Kick bass drum microphone

AKG D112 MKII Professional dynamic bass drum microphone Items Available: 5 Stock ID: AKGP-D112 MKII

5 piece Drum Microphone Package Comprising the following Microphones: 1 x KM-8.0 Low-Frequency Instruments 4 x KM-8.1 Drum & Brass Instruments KM-8.0 Low-Frequency Instruments — Tailored frequency response is smooth and extended. Tuned specifically for kick drum applications. — Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. — Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. — Cartridge includes a neodymium magnet for high output level. — Internal shock mount for reduced handling noise. — Durable metal construction. — Integral stand mount. — Hardened steel mesh tapered grille that resists wear and abuse. Microphone Type: Dynamic (moving coil) Polar Pattern: Cardioid (unidirectional) Frequency Response: 30 to Hz polarity positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector Output Impedance (at Hz): 300 ohms Sensitivity (at Hz): -55dBV/Pa, (1.8mV), 1 Pascal=94dB SPL Electromagnetic Hum Sensitivity: 25dB equivalent SPL in a 1 millioersted field (60Hz) Connector: Three-pin professional audio connector (male XLR type) Case: Die cast metal housing, back matte finish; hardened silver colored, tapered steel mesh grille; built-in locking stand adapter Environmental Conditions: This microphone operates over a temperature range of -29 to 57 degrees Celsius (-20 to 135 degrees Fahrenheit), and at a relative humidity of 0 to 95% Warranty Type: Manufacturer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Free delivery on orders over a R in Gauteng. Delivery 1-3 days depending on area

CODA 200 Series hardware features double bracing, good chrome plating, and steel tubes. This hardware is great for replacements on old kits or for expanding new kits.

  Superlux Kick Drum Microphone T he PRA218A kick drum microphone is specially designed for a full warm sound and high SPL capability, making it suitable for other bass band or high SPL instruments. It has a permanently attached microphone clip. Features     Specially designed for kick drum and bass drum.     High SPL capacity up to 134 dB     Sturdy metal body.     Durable, reliable professional performance.     High energy neodymium magnet increase the output level Specifications     Type: Dynamic     Polar Pattern: Supercardioid     Frequency Response: 20-12,500 Hz     Sensitivity: -53 dBV/Pa (2.2 mV)     Output Impedance: 500 Ω     Min. Load Impedance: 500 Ω     Max.SPL: 134 dB SPL     Finish: Black     Connector: XLR3M     Dimensions: Ø43 × 120 mm     Net Weight: 210 g (7.4 oz)

Bass Drum Platform The Gibraltar Bass Drum Platform raises small bass drums 2" off of the ground Fits 18" and 20" bass drums The Gibraltar Bass Drum Platform raises small bass drums 2" off of the ground Fits 18" and 20" bass drums Kick Drum Riser for 18" and 20" Kick Drums

The D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers are thrilled with the D112´s ability to handle up to 160dB SPL without any distortion. The diaphragm has a very low resonance frequency to maintain a solid and powerful response below 100Hz. A narrow band presence boost at 4kHz punches through dense mixes with forceful impact - no additional EQ needed! The D112 is also an excellent choice for use with bass cabinets and trombones For all styles of music a D112 is a must buy ….. General Polar Pattern cardioid Audio Frequency bandwidth 20 to Hz Sensitivity 1.8 mV/Pa Electrical Impedance 200 Ohms Recommended Load Impedance Ohms Polar Pattern cardioid Audio Frequency bandwidth 20 to Hz Sensitivity 1.8 mV/Pa Electrical Impedance 200 Ohms Recommended Load Impedance Ohms

AKG P2 Dynamic Instrument Microphone Great for kick drums, bass cabinets and trombones Dynamic microphone designed for low-pitched instruments Powerful sound with great bass range Handles highest sound pressure levels Integrated stand adapter Rugged all-metal body withstands typical tough stage use Humbucking coil rejects EMC noises Complete with carrying case Rugged all metal microphone for bass instruments such as bass drum, trombone or bass amplifier. It delivers powerful sound with a high energy low end. Polar pattern cardioid Frequency range 20 to Hz Sensitivity 2.5mV/Pa Max. SPL 157 dB SPL Recommended load impedance >= ohms

Shure - PG52XLR Dynamic Kick Drum Microphone A high-performance cardioid dynamic kick drum microphone tuned to capture low-end punch. The PG52-XLR includes an integrated stand mount, 15ft (4.57m) XLR to XLR cable, 5/8" to 3/8" thread adapter, and a storage bag.

4 piece Drum Microphone Package Comprising the following Microphones: 1 x KM-8.0 Low-Frequency Instruments 3 x KM-8.1 Drum & Brass Instruments KM-8.0 Low-Frequency Instruments — Tailored frequency response is smooth and extended. Tuned specifically for kick drum applications. — Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. — Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. — Cartridge includes a neodymium magnet for high output level. — Internal shock mount for reduced handling noise. — Durable metal construction. — Integral stand mount. — Hardened steel mesh tapered grille that resists wear and abuse. Microphone Type: Dynamic (moving coil) Polar Pattern: Cardioid (unidirectional) Frequency Response: 30 to Hz polarity positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector Output Impedance (at Hz): 300 ohms Sensitivity (at Hz): -55dBV/Pa, (1.8mV), 1 Pascal=94dB SPL Electromagnetic Hum Sensitivity: 25dB equivalent SPL in a 1 millioersted field (60Hz) Connector: Three-pin professional audio connector (male XLR type) Case: Die cast metal housing, back matte finish; hardened silver colored, tapered steel mesh grille; built-in locking stand adapter Environmental Conditions: This microphone operates over a temperature range of -29 to 57 degrees Celsius (-20 to 135 degrees Fahrenheit), and at a relative humidity of 0 to 95% Warranty Type: Manufacturer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion Free delivery on orders over a R in Gauteng. Delivery 1-3 days depending on area

Evans EQ3 Resonant Black Bass Drum Head, 22 Inch Product Description A 7mil resonant head with an offset 5" microphone port and an internal overtone control ring, the EQ3 delivers a warm and punchy sound with a controlled, short decay that's ideal for both live and studio applications. | | Evans 22" black single-ply bass head with an internal overtone control ring delivers a warm and punchy sound with a controlled, short decay that's ideal for both live and studio application. | Evans EQ3 series features 7 mil of single-ply film and is a popular choice for both players and engineers. With an internal overtone control ring, the EQ3 delivers a warm and punchy sound with a controlled, short decay that's ideal for both live and studio application. The 5" offset mic port features a plastic sleeve, focuses pitch and enhances the attach while providing protection for the port. | For over 40 years, Evans has been a pioneer of drum head manufacturing and design. Known for innovative designs such as EMAD, EC2S, and the Hydraulic series, Evans drum heads are made in the USA in a state of the art manufacturing facility. Acquired in 1996 by D￢ﾀﾙAddario and Company, the global leader in musical instrument accessories, the Evans brand is synonymous with quality and consistency.| 22" resonant drum head made using a single ply of 7mil film | A fixed, internal overtone control ring is made to be microphone friendly, from the studio to arena | The 5" offset mic port features a plastic sleeve focuses pitch and enhances the attach while providing protection for the port | Available in a frosted, onyx, smooth white and coated white version | All Evans drum heads are designed, engineered and manufactured in the USA

The PGDMK4 is an entry level, 4-piece drum microphone set. It contains specialised drum microphones for Bassdrum (1x PG52), Snare, Toms and Percussion (3x PG56). Mounting plates, cables and a rugged carry case are included. Who is this best suited to? This would be an ideal choice for a budget concious amateur/semi-pro drummer looking to mic up their 4 piece drum kit. The microphones can be used on small stages, in the rehearsal room and in the home recording studio. What is included in the PGDMK4 drum kit? 1 x PG52 Dynamic MicrophoneRead moreGo to the glossary for Bass Drum 3 x PG56 Dynamic MicrophoneRead moreGo to the glossary for Snare, Toms and Percussion 3 x A50D Microphone clips (fits to most standard drum rims) 4 x XLR-XLR cables 4.5m Comes in a rugged carrying casePG52 Transducer Type: Dynamic Polar Pattern: Cardioid Frequency Response: 30 Hz - 13 kHz Sensitivity (1 kHz): -55 dBV/Pa / 1,8 mV/Pa Weight: 470 g PG56 Transducer Type: Dynamic Polar Pattern: Cardioid Frequency Response: 50 Hz - 15 kHz Sensitivity (1 kHz): -56 dBV/Pa / 1,6 mV/Pa Weight: 323 g

The new battery of microphones set Salmiéri Claude was designed to restore your drummer game with the utmost precision. It contains eight microphones: DRM-KD: 1 bass drum mic new generation. The look of the kick-drum mic recall good memories engineers of a certain generation. Not only the look, sound as: full, warm and clear. Unlike some current microphones frequency response artificially dug, the DRM-KD restores the entire sound of the bass drum leaving the engineer free to equalize based on the musical style and arrangement. DRM-C: 4 unidirectional dynamic microphone and ultra-versatile for toms and snare. You will find in compact form the wide bandwidth and dynamic capabilities of the instrument extended TT1. Use also with other percussion instruments such as congas, bongos.... DRM-OV: 3 overheads (condenser mics) perfectly adapted to capture the moods of drums and percussion, but also ideal for the Charleston. We defined these mics to get a sharp end, which detailed uniquely restores the harmonic richness of cymbals and a stereo broad and accurate picture. Comes in a shockproof hard case, this set is completed by four clamps and 3 clips to use your overheads. DRM-C Type: Dynamic Frequency response: 50Hz-15kHz Directivity: unidirectional Sensitivity: -49 ± 3dB 0dB = 1V / Pa (2.2mV / Pa) Output Impedance: 600Ω ± 30% (at 1kHz) DRM-KD Type: Dynamic Frequency response: 30Hz-15kHz Directivity: super cardioid Sensitivity: -50 ± 3dB 0dB = 1V / Pa at 1kHz? Output Impedance: 300Ω ± 30% (à1KHz) Login: 3 - XLR male DRM-OV Type: cell 16 ø condenser (back electret): Cardioid Frequency response: 30Hz - 18kHz Sensitivity: -38dB ± 3dB (0dB = 1V / Pa at 1kHz) Output Impedance: 100 ± 30% (at 1 kHz) own noise: 20dB A Max SPL: 135dB (at 1kHz≤1% THD) signal / noise ratio: 74dB Phantom Power: 9V-52V Please confirm stock availability before purchasing

AKG P4 Dynamic Instrument Microphone Great for kick drums, bass cabinets and trombones The AKG P 4 dynamic cardioid instrument microphone boasts a solid metal case to handle typical stage use (and abuse). It features an integrated stand adapter and a mounting bracket for highly versatile use on drums, percussions, wind instruments and guitar amps. AKG P 4 Features: ¿ Dynamic microphone designed for drums and percussions, wind instruments and bass guitar amps as well as trombones ¿ Response tailored for neutral reproduction of instrument sounds ¿ Integrated stand adapter and external bracket ¿ Rugged all-metal body withstands typical tough stage use ¿ Humbucking coil rejects EMC noises ¿ Complete with carrying case

The e 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments Features Rugged, lightweight aluminium body for stable positioning on long microphone boom arms Lightweight high-performance voice coil construction Fast transient response Low frequency extension Ideal for direct use on the most problematic bass signal Frequency-independent directivity provides isolation from other on-stage signals Humbucking coil Integral stand mount Delivery Includes 1 e 602-II 1 pouch Instructions for useDimensions 60 x 153 mm Connector XLR-3 Transducer principle (Microphone) dynamic Frequency response Hz Weight 318 g Pick-up pattern cardioid Sensitivity in free field, no load (1kHz) 0,25 mV/Pa; (50 Hz) 0,9 mV/Pa Nominal impedance 350 Ω Min. terminating impedance Ω

The e 602 II is a cardioid instrument microphone especially suitable for use with bass drums. bass guitar cabs. tubas and other low frequency instruments Features Rugged. lightweight aluminium body for stable positioning on long microphone boom arms Lightweight high-performance voice coil construction Fast transient response Low frequency extension Ideal for direct use on the most problematic bass signal Frequency-independent directivity provides isolation from other on-stage signals Humbucking coil Integral stand mount Delivery Includes 1 e 602-II 1 pouch Instructions for use