Feedback cd

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 15 - 20 working days Features Contributors Rush Format CD Release date 20040705

   TITLE:   TORI AMOS UNDER THE PINK  CD DESCRIPTION:   AS PER PHOTO  FEEDBACK:   I TYPICALLY WAIT UNTIL ITEM IS RECEIVED BY THE WINNING BIDDER PRIOR TO POSTING FEEDBACK. THIS ALLOWS BOTH PARTIES TIME TO RESOLVE ANY ISSUES THAT MAY ARISE WITH ANY GIVEN TRANSACTION.  

   TITLE:   AIR SUPPLY THE ULTIMATE COLLECTION 2 X CD DESCRIPTION:   AS PER PHOTO  FEEDBACK:   I TYPICALLY WAIT UNTIL ITEM IS RECEIVED BY THE WINNING BIDDER PRIOR TO POSTING FEEDBACK. THIS ALLOWS BOTH PARTIES TIME TO RESOLVE ANY ISSUES THAT MAY ARISE WITH ANY GIVEN TRANSACTION. POSTAGE:    PLEASE ADD R32 POSTAGE WHEN MAKING PAYMENT    

   TITLE:   THE CRANBERRIES TO THE FAITHFULL DEPARTED CD DESCRIPTION:   AS PER PHOTO  FEEDBACK:   I TYPICALLY WAIT UNTIL ITEM IS RECEIVED BY THE WINNING BIDDER PRIOR TO POSTING FEEDBACK. THIS ALLOWS BOTH PARTIES TIME TO RESOLVE ANY ISSUES THAT MAY ARISE WITH ANY GIVEN TRANSACTION. POSTAGE:    PLEASE ADD R32 POSTAGE WHEN MAKING PAYMENT    

  TITLE:  DOOKIE BY GREENDAY CD DESCRIPTION:   SOME LIGHT SCRATCHES  FEEDBACK:   I TYPICALLY WAIT UNTIL ITEM IS RECEIVED BY THE WINNING BIDDER PRIOR TO POSTING FEEDBACK. THIS ALLOWS BOTH PARTIES TIME TO RESOLVE ANY ISSUES THAT MAY ARISE WITH ANY GIVEN TRANSACTION. POSTAGE:  PLEASE REMEMBER TO ADD R32 POSTAGE TO TOTAL WHEN MAKING PAYMENT.  

   TITLE:   THE BEST OF VAN MORRISON CD DESCRIPTION:   AS PER PHOTO  FEEDBACK:   I TYPICALLY WAIT UNTIL ITEM IS RECEIVED BY THE WINNING BIDDER PRIOR TO POSTING FEEDBACK. THIS ALLOWS BOTH PARTIES TIME TO RESOLVE ANY ISSUES THAT MAY ARISE WITH ANY GIVEN TRANSACTION.    

   TITLE:  ORCHESTRAL MANOEUVRES IN THE DARK THE BEST OF OMD MUSIC CD DESCRIPTION:   SA EMI 1988 GOOD FEEDBACK:   I TYPICALLY WAIT UNTIL ITEM IS RECEIVED BY THE WINNING BIDDER PRIOR TO POSTING FEEDBACK. THIS ALLOWS BOTH PARTIES TIME TO RESOLVE ANY ISSUES THAT MAY ARISE WITH ANY GIVEN TRANSACTION. POSTAGE:   PLEASE REMEMBER TO ADD POSTAGE WHEN MAKING PAYMENT        

1. Radio Song 2. Losing My Religion 3. Low 4. Near Wild Heaven 5. Endgame 6. Shiny Happy People 7. Belong 8. Half a World Away 9. Texarkana 10. Country Feedback 11. Me in Honey

Trying to find your gateway into modern DJing? Look no further than the MDJ-600 Professional Media Controller. It may be small, but this mighty unit has plenty of capabilities without the need for external software with its USB, MIDI and CD compatibilities.A large 4.3-inch vivid full-color screen is the brilliant focal point of this unit, providing real-time visual feedback of your tracks. Full track information including Title, Time, BPM, and Pitch are clearly displayed alongside the precise full-size waveform window. You'll appreciate the additional visual feedback for Slip Mode, Hot Cues and active Auto/Manual Loops meaning you can confidently use scratches or hot cues without ruining your mix. The 100mm pitch fader ranges pitch from 4% to 100%; you'll mix with surgical precision.The MDJ-600's intuitive interface will have you spending less time learning and free up precious time for you to experiment with the 4 Hot Cues, Auto Loops and 5″ touch-sensitive jog wheel with LCD display and resistance control to Slip and Scratch. Bonus MIDI capabilities mean you can even control the parameters of your favorite DJ software directly from the unit, routing your audio through its 24-bit/192kHz soundcard. Of course, the MDJ-600 is fully compatible with our V-Case Library Management Software, which offers users a faster, easier way to manage their music libraries.Full-featured CD and USB media player with 4.3″" color screen, moving waveform, and onboard search and analysis5″ high resolution touch platter is perfect for even the most demanding performanceManual and BPM-based auto looping makes it easy to create builds or extend breaks4 hot cues per track let you jump to that sample or drop with easeThe 100mm pitch fader and adjustable pitch ranges from 4% to 100% let you mix with surgical precisionSlip Mode means you can use scratches or hot cues without ruining your mixMultiple platter modes available, including reverse play, vinyl, and stutter cueMIDI Mode turns your MDJ-600 into the ultimate platter controller — complete with on-screen deck info* (*in Virtual DJ)

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Grades 6-12. A structured, video-based intervention for groups of six to eight students. Especially beneficial for working with tough-to-reach teens who have emotional and behavioral disorders. The Real Deal is an easy-to-implement, ""plug and play"" program that engages students in cognitive exercises for learning to recognize and correct thinking errors that lead to anger, active practice of social-behavioral skills through role-playing, and participation in progressive muscle relaxation exercises. The program features three training videos that focus on specific skills for controlling conflict.Takin' It (47 min.) Receiving negative feedback or criticism from someone, usually an authority figure - a parent, teacher, or other adult.Givin' It (38 min.) Expressing negative feedback such as criticism, disappointment, anger, or displeasure.Workin' It Out (33 min.) Listening, identifying problems and possible solutions, suggesting alternatives, and working out a compromise.Each video features dramatic vignettes of adolescents dealing successfully and unsuccessfully with real-life conflict situations. Also included are scenes of group training sessions in which students discuss and role-play similar situations. Two group leaders are shown working with the students as they practice the anger management skills and relaxation procedures. Student viewers are then asked to discuss and role-play conflict situations from their own lives.Also included is a self-relaxation audio CD featuring six different scripts, male and female narrators, and a variety of background sounds. In addition to the three videos and the Audio CD, the training package includes a Leader's Guide, a Quick Reference Guide, and a Set of 24 Skill Cards (eight copies of the card for each of the three skills). Features Summary A structured, video-based intervention for groups of six to eight students. The Real Deal is an easy-to-implement, "plug and play" programme that engages students in cognitive exercises for learning to recognise and correct thinking errors that lead to anger... Studio Research Press Inc.,U.S. Release date 20070131 ISBN 0-87822-592-7 ISBN 13 978-0-87822-592-7 Contributors Lange Featuring Art (Author), Vernessa Gipson (Author)

Peavey - XR 8300 600W 10 CHANNEL POWERED MIXER Peavey's XR 8300 powered mixer offers features that make for easy operation and portability with plenty of power to spare. Geared primarily for club bands, schools, rehearsal rooms, and churches, the XR 8300 can supply 600 watts of clean, clear sound to your audience. The XR 8300 features 10 inputs with 3-band EQ, signal and clip LEDs on each channel, and 16 adjustable digital effects. For playing recorded music during breaks, there's a line input for CD playback with a mute switch that kills the mic inputs without muting the CD - a feature that along with a Karaoke track select switch (channel 9/10) makes this a great mixer for the KJ's and DJ's. The 8300 also features a 7-band graphic EQ with Peavey's FLS feedback locating system for "ringing out the room."

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

DB Tech - DVX DM12 Active Stage Monitor The DVX DM12 is an active bi-amped stage monitor. Powerful, assertive, and engineered for professional applications, it is the perfect choice for midsized to large stages. Featuring a discrete, unobtrusive design, the ultra low-profi le enclosure sports a high-performance 12¿ neodymium woofer paired with a 1.4¿ neodymium compression driver and rotatable aluminum CD horn precision matched for on-stage monitoring. Unlike conventional multifunctional speakers, the DVX DM 12 is a prograde performer developed specifically for use as a floor monitor. Optimized to resist feedback even at extremely high levels, it delivers the true-to-nature response and dynamic balance that today¿s artists demand. The integrated digipro digital power amps deliver the requisite output. The switched-mode power supplies with PFC ensure touring rigs get all the juice they need to perform at their peak even when a venue¿s mains power is weak and voltage is low.The onboard controller encompasses an active equalizer, active x-over including phase and time alignment, limiters, and switchable system presets that adapt the monitor¿s performance to suit the given application. Made of rugged multiplex and coated with tough black lacquer, the cabinet sets up at two different angles. It is also equipped with a pole mount, enabling the DVX DM12 to be set on a tripod or speaker pole

Description: 100% new brand and high quality USB 2.0 fastest data transfer, simple to capture HDMI HD video into your computer. Support most capture and streaming software. Full HD 1080P 60 USB2.0 Game Capture. Full HD 1080 60 game capture, just plug to your PC, you can use any 3rd party software to capture or stream your HD game, or other HD video source. Plug and play. Specifications: HDMI input resolution:720x480(60p),720x576(50p),1280x720p(50).1280x720p(60p) 1920x1080p(50p),1920x1080p(60p) Video input: HDMI Audio input: HDMI Dimension: (L)87mmx (W)31mm x (H)13mm System Requirements:P4 1.7GHz CPU or above,256MB RAM,VGA card with 32MB memory,One available USB 2.0 port,Compatible Windows-sound card,Microsoft windows XP/Vista/Win7/Win8/Win10   Notes: Due to the difference between different monitors, the pictures may not reflect the actual color of the item. Compare the detail sizes with yours, please allow 1-3cm error, due to manual measurement. Please leaving a message before you give the bad feedback, if the products have some problems. Thanks for your understandings. General Material ABS Quantity 1 set Dimensions & Weight Dimensions 3.43 in x 1.18 in x 0.59 in (8.7 cm x 3 cm x 1.5 cm) Weight 1.59 oz (45 g) Packing List 1 x HDMI Video Capture Card 1 x Installation Guide 1 x Software CD 1 x USB Data Cable