lossless compressed CinemaDNG RAW and Apple ProRes 422 (HQ)™ file recording for a complete self contained solution. The built in touchscreen lets you monitor, change settings and enter metadata directly on the camera! Utilize the power of 4K resolution in your work The latest high end televisions and video projectors support Ultra HD which is four times the resolution of HD. The Blackmagic Production Camera 4K creates visually lossless compressed CinemaDNG RAW and ProRes 422 (HQ) files that are perfect for editing and grading with the software tools you already own. ! Now you can shoot the most amazing high resolution music videos, episodic television productions, television commercials, sport, documentaries, interviews and feature films. The Blackmagic Production Camera 4K features a single 6G-SDI output for incredible Ultra HD live production. ! Compact solid metal design The Blackmagic Production Camera 4K is precision engineered for quality in an incredibly small size. You get a beautifully crafted design featuring a machined aluminum chassis, EF lens mount for interchangeable optics, high resolution 4K Super 35 size sensor, global shutter, visually lossless compressed CinemaDNG RAW and ProRes 422 (HQ) file format. With built in uncompressed audio recording you can record professional audio straight to the ProRes files and totally eliminate separate audio syncing during post production. ! Large Super 35 Sensor With a large Super 35 size sensor you get familiar framing and behavior from the lenses you already own! The sensor features a global shutter so you get perfect panning and with minimal crop factor you also get beautiful wide angle shots from your wide angle lenses. If you're working in HD you'll love the freedom to reframe and zoom into shots without any resolution loss, and when down scaling from 4K to HD you get incredibly smooth and clean images. ! Supports the world's best lenses With the EF compatible lens mount you can choose high quality optics that are designed to take advantage of the large Super 35 size sensor with minimal cropping. Use the world's most amazing optics from leading lens crafters like Canon, Zeiss and more, with full electronic control! The EF compatible lens mount means you’re not locked into a specific lens, so you have the freedom to work with professional cinema lenses using rails, follow focus and other professional accessories! ! Capture 4K ProRes™ directly to a removable SSD! With a built in SSD recorder, Blackmagic Production Camera 4K easily captures 4K in ProRes 422 (HQ) and compressed CinemaDNG files. You get a 4K camera designed from the ground up to be part of your post production workflow! Capturing to a removable SSD means that once you’ve finished shooting you can simply connect the SSD to your computer and edit or color correct your shots straight from the disk! Disks can be formatted in either HFS+ or exFAT for Mac and Windows compatibility. ! Record Times for 4K Resolution using ProRes™ 240Gb: 36 Mins 480Gb: 72 Mins Standard files for your NLE Unlike traditional cameras that record obscure file formats that take time to convert before you can start post production, the Blackmagic Production Camera 4K records directly to files that are compatible with your editing software. The wide dynamic range of the Super 35 size sensor can be mapped into the quantizing range of the file, so you can color grade shots with greater detail in highlights and shadows. If you're working fast, simply select 'Video' and shoot in regular REC709 color space. ! Machined from solid aluminum for strength and beauty Blackmagic Production Camera 4K has been designed with portability and durability in mind. With standard connections and an internal battery inside a beautiful machined aluminum design, you can be confident that the Blackmagic Production Camera 4K will easily handle the rigors of location work! A high resolution LCD display shows settings such as shutter speed, color temperature, aperture and timecode in an easy to read status strip. ! Enter metadata on the camera Use the capacitive touchscreen to access menus to change settings such as recording format, shutter angle and more! Double tap the screen to zoom into the image for fast and accurate focus. Tap once on the screen to display the metadata entry page where you can enter information such as shot number, search tags, scene number, timecode and more. You can even set shot number and other data to increment automatically! This metadata saves directly into your files and is compatible with popular editing software. Managing your files in post production is now much simpler! ! Higher image quality means even more grading power With 12 stops of dynamic range you get amazing looking images beyond those of regular video cameras or even the highest end broadcast cameras. All this dynamic range is captured into ProRes or CinemaDNG files at 4K resolution, so images retain a beautiful film look. By capturing more detail from the sensor you can make creative decisions during DaVinci Resolve color grading! You can really push the shadows or highlights in either direction and preserve fine details in the image! ! No need to buy expensive custom cables! Blackmagic Production Camera 4K uses standard connections, so you never need to source custom cables! It includes a 6G-SDI connection for Ultra HD resolution or down converted HD output over a single SDI cable. The built in Thunderbolt connection lets you plug into a laptop computer and use the included UltraScope software for real time waveform monitoring. There are 1/4” jack mic/line inputs for recording the highest quality uncompressed audio, plus a 12V to 30V DC input, a 3.5mm headphone input socket and LANC remote control! !

Celestron Universal Digiscoping Adapter The Celestron Digital Camera Adapter places your various point-&-shoot digital cameras close to the eyepiece of your spotting scope. It has a clamp for the eyepiece and various location adjustments so that you get the digital camera centered exactly where it needs to be for the best images with high resolution and no vignetting. As with all digiscoping, it is far easier to align the digital camera's lens with the scope's eyepiece when that eyepiece has a broad, flat rear element-making a bigger target for the camera's vision to fit within.To describe here exactly which cameras work with this is simply impossible, but for some guidance...the shortest distance between the tripod socket and the center of the eyepiece is approximately 1.26" (32mm), while the longest distance between the center of the eyepiece and the tripod socket is approximately 2.91" (74mm). The tripod socket can be as far as approximately 2.12" (54mm) to either side of the center of the eyepiece, so as long as the distance between your camera's tripod socket and the center of its lens is less than this it should likely fit.As with all ventures in the world of digiscoping, you'll need to employ good technique and good equipment to get good pictures-which means a sturdy tripod and secondary support for the camera if possible, a sensibly-high shutter speed for the digital camera and as much care as is possible to prohibit camera movement. This should always include the use of the camera's electronic shutter release cable or remote control if the camera has such capacity.Note: A tripod spacer-like that used under traditional film cameras with Polariod film backs-is often necessary for vertical alignment of cameras with a short distance between their tripod socket and the center of their lens. An inexpensive combination of 2 pieces of inventory to solve the problem (B&H item codes "BO3358" and "GIG1141") is listed here as accessories. Attaches directly to eyepieces with 1.18-2.36" (30-60mm) outer diameter Camera's height to eyepiece adjustable in ±1.18" (±30mm) range Camera's tripod socket adjustable in ±1.65" (±42mm) range Includes 1/4"-20 threaded tripod socket upon base for added support

Celestron Universal Digiscoping Adapter The Celestron Digital Camera Adapter places your various point-&-shoot digital cameras close to the eyepiece of your spotting scope. It has a clamp for the eyepiece and various location adjustments so that you get the digital camera centered exactly where it needs to be for the best images with high resolution and no vignetting. As with all digiscoping, it is far easier to align the digital camera's lens with the scope's eyepiece when that eyepiece has a broad, flat rear element-making a bigger target for the camera's vision to fit within.To describe here exactly which cameras work with this is simply impossible, but for some guidance...the shortest distance between the tripod socket and the center of the eyepiece is approximately 1.26" (32mm), while the longest distance between the center of the eyepiece and the tripod socket is approximately 2.91" (74mm). The tripod socket can be as far as approximately 2.12" (54mm) to either side of the center of the eyepiece, so as long as the distance between your camera's tripod socket and the center of its lens is less than this it should likely fit.As with all ventures in the world of digiscoping, you'll need to employ good technique and good equipment to get good pictures-which means a sturdy tripod and secondary support for the camera if possible, a sensibly-high shutter speed for the digital camera and as much care as is possible to prohibit camera movement. This should always include the use of the camera's electronic shutter release cable or remote control if the camera has such capacity.Note: A tripod spacer-like that used under traditional film cameras with Polariod film backs-is often necessary for vertical alignment of cameras with a short distance between their tripod socket and the center of their lens. An inexpensive combination of 2 pieces of inventory to solve the problem (B&H item codes "BO3358" and "GIG1141") is listed here as accessories. Attaches directly to eyepieces with 1.18-2.36" (30-60mm) outer diameter Camera's height to eyepiece adjustable in ±1.18" (±30mm) range Camera's tripod socket adjustable in ±1.65" (±42mm) range Includes 1/4"-20 threaded tripod socket upon base for added support

This item is sold brand new. It will be ordered from our supplier and normally ships in 3 to 5 working days Includes the following: Diana Mini Camera, Carry Strap, Lens Cap, Shoot Forever Diana Mini Book, Manual 1-Year Limited Warranty Features: - Uses 35mm film and standard development - Shoot 72 rectangular half-frames, 36 square full-frame pictures or flick a switch and alternate between formats - Multiple exposure functionality - B mode for long exposures - Cable release attachment - Sunny and cloudy exposure settings - Tripod mount - Compatible with the Diana flash (not included) - Overlap frames across photos to create abstract panoramas Lomographic's 14-day return policy plus - 1-Year Limited Warranty Specifications: - Lens: Plastic wide angle - Format: 35mm - Focusing: Fixed - Focusing Range 4 settings: 4m to infinity, 2m to 4m, 1 m to 2m, 0.5m - Shutter Speed: Sunny, Cloudy, B - Flash: Optional - Weight: 253g The Diana Mini 35mm Camera from Lomography is the ultra-compact, version of the Diana F+ camera. This plastic camera with a wide angle lens allows users to get in close or choose between any of four focal distances. It has exposure settings: Sunny, Cloudy, or B. The Mini has two formats, 36 square pictures or 72 half-frame pictures on one roll of 35mm film. Plus, users can swap between formats on the same roll with the flick of a button. The Diana Mini, to enhance creative possibilities, is ready and able to create multiple exposures. With the Diana Mini long exposures are easy thanks to the B setting, tripod mount and cable release attachment - a Diana first.

Chinon 213 XL   marketed in silent super 8 cartridge lens: Chinon Reflex Zoom f: 1.3 / F: mm zooming ratio: 2x focusing: manual, microprism, 1.5 m to infinity zooming: manual filter size: 43 mm viewfinder: single-lens reflex with adjustable eyepiece viewfinder information: aperture value, over/under exposure warnings, film-end signal, film transport signal exposure: auto exposure control; TTL EE, Cds cell film speed: auo for and ASA only (daylight/tungsten) ASA notching: 1-pin backlight control: yes CCA filter: built-in 85A filter, with filter control switch filming speed: 18 fps shutter opening angle: 220 degrees sound: no cable release socket: no remote control socket: no handle: retractable, chamber for poenlite batteries battery checker: yes film drive motor: DC micromotor power source: 2 x AA batteries only weight: 490 g dimensions: 55 x 105 x 169 mm tripod socket: 1/4" made in Japan by Chinon

Features:   Puluz G1 is a compact professional smart gimbal for phones and Gopro. It is designed with a new operating system to ensure it easy to perform accurate and quick in different positions between different operation modes, so that you are free from controlling it. Puluz G1 is also a great product which can bring you creativity with functional buttons on photography and film such as Photo/Record, Zoom in/out and get rear camera/Selfie mode transferred; creativity also comes from expendable updated APP (G1 Camera) in iOS and Andriod app store, with which you can make auto-tracking, time-lapse and filter changing be possible. A maximum payload of 220g supports you to attach diversity lens with different focal length, kinds of fill light and many other photo/film cool gears anytime anywhere. Besides, it's made from high quality aviation alloy aluminum material which has a good appearance and touch-feeling. Working duration is as long as 12 hours and available for you to have a real-time Mobile Charging. It is really valuable at its price.   Function s:   It can be handheld or used with vest and shock absorption arm together. Stable shooting device which is customized for smart phone. It can match almost all 4.7 - 5.5 inch smartphones in the market. You can get a good feeling for smooth shooting at anytime anywhere. The handheld uses the high smooth and low noise brushless motor which can give you a very smooth and quiet operation. 3 operational modes include: Half follow mode, full locked mode, all follow mode. Offers full 360 degrees rotation along the pan axis, and comes with a 4 way joystick to adjust your angle accordingly. All actions done by two buttons and a joystick, it can achive mode switching, shoot and control the rotation, and connected to the phone via Bluetooth can be realized the shutter release, face followed, automatic panorama function. Support wireless control via bluetooth by using the PULUZ G1 App on iOS and Android devices. Also supports the App remote for remote pan and tilt functionality. Accurate face recognition and nice follow speed: When the PULUZ G1 locked the face in the shooting image, the gimbal can achieve face auto-tracking, following the direction of person's movement automatically, so it is perfect for making small film or live video. Face recognition tracking shooting distance within 3m, over 3m range the face recognition function can not recognize. 1/4 inch mounting thread on the bottom of the gimbal supports any 1/4 inch threaded accessories, such as extension rods or tripod mounts. Mini Tripod are included free of charge to match different applications. Built-in 2 x 18350 Li-ion battery of Puluz G1 enables 12-hour continuous ultra-long work time.   Mode Instruction:   Half follow mode: Tilts axis and roll axis locked, the pan axis moves smoothly go with the handle moves. In the phone's Tilt angle is able to change up and down by the joystick, the phone's roll angle is able to change left and right by the joystick. All follow mode: Roll axis locked, Tilt axis and Pan axis moves smoothly go with the handle moves. the phone's roll angle is able to change left and right by the joystick. Full locked mode: Roll axis, Tilt axis and Pan axis all locked. In this mode, the phone's Tilt angle is able to change up and down by the joystick, the phone's Pan angle is able to change left and right by the joystick.   Specification s:   Material: Aluminum alloy Max Load: 260g Clamp Size: 58 - 83mm Main Function: Auto adjust balance, Face recognition, Auto-tracking, Adjustable focus, One key panorama, Timer shooting, Time-lapse photography Camera Setting in App: Exposure setting, Resolution(1920 x 1080, 2592 x 1936, 3264x 2448), White Balance, Timer shooting&record, Follow(Tilt&Pan Follow, Pan Follow, All Lock), Calibration Controllable Range: Pan: 360 degree, Roll: ±30 degree, Tilt: -40 degree to +135 degree Mechanical Range: Pan: 360 degree, Roll: 270 degree, Tilt: 320 degree Horizontally/ Vertically Shooting: YES Manual Language: English, Japanese Working Temperature: -20 to +40 Screw Size: 1/4 inch Battery: 2 x 18350 Li-ion battery Battery Run Time: 12 hours Size: 30.5 x 12 x 3.4cm Weight: 339g (without battery)   Package Include d:   1 x PULUZ PU303 Hand-held Gimbal 1 x Strap 1 x Zipper Bag 1 x USB Cable 1 x User Manual 1 x Warranty Card 1 x Battery Charger 1 x Tripod Holder 2 x 18350 Li-ion Batteries

The Ricoh KR10 Super is a 35mm film camera which was manufactured by Ricoh in Japan in the early s. The original prime lens supplied is a 50 mm Ricoh lens. Additional 70 to 210mm Cosina lens. Additional Popular 30TBMD flash. Auto and manual metering, Separate exposure measuring button, 2 stops compensation in 1 third stop increments, Exposure information shown in viewfinder, 1of to 16 sec shutter speed, 10 second self timer, ISO 12 to , Cable release, Hot shoe flash sync socket, Flash sync at 1of125, Centre mounted tripod bush, Pentax M mount, Vertical focal plane shutter, cover for Cosina lens, caps for Both lenses, nylon carry-case with multiple pockets and divisions.