Microphone cables

Audio-Technica ATR-MCU20 ATR-MCU Microphone Cables Product Description | Audio-Technica ATR-MCU Microphone Cables are engineered to deliver outstanding value and reliable, durable performance. They offer an economical introduction to Audio-Technica cable quality.| Copper outer shielding protects cable signal quality with superior coverage | Professional rugged connectors | Extra flexibility for ease of use/storage

2 Microphone Cables. Their still in good working condition, R50 each

Speakers, Microphone, Mixer & Cables - R8800 for all 2 x Behringer 300 watt 2-Way 10" PA Speaker System / Wireless Option 1 x Behringer Dynamic Cardioid Vocal Microphone 2 x Pro Audio MIC001 CCA Microphone Cable 6mm - 10m 1 x Behringer Premium 5-Input 2-Bus Mixer with Xenyx Mic Preamp All in excellent condition and in original boxes. I am selling as I am relocating and am unable to take the equipment with me

5 High Quality 20 FT 3 Pin Mic Microphone XLR Male To 3 Pin XLR Female Microphone Cables Extremely Durable Flexible PVC Outer Jacket - Because of the durable flexible PVC outer jacket they have an awesome resistance to rough handling, these cables are built to last Low-Z (Low Impedance) And Balanced - Shields your signal from interference, and transfers your audio over longer distances OFC Copper Conductor Oxygen-Free Copper - Provides better clarity of sound Compatible With Any XLR Connection - Microphones, Mixers, Recorders Or Anywhere You Need a Quality XLR Connection > If you are not satisfied you may return the cables for a full refund Microphone Cable Pack 20 FT Mic Cables

3 Samson microphone 3 homemade microphone stands 2 xlr cables 2 microphones covers 1 mixer Used only 4 times and is in working conditions. Original prices are shown only wanting R1 500. You may negotiate All you need is hear to start your music recording, karaoke or a new podcast. The price includes how to use it and set it up.

STAR QUAD: (4) 24 AWG Copper Conductors In Star-Quad Configuration Reject More Electromagnetic Interference (EMI) Than Standard 2-Core Cables By Tightly Twisting The 4 Conductors In Opposing Pairs. PLIABLE & DURABLE CABLE: Soft Rubberized PVC Jacket Is Extremely Flexible Yet Made To Be Over 6mm Thick To Reduce Handling Noise And To Stand Up Against Heavy Use QUALITY CONNECTORS: Mediabridge XLR Connectors With Black Metal Housing Featuring Gold Plated Contacts To Provide High Contact Integrity And A Black Rubber Relief Reduces Cable Strain SHIELDING: Copper Clad Steel Braiding Over 100% Aluminum Foil Complements The Star-Quad Construction Preventing EMI. Xlr cable; xlr patch cable; microphone cable; mic cable; cable for microphone; microphone cord; xlr female; xlr female to male; xlr microphone cable; xlr male to female Mediabridge Ultra Series Microphone Cable Mediabridge Ultra Series Microphone Cables are professional grade cables at consumer prices. The (4) Star Quad 24AWG copper conductors, gold plated contacts and rubberized jacket are designed to ensure the best possible audio experience. A musician can be hard on their cables. Mediabridge Ultra Series cables are up to the task. Product Features STAR QUAD: (4) 24 AWG Copper Conductors In Star-Quad Configuration Reject More Electromagnetic Interference (EMI) Than Standard 2-Core Cables By Tightly Twisting The 4 Conductors In Opposing Pairs. PLIABLE & DURABLE CABLE: Soft Rubberized PVC Jacket Is Extremely Flexible Yet Made To Be Over 6mm Thick To Reduce Handling Noise And To Stand Up Against Heavy Use SHIELDING: Copper Clad Steel Braiding Over 100% Aluminum Foil Complements The Star-Quad Construction Preventing EMI. QUALITY CONNECTORS: Mediabridge XLR Connectors With Black Metal Housing Featuring Gold Plated Contacts To Provide High Contact Integrity And A Black Rubber Relief Reduces Cable Strain Compatibility Microphone Cables are typically used to connect to a microphone to a mixer or sound board. Installation Plug-&-Play: Ready to use, once each end is connected to respective ports on a compatible unit Limited 1 Year

PROFESSIONAL CABLES Orange Professional microphone cables are manufactured using the finest components available, including the highest grade copper. The use of oxygen free copper ensures optimum clarity and articulation. The dense braided shield reduces noise and electromagnetic interference. Onstage tangling is kept to a minimum by a specially designed, armour plated, nylon woven outer sleeve. Neutrik connectors which are used across the entire range of Orange Professional Cables, ensure the highest quality and durability. Guaranteed for Life (please visit http://orangeamps.com/cables/tc for details of our lifetime guarantee). title="Microphone Microphone Cables" alt="microphone cables" src="http://www.orangeamps.com/wp-content/uploads//Microphone.jpg" width="362" height="212" /> ORANGE PROFESSIONAL CABLES LIMITED LIFETIME GUARANTEE: Orange Music Electronic Company Ltd (OMEC) guarantees its cables against any defects in materials or workmanship under normal use. This guarantee does not cover cosmetic defects caused by use of the product. OMEC will repair or replace, at its option, any defective cable. This Guarantee is your exclusive remedy for defective products and is solely for the benefit of the original purchaser. This guarantee does not cover damage caused by improper use, accident, solvents, modifications caused by use with other equipment of any other external causes. OMEC WILL NOT BE LIABLE FOR ANY DAMAGE, LOSS OR INJURY OF ANY NATURE INCLUDING LOST PROFITS OR INDIRECT, CONSEQUENTIAL OR SPECIAL DAMAGES OF ANY NATURE, EVEN IF OMEC HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. EXCEPT AS EXPRESSLY PROVIDED IN THIS GUARANTEE, OMEC MAKES NO OTHER GUARANTEE’S, EXPRESS OR IMPLIED, INCLUDING ANY GUARANTEES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. IF THE LIMITATIONS CONTAINED HEREIN ARE FOR ANY REASON DETERMINED TO BE INVALID, THEN OMEC LIABILITY SHALL BE LIMITED TO THE PURCHASE PRICE PAID FOR THE PRODUCT. UNDER NO CIRCUMSTANCES SHALL OMEC BE LIABLE FOR ANY LOSS OR DAMAGE IN EXCESS OF THE AMOUNT PAID BY YOU FOR THE PRODUCT. To make claims under this guarantee, the product must be returned to the authorised Orange Professional Cable retailer from which the product was purchased together with your sales receipt, or other proof of purchase. If unable to do so, return the product and proof of purchase to OMEC. For additional information contact us at . This warranty gives you specific rights. You may also have additional rights in the country you reside.

3 bl3 light-weight boom microphone stands 3 18-foot XLR microphone cables conveniently packaged in an easy to transport carry bag 1 year limited guarantee. For more info on this product please click here

The R21 Dynamic Vocal/Presentation Microphone 3-Pack features three R21 mics, each with a tight cardioid pickup pattern for maximum gain before feedback, a dual stage windscreen, heavy gauge mesh and anti-dent ring for enhanced protection, as well as gold-plated XLR pins that ensure positive connetivity. High output dynamic element Unidirectional cardioid polar pattern for maximum gain before feedback Withstands high SPLs Dual stage windscreen Excellent for live performance and recording Rugged road-proof design Gold-plated XLR connector Mic clip and carry case Included Microphone Cable 3-Pack Features 18' low noise microphone cables Heavy duty XLR connectors Three cables per pack

While lapel microphones are the industry standard for close-miking presenters and talent, their placement on a collar or lapel can be distracting. The Rode PinMic features a detachable capsule head that mounts onto three pins on the microphone backplate, providing a discreet alternative that can be located almost anywhere on a wide range of clothing and fabrics. Features - Intuitive And Subtle: Ultra-discreet appearance - Lightweight and easy to position - Pins through clothing up to approximately 1.5mm (0.006 in.) thick - Removable mesh head - Low noise miniature microphone capsule - Low handling noise, Universal Compatibility - Rode MiCon connector system provides seamless integration with a wide range of wireless systems while maintaining discreet and unobtrusive appearance The included water resistant pop filter and mini-furry for high wind protection ensure quality recordings in adverse environments, while the anti-trauma water resistant case provides rugged and secure protection for the microphone, cables and accessories. Knowing that versatility is paramount in any product, Rode has developed the MiCon connector system which provides seamless integration between all of Rode's compact wearable microphones and a wide range of wireless systems. Visit the MiCon product page for a full list of available adaptors and the supported devices. Rode has always offered industry leading warranty and after sales service on its products, and the PinMic is no exception, offering an innovative five year warranty that gives you total piece of mind for five years after purchase. Full details can be found in the terms and conditions. Included Accessories - Anti-trauma storage case - Water resistant pop filter - Mini-furry - Shielded detachable Kevlar reinforced cable - Lapel style cable management clip - Adjustment tools

Mini TA5F XLR 5-Pin Female Cable Line Socket For Audio Microphone Recording Features: Type: 5-pin Female plug Nickel+metal, hard to damage. Mini-XLR 5-pin female connector for microphone cables for professional drum and radio micro. Ideal for live sound PA stage and studio recording applications. Specification: Material:Metal Color: Black Size: 4.9 x 1.3cm(L x W) Weight: 6g Packing Included: 1 x Mini XLR 5-Pin Female Cable Line Socket

Shure Performance Gear Wireless Combo Microphone System - Mint Condition - Only used about 4 times Combo consists of: - 1 x PG88 Dual Wireless Receiver - 2 x PG185 Condenser Lavalier Microphones - 2 x PG1 Bodypack Transmitters - 2 x Neutrik XLR Microphone Cables - 1 x Power Adapter - 2 x New 9V batteries

XLR Microphone Male to Female Audio Cable Black 20m Proaudio is producing high-quality audio cables with musicians in mind. You can benefit from our experience. This mic cable is balanced for clean audio XLR cables are the most common format in your rig. You connect them to your microphones, patch them to the mixer or the snake, and run them out to powered speakers. The XLR-20M is a balanced XLR to XLR cable, designed to handle any of these duties while preventing unwanted interference from entering the signal path. Outfit your whole rig with these balanced cables for clean, noise-free music! Quality components The XLR connectors have excellent strain-relief to prevent damage. Whether your cables stay connected in the studio or you take them out on the road, you’ll have years of trouble-free use. This PROAUDIO two core microphone / XLR cable is ideal for live or studio performances. 3-pin XLR Plug to Socket microphone leads Tough, two core screened cable Cable diameter: 6mm Pins connections: 1:1, 2:2 and 3:3 Black XLR connectors Pure copper conductors ENQUIRE ON THIS PRODU

Get Charged Up... Smallest Wireless System Ever. The AirLine Micro Earset Wireless System is a breakthrough that utilizes the latest in lithium ion battery technology and small, high-quality audio and RF components to bring performance freedom and convenience to a new level. The result is not only our smallest wireless system, but also our most comfortable, reliable and versatile system ever. To eliminate continually changing batteries, Samson has designed this micro-size UHF wireless 600 Mhz system to be fully rechargeable, supplying lithium-ion rechargeable batteries and USB DC power inputs for both the AH2 earset transmitter and AR2 receiver. A handy docking station for the receiver also provides a USB DC input and a 3.5mm balanced audio output. Because of these convenient recharging capabilities, the days of constantly changing the batteries in your wireless system are over. Leaving beltpacks behind, AirLine Micro employs the AH2, a complete earset transmitter for total freedom and uninhibited movement. The transmitter features an omnidirectional microphone to ensure your voice is picked up and amplified even during periods of fast, heavy movement. Plus, its water resistant design protects the mic and transmitter from moisture and perspiration that can accumulate during intensely active performances. Despite its modest size and inconspicuous appearance, the AR2 receiver boasts meticulous engineering that provides AirLine Micro with professional sound reproduction and exceptional reliability. Like the AH2 transmitter, the AR2 also houses a rechargeable battery that will offer about seven hours of operation. A 3.5mm unbalanced mic/line level output and USB DC power input round out the features on this pioneering receiver. Elevating the convenience of micro-size wireless transmitters and receivers, the AirLine Micro Earset Wireless System packs an incredible amount of technology and innovation into small, unobtrusive components. AirLine Micro Earset Wireless System Wireless UHF 600MHz system with micro-size AH2 transmitter and AR2 receiver Tone squelch and auto mute for clear operation Includes a convenient system carry case Includes AC adapter and charging cables AH2 Transmitter Earset transmitter and omnidirectional microphone with no beltpack Lithium-ion rechargeable battery (5-6 hours of operation) USB DC input for recharging Single button operation for power, mute and volume Water resistant AR2 Receiver Low-profile wireless receiver (2.36” x 1.67” x.51”) Lithium-ion rechargeable battery (7-8 hours of operation) USB DC input for power and recharging 3.5mm unbalanced mic/line level output AR2 Dock Provides secure base for AR2 receiver during operation and/or recharging USB DC input for power and recharging (cables included) 3.5mm balanced audio output (cables included) Fitness Incentive The AirLine Micro Earset Wireless System is a high-performance micro-size UHF wireless solution ideal for fitness professionals looking for clear vocal reproduction while keeping their hands free. The system's advanced technology and total convenience allow instructors to maintain complete focus on any fitness demonstration. To mention only a few, AirLine Micro is perfect for leading classes in kickboxing, Pilates, spin and yoga. In addition, AirLine Micro's transmitter is specially treated with a water resistant coating, providing extra protection from the sweat and other moisture that comes with physical fitness. High-Energy Entertainment For high-energy performers, the AirLine Micro Earset Wireless System is a perfect fit, and not just in your ear. Beyond its high-quality vocal reproduction, AirLine Micro provides unlimited use of the hands, allowing for any combination of music, dance, or theater to be performed simultaneously. Whether your performance emulates the vocal and dance intensity of a pop idol, the vocal and instrumental precision of a rock star, or the triple threat of any Broadway actor, AirLine Micro will keep you physically engaged with your audience and bring your performance to a new level. Presentation And Demonstration The features provided by the AirLine Micro Earset Wireless System greatly benefit hands-on presentations and demonstrations. Any highly animated public speaker will appreciate the design of the unit's transmitter, as it lacks an awkward beltpack and features a discrete earset. From corporate presentations and motivational speeches to guided tours and product demonstrations, the AirLine Micro performs with ease and accuracy. No matter the application, the AirLine Micro will allow you to convey your ideas in a clear, concise and visually inspiring manner, helping you to reach your presented objective. When mobility is a factor in your performance, Samson 's AirLine Micro Earset Wireless System offers the most discreet, comfortable and convenient wireless solution available.

The PGDMK4 is an entry level, 4-piece drum microphone set. It contains specialised drum microphones for Bassdrum (1x PG52), Snare, Toms and Percussion (3x PG56). Mounting plates, cables and a rugged carry case are included. Who is this best suited to? This would be an ideal choice for a budget concious amateur/semi-pro drummer looking to mic up their 4 piece drum kit. The microphones can be used on small stages, in the rehearsal room and in the home recording studio. What is included in the PGDMK4 drum kit? 1 x PG52 Dynamic MicrophoneRead moreGo to the glossary for Bass Drum 3 x PG56 Dynamic MicrophoneRead moreGo to the glossary for Snare, Toms and Percussion 3 x A50D Microphone clips (fits to most standard drum rims) 4 x XLR-XLR cables 4.5m Comes in a rugged carrying casePG52 Transducer Type: Dynamic Polar Pattern: Cardioid Frequency Response: 30 Hz - 13 kHz Sensitivity (1 kHz): -55 dBV/Pa / 1,8 mV/Pa Weight: 470 g PG56 Transducer Type: Dynamic Polar Pattern: Cardioid Frequency Response: 50 Hz - 15 kHz Sensitivity (1 kHz): -56 dBV/Pa / 1,6 mV/Pa Weight: 323 g

Samson Airline Micro Camera Microphone — Wireless system AirLine Micro Camera Wireless System Wireless system with micro-sized AL2 transmitter, AR2 receiver and double dock Tone squelch and auto mute for clear operation Includes a system carry case, hot shoe mount, 3.5mm and XLR camera connectors, AC adapter and charging cables AL2 Transmitter Beltpack transmitter and LM10 omnidirectional lavalier microphone Lithium-ion rechargeable battery (7-8 hours of operation) USB DC input for recharging Single button operation for power, mute and volume Multi-color LED displaying RF, low battery and power AR2 Receiver Low-profile wireless receiver (2.36” x 1.67” x.51”) Lithium-ion rechargeable battery (7-8 hours of operation) USB DC input for power and recharging 3.5mm unbalanced mic/line level output Multi-color LED displaying RF, low battery and power AR2DT Double Dock Provides secure base for AL2 transmitter during recharging and AR2 receiver during operation and/or recharging USB DC input for power and recharging (cables included) 3.5mm unbalanced audio output

Speakers, Microphone, Mixer & Cables - R8500 for all 2 x Behringer 300 watt 2-Way 10" PA Speaker System / Wireless Option 1 x Behringer Dynamic Cardioid Vocal Microphone 2 x Pro Audio MIC001 CCA Microphone Cable 6mm - 10m 1 x Behringer Premium 5-Input 2-Bus Mixer with Xenyx Mic Preamp All in excellent condition and in original boxes. I am selling as I am relocating and am unable to take the equipment with me

4-pack balanced audio cables / patch cables for live performance and studio recording Ultra Soft flexible PVC jacket with 6.0mm outer diameter All oxygen-free copper conductors for audio signal transparency and inner copper spiral shielding for effectively reducing electromagnetic interference and excess noise All protective metal housing provides maximum durability and reliability Length: 1 foot (tip to tip); connectors: XLR female to XLR male Audio2000'S ADC203MX4 1 ft XLF Female to XLR Male Microphone Cable (4-Pack)

Getaria Guitar Patch Cables Right Angle 1/4 Instrument Cables for Guitar Effect Pedals-(2.36 inch,6cm) Product Description | High quality audio cable, 2.36" / 6cm long save space on your pedal board, keeps it tidy and looks professional. Easy fit and adjust your different dimension of guitar effect pedals on the same vertical height or horizontal position. Solid and durable, good connection cable transmits high fidelity signal to the equipment. | Right Angle 1/4-inch plugs are perfect for pedalboard,Ultra-pure oxygen-free copper core, high-density OFC 99% braided shield and ONLY 38 Picofarads Per Foot,reject handling noise and interference. | Using high purity copper shielding ensures extreme low noise, while the high purity copper center conductor delivers the signals as they are. The cross-linked polyethylene dielectric is heat resistant and will not shrink as quickly as PVC. | Used for audio signal transmission of microphone, amplifier, mixing console and other equipment. If you want the best cable to go from your instrument to your rig, the Getaria Professional Guitar Effect Pedal Cable is the best choice. | All of these cables undergo extensive listening tests to ensure they meet Getaria's standards of clarity, accuracy and quality.

The KMS 104 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

CLEARONE - MIC EX Microphone Breakout Box Interact Mic EX is a microphone breakout device allowing up to three external microphone connection per unit. The Interact Mic EX has 3-XLR connectors and built in microphone pre-amp and phantom power for direct interface to any professional microphone. A total of 3 Interact Mic EX devices can be used with a single mixer. Boxes are daisy-chained from mixer using standard RJ-45 cables. Boxes can be rack-mounted with mixer or strategically positioned throughout a room to minimize microphone cable runs.

The KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Avantone - CK-40 Stereo Multi-Pattern FET Microphone The Avantone "Cabernet (C-series)" mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CK-40 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the world's finest Stereo FET Mics...but at a fraction of their cost! Our rugged CK-40 microphone body and capsule assembly are precision machined of BRASS. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill. The Discreet Class A Low-Noise FET circuitry will yield pleasing professional results comparable to much more expensive designs. Any studio can proudly offer the stereo CK-40 as a group vocal mic, room mic, piano mic, or utility condenser due to its versatility...It exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile Avantone CK-40 Stereo Class A FET microphone features twin LARGE 35mm center-terminated pressure gradient transducers. Their close physical proximity places them in a tight vertical array to allow accurate stereo imaging without phase issues arising. The top capsule/grill assembly rotates UP TO 180 degrees relative to the lower capsule/grill assembly. This feature along with the multi-pattern independent selector choices allow for all stereo recording techniques to be utilized. (XY-Coincident / Blumlein, M-S) The 2 sets of pad, pattern select & LF rolloff switches independently control the capsules. (Front switches control the lower fixed grill/capsule while the rear switches control the upper rotating headgrill.) The 3 patterns allow the CK-40 to be used in a variety of situations including M-S recording. The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz HIGH-PASS filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track. The CK-40 operates on standard 48 volt phantom power and includes a 5-Pin mic cable that plugs into the included 1x2 stereo splitter box. Two standard XLR mic cables are then all that is required to connect to a phantom powered mic preamp/console channel. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. So many sonic and spatial options are available with this microphone and we encourage you to experiment and use your ears as the final judge for stereo panning spread, use of omni vs cardioid or whether utilizing M-S miking techniques will better serve your particular situation etc...

For capturing audio the QLXD24/B87A Handheld Wireless Microphone System by Shure is a good choice. It can be used for mid-size events and installations in businesses, hotels, government offices, schools, houses of worship, live performance spaces, and more. It features 24-bit digital audio, network control, and AES-256 encryption. The QLX-D wireless system is built with switching diversity and automatic channel scan, and has IR sync capabilities to make finding an open frequency quick. Featuring a frequency range of 20 Hz to 20 kHz, it offers more than 60 available channels per frequency band. The handheld also has a backlit LCD display to allow for navigation though the menus and controls. With clearly defined performance the QLX-D delivers clean audio and provides professional features for demanding live sound events and installations. The QLXD24/B87A system includes a QLXD4 receiver, QLXD2 Transmitter with Beta 87A capsule, PS23 power supply, two 1/2 wave antennas, two 2' BNC cables with bulkhead adapters, zipper bag, two AA Alkaline batteries, and rackmount hardware. Specs: Interchangeable Beta 87A microphone cartridge 120 dB dynamic range Digital predictive switching diversity 64 MHz tuning bandwidth Up to 17 compatible systems per 6 MHz TV band, and 22 systems per 8 MHz band Easy pairing of transmitters and receivers over IR scan and sync Automatic channel scan Selectable display mode showing group/channel, frequency, or battery runtime Rugged metal construction RF Carrier Frequency Range G50: 470 to 534 MHz Working Range 328' (100 m) Note: Actual range depends on RF signal absorption, reflection and interference RF Tuning Step Size: 25 kHz, varies by region Image Rejection Greater than 70 dB, typical RF Sensitivity -97 dBm at 10-5 BER Latency Less than 2.9 ms Audio Frequency Response QLXD1: 20 Hz - 20 kHz (±1 dB) QLXD2: Dependent on microphone type Audio Dynamic Range System Gain @ +10: Greater than 120 dB, A-weighted, typical Total Harmonic Distortion (THD) -12 dBFS Input, System Gain @ +10: Less than 0.1% Polarity System Audio: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 1/4" (6.35 mm) output Operating Temperature Range 0 to 122°F (-18 to 50°C) Note: Battery characteristics may limit this range Storage Temperature Range -20 to 165°F (-29 to 74°C) Note: Battery characteristics may limit this range. Receiver Housing Steel Power Requirement 12 VDC @ 0.4 A, supplied by external power supply (tip positive) RF Input Spurious Rejection: Greater than 80 dB, typical Connector Type: BNC Impedance: 50 ohms Audio Output Gain Adjustment Range: -18 to +42 dB in 1 dB steps Configuration: 1/4" (6.35 mm), Impedance balanced (Tip=audio, Ring=no audio, Sleeve=ground) XLR: Balanced (1=ground, 2=audio +, 3=audio -) Impedance 1/4" (6.35 mm), 100 ohms (50 ohms Unbalanced) XLR: 100 ohms Full Scale Output: 1/4" (6.35 mm), +12 dBV XLR: LINE setting= +18 dBV, MIC setting= -12 dBV Mic/Line Switch: 30 dB pad Phantom Power Protection: 1/4" (6.35 mm), Yes XLR: Yes Networking Network Interface: Single Port Ethernet 10/100 Mbps Network Addressing Capability: DHCP or Manual IP address Maximum Ethernet Cable Length: 328' (100 m) Dimensions (H x W x D) 1.63 x 7.75 x 5.94" (41 x 197 x 151 mm) Weight 1.71 lb (777 g) Handheld Transmitter Housing Machined aluminum Mic Offset Range 0 to 21 dB (in 3 dB steps) Battery Type Shure SB900 rechargeable Li-Ion or AA batteries 1.5 V Battery Runtime At 10 mW: Shure SB900: up to 10 hours Alkaline: up to 9 hours Audio Input Configuration: Unbalanced RF Output Antenna Type: Integrated Single Band Helical Occupied Bandwidth: Less than 200 kHz Modulation Type: Shure proprietary digital Power: 1 mW or 10 mW Varies by region Dimensions (L x Diam) 10.1 x 2.0" (256 x 51 mm) Weight 12.2 oz (347 g) Mic Capsule Type Beta 87A: Electret Condenser Frequency Response 20 Hz to 20 kHz Polar Pattern Super Cardioid

For capturing audio, the QLXD24/B58 Handheld Wireless Microphone System by Shure is a good choice. It can be used for mid-size events and installations in businesses, hotels, government offices, schools, houses of worship, live performance spaces, and more. It features 24-bit digital audio, network control and AES-256 encryption. The QLXD wireless system is built with switching diversity and automatic channel scan, and has IR sync capabilities to make finding an open frequency quick. Featuring a frequency range of 20 Hz to 20 kHz, it offers more than 60 available channels per frequency band. The handheld also has a backlit LCD display to allow for navigation though the menus and controls. With clearly defined performance, the QLX-D delivers good clean audio and provides professional features for demanding live sound events and installations. The QLXD24/B58A system includes a QLXD4 receiver, QLXD2 Transmitter with Beta58A capsule, PS23 power supply, two 1/2 wave antennas, two 2' BNC cables with bulkhead adapters, zipper bag, two AA alkaline batteries, and rackmount hardware. Specs: Interchangeable Beta58A microphone cartridge 120 dB dynamic range Digital predictive switching diversity receiver to capture the clearest sound 64 MHz tuning bandwidth Up to 17 compatible systems per 6 MHz TV band, and 22 systems per 8 MHz band Easy pairing of transmitters and receivers over IR scan and sync Automatic channel scan Selectable display mode showing group/channel, frequency, or battery runtime Rugged metal construction RF Carrier Frequency Range G50: 470-534 MHz Working Range 328' (100 m) Note: Actual range depends on RF signal absorption, reflection and interference RF Tuning Step Size: 25 kHz, varies by region Image Rejection Greater than 70 dB, typical RF Sensitivity -97 dBm at 10-5 BER Latency Less than 2.9 ms Audio Frequency Response QLXD1: 20 Hz - 20 kHz (±1 dB) QLXD2: Dependent on microphone type Audio Dynamic Range System Gain @ +10: Greater than 120 dB, A-weighted, typical Total Harmonic Distortion (THD) -12 dBFS Input, System Gain @ +10: Less than 0.1% Polarity System Audio: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 1/4" (6.35 mm) output Operating Temperature Range 0 to 122°F (-18 to 50°C) Note: Battery characteristics may limit this range Storage Temperature Range -20 to 165°F (-29 to 74°C) Note: Battery characteristics may limit this range. Mic Capsule Type Beta 58A Frequency Response 20 Hz to 20 kHz Polar Pattern Cardioid Receiver Housing Steel Power Requirement 12 VDC @ 0.4 A, supplied by external power supply (tip positive) RF Input Spurious Rejection: Greater than 80 dB, typical Connector Type: BNC Impedance: 50 ohms Audio Output Gain Adjustment Range: -18 to +42 dB in 1 dB steps Configuration: 1/4" (6.35 mm), Impedance balanced (Tip=audio, Ring=no audio, Sleeve=ground) XLR: Balanced (1=ground, 2=audio +, 3=audio -) Impedance 1/4" (6.35 mm), 100 ohms (50 ohms Unbalanced) XLR: 100 ohms Full Scale Output: 1/4" (6.35 mm), +12 dBV XLR: LINE setting= +18 dBV, MIC setting= -12 dBV Mic/Line Switch: 30 dB pad Phantom Power Protection: 1/4" (6.35 mm), Yes XLR: Yes Networking Network Interface: Single Port Ethernet 10/100 Mbps Network Addressing Capability: DHCP or Manual IP address Maximum Ethernet Cable Length: 328' (100 m) Dimensions (H x W x D) 1.63 x 7.75 x 5.94" (41 x 197 x 151 mm) Weight 1.71 lb (777 g) Handheld Transmitter Housing Machined aluminum Mic Offset Range 0 to 21 dB (in 3 dB steps) Battery Type Shure SB900 rechargeable Li-Ion or AA batteries 1.5 V Battery Runtime At 10 mW: Shure SB900: up to 10 hours Alkaline: up to 9 hours Audio Input Configuration: Unbalanced RF Output Antenna Type: Integrated Single Band Helical Occupied Bandwidth: Less than 200 kHz Modulation Type: Shure proprietary digital Power: 1 mW or 10 mW Note: See Frequency Range and Ouput Power table, varies by region Dimensions (L x Diam) 10.1 x 2.0" (256 x 51 mm) Weight 12.2 oz (347 g)

Available in multiple skin tones and coverage patterns, the E6 captures the closest source clearly with excellent rejection of wind, ambient noise, and feedback. In addition, the snap-on cable makes the E6 compatible with all Shure wireless microphone systems. Please note that the Countryman E6, B6, E6i microphones and Type 85 Direct Box are distributed by Shure, but are manufactured, warranteed, and serviced exclusively by Countryman Associates. Features Smallest, lightest, most comfortable microphone of its kind User-friendly for new and experienced users alike Excellent for singing and spoken word applications Extremely popular in houses of worship, theater and broadcast settings Almost invisible against many skin tones Rugged, bendable boom assures a custom fit for every wearer Hands-free, wireless-enabled microphone allows total freedom of movement Exclusive snap-on cables in 1mm or 2mm diameter for field replacement or compatibility with various wireless systems Highly resistant to sweat and moisture High quality voice pickup - more consistent than any lavalier Excellent rejection of surrounding noise Reduces feedback in meeting rooms or houses of worship an average of 12dB compared to an omni lavalier Omnidirectional microphone is virtually immune to wind and breath pops, even without a windscreen

For capturing audio, the QLXD24/SM58 Handheld Wireless Microphone System by Shure is a good choice to get the job done. It can be used for mid-size events and installations in businesses, hotels, government offices, schools, houses of worship, live performance spaces, and more. It features 24-bit digital audio, network control, and AES-256 encryption. The QLXD wireless system is built with switching diversity and automatic channel scan and has IR sync capabilities to make finding an open frequency quick. Featuring a frequency range of 20 Hz to 20 kHz, it offers more than 60 available channels per frequency band. The handheld also has a backlit LCD display to allow for navigation though the menus and controls. With clearly defined performance the QLXD delivers good clean audio and provides professional features for demanding live sound events and installations. The QLXD24/SM58 system includes a QLXD4 receiver, QLXD2 Transmitter with SM58 capsule, PS23 power supply, two 1/2 wave antennas, two 2' BNC cables with bulkhead adapters, a zipper bag, two AA Alkaline batteries, and rackmount hardware. Specs: Interchangeable SM58 microphone cartridge 120 dB dynamic range Digital predictive switching diversity receiver to capture the clearest sound 64 MHz tuning bandwidth Up to 17 compatible systems per 6 MHz TV band, and 22 systems per 8 MHz band Easy pairing of transmitters and receivers over IR scan and sync Automatic channel scan Selectable display mode showing group/channel, frequency, or battery runtime Rugged metal construction RF Carrier Frequency Range G50: 470 to 534 MHz Working Range 328' (100 mm) Note: Actual range depends on RF signal absorption, reflection and interference RF Tuning Step Size: 25 kHz, varies by region Image Rejection > 70 dB, typical RF Sensitivity -97 dBm at 10-5 BER Latency Audio Frequency Response QLXD2: Dependent on microphone type Audio Dynamic Range System Gain @ +10: Greater than 120 dB, A-weighted, typical Total Harmonic Distortion (THD) -12 dBFS Input, System Gain @ +10: Less than 0.1% Polarity System Audio: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 1/4" (6.35 mm) output Operating Temperature Range 0 to 122°F (-18 to 50°C) Note: Battery characteristics may limit this range Storage Temperature Range -20 to 165°F (-29 to 74°C) Note: Battery characteristics may limit this range. Receiver Housing Steel Power Requirement 12 VDC @ 0.4 A, supplied by external power supply (tip positive) RF Input Spurious Rejection: > 80 dB, typical Connector Type: BNC Impedance: 50 ohms Audio Output Gain Adjustment Range: -18 to +42 dB in 1 dB steps Configuration: 1/4" (6.35 mm), Impedance balanced (Tip=audio, Ring=no audio, Sleeve=ground) XLR: Balanced (1=ground, 2=audio +, 3=audio -) Impedance: 1/4" (6.35 mm): 100 ohms (50 ohms Unbalanced), XLR: 100 ohms Full Scale Output: 1/4" (6.35 mm), +12 dBV XLR: LINE setting= +18 dBV, MIC setting= -12 dBV Mic/Line Switch: 30 dB pad Phantom Power Protection: 1/4" (6.35 mm), Yes XLR: Yes Networking Network Interface: Single Port Ethernet 10/100 Mbps Network Addressing Capability: DHCP or Manual IP address Maximum Ethernet Cable Length: 328' (100 m) Dimensions (H x W x D) 1.63 x 7.75 x 5.94" (41 x 197 x 151 mm) Weight 1.71 lb (777 g) Handheld Transmitter Housing Machined aluminum Mic Offset Range 0 to 21 dB (in 3 dB steps) Battery Type Shure SB900 rechargeable Li-Ion or AA batteries 1.5 V Battery Runtime At 10 mW: Shure SB900: up to 10 hours Alkaline: up to 9 hours Audio Input Configuration: Unbalanced Maximum Input Level: 145 dB SPL (SM58), typical (1 kHz @ 1% THD) RF Output Antenna Type: Integrated Single Band Helical Occupied Bandwidth: Modulation Type: Shure proprietary digital Power: 1 or 10 mW Dimensions (L x Diam) 10.1 x 2.0" (256 x 51 mm) Weight 12.2 oz (347 g) without batteries Mic Capsule Type SM58 Frequency Response 20 Hz to 20 kHz Polar Pattern Cardioid

Electret condenser shotgun microphone for battery- or phantom power Professional cameras Camcorder, DAT, MD-recorders Interviewing Multipurpose halls Lecterns Miking choirs The MCE 86 II shotgun microphones can be used for video recordings, lecterns or theatre applications. The microphones are extremely light and rugged and therefore ideal for mounting onto cameras or camcorders. They can be used for outdoor applications and in studios with fish pole booms or as handhelds. The electrostatic transducer element and the hypercardioid/lobe polar pattern result in an excellent polar pattern with high sensitivity. Due to its construction and integrated active filter the microphone is insensitive towards wind and vibrations caused by zoom motors. Each sound source is reproduced absolute clearly. The MCE 86 II can be powered from balanced phantom source. If phantom power is not available the MCE 86 II S version should be used. This microphone can be phantom powered or battery powered with an integrated 1.5 V battery. The MCE 86 S II can also be connected to unbalanced XLR or mini jack inputs. It is powered by an 1.5 V battery. Each MCE 86 II version has an electronic balanced output, allowing the operation with long cables. All battery powered versions have an On/Off-switch and battery condition LED. The average battery expectancy is 80 hours. There are two different elastic suspensions available suppressing footfall sound or vibrations of zoom motors. The EA 86 elastic suspension can be mounted directly onto the camera. At its bottom the EA 86 has a 3/8' internal thread for the mounting on stands or fish pole booms. The flash-holder adapter BS 86 allows optimal positioning on every camera. The EA 19/25 is supplied with the MKV 11 microphone clamp and enables the mounting on standard stands or fish pole booms with 3/8' thread. Features High sensitivity Excellent off-axis rejection Rugged yet lightweight design Non-glare durable polymer coating

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. SGH-6 - Microphone canon pour ZOOM H6 Microphone super-cardioide mono pour Zoom H6

JTS three in one cordless microphone unit for sale. Includes: - lapel mic - head mic - cordless hand held mic - receiver - rechargeable battery unit - all associated cables and power cables - still in original box Exceptional condition / brand new - Only ever used once for 4 hours. Retail price R5000 - our price R2200