Feedback

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 15 - 20 working days Features Contributors Rush Format CD Release date 20040705

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 15 - 20 working days Features Contributors Rush Format Vinyl record Release date 20160115

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The FBQ Feedback Destroyer is the fastest feedback suppressor on the market, with a response time of less than 0.2 seconds. Whether you use it to kill feedback dead in its tracks for your mains and/or monitors, or as a sophisticated parametric equalizer to fine tune the acoustics of your next gig, the FBQ will bring a new level of finesse to your sound. And if you use in-ear monitors, the FBQ is a must have to protect your most valuable assets - your ears! Single-shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters Extensive MIDI implementation and user preset memories for instant program recalls Balanced inputs and servo-balanced outputs with 1/4" TRS and gold-plated XlR connectors High quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany ¿ High performance 2 channel Feedback Destroyer and Parametric EQ ¿ Automatically and "intelligently" locates and destroys up to 24 frequencies ¿ Ultra narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality ¿ "Set and forget" default setting enables immediate and super easy Feedback Destroyer performance ¿ Auto mode continuously monitors the mix and automatically sets filters Product EAN Gross Weight (Packaged) (kg) 2.15 Inner box quantity 1 Weight (kg) 1.9 Colour Silver Product Dimensions (mm) 44x483x195

Advanced Feedback Suppression! The AFS 224 Advanced Feedback Suppression processor provides state-of-the art feedback elimination processing with a simple and intuitive control interface. From the powerful DSP module to the no-nonsense user interface, the AFS 224 provides all the processing and control necessary for both installation and live use. The AFS 224 is an absolute must for any live sound application. Ten and twelve filter feedback elimination processors have become the de facto standard - the AFS 224 offers up to 24 filters per channel with filter Qs up to 1/80 of an octave. To achieve these staggering numbers dbx utilized their patent-pending AFS technology, that had previously only been available in the upper echelon line of products, and made it available in this stand-alone processor, which takes all of the guesswork out of feedback removal. In addition to the plethora of feedback suppression filters available, the AFS 224 also offers selectable modes, live filter lift, and types of filtration, which are all readily available via the intuitive user interface front panel. dbx AFS 224 Features: dbx's Patent-pending (Advanced Feedback Suppression) AFS

Behringer TN Eurocom Feedback Supressor The fully automatic TN professional dual-channel feedback suppression processor is the latest state-of-the-art advancement from BEHRINGER, one of the world’s leading manufacturers of feedback suppressors. From conference rooms to concert halls, any venue with a sound reinforcement system will benefit from the TN’s unprecedented performance and value. Functionality In designing the TN, our engineers have delivered a fully automatic feedback suppressor requiring no advance setup or tuning. Functioning in real time, and with detection accuracy to within one-sixth of a cycle, the TN is an elegant “plug and play” solution to one of live sound’s most vexing problems. Say goodbye to feedback forever with the EUROCOM TN.

Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters High-performance 2-channel Feedback Destroyer and Parametric EQ Automatically and "intelligently" locates and destroys up to 24 frequencies Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance Auto mode continuously monitors the mix and automatically sets filters Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters Extensive MIDI implementation and user preset memories for instant program recalls Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Hear No Evil and See no Evil. The AFS2 Advanced Feedback Suppression processor has been completely re-designed to take the foundation of the best selling AFS224 and bring it to thte next level. The AFS2 now offers the highly-intuitive Wizard function that takes all of the guesswork out of setting up any room. The AFS2 also incorporates a completely re-designed Advanced Feeback Supression module. Best of all, the AFS2 now provides the user with a full LCD display setup and monitoring. With its powerful DSP module, the AFS2 provides all the processing and control necessary for both installation and live use. Ten and twelve filter feedback elimination processors are the de facto standard, but the AFS2 offers a dedicated feedback suppression processor that offers up to 24 filters per channel with filter Qs up to 1/80 of an octave. To achieve these staggering numbers dbx utilized their improved AFS technology that had previously only been available in the upper echelon line of products and made it available in this stand-alone processor. In addition to the plethora of feedback suppression filters available, the AFS2 also offers selectable modes, live filter lift, and types of filtration, which are all readily available via the intuitive user interface front panel. With all of these state-of-the-art features in place, not only do you hear no evil, but you will now be able to see no evil. Features Wizard Setup Function Full LCD Display dbxs patented (Advanced Feedback Suppression) AFS technology 24 Programmable Filters per Channel Stereo or Dual Independent Channel Processing Live and Fixed Filter Modes Selectable Filter Lift Times Application-specific filter types include: Speech and Music Low, Med and High Input channel Metering 24 LED per Channel Filter Metering XLR and TRS Inputs and Outputs

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Behringer Feedback Destroyer Pro FBQ - The FBQ is the fastest (less than 0.2 sec.) and the only 96 kHz Feedback Suppressor on the market. Using an ultra-fast feedback detection algorithm, it automatically and intelligently locates up to 20 feedbac

Was R, now in store on sale R.Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters. High-performance 2-channel Feedback Destroyer and Parametric EQ,Automatically and “intelligently” locates and destroys up to 24 frequencies,Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality,“Set-and-forget” default setting enables immediate and super-easy Feedback Destroyer performance,Auto mode continuously monitors the mix and automatically sets filters,Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually

The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position.

The AFS2 Advanced Feedback Suppression processor has been completely re-designed to take the foundation of the best selling AFS224 and bring it to thte next level. The AFS2 now offers the highly-intuitive Wizard function that takes all of the guesswork out of setting up any room. The AFS2 also incorporates a completely re-designed Advanced Feeback Supression module. Best of all, the AFS2 now provides the user with a full LCD display setup and monitoring.

Features: A nice way to dress up your acoustic guitar while hiding typical, less attractive areas like the sound box, decals and bracing. This unique artful design also reduces unwanted feedback in live amplified settings. No modifications are required. Installation and removal are simple. The buffer also helps protect the soundhole from typical pick usage. Improve the looks and sound of your guitar today with the Sound Buffer. Specifications: Overall Diameter: 105mm Height: 10mm Soundhole Diameter: 100mm Material: Wood, Sponge The Sound Buffer fits most standard dreadnought acoustic guitars. Package Included: 1x Guitar Hole Sound Cover

Acoustic Guitar Feedback Buster Soundhole Cover Sound Buffer Hole Protector

Buy Acoustic Guitar Feedback Buster Soundhole Cover Sound Buffer Hole Protector for R270.20

pedals work perfectly and are in good condition.boss fb-2 feedback/booster r1300boss ds-1 distortion pedal r600...170547819

Dual channel automatic feedback eliminator Retail price: R1,495 Contact 021 761 4828 or 021 595 2444 *If this ad is active, the product is available*

6 Type Soundhole Cover Acoustic Guitar Buster Protector Sound Buffer Hole 10.5cm   Feature: -100% new and high quality. -Carved wood guitar sound hole cover. -You can restore the sound hole piano body resonance sound field, while effectively suppressing a tsunami caused by bass. -Wood can play a silent role in the mat, completely fit the soft side. -Not only can play an antilarsen function, also can ensure the guitar sound, let you enjoy the music. -Suitable for guitar those sound hole diameter is 98-102mm.   Specifications: Product name: Soundhole Cover Material: Wood Color: Wooden color Diameter: Approx. 10.5cm/4.13" Thickness: Approx. 1cm/0.39" Collection: 6 Types (Please choose the type by leave the message to us or we will ship by rendom!!!)   Package Include: 1x Soundhole Cover

Hands down the best active speaker on the market !!! StageSource® is designed to be the world’s most versatile loudspeaker system for musicians and other performers Using six powerful DSP-based Smart Speaker modes, the StageSource L3T output is optimized for a variety of performance scenarios including front-of-house PA, floor monitor, personal PA, keyboard backline, acoustic guitar backline, or with a multi-effects guitar processor as a high-performance electric guitar speaker system. Onboard accelerometer and pole mount sensors automatically detect the speaker’s orientation and set the Smart Speaker mode accordingly Powerful -watt, Three-way Design The-watt, 3-way, tri-amped speaker system and a dual-braced tour-grade plywood enclosure combine to deliver astounding power and reliability. The innovative multi-function design enables the L3m to be the perfect loudspeaker in a wide variety of applications including floor or stage-stacked, pole-mounted, horizontal as a floor monitor, Virtual Tilt-back for instrument backline or flown with the integrated M10 suspension points for installation. Fast Networking via L6 LINK In live sound situations where two or more speakers are needed, StageSource products use a proprietary digital networking protocol called L6 LINK™ to simplify setup. Loudspeakers will automatically self-configure, pan stereo signals, adjust Smart Speaker modes and perform system-wide optimization. Add StageSource L3s subwoofers to the mix and the system automatically sends them the summed signals and sets the crossovers. When combined, Line 6 live sound products form an intelligent ecosystem that sets up faster and helps you sound your best no matter what Orientation and Pole-mount Sensors StageSource L3m uses an internal accelerometer, optical sensors and DSP to accelerate setup and optimize the sound of your system. Based on the information the system detects, it selects the right Smart Speaker mode for the application, and automatically adjusts its performance. For example, when the unit is powered on in a horizontal position, it automatically selects Floor Monitor mode. This mode provides a slight reduction in low-frequency content to counteract coupling when placing the speaker on the floor. If any "backline" mode is chosen (Keyboard, Acoustic Guitar, Electric Guitar), the L3m then checks its orientation (via the accelerometer) and looks to see if it is on a pole (via the pole sensor). If the speaker is vertical and not on a pole, the L3m activates Virtual Tilt-back which optimizes the speaker tuning to achieve an upward tilt to its main axis. This helps to aim the sound upward towards the performer's ears when the speaker is placed on the ground. If the speaker is on a pole, it doesn't activate Virtual Tilt-back because it assumes that the speaker is elevated and aimed in the desired direction. Integrated Feedback Suppression Since feedback can ruin a performance, StageSource L2m uses intelligent 12-band feedback suppression to identify the problem frequencies and adjust levels without affecting the overall sound. L3m feedback suppression continuously analyzes the audio signal, identifying frequencies that have the characteristics of feedback (steady frequencies with few overtones, rising in amplitude) and then applies a narrow notch filter to remove the offending frequency. L3m feedback suppression can remove up to 12 independent feedback frequencies. You can set the feedback analyzer to one of three modes, depending on how aggressively the analyzer will seek out potential feedback frequencies. BUILT IN MIXER The L3t can function as a self-contained live sound solution. With a full-featured onboard mixer including multiple inputs for microphones, instruments, external mixers and MP3 players, L3t delivers all of the tools you need for great live sound. 3-band EQ with sweepable mid, Smart Mod and Smart Reverb effects on each input channel allow you to sweeten the sound of any vocal or instrument. Line 6 Acoustic Guitar modeling adds depth and warmth to any acoustic guitar fitted with piezo pickups. Onboard 12-band feedback suppression and an output limiter protects against squeals during your performance. The combination of effects, acoustic guitar modeling and feedback suppression make the L3t a powerful live sound solution for acoustic musicians. StageSource L3t onboard mixer features: 2 mic/instrument combi inputs with -20dB pad switches and gain pots 1 XLR line aux input 1 stereo RCA aux input 3-band EQ with sweepable mid Acoustic guitar modeling 12-band feedback suppression Smart Reverb and Smart Mod effects XLR outputs Master volume

Hands down the best active speaker on the market !!! StageSource® is designed to be the world’s most versatile loudspeaker system for musicians and other performers Using six powerful DSP-based Smart Speaker modes, the StageSource L2m output is optimized for a variety of performance scenarios including front-of-house PA, floor monitor, personal PA, keyboard backline, acoustic guitar backline, or with a multi-effects guitar processor as a high-performance electric guitar speaker system. Onboard accelerometer and pole mount sensors automatically detect the speaker’s orientation and set the Smart Speaker mode accordingly Powerful 700-watt, Three-way Design The 700-watt, 3-way, tri-amped speaker system and a dual-braced tour-grade plywood enclosure combine to deliver astounding power and reliability. The innovative multi-function design enables the L3m to be the perfect loudspeaker in a wide variety of applications including floor or stage-stacked, pole-mounted, horizontal as a floor monitor, Virtual Tilt-back for instrument backline or flown with the integrated M10 suspension points for installation. Fast Networking via L6 LINK In live sound situations where two or more speakers are needed, StageSource products use a proprietary digital networking protocol called L6 LINK™ to simplify setup. Loudspeakers will automatically self-configure, pan stereo signals, adjust Smart Speaker modes and perform system-wide optimization. Add StageSource L3s subwoofers to the mix and the system automatically sends them the summed signals and sets the crossovers. When combined, Line 6 live sound products form an intelligent ecosystem that sets up faster and helps you sound your best no matter what Orientation and Pole-mount Sensors StageSource L3m uses an internal accelerometer, optical sensors and DSP to accelerate setup and optimize the sound of your system. Based on the information the system detects, it selects the right Smart Speaker mode for the application, and automatically adjusts its performance. For example, when the unit is powered on in a horizontal position, it automatically selects Floor Monitor mode. This mode provides a slight reduction in low-frequency content to counteract coupling when placing the speaker on the floor. If any "backline" mode is chosen (Keyboard, Acoustic Guitar, Electric Guitar), the L3m then checks its orientation (via the accelerometer) and looks to see if it is on a pole (via the pole sensor). If the speaker is vertical and not on a pole, the L3m activates Virtual Tilt-back which optimizes the speaker tuning to achieve an upward tilt to its main axis. This helps to aim the sound upward towards the performer's ears when the speaker is placed on the ground. If the speaker is on a pole, it doesn't activate Virtual Tilt-back because it assumes that the speaker is elevated and aimed in the desired direction. Integrated Feedback Suppression Since feedback can ruin a performance, StageSource L2m uses intelligent 12-band feedback suppression to identify the problem frequencies and adjust levels without affecting the overall sound. L3m feedback suppression continuously analyzes the audio signal, identifying frequencies that have the characteristics of feedback (steady frequencies with few overtones, rising in amplitude) and then applies a narrow notch filter to remove the offending frequency. L3m feedback suppression can remove up to 12 independent feedback frequencies. You can set the feedback analyzer to one of three modes, depending on how aggressively the analyzer will seek out potential feedback frequencies. BUILT IN MIXER The L3t can function as a self-contained live sound solution. With a full-featured onboard mixer including multiple inputs for microphones, instruments, external mixers and MP3 players, L3t delivers all of the tools you need for great live sound. 3-band EQ with sweepable mid, Smart Mod and Smart Reverb effects on each input channel allow you to sweeten the sound of any vocal or instrument. Line 6 Acoustic Guitar modeling adds depth and warmth to any acoustic guitar fitted with piezo pickups. Onboard 12-band feedback suppression and an output limiter protects against squeals during your performance. The combination of effects, acoustic guitar modeling and feedback suppression make the L3t a powerful live sound solution for acoustic musicians. StageSource L3t onboard mixer features: 2 mic/instrument combi inputs with -20dB pad switches and gain pots 1 XLR line aux input 1 stereo RCA aux input 3-band EQ with sweepable mid Acoustic guitar modeling 12-band feedback suppression Smart Reverb and Smart Mod effects XLR outputs Master volume

Hands down the best active speaker on the market !!! StageSource® is designed to be the world’s most versatile loudspeaker system for musicians and other performers Using six powerful DSP-based Smart Speaker modes, the StageSource L3m output is optimized for a variety of performance scenarios including front-of-house PA, floor monitor, personal PA, keyboard backline, acoustic guitar backline, or with a multi-effects guitar processor as a high-performance electric guitar speaker system. Onboard accelerometer and pole mount sensors automatically detect the speaker’s orientation and set the Smart Speaker mode accordingly Powerful -watt, Three-way Design The -watt, 3-way, tri-amped speaker system and a dual-braced tour-grade plywood enclosure combine to deliver astounding power and reliability. The innovative multi-function design enables the L3m to be the perfect loudspeaker in a wide variety of applications including floor or stage-stacked, pole-mounted, horizontal as a floor monitor, Virtual Tilt-back for instrument backline or flown with the integrated M10 suspension points for installation. Fast Networking via L6 LINK In live sound situations where two or more speakers are needed, StageSource products use a proprietary digital networking protocol called L6 LINK™ to simplify setup. Loudspeakers will automatically self-configure, pan stereo signals, adjust Smart Speaker modes and perform system-wide optimization. Add StageSource L3s subwoofers to the mix and the system automatically sends them the summed signals and sets the crossovers. When combined, Line 6 live sound products form an intelligent ecosystem that sets up faster and helps you sound your best no matter what Orientation and Pole-mount Sensors StageSource L3m uses an internal accelerometer, optical sensors and DSP to accelerate setup and optimize the sound of your system. Based on the information the system detects, it selects the right Smart Speaker mode for the application, and automatically adjusts its performance. For example, when the unit is powered on in a horizontal position, it automatically selects Floor Monitor mode. This mode provides a slight reduction in low-frequency content to counteract coupling when placing the speaker on the floor. If any "backline" mode is chosen (Keyboard, Acoustic Guitar, Electric Guitar), the L3m then checks its orientation (via the accelerometer) and looks to see if it is on a pole (via the pole sensor). If the speaker is vertical and not on a pole, the L3m activates Virtual Tilt-back which optimizes the speaker tuning to achieve an upward tilt to its main axis. This helps to aim the sound upward towards the performer's ears when the speaker is placed on the ground. If the speaker is on a pole, it doesn't activate Virtual Tilt-back because it assumes that the speaker is elevated and aimed in the desired direction. Integrated Feedback Suppression Since feedback can ruin a performance, StageSource L3m uses intelligent 12-band feedback suppression to identify the problem frequencies and adjust levels without affecting the overall sound. L3m feedback suppression continuously analyzes the audio signal, identifying frequencies that have the characteristics of feedback (steady frequencies with few overtones, rising in amplitude) and then applies a narrow notch filter to remove the offending frequency. L3m feedback suppression can remove up to 12 independent feedback frequencies. You can set the feedback analyzer to one of three modes, depending on how aggressively the analyzer will seek out potential feedback frequencies.

Hands down the best active speaker on the market !!! StageSource® is designed to be the world’s most versatile loudspeaker system for musicians and other performers Using six powerful DSP-based Smart Speaker modes, the StageSource L2m output is optimized for a variety of performance scenarios including front-of-house PA, floor monitor, personal PA, keyboard backline, acoustic guitar backline, or with a multi-effects guitar processor as a high-performance electric guitar speaker system. Onboard accelerometer and pole mount sensors automatically detect the speaker’s orientation and set the Smart Speaker mode accordingly Powerful 700-watt, Three-way Design The 700-watt, 3-way, tri-amped speaker system and a dual-braced tour-grade plywood enclosure combine to deliver astounding power and reliability. The innovative multi-function design enables the L3m to be the perfect loudspeaker in a wide variety of applications including floor or stage-stacked, pole-mounted, horizontal as a floor monitor, Virtual Tilt-back for instrument backline or flown with the integrated M10 suspension points for installation. Fast Networking via L6 LINK In live sound situations where two or more speakers are needed, StageSource products use a proprietary digital networking protocol called L6 LINK™ to simplify setup. Loudspeakers will automatically self-configure, pan stereo signals, adjust Smart Speaker modes and perform system-wide optimization. Add StageSource L3s subwoofers to the mix and the system automatically sends them the summed signals and sets the crossovers. When combined, Line 6 live sound products form an intelligent ecosystem that sets up faster and helps you sound your best no matter what Orientation and Pole-mount Sensors StageSource L3m uses an internal accelerometer, optical sensors and DSP to accelerate setup and optimize the sound of your system. Based on the information the system detects, it selects the right Smart Speaker mode for the application, and automatically adjusts its performance. For example, when the unit is powered on in a horizontal position, it automatically selects Floor Monitor mode. This mode provides a slight reduction in low-frequency content to counteract coupling when placing the speaker on the floor. If any "backline" mode is chosen (Keyboard, Acoustic Guitar, Electric Guitar), the L3m then checks its orientation (via the accelerometer) and looks to see if it is on a pole (via the pole sensor). If the speaker is vertical and not on a pole, the L3m activates Virtual Tilt-back which optimizes the speaker tuning to achieve an upward tilt to its main axis. This helps to aim the sound upward towards the performer's ears when the speaker is placed on the ground. If the speaker is on a pole, it doesn't activate Virtual Tilt-back because it assumes that the speaker is elevated and aimed in the desired direction. Integrated Feedback Suppression Since feedback can ruin a performance, StageSource L2m uses intelligent 12-band feedback suppression to identify the problem frequencies and adjust levels without affecting the overall sound. L3m feedback suppression continuously analyzes the audio signal, identifying frequencies that have the characteristics of feedback (steady frequencies with few overtones, rising in amplitude) and then applies a narrow notch filter to remove the offending frequency. L3m feedback suppression can remove up to 12 independent feedback frequencies. You can set the feedback analyzer to one of three modes, depending on how aggressively the analyzer will seek out potential feedback frequencies.

CARD MACHINE AVAILABLE. CORT AF60 Acoustic Guitar Amp Combo. With XLR Microphone input with effects. Condition as new. Price: R4500 Indicative new price R6500 BUYERS FROM PORT ELIZABETH AND SURROUNDS. The 60w of the AF60 will be able to handle medium size venues with plenty of power and headroom. The AF60’s combination of two 8″ woofers with a single tweeter provides a balanced sound for firm punchy lows with clear and defined highs. The 4-band equalizer features carefully selected frequency bands (70, 400, 800, 10K) that are ideal to bring the natural character of your acoustic guitar while providing a wide range of sounds and tonal character. Feedback can be a problem with acoustic instruments. With the notch control, you can eliminate the unwanted feedback by engaging the notch switch and using the knob to select the frequency causing the feedback. The 60w of the AF60 will be able to handle medium size venues with plenty of power and headroom. The AF60’s combination of two 8″ woofers with a single tweeter provides a balanced sound for firm punchy lows with clear and defined highs. The 4-band equalizer features carefully selected frequency bands (70, 400, 800, 10K) that are ideal to bring the natural character of your acoustic guitar while providing a wide range of sounds and tonal character. Feedback can be a problem with acoustic instruments. With the notch control, you can eliminate the unwanted feedback by engaging the notch switch and using the knob to select the frequency causing the feedback.

Novation 25 SL Mk II 25-key USB MIDI Keyboard Controller - Novation 25 SL Mk II 25-key USB MIDI Keyboard Controller at a Glance: Take a hands-on, touch-sensitive approach to all aspects of making music Map controls at break-neck speed using the included Automap 3 PRO software LED visual feedback keeps you in touch with every MIDI assignment Includes the Xcite+ Pack, so you can immediately start getting creative Bus-powered for the musician on the go Take a hands-on, touch-sensitive approach to all aspects of making music The Novation 25 SL Mk II provides 25 great-feeling, semi-weighted keys for expressively playing in musical parts. Beyond that, though, the Novation 25 SL Mk II offers a full 16-knob, 8-fader, 32-button control surface, so you can take charge of your software, make adjustments to plug-ins, and ultimately speed up your workflow. You'll especially love the Novation 25 SL Mk II's touch-sensitive "soft-feel" drumpads ¿ perfect for sketching beats or triggering samples ¿ and its unique 2-axis Xpression Pad and Pitch/mod Joystick controls. Map controls at break-neck speed using the included Automap 3 PRO software It's incredibly easy to assign out controls on the Novation 25 SL Mk II MIDI controller. That's because it comes with a copy of Novation's Automap 3 PRO software. This powerful program lets you simply touch the controller, click on a an on-screen parameter, and consider the control assigned. You can even assign almost any QWERTY or ASCII keyboard shortcut to the hardware controls. On-screen, you can manage your mappings, rename them, or swap them by dragging and dropping ¿ it's all really easy and really fast. Plus, there's an "Autoview" function, which only brings up the Automap 3 PRO GUI when you touch a 25 SL Mk II controller ¿ it will hide the GUI after the controller is released. Automap 3 PRO offers intelligent control over all sequencers and VST/AU/RTAS/TDM plug-ins. It gets better, though ¿ keep reading to find out about the Novation 25 SL Mk II's extensive visual feedback. LED visual feedback keeps you in touch with every MIDI assignment With most MIDI controllers, you have to memorize the way you've mapped out your control assignments ¿ not an easy task and one that makes it nearly impossible to collaborate with anyone else while you work. The Novation 25 SL Mk II, though, sports an LED screen above the row of encoders. It displays words to tell you just what you've assigned to each control. Beyond that, those encoders feature an LED ring around them, so you get the visual cues you need to set levels or take note of your levels ¿ whether you're in the studio or out on a dark stage. Add to that 32 assignable back-lit buttons, and you'll have a lot of control ¿ and important feedback ¿ with your Novation 25 SL Mk II. Includes the Xcite+ Pack, so you can immediately start getting creative Make music straight out of the box with your Novation 25 SL Mk II USB MIDI controller. It comes with the Xcite+ bundle, which includes popular Ableton Live 7 Lite DAW software. Beyond that, the Novation 25 SL Mk II controller's Xcite+ Pack comes with 502MB of Mike the Drummer live drum loops, the Novation Bass-station synth, and a 1GB Loopmasters Samples library. Bus-powered for the musician on the go You can take your Novation 25 SL Mk II out anywhere ¿ to a friend's house or out to the coffee shop. Just pair it with a laptop and you're automatically mobile, as the Novation 25 SL Mk II can be powered completely by USB bus power from yoru computer. Novation 25 SL Mk II 25-key USB MIDI Keyboard Controller Features: 25-key Semi-weighted USB MIDI Controller and Control Surface Puts a wealth of DAW and Virtual Instrument control under your fingertips Vibrant LED display, LED rings, and illuminated buttons make it easy to work Easily assign controls ¿ and get feedback ¿ with Automap 3 PRO software Newly designed "Soft-feel" drumpads for expressive programming and triggering Can be completely powered by USB, so you're free to take your sound mobile Includes the Xcite+ Pack software bundle, so you can make music right away Novation 25 SL MkII 25-key USB MIDI Keboard Controller Specifications: 25 semi-weighted Fatar keys with aftertouch 8 Encoders (Infinite Rotation) with touch-sensitivity and 11-segment LED rings 8 Pots (270 Rotation) with touch sensitivity 8 Sliders with touch-sensitivity 32 Buttons with integrated LEDs (37 in MIDI mode) 8 soft feel Trigger pads Xpression Pad Xpression Stick Touch-sensitive Speed Dial General Automap Operation Buttons (Learn, View, Browser Groups, etc.) Octave up/down buttons with LED indicator Data Port: 1 x USB (Win XP/Vista and Mac OSX - Not Class Compliant) MIDI: MIDI1 IN, OUT and Thru, MIDI2OUT Sustain Pedal: 1 x 1/4 Jack Input Expression pedal: 1 x 1/4 Jack Input Power switch: Ext DC/USB (Can be completely USB powered) *

Product:BESPMOSP I Pick You Always and Forever Guitar Pick, Musical Gift, Anniversary, Valentine's Day, Gift for Lover Feedback:BESPMOSP JEWELRY pays great attentions to the shopping experiences and feedback from the customers.Your satisfaction and positive feedback with 5 stars is the motivation for us to move forward.It would be highly appreciated if you could leave a good review or a positive feedback to our product and our store. If you have any problems with our items or services, please feel free to contact us first before you leave negative feedback. We will do our best to solve any problems and provide you with the best customer services.

[section bg="https://image.mercurymusic.co.za/vi61-2.png" title=" padding="30px" dark="true" parallax_text="1" parallax="6" margin="0px"][/section] Plug-and-Go Software VI61 was designed to seamlessly and effortlessly integrate with your music software. A single USB connection to your Mac or PC provides both power and MIDI functionality, allowing you to plug right into your computer and start making music. With the 5-pin MIDI Out, you can also use VI61 to control external MIDI modules, synthesizers, and more. A LED screen and illuminated knobs, buttons, and pads provide real-time visual feedback and are laid out for an intuitive workflow. Plus, VI61's compact design makes it easy to take this advanced MIDI controller on the road or implement it into any sized studio. Features 61 full-sized, square-front, semi-weighted keys with aftertouch 16 velocity-sensitive trigger pads with illuminated RGB feedback for beat production and clip launching 48 assignable buttons and 16 assignable knobs interface with your music software Pitch and modulation wheels deliver expressive, creative control Seamless visual feedback via LED screen and illuminated buttons and knobs USB MIDI and 5-pin MIDI Out offer flexible MIDI connectivity USB-powered and plug-and-play support for Mac and PC Production software included: Ableton Live Lite and Xpand!2 by AIR Music Tech (downloads) The Building Blocks of Professional Music Production The Alesis VI61 is an advanced USB/MIDI keyboard MIDI controller that lets you take command of your music software with a series of pads, knobs, and buttons. With 61 velocity-sensitive semi-weighted keys with aftertouch and Octave Up/Down buttons, you can expand the keyboard to the full melodic range and play bass lines, chords, and melodies. VI61 also features 16 assignable knobs and 48 assignable buttons for manipulating effect plugins and virtual instruments: open and close filters, adjust volume levels, activate effects, tweak parameters, and more. 16 velocity-sensitive RGB trigger pads allow you to launch clips or finger drum with exceptional response and colorful visual feedback. Plus, pitch and modulation wheels expand the expressive capabilities of your performing. Plug-and-Go Software VI61 was designed to seamlessly and effortlessly integrate with your music software. A single USB connection to your Mac or PC provides both power and MIDI functionality, allowing you to plug right into your computer and start making music. With the 5-pin MIDI Out, you can also use VI61 to control external MIDI modules, synthesizers, and more. A LED screen and illuminated knobs, buttons, and pads provide real-time visual feedback and are laid out for an intuitive workflow. Plus, VI61's compact design makes it easy to take this advanced MIDI controller on the road or implement it into any sized studio. Ableton Live & XPAND!2 VI61 is bundled with Ableton Live Lite and Xpand!2 by AIR Music Tech, two dynamic pieces of software that enable you to record, produce, and perform with your computer. Ableton Live Lite is a fluid audio/MIDI environment that enables you to spontaneously record, remix, improvise, and edit musical ideas on the fly. Xpand!2 is an advanced virtual instrument that comes with a collection of premium sounds, ranging from acoustic instruments to futuristic synthesizers. Together, these powerful music platforms allow you to create or perform music with VI61 right out of the box. Contents VI61 MIDI Keyboard Controller USB Cable Ableton Live Lite (Download) Xpand!2 by AIR Music Tech (Download) User Guide Safety & Warranty Manual Requirements Mac: OS X 10.7, 10.8, or 10.9 (Software Requirements: OS X 10.8 or 10.9) PC: Windows 7 or Windows 8; Multicore Processor; 2GB RAM Available USB Port

Instantly Improve Your PA! Here's a way to instantly get better results from your PA system. In fact, having the dbx DriveRack PX is like permanently hiring an experienced Live Sound Engineer! This Powered Speaker Optimizer can intelligently set itself up to get the best sound possible from your PA. Just bring the included measurement microphone with you to your next gig, run the "Wizard" setup, and let the DriveRack PX take it from there! It can instantly configure itself to get optimized EQ settings for the room, and an Advanced Feedback Suppression system kills nasty feedback before it ever starts. What's more, the patented Subharmonic Synthesizer onboard helps you extend bass response, so you get a full and rich bottom end, without the mud. Beyond that, the dbx DriveRack PX also offers out-of-the-box support for a wide range of the most popular PA speakers out there. Just tell it what speakers you're using and your DriveRack PX will tailor itself to your specific setup. You've also got dbx "classics" onboard, so you can fine-tune your sound using some of the most respected tools in the industry. There's dbx compression, PeakStopPlus limiting, and even a tweakable dual 28-band graphic EQ. Better yet, once you've dialed in a sound you love, you can save it as one of 25 user presets. That way, if your band or rig ever goes back to the same venue, you're instantly ready to go! With its array of "smart" built-in features and classic dbx sound, the DriveRack PX is an easy choice for any gigging band or FOH engineer. You'll enjoy louder, cleaner, better sound than you thought possible from your powered speakers! dbx DriveRack PX Features at a Glance: Powered Speaker Optimizer Stereo Feedback Elimination with 12 feedback notch filters Dual 28-band Graphic EQ Classic dbx Compressor 120A Subharmonic Synthesizer Stereo Multi-band Parametric EQ Stereo PeakPlus Limiters Pink Noise Generator Auto-EQ with 28-Band RTA JBL and other popular powered speakers included in Setup Wizard dbx M2 Measurement Mic and zippered pouch included Front panel RTA-Mic XLR input with phantom power 25 User Programs / 25 Factory Programs 2 Channel XLR Input 2 Channel XLR Output 2 Channel XLR Sub Output 24-Bit ADC/24-Bit DAC, >110 dB Dynamic Range dbx Type IV Conversion System Full Graphic LCD Display

PRECISION TUNED BY THE SPEAKER BRAINS AT EAW: The new C Series passive Loudspeakers represent Mackie's first lightweight passive speakers tuned exclusively by the EAW loudspeaker engineering team. We're talking about the same team with more than 25 years of high-output loudspeaker expertise, having created loudspeaker systems for critical applications as diverse as the Super Bowl, Iron Maiden, and the Pope. And although loudspeakers for these mega-systems cost exponentially more than the stalwart C300z, many of the same concepts applied, namely: designing custom 12" LF drivers with a frequency range from 50 Hz - Hz and a 3" voice coil that can take a pounding. And a 1.75" High-Frequency titanium Driver and Horn providing a wide, controlled dispersion pattern and precise reproduction of the critical Hz - Hz upper mid-range and high frequencies. CROSSOVERS TUNED TO PERFECTION: Tuning a crossover (i.e. voicing a system), involves dozens of critical decisions that many manufacturers overlook. In the end, it is all about balancing the design so that you get the best subjective results from the speaker while maintaining a good technical implementation. The crossover in the C Series is a unique Low Impedance Compensated Crossover (LICC) design with an asymmetrical slope. With EQ and crossover points meticulously chosen so that beamwidth patterns match in both drivers, C Series loudspeakers offer natural sound at all volume levels. ULTRA-WIDE DISPERSION: Ever been to a show where the music sounds great in front, but craps out once you get to the back or sides of the room? We have, and that's why we gave the C300z a multi-cell horn throat aperture. Sure, it's hard to say, but what it does is allow for much wider and more even dispersion of high and mid frequencies—so the wallflowers get the same great listening experience as those up front.  BETTER THAN YOUR AVERAGE BOX: Anyone with a factory can build a box and stick some speakers in it (and that's just what many do). But low-frequency transducers in square boxes can create resonances that reflect off the rear wall and pass through the woofer cone out of phase, and ready to mess up your sound. The C300z enclosure is an asymmetrical monocoque design with no parallel surfaces, causing mid and high frequency resonance's to be reflected at angles into internal damping materials, instead of interfering with the woofer doing its thing.. SUPERB FLOOR MONITOR: A good floor monitor plays loudly without generating feedback through vocal microphones. A poor floor monitor, on the other hand, will generate feedback just about the time you turn it up to a useable level. Floor monitor feedback is often caused by uneven frequency response and dispersion; some frequencies arrive at the microphone much louder than others. These "spikes" are what trigger feedback as the floor monitor volume is increased. The C300z has incredibly smooth, spike-free response and dispersion over a wide range of treble frequencies. So you can increase its volume without boosting those nasty, feedback-inducing spikes. Without extensive tuning, no passive speaker or specialized floor wedge in this class can even come close. ACOUSTIC PERFORMANCE: SYSTEM SPECIFICATIONS: Frequency Response (–3 dB): 55Hz – 18kHz  Frequency Range (–10 dB): 45Hz – 20kHz  Maximum SPL Long-term @ 1m: 123dB  Crossover Frequency: Hz  AUDIO: Input Type: Speakon®-style NL4 jack 1/4-inch TS phone jack  Input Impedance: 8 ohms  Power Handling: (RMS) 300 watts, (peak) 750 watts FEATURES: Portable Precision Passive loudspeaker with 1.75" HF compression driver and 12" LF transducer  HF compression driver mounted on a multi-celled aperture, with a constant directivity horn for room-wide 90° x 45° dispersion  Precise reproduction of critical upper mid-range and high frequencies  Tough, impact-resistant enclosure with sturdy handles, pole-mount, and integrated rigging points  Designed for optimum performance with Mackie powered mixers and power amplifiers  750W peak power handling  Three setup configurations: pole mount, flyable and wedge  Passive version of the best-selling SRM year limited guarantee. For more info on this product please click here

The Building Blocks of Professional Music Production   The Alesis VI25 is an advanced USB/MIDI keyboard MIDI controller that lets you take command of your music software with a series of pads, knobs, and buttons. With 25 velocity-sensitive semi-weighted keys with aftertouch and Octave Up/Down buttons, you can expand the keyboard to the full melodic range and play bass lines, chords, and melodies. VI25 also features 8 assignable knobs and 24 assignable buttons for manipulating effect plugins and virtual instruments: open and close filters, adjust volume levels, activate effects, tweak parameters, and more. 16 velocity-sensitive RGB trigger pads allow you to launch clips or finger drum with exceptional response and colorful visual feedback. Plus, pitch and modulation wheels expand the expressive capabilities of your performing. Plug-and-Go Software   VI25 was designed to seamlessly and effortlessly integrate with your music software. A single USB connection to your Mac or PC provides both power and MIDI functionality, allowing you to plug right into your computer and start making music. With the 5-pin MIDI Out, you can also use VI25 to control external MIDI modules, synthesizers, and more. A LED screen and illuminated knobs, buttons, and pads provide real-time visual feedback and are laid out for an intuitive workflow. Plus, VI25's compact design makes it easy to take this advanced MIDI controller on the road or implement it into any sized studio. Ableton Live & XPAND!2   VI25 is bundled with Ableton Live Lite and Xpand!2 by AIR Music Tech, two dynamic pieces of software that enable you to record, produce, and perform with your computer. Ableton Live Lite is a fluid audio/MIDI environment that enables you to spontaneously record, remix, improvise, and edit musical ideas on the fly. Xpand!2 is an advanced virtual instrument that comes with a collection of premium sounds, ranging from acoustic instruments to futuristic synthesizers. Together, these powerful music platforms allow you to create or perform music with VI25 right out of the box.   FEATURES 25 full-sized, square-front, semi-weighted keys with aftertouch 16 velocity-sensitive trigger pads with illuminated RGB feedback for beat production and clip launching 24 assignable buttons and 8 assignable knobs interface with your music software Pitch and modulation wheels deliver expressive, creative control Seamless visual feedback via LED screen and illuminated buttons and knobs USB MIDI and 5-pin MIDI Out offer flexible MIDI connectivity USB-powered and plug-and-play support for Mac and PC Production software included: Ableton Live Lite and Xpand!2 by AIR Music Tech (downloads)

Hands-On Expansion Expand your creative performance capability with AFX, a versatile 4-deck FX controller for advanced performance using Serato DJ, a powerful software platform for digital DJ¿ing. A single USB connection adds over 70 intuitive controls to your DJ setup including intelligent touch-activated knobs, velocity-sensitive pads and backlit buttons. Trigger samples, assign loops and cue points, tweak Serato effects (known as FX), manage DVS modes, automate song edits, and so much more from ultra-responsive, trusted Akai Professional hardware found in studios and stages all over the world. Read on to see what it can bring to your next live performance using Serato DJ. Opening New Doors AFX gives you exhaustive control over the iZotope FX inside Serato DJ. Just plug it in to expand or add controls to any Serato setup. A total of 9 touch-activated knobs unlock all-new FX capabilities ¿ planned or improvised. Assign FX on the fly, tweak their parameters, and layer FX types with tactile, responsive control that incorporates a dramatic ¿twist¿¿ knobs that react to the human touch. In Touch mode, each knob responds to a twist, a touch, or a combination of both. A rotary-push knob and corresponding backlit LCD screen provides easy parameter adjustment and confirmation. For DJs adding FX controls to a Serato NoiseMAP¿ setup (timecode vinyl), AFX even provides DVS-mode switching, keeping your interaction with the computer trackpad or mouse at a minimum. Pad Pounding Eight velocity-sensitive trigger pads get the ideas in your head to the tips of your fingers. With 10 pad modes, AFX gives you ample freedom to trigger samples, manage loops, assign hot-cues, and slice tracks. With backlit RGB feedback, you will always know which mode you have selected in addition to real-time pad performance feedback. Akai Professional knows pads ¿ the iconic MPC line is a staple for producing electronic music using pad-oriented sample-triggering ¿ and responds to each press, tap, or slam as musically as possible. From the AFX, DJs can construct (or deconstruct) entire performances from the pads, taking creativity to a whole new level. Do A Forward Flip AFX has deep integration with Serato DJ¿s Flip Expansion Pack. Flip allows you to record your cue point and censor actions which can be saved and looped, ready to re-trigger and start in an instant. Use Serato Flip to create and save up to 6 Flips per track, ready for playback in the studio or the club. Flip can be used to create and play back custom song edits ranging from extended intros/outtros, breakdowns, making beats, skipping verses or choruses, and creating clean edits of songs. Even more, AFX includes Serato¿s Backpack FX Expansion pack to give your sets a boost using a dub collection of analog-style effects ¿ echo¿s, loopers, filters, and time stretch. Features Provides extensive hands-on audio command of Serato DJ Tweak effects, manage loops, trigger samples, set cue points, and more Serato Flip-capable ¿ create custom edits, extend your music or re-imagine it altogether in the studio or club (download included) Adds additional control options to any Serato DJ setup including DVS and HID players 4 decks of Serato DJ control over a single USB connection 9 touch-activated knobs for groundbreaking effects tweaking and EQ kills 8 velocity-sensitive trigger pads with backlit RGB feedback 10 pad modes for hot cues, loops, slicing, and sample triggering Instant, tactile DVS mode switching: Absolute, Relative and Internal Endless Controller with LED timeline for instant access to any point in the track Endless Controller doubles as pitch bend and macro effects control Backlit digital display provides feedback of parameter values Low-profile, portable design compliments any setup, anywhere Dimensions: 1.7 inches tall (42mm), 10.7 long (271mm), 5.3 wide (134mm)

The HardWire SP-7 Stereo Phaser offers seven phaser types based on vintage and modern pedals. With seven different phaser effects in true stereo and tap tempo speed control the SP-7 offers more than any other phaser pedal on the market. As the most advanced phaser pedal on the market, engineered to perfection with true HardWire bypass with constant high-voltage rails, the SP-7 Stereo Phaser is always set to stun. All HardWire pedals are designed and built to withstand the extremely rough life traveling from stage to stage. Every time you kick on a HardWire pedal the purest tones flow through uninhibited. HardWire pedals make your music and personal tones stand above the rest.True Bypass circuitry preserves your tone in bypass True Stereo I/O Constant high-voltage operation for tonal quality and noise reduction Phaser Effect Types Vintage 2 - Classic phase tone Vintage 4 - Lush vintage tone with feedback control Vintage 10 - Full vintage tone with feedback control Modern - Deep phasing effect with enhanced feedback Boutique - Vibrant tone with phase frequency control Envelope - Dynamic sweep effect with variable sensitivity Dynamic - Dynamic depth with variable sensitivity HardWire Pedals include the following stage accessories Stomplock™ knob guard locks your tone in place and prevent tampering or accidental knob adjustments onstage Pedal Switch Glow Sticker helps you locate the pedal in adverse stage lighting Custom-cut Hook and Loop Pedalboard Pad to attach and lock your pedals to your pedalboard