Asahi converter k

see list of items included after description) Description: There is a very good reason every photo teacher demanded the K be used in their classes: because the K is an extraordinary camera that forces you to think about your picture instead of your camera. Exactly like Apple, simplicity is the K's greatest strength. All the irrelevant foolishness that chokes fancier cameras, and especially digital cameras, never gets in the way of a great picture with the K. While DSLR shooters are standing there cursing at their cameras when they can't figure out why it won't take the picture when they press the shutter, the K just keeps shooting. The Pentax K is a 35mm SLR. It is completely mechanical and needs no battery to run, except for one tiny A76 cell to run its light meter. Unlike the "automated" digital nonsense with which too many people burden themselves, the K has only three shooting controls: aperture, shutter speed and focus. (You also set the film speed when you load it.) The"manual" K lets us take great pictures with only three controls, while fully automatic cameras of today have hundreds of controls that need to be set. Not only does the Pentax K only have three controls, it even tells us exactly how to set each of these controls all by itself! The Pentax K is so brilliant that you never need to turn the meter or camera on or off: both are always on for instant picture taking! The Pentax K's brilliant exposure meter has an in-finder zone-system indicator. The middle is Zone V, and up and down the scale are the other (unmarked) Zones. Easy. The K's shutter button is much smoother than any LEICA made since , with none of the LEICA's notchiness that blurs long exposures. The Pentax K has a shutter-ready indicator right next to the shutter button - you don't have to guess if the film is wound or not to the next frame. Orange (as shown) means ready, and black means not wound. Brilliant! *Marexar Auto 2x Teleconverter (PK) *Sony Tele Conversion Lens x 1.5 *Sony Wide Conversion Lens x0.7 VCL-A * Kenko Mirage Lens *Kenko Optical Filter *Royal 52mm UV MC Sakari Zoom Lens 1:45 (f=80mm-210mm) *SMC Pentax - M mm Lens *Luxon Phototechnics 124TZ Thyristor (wide 1-35mm wide2-28mm) *Movie Light - Liserlux - Quarz Jodin Lamp w V ( lumen) Mint condition Cash (R) not neg

Buy Rare Pentax Asahi Rear Converter K T6-2X Pentax PK Mount **Excellent Condition** for R750.00

Buy Rare Pentax Asahi Rear Converter K T6-2X Pentax PK Mount **Excellent Condition** for R450.00

Buy Asahi K mount Sun Zoom SLR camera vintage 35mm film lens - Sun for R899.00

Buy Asahi Pentax Bellows Unit K Boxed **Excellent Condition** for R650.00

Buy Asahi Pentax SMC Super Multi Coated Takumar 35mm f/3.5 Pentax K mount **Excellent Condition** for R950.00

Asahi Pentax SP11 Spotmatic camera. Soligor Lens: Macro mm Zoom 1.5 - Infinity. Asahi Auto Super Lentar Lens 1 - 2.8 f=35mm. Vivitar Lens: Automatic Tele Converter 2X-1. Leather covers. Amity 320F Electronic Flash.

Secondhand SMC Pentax  Asahi  Zoom 1:3.5 28mm-1:4.5 50mm, 3.5/28mm, 4.5/50mm lens (Pentax K mount). Beautiful condition, this lens is perfect for any film newbie looking for an everyday lens. Sold with front and rear lens caps. For a full review of the specs, feel free to look here: https://www.pentaxforums.com/lensreviews/SMC-Pentax-M-28-50mm-F3.5-4.5-Zoom-Lens.html

An excellent selection of M42 and K mount lenses all with spotless glass -M42 Super-Multi-Coated Takumar 28mm f/3,5..Excellent+....(SOLD) -M42 Super-Takumar 35mm f/3,5..Mint in case.....(SOLD) -M42 Meyer-Optic Lydith 30mm f/3,5..Excellent -SMC Pentax-M 40mm f/2,8 K-Mount..Excellent -SMC Pentax-M 50mm f4 Macro..Mint in the box...(SOLD) -M42 Super-Takumar 50mm f/1,4..Excellent+....(SOLD) -M42 Auto Mamiya-Sekor 55mm f/1,4...Excellent,some paint wear -M42 Zeiss Jena Sonnar 180mm f/2,8...Excellent+....(SOLD) -M42 Super-Multi-Coated Takumar 200mm f4...Excellent+ -M42 Tele-Takumar 300mm f/6,3...Mint -M42 Takumar 500mm f/5...Excellent(SOLD) -M42 Asahi Pentax Auto Bellows+Double Shutter Release..Mint in Box I also have an AF Sigma EX mm f/2,8 K-mount...Excellent+...(SOLD) I also have 3x M42 to P/K adapters...(SOLD) Ph 076

Buy KOMURA lens TELMORES 95 II 7K M.G for P.K converter cased caps excellent - Telemores for R399.00

General Brand Pentax K-Mount Lens Monocular Converter The Pentax K-Mount Lens Monocular Converter converts any K-mount lens, made by any manufacturer, into a monocular. The effective magnification is 5x the focal length of the lens (a 50mm lens becomes like a 250mm lens, for example), and only the central portion of the lens' field of view is incorporated into the monocular's eyepiece view. This converter works surprisingly well when coupled to relatively bright, fixed-aperture telephoto lenses. ¿ Converts any K-mount lens to a monocular with erect image viewing (lenses mount just as they would upon a camera) ¿ Effectively acts as a 5x teleconverter ¿ Recommended for prime lenses 50mm and longer ¿ Simple fold-down rubber eyecup

These types of lenses can be used on digital DSLR cameras with the respective adapter or mount. The lens is in good clean working order. Supplied with Pentax K 2 cx converter and lens cap and filter as per images

Pentax K-x SLR with DA L mm f AL lens both in pristine condition in box Sigma mm f4 - 5.6 APO MACRO lens and carry case in excellent condition in box Pentax AF - 330 FTZ electronic flash in excellent condition in box Vivitar 2x Converter in excellent condition Pentax FA J mm f AL (Requires repair) All lenses have UV protector filters

The ULTRAGAIN DIGITAL ADA8200 from Behringer is an analog to digital, and digital to analog converter that provides 8 analog inputs and outputs, and 8 digital ADAT inputs and outputs. Each analog input features a MIDAS mic preamplifier and XLR and TRS jacks for connecting mics, keyboards, and more. Each analog output features an XLR jack for sending signals to analog mixing consoles, headphone amps and other devices. Housed in a single-space 19" rack-mount enclosure, this unit can be used in your home or project studio to add I/O to your rig for recording and mixing by connecting into your ADAT equipped audio interface. High-quality 8-channel 24-bit A/D and D/A converter for your digital recording/mixing environment 8 MIDAS designed microphone preamps with phantom power Cirrus Logic 24-bit converters Processes 48 and 44.1 kHz sample rates Optical ADAT I/O interface for compatibility All microphone/line inputs are routed to the ADAT output ADAT input routed to all line outputs External sample rate synchronization via wordclock or ADAT input Switching power supply ADA8200 Specifications Microphone Inputs Design MIDAS designed microphone preamp Type XLR connector, electronically balanced, discrete input circuitry Gain Range +10 to +60 dB Maximum Input Level +6 dBu @ +10 dB gain for 0 dB FS Impedance 2.7 k¿ balanced Phantom Power +48 V, switchable Line Inputs Type ¼" TRS connector, electronically balanced, discrete input circuitry Impedance appr. 20 k¿ balanced, appr. 10 k¿ unbalanced Gain Range -10 to +40 dB Maximum Input Level +26 dBu @ -10 dB gain for 0 dB FS Line Outputs Type XLR connector, electronically balanced Impedance appr. 1 k¿ balanced, appr. 500 ¿ unbalanced Max. Output Level +16 dBu @ 0 dB FS Digital Inputs Type TOSLINK, optical connector Format ADAT, 8 channels, 24-bit @ 44.1 / 48 kHz Digital Outputs Type TOSLINK, optical connector Format ADAT, 8 channels, 24-bit @ 44.1 / 48 kHz Sync Source Internal 44.1 / 48 kHz, ADAT input, word clock input Word Clock Type: BNC connector Input level: 2 to 6 V peak-to-peak Frequency range: 44.1 to 48 kHz System Frequency Range 10 Hz to 24 kHz @ 48 kHz sample rate THD Crosstalk Power Power Supply 100 ~ 240 V AC Power Consumption 15 W Fuse T 1A 250 V Mains Standard IEC receptacle Dimensions Dimensions (H x W x D) 1.75 x 19.00 x 8.50" (44.5 x 482.6 x 217.0 mm) Weight 4.6 lb (2.1 kg) Packaging Info Package Weight 6.5 lb Box Dimensions (LxWxH) 21.0 x 12.1 x 4.4

The Rode M5 Compact 1/2" Condenser Microphone matched pair have variation of no more than 1dB of sensitivity between microphones. The M5 itself is a pencil-style mic that features a 1/2" diameter gold-plated membrane capsule with a cardioid polar pattern. The mics have transformerless circuitry for low noise operation and can be used in typical live and studio applications for small diaphragm condenser mics, including on acoustic instruments, choirs, as drum overheads, and more. The M5s are finished with Rode's proprietary ceramic coating and each include a WS5 windshield and RM5 mic clip. The pair was designed and built in Australia and has a limited 1-year warranty that extends to 10-years with on-line registration. Acoustic Principle - Pressure Gradient Active Electronics - JFET impedance converter with bi-polar output buffer Capsule Diameter - 0.50" (12.7 mm) Polar Pattern - Cardioid Address Type - End Frequency Range 20 Hz to 20 kHz Output Impedance 200 ? Maximum SPL 140 dB SPL (@ 1 kHz, 1% THD into 1 k? load) Maximum Output Level 13.5 dBu (@ 1 kHz, 1% THD into 1 k? load) Sensitivity -34.0 dB re 1 V/Pa (10.46 mV @ 94 dB SPL) /- 2 dB @ 1 kHz Equivalent Noise Level 19 dB-A (A-weighted) Phantom Power 24, 48 V Output 3-pin XLR Dimensions (HxWxD) 4 x 1 x 1" (100 x 20 x 20 mm), per microphone Weight 2.8 oz (80 g), per microphone