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An analog kick generator that delivers powerful sounds from kick drum to kick bass The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick. The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample. The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones. In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. Please confirm stock availability before purchasing

An analog kick generator that delivers powerful sounds from kick drum to kick bass The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick. The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample. The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones. In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. Please confirm stock availability before purchasing We are an authorized dealer of the best sound, dj equipment, studio equipment and lighting Free delivery anywhere in the country on orders over a R1000 Delivery 24-48 hours to all major cities 48-72 hours to outlying areas Warranty Type: Authorized Dealer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Our Shop Shop F2 Second Level The Conservatory at Lakefield 106 Lakefield Avenue Lakefield Square Benoni Contact us at 110 - show phone - Tian - 718 - show phone - /Whatsapp Carlo - 844 - show phone - /Whatsapp Trading Hours: Monday - Friday 9:00am - 17:00pm Saturday 9:00am - 15:00pm If you can't find what you are looking for give us a call and we will gladly assist you

Roland KD7 Kick Trigger Unit - Responsive kick triggering for any percussion setup This dynamics-sensitive kick drum trigger can be used with a standard kick drum pedal. It features a mix input for chaining two KD-7's for double-bass setup, and comes with a Beater and connection cable (kick drum pedal not included). The KD-7 is the ideal kick trigger for use with the HPD-15 and RMP-1. *Kick pedal not included and shown only for photography purposes. Accessories Connection Cable, Beater Size and Weight Width (W)172 mm6-13/16 inchesDepth (D)112 mm4-7/16 inchesHeight (H)100 mm3-15/16 inchesWeight 1.4 kg3 lbs. 2 oz. *Weight: including beater All specifications and appearances are subject to change. *

The D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers are thrilled with the D112´s ability to handle up to 160dB SPL without any distortion. The diaphragm has a very low resonance frequency to maintain a solid and powerful response below 100Hz. A narrow band presence boost at 4kHz punches through dense mixes with forceful impact - no additional EQ needed! The D112 is also an excellent choice for use with bass cabinets and trombones For all styles of music a D112 is a must buy ….. General Polar Pattern cardioid Audio Frequency bandwidth 20 to Hz Sensitivity 1.8 mV/Pa Electrical Impedance 200 Ohms Recommended Load Impedance Ohms Polar Pattern cardioid Audio Frequency bandwidth 20 to Hz Sensitivity 1.8 mV/Pa Electrical Impedance 200 Ohms Recommended Load Impedance Ohms

Roland KD140 Kick Trigger Unit For TD30 - V-Kick 14-inch V-Kick features an enlarged bass-drum head and solid-metal frame for a secure, natural feel. Drummers will feel the difference the moment they sink their pedal into this top-of-the-line pad. Pad size 14 inchesAccessories Owner¿s Manual, Connection Cable, Plastic Beater, Drum Key Size and Weight Width (W)550 mm21-11/16 inchesDepth (D)320 mm12-5/8 inchesHeight (H)530 mm20-7/8 inchesWeight 11.0 kg24 lbs. 5 oz. All specifications and appearances are subject to change. *

1. Ain't That a Kick in the Head 2. Night and Day 3. Witchcraft 4. Something Stupid 5. That's Life 6. I've Got You Under My Skin 7. Baby It's Cold Outside 8. I've Got the World on a String 9. I Get a Kick Out of You 10. Fly Me to the Moon 11. My Way

Title: My 12 Kung Fu Kicks Starring: Bruce Liang, Tan Toa Ling Synopsis: Shaw Brothers veteran star Bruce Liang shows his true martial arts and acrobatic prowess in this crowd-pleasing martial arts comedy adventure.When Liang's girlfriend is killed, he must learn new forms of kung fu from his roommate--who secretly happens to be a martial arts master--before taking on the murderous bullies.Filled with fast, powerful fughts and acrobatics in the style of Jackie Chan, and with a great supporting cast that includes Ku Feng (Avenging Eagle) and Lee Hoi Sang (Master Killer), My Kung Fu 12 Kicks is one of Liang's all-time best.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Bass Drum Double Pedal with roller power drive cam and chain drive, duo-tonal felt and plastic beater, compact radius rod stabilizer, adjustable hexshaft with internal retaining mechanism

Rode - RODM1-S Stage Dynamic Vocal Microphone With rock-solid build quality and a high-power neodymium capsule, the RØDE M1-S switchable live dynamic microphone is designed to provide the very best performance, night after night. Its durability is backed-up by a lifetime warranty, following registration of purchase. The M1's ergonomically designed all-metal body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being heavy, and handling noise is almost completely eliminated by the microphone's internal design. Featuring a warm response that is incredibly defined for a dynamic microphone, the M1's smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback. The addition of an on/off switch adds versatility for artists, engineers and presenters that prefer control while on stage. A flush-mounted lock ensures the microphone cannot be accidentally switched. For additional security the M1-S features an XLR lock that can be used to fix the microphone to the cable. Renowned as one of the industry's best live vocal microphones, the M1 is an equally strong performer on guitar amplifiers as well as kick drum, snare drum, toms and percussion.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. More Kick for your Kick! The KickPort's Patented design enhances the sound of your kick drum by doing four things: * It ports the kick drum in the same manner as a bass reflex speaker cabinet which boosts low frequencies. * It adds ideal dampening directly to the resonant head which allows you to remove most if not all of the internal materials thus reclaiming all of the natural resonance and tone of your drum. * It focuses the air as it exits the kick drum and this compression increases punch. * It's tunable! Due to its broadband design, The KickPort improves the sound of bass drums sized 16 to 28 It can be tuned up or down by adjusting the tuning of the resonant head. The overall result is more lows, more tone, better definition and more punch in varying acoustical environments. Additionally these are benefits the drummer can feel behind the kit.

The KAT Percussion KTMP1 Multipad drum module is one of those rare and useful instruments that you can put to work in many ways. For instance, maybe you're a drummer who wants to add electronic sounds to an acoustic kit. The KTMP1 is perfect for the job. Perhaps your a hand percussionist in need of a way to trigger a wider range of tones. This percussion pad will do the trick. You could be a DJ looking for a big setup of pads to fire off samples via MIDI, or you could be a gigging drummer who likes to travel light, or you could be a student who's just bored of playing on a practice pad. In any event, we're sure you'll dig the KAT Percussion KTMP1 Multipad. KAT Percussion KTMP1 Multipad Drum Module at a Glance: An awesome alternative to a typical practice pad Grab-and-go drums for all kinds of gigs Flesh out your acoustic kit with cool electronic sounds An awesome alternative to a typical practice pad Whether you're just getting started on the drums or simply need something smaller than a full kit you can use for routine practice, then you're going to get a ton out of the KAT Percussion KTMP1 Multipad. The KTMP1 gives you four distinct velocity-sensitive zones you can play with sticks or your hands, and you can call up 50 high-quality, fully adjustable sounds, which makes it easy to create cool and interesting rhythms. What's more, the KTMP1 includes an 1/8" headphone output, so you can practice without plugging into a separate sound system or bothering your neighbors. Grab-and-go drums for all kinds of gigs One of the things about the KTMP1 that immediately caught the attention of the drummers are its two pedal inputs. What makes these inputs so cool is that they allow you to hook up a kick drum trigger and a hi-had controller, turning your KTMP1 into a mini drum kit. Pop it on a snare stand and you're good to go. Now, instead of even having to haul around a cocktail kit, you can throw your whole percussion rig in a bag and bike to your next gig if you like. Flesh out your acoustic kit with cool electronic sounds If you've been looking for a way to trigger off cool electronic percussion sounds at your acoustic kit, then the KAT Percussion KTMP1 Multipad is the perfect addition to your drums. It's small and easy to position between your drums, and the four zones offer plenty of percussion power you can use to add booms, chirps, and other hard fun electronic sounds. KAT Percussion KTMP1 Multipad Drum Module Features: A compact electronic drum pad and percussion instrument anyone can afford Play the 4 velocity-sensitive pads with sticks, mallets, or your hands 2 pedal inputs support a kick drum trigger and a hi-hat controller Easily mounts to most standard snare drum stands Choose from 50 high-quality built-in drum sounds USB and MIDI output let you control virtual instruments and synths Included stand bracket fits most standard 7/8" stands and multi clamps If you want simple electronic percussion, then grab a KAT Percussion KTMP1 Mulitpad! Tech Specs Analog Inputs 2 x TRS Analog Outputs 2 x TRS, 1 x 1/8" MIDI I/O Out Pads 4 x Velocity-Sensitive Pads Expansion Hi-hat controller, kick drum trigger Manufacturer Part Number KTMP1

Clear Super-Kick II Two 7mil plies of Nu-Brite drumhead film Built in patented Floating Felt Muffle Ring Full low end sound no extra muffling needed Double ply for added strength and durability The SKII is a clear, two ply bass drum head. This two ply Super-Kick version provides extra durability and a more focused sound. The Aquarian Super Kick II (SKII) bass drum head fills the need of drummers who want that big and punchy, controlled bass drum sound without the use of blankets, pillows or external muffling. The two layers of 7 mil Nu-Brite drumhead film act as one single, durable membrane thanks to Aquarian's multi-ply vacuum tuned process. The patented "Floating Muffling System" is made of felt for a pre-dampened, yet natural sound. The felt moves and "breathes" with the drum head. Often imitated, never duplicated, the Super Kick II is a best seller and a favorite of those drummers, drum techs and recording engineers who want a great bass drum sound without all the extra work. Available in Clear and Texture Coated versions.

Wow! You don't see a deal like TAMA's Rhythm Mate limited-edition 5-piece drum kit every day. Here we've got an absolutely classic-looking 5-piece kit that comes with a full set of TAMA's light and expressive poplar shells. Even cooler, this super-budget-friendly kit comes complete with everything you see here, including the drum hardware, stands, real Meinl BCS cymbals, pedals, and yes, even the throne. Talk about a killer value! Configured as it is with a 20" kick and a trio of toms ranging from a high 7" x 10" on the rack to a 13" x 14" on the floor, your new TAMA Rhythm Mate drum kit is ready for anything from old time jazz to modern rock. But don't miss out, the TAMA Rhythm Mate drum kit won't be available for long. TAMA Rhythm Mate Complete 5-piece Acoustic Drum Kit Features: An excellent 5-piece drum kit for novice drummers and modest budgets The complete package - includes shells, hardware, stands, and more Also comes with a drum throne and a kick pedal Simple and elegant looks meet total functionality in a kit that's well suited to nearly any playing style Lightweight and resonant poplar provides moderate projection and lively tone Limited-edition drum kit available for a short time only

Alesis - ALES - PERCUSSION PAD Add percussion The PercPad enables you to add four drum pads and an optional kick trigger to your acoustic or electronic kit or percussion setup. It's compact, easy to fit into tight setups, easy to use, and it contains sounds that are perfect for accessorizing standard drumsets. The PercPad has four velocity-sensitive pads, a kick input, and high-quality internal sounds, all in a compact size that's the perfect choice for drummers and other instrumentalists looking to start incorporating electronic percussion into their setups.

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

This Versatile Combo Makes a Stellar Stage and Studio Amp The Lone Star is perfectly at home dishing out Texas-sized clean and grainy tones from its duo of 12" speakers, and it also shines in the high-gain range. Thanks to its two tweakable channels, selectable Class A/B or Class A operation, switchable (tube or solid-state) rectifier, great-sounding long-spring reverb, and a host of other stage- and studio-friendly features, the Lone Star packs a lot of amp into a little bit of territory. Mesa/Boogie Lone Star 2 x 12" Combo Amp at a Glance: Tonal options galore Conjure the spirit of the Blackface Split personality Tube Rectifier Tracking Tonal options galore The Lone Star's Multi-Watt power amp featuring Duo-Class allows you three power options that are channel assignable via 10-/50-/100-watt power switches. Choose two power tubes operating in pure Class A (single-ended) and producing 10 watts, or two or four power tubes running in time-honored Class A/B, producing 50 or 100 watts, respectively. Conjure the spirit of the Blackface The Blackface is one of the most popular tones of all time, and the Lone Star easily provides this classic sound with a punchy, shimmering twang that gives way to furry smoothness. It's based on a traditional vintage/boutique gain structure to produce angelic and warm clean sounds in its low to medium gain ranges. Like most great tube amps, this channel can be driven to clip and produces incredible solo possibilities for blues or roots chording styles. Split personality For more options, the Lone Star's second channel has a split personality. At the flick of a switch, it can clone the clean magic of channel one (with an added touch of blues-roots gain) or kick in an additional high-gain amplifier with its own dedicated control. With stunning performance inspired by the pivotal Mark I, the interaction of three cascading gain controls unlocks the historic vault of groundbreaking lead sounds. Tube Rectifier Tracking The Diode/Tube Rectifier Tracking Switch takes Mesa's patented Dual Rectifier concept to a new level. When Tube Rectifier Tracking is selected, the Lone Star will auto-assign the most stylistic rectifier circuit to track the assignable 10-/50-/100-watt power settings of both preamp channels. In this mode, when either preamp channel is in the 10- or 50-watt position, the 5U4GB rectifier tube is automatically brought online, which produces an authentic vintage feel that is extremely silky and inspiring to play. In the 100-watt position, the Silicon Diode Rectifier is automatically brought online, which provides the Lone Star with top fuel performance that produces more punch, a tighter, livelier attack, and substantially more headroom. In this way, Tube Rectifier Tracking allows you to tune each of the channels power feel to the specific preamp sound you are dialing in. Mesa/Boogie Lone Star 2 x 12" Combo Amp Features: 2 x 12" with C90 speakers Bias select switch (6L6/EL34) Fixed bias for consistent, maintenance-free performance Selectable Diode or Tube Rectifier Tracking (patent pending) 2 fully independent channels Channel 1 = boutique vintage clean/classic breakup; channel 2 = clone of channel 1 or cascading high-gain Drive/clean switch activates channel 2's drive control (multi-stage cascading gain circuit) Thick/normal/thicker voicing switch (channel 2) Full power/tweed variac switch All-tube, long spring reverb with bright/warm reverb tone switch Output level control (over all channels when activated) Footswitchable solo level control All-Tube FX loop with send level control (over all channels when activated) True hard-bypass switch that removes FX loop, output level, and solo level controls from signal path Fan cooling with on/off switch External switching jacks for channels 1 and 2, solo, and reverb Aluminum chassis 2-button footswitch Slipcover included

Be Loud, Be Proud, Be Ready To Party! Bring the party with the portable power of JBL PartyBox 100. Ignite the night. Pick the perfect light show or let the music choose the mood. Mix it up. Pop in a playlist from your USB stick or stream from a Bluetooth®-compatible device. Rock out on the fly with mic and guitar inputs. Find your sweet spot. Mount your speaker on a pole and immerse the room in dynamic JBL sound. Go all night with up to 12 hours of battery life. Plug your speaker into the wall to keep the tunes flowing. Features and Benefits Power to the party Kick out the hottest jams in town. JBL PartyBox 100 thumps out 160 Watts of that pounding JBL signature sound. Start the party whenever and wherever you need. Light up your party Boost your party with an epic light show. Choose from several RGB LED light patterns or let the colors groove to the music for a next-level audio-visual party. A battery that just won’t quit Rock on from sunup to sundown with a massive battery life, up to 12 hours. Plug in and play: Have mic, will sing. Have guitar, will shred. Just plug into your speaker, take to the stage and rock that party like there’s no tomorrow. Stream seamlessly with Bluetooth It’s easy to keep the music flowing. Simply connect to your smartphone, tablet, or favourite online service via any Bluetooth-compatible device for uninterrupted wireless streaming. Playlists made easy Personalise your party. Build your ultimate party sounds from the ground up. Just make your playlist, pop it on a USB-capable thumb drive and slip it into your speaker. Amplify your audio One speaker just not enough? Link up to two compatible party speakers with True Wireless Stereo (Bluetooth). Put your speaker on a pedestal A speaker that rises to the occasion. Mount your JBL PartyBox 100 on a post for a dynamic, immersive party sound that really rocks the crowd. 12 hrs battery playtime is only for reference and may vary depending on music content and battery aging after numerous charging and discharging cycles. It’s achievable with a predefined music source, light show switch off, volume level at 7 and BT streaming source. What's in the box 1 x JBL party speaker 1 x Quick-start guide 1 x Warranty card 1 x Safety sheet 1 x AC power code (AC plug varies by region)

The HDJ-500 Professional DJ headphones are designed for exceptional fidelity, style, comfort and affordability. These headphones provide maximum performance and versatility for any type of use, from DJing to casual listening. Refined Design The HDJ-500 DJ headphones adapt the styling and performance cues of Pioneer's top-of-the-line HDJ- headphones. Designed with maximum comfort and reliability in mind, the HDJ-500 headphones use comfortable urethane pads for the ears that allow the headphones to mold around the user's head and ears for a snug and slip-resistant fit. Furthermore, the urethane pads are wrapped in great quality leather, providing greater feel and extended comfort. The main structure of the headphones is crafted of magnesium alloy for light weight and durability, making them great for travel and long periods of use. The Sound Difference The HDJ-500's stylish design is matched with great sound quality providing clear audio reproduction, especially in the critical low and mid frequency ranges that are key for remixing. By combining 40 mm diameter drivers, thick 19 µm (micrometers) diaphragm and a copper clad aluminum wire (CCAW) voice coil, the headphones can efficiently reproduce the lower frequency audio range. Snare and kick drum sounds are more clear making it easier for even the most novice DJs to match the tempo of tracks. Versatility For maximum flexibility during performances, the HDJ-500 features a rotating arm structure that allows the user to rotate the right earpiece forward and back by as much as 60 degrees. At that position, the flexible headband maintains enough side pressure to allow the DJ to listen to audio on just one side of the headphones. The headphones include two interchangeable cords providing freedom of movement during performances. The traditional 1.2 meter coiled cord (extends to 3m) is perfect for regular DJ performances, while the 1 meter straight cord is ideal for leisure listening.

Yamaha Stagepass 600 The Ultimate All-in-One Portable PA System Features The new STAGEPAS 400 and 600 are complete, all-in-one sound solutions that are extremely portable and easy to set up, allowing users to instantly add high quality sound reinforcement to virtually any environment. Ultimate portability Compact and light enough to carry by hand, STAGEPAS is an all-in-one PA system that you can take literally anywhere. The two lightweight speakers and a detachable mixer, along with one pair of speaker cables and a power cord, combine into an attractive, compact package that provides the kind of portability that no roadie would ever dare to dream of. Fast and easy set-up With its intuitive, simple design, STAGEPAS can be set up and ready to go in a matter of seconds. Even users with no PA operation experience will be able to produce high-quality sound in under a minute. A PA for any occasion Flexible enough to be used in a truly impressive range of environments and applications, STAGEPAS systems can be set up in a variety of PA and monitoring configurations. The new STAGEPAS was designed to offer high quality sound, simply and quickly to let you do what you do best. Whether you're giving a speech or playing a gig, STAGEPAS is equipped with intelligent new features that provide simple, intuitive control of optimized settings, making it easy to dial in your perfect sound in a matter of seconds. iPod/ iPhone digital connection Enjoy high-quality playback while also charging your iPod/ iPhone so you never have to worry about a drained battery messing with your performance. SPX digital reverb One knob gives you access to four different high-quality reverb settings, perfect for vocals and acoustic instruments. Simply turn the knob to change the reverb type and time, and then you’re ready to apply just the right amount of high-resolution effect to each channel. 1-Knob Master EQ™ This new function gives you instant mastery of your mix, allowing you to match your sound to your surroundings. Simply turn the knob to optimize the EQ for speaking engagements, musical performances, or just to kick in more bass; getting your sound right has never been so easy. Feedback suppressor Avoid the uncomfortable feedback that plagues so many sound reinforcement novices and professionals alike. Usually found only on high-end gear, this intelligent function removes feedback automatically with the push of a button, giving you a clear, professional sound. Equipped with 10 channels or 8 channels respectively, the STAGEPAS 600 and 400 offer versatile connectivity, comprehensive channel functions, and seamless expandability that meet the growing demands of a wider range of applications and environments. New STAGEPAS Mixer - Channel EQ Assign detailed EQ settings to each channel for precise management of your final sound. Great sounding 2-band EQ on the STAGEPAS 400 and more flexible 3-band EQ on the 600 make setup easy and precise. Vocal and guitar performances especially will benefit from newly added mid-range control on 600. - Hi-Z switch Connect acoustic-electric guitars and basses to enjoy high-quality performance with low distortion. Passive pickup instruments can be connected hassle-free, without a direct box. - Switchable stereo/mono inputs A versatile new feature that allows you to transform each stereo channel input into two independent mono inputs, giving you the flexibility to adapt to the needs of a broad range of performance requirements. - Phantom power Connect condenser microphones directly to STAGEPAS to get the best sound quality possible. Phantom power also means you won't have to worry about DI boxes losing their charge during a performance. - Reverb footswitch For hands-free control of your reverb, connecting an optional footswitch allows you to turn the reverb on and off instantly¿perfect for MC-ing events or speaking during solo performances. - Monitor out Expand your front-of-house system or set up a monitoring system by using the STAGEPAS together with other powered speakers such as Yamaha’s DXR lineup. - Subwoofer out Add more bottom end to your system by connecting a powered subwoofer such as the Yamaha DXS Series. Simply plugging in a subwoofer will assign a high-pass filter to the STAGEPAS speakers automatically. By combining new high-efficiency amplifiers, newly designed speakers and high performance DSP, the new STAGEPAS delivers a significant increase in power output, with substantial improvements in sound quality and reliability More power. More possibilities. Delivering 680 and 400 watts of power respectively, the STAGEPAS 600 and 400 offer a major boost in performance, allowing you to meet the demands of a wider range of situations. New speaker design for an increased coverage area The new speaker design lets you deliver evenly-distributed, high-quality sound to a greater coverage area, so that the entire audience shares the same sonic experience. Intelligent DSP for peak performance that lasts STAGEPAS utilizes digital signal processing (DSP) to offer the consistently high-quality, distortion-free sound at any volume level, whether you're giving a business presentation or cutting loose in a club. What’s more, Yamaha’s intelligent DSP incorporates the use of advanced limiter circuits to protect vital STAGEPAS components, ensuring that you get the most out of your gear for years to come.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Making wireless freedom more accessible than ever, Gemini's VHF- single-channel wireless systems offer clear, natural sound quality at a truly affordable price. Allowing anyone to elevate their performance with carefree energy and mobility, the VHF series provides everything you need to kick cables to the curb. Available in two versatile configurations, Gemini's VHF systems offer a solution for nearly any application. The VHF-M features a unidirectional dynamic handheld microphone transmitter with a high-sensitivity cardioid capsule for supremely accurate vocal reproduction. And to ensure greater reliability and seamless audio, the transmitter also features noise-absorption mechanisms in the mic barrel to eliminate switch shock and handling noise, making the system ideal for vocalists, DJs and MCs. Features ¿High-quality VHF receiver with 100' range¿Available in four different channels matched to four different frequencies¿Power and Channel lED indicators¿Auto mute and built-in noise reduction¿ON/ OFF power switch¿VHF-M: Unidirectional, dynamic handheld microphone transmitter

The new color-coding lets you ‘see’ your sounds, and it will turbo-charge your workflow. Simply assign colors to the groups, sounds, patterns, and scenes, and see the pads and group buttons on the hardware light up in the same colors. Make your kick drums red, for example, and you’ll always know which pads play your kicks. Add some color to your performances! MASCHINE’s renowned pads are now even better, with unparalleled response, dynamics and sensitivity. A new level of precision at your fingertips, for optimized playability and expression — set the velocity scale to suit your own personal playing style. The 47 white, backlit click-buttons provide direct physical response. And with the new colored transport controls, the Mk2 hardware provides a wealth of physical and visual excitement for intuitive beat making. With MASCHINE 1.8, all MASCHINE users get the full version of the modern legend MASSIVE — the synth that gave birth to the earth-shuddering bass tones and speaker-troubling leads that have defined the bass music genre. This monster synth contains ready-to-go sounds, all instantly browseable via the MASCHINE hardware. MASCHINE’s eight control knobs offer direct access to MASSIVE’s eight Macro controls, for perfect synergy between hardware and synthesizer, and a lightning-fast workflow.

The HDJ-500 Professional DJ headphones are designed for exceptional fidelity, style, comfort and affordability. These headphones provide maximum performance and versatility for any type of use, from DJing to casual listening. Refined Design The HDJ-500 DJ headphones adapt the styling and performance cues of Pioneer's top-of-the-line HDJ- headphones. Designed with maximum comfort and reliability in mind, the HDJ-500 headphones use comfortable urethane pads for the ears that allow the headphones to mold around the user's head and ears for a snug and slip-resistant fit. Furthermore, the urethane pads are wrapped in great quality leather, providing greater feel and extended comfort. The main structure of the headphones is crafted of magnesium alloy for light weight and durability, making them great for travel and long periods of use. The Sound Difference The HDJ-500's stylish design is matched with great sound quality providing clear audio reproduction, especially in the critical low and mid frequency ranges that are key for remixing. By combining 40 mm diameter drivers, thick 19 µm (micrometers) diaphragm and a copper clad aluminum wire (CCAW) voice coil, the headphones can efficiently reproduce the lower frequency audio range. Snare and kick drum sounds are more clear making it easier for even the most novice DJs to match the tempo of tracks. Versatility For maximum flexibility during performances, the HDJ-500 features a rotating arm structure that allows the user to rotate the right earpiece forward and back by as much as 60 degrees. At that position, the flexible headband maintains enough side pressure to allow the DJ to listen to audio on just one side of the headphones. The headphones include two interchangeable cords providing freedom of movement during performances. The traditional 1.2 meter coiled cord (extends to 3m) is perfect for regular DJ performances, while the 1 meter straight cord is ideal for leisure listening. 1 year limited guarantee For more info on this product please click here

The HDJ-500 Professional DJ headphones are designed for exceptional fidelity, style, comfort and affordability. These headphones provide maximum performance and versatility for any type of use, from DJing to casual listening. Refined Design The HDJ-500 DJ headphones adapt the styling and performance cues of Pioneer's top-of-the-line HDJ-2000 headphones. Designed with maximum comfort and reliability in mind, the HDJ-500 headphones use comfortable urethane pads for the ears that allow the headphones to mold around the user's head and ears for a snug and slip-resistant fit. Furthermore, the urethane pads are wrapped in great quality leather, providing greater feel and extended comfort. The main structure of the headphones is crafted of magnesium alloy for light weight and durability, making them great for travel and long periods of use. The Sound Difference The HDJ-500's stylish design is matched with great sound quality providing clear audio reproduction, especially in the critical low and mid frequency ranges that are key for remixing. By combining 40 mm diameter drivers, thick 19 micrometers diaphragm and a copper clad aluminum wire (CCAW) voice coil, the headphones can efficiently reproduce the lower frequency audio range. Snare and kick drum sounds are more clear making it easier for even the most novice DJs to match the tempo of tracks. Versatility For maximum flexibility during performances, the HDJ-500 features a rotating arm structure that allows the user to rotate the right earpiece forward and back by as much as 60 degrees. At that position, the flexible headband maintains enough side pressure to allow the DJ to listen to audio on just one side of the headphones. The headphones include two interchangeable cords providing freedom of movement during performances. The traditional 1.2 meter coiled cord (extends to 3m) is perfect for regular DJ performances, while the 1 meter straight cord is ideal for leisure listening.

Visually checked only. Cover shows some handling imperfection like creasing and slightly worn around edges. Some pen scribblings in the middle of gatefold sleeve. LP in good condition. A1 All Through The Night A2 Anything Goes A3 Miss Otis Regrets A4 Too Darn Hot A5 In The Still Of The Night A6 I Get A Kick Out Of You A7 Do I Love You A8 Always True To You In My Fashion B1 Let's Do It B2 Just One Of Those Things B3 Ev'ry Time We Say Good-Bye B4 All Of You B5 Begin The Beguine B6 Get Out Of Town B7 I Am In Love B8 From This Moment On C1 I Love Paris C2 You Do Something To Me C3 Ridin' High C4 Easy To Love C5 It's All Right With Me C6 Why Can't You Behave C7 What Is This Thing Called Love C8 You're The Top D1 Love For Sale D2 It's DeLovely D3 Night And Day D4 Ace In The Hole D5 So In Love D6 I've Got You Under My Skin D7 I Concentrate On You D8 Don't Fence Me In