Akg 7pce drum

7pc high performance drum mic set includes 5 dynamic & 2 condenser overhead mic's mic's optimally tuned all clamps & stand adaptors included rugged aluminium case

Groove Pack High-performance drum microphone set The unbeatable six-pack for drummers and bands on stage and in the rehearsal room The Perception Groove Pack is a high-performance microphone starter kit with a sensational price/performance ratio. It contains everything you need to perfectly capture the sound of a complete drum set. The microphones can also be used for miking percussion, bass and guitar amps, brass, woodwind and lots of other instruments. The P17 overhead mics can be used for a quick stereo recording of your band's rehearsal session. The Groove Pack contains the following six high-performance microphones from the Perception Live series: 1 x P2 bass drum microphone 2 x P17 for overheads 3 x P4 for toms and snare The complete set comes in a protective aluminum carrying case.

7-piece drum mic set one qkick mic with mic stand swivel mount one qsnare mic with rim clip three qtom mics with rim clips two c02 pencil condenser mics with shockmount clips gold-plated xlr connectors road case included

AKG P4 Dynamic Instrument Microphone Great for kick drums, bass cabinets and trombones The AKG P 4 dynamic cardioid instrument microphone boasts a solid metal case to handle typical stage use (and abuse). It features an integrated stand adapter and a mounting bracket for highly versatile use on drums, percussions, wind instruments and guitar amps. AKG P 4 Features: ¿ Dynamic microphone designed for drums and percussions, wind instruments and bass guitar amps as well as trombones ¿ Response tailored for neutral reproduction of instrument sounds ¿ Integrated stand adapter and external bracket ¿ Rugged all-metal body withstands typical tough stage use ¿ Humbucking coil rejects EMC noises ¿ Complete with carrying case

AKG P2 Dynamic Instrument Microphone Great for kick drums, bass cabinets and trombones Dynamic microphone designed for low-pitched instruments Powerful sound with great bass range Handles highest sound pressure levels Integrated stand adapter Rugged all-metal body withstands typical tough stage use Humbucking coil rejects EMC noises Complete with carrying case Rugged all metal microphone for bass instruments such as bass drum, trombone or bass amplifier. It delivers powerful sound with a high energy low end. Polar pattern cardioid Frequency range 20 to Hz Sensitivity 2.5mV/Pa Max. SPL 157 dB SPL Recommended load impedance >= ohms

AKG D112 MKII Professional dynamic bass drum microphone Items Available: 5 Stock ID: AKGP-D112 MKII

The Drum Set Session I is a high-performance drum microphone set and the ideal all-in-one starter kit that delivers an impressive combination of performance and value. With seven microphones and accessories packed in a durable aluminum carrying case, it provides all the essentials needed to capture a complete drum set. It can also be used for miking percussion, bass and guitar amps, brass, woodwinds and other instruments. All microphones are from the Perception Live series and feature a durable metal casing, rugged spring steel microphone grill, scratch-resistant finish and high maximum SPL capabilities. The set contains: 1 x P2 bass drum microphone, 2 x P17* for overheads, and 4 x P4 for toms and snare. *The P17 is technically identical to the P170 and is not available as a single unit.

Discover the Power of a Reinvented Classic Condenser! From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XL II this famous line. The C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility. The C414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks. AKG C 414 XL II Multi-pattern Condenser Microphone Features at a Glance: Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns Lock Mode disables all controls easily for live and installation use Incredible Dynamic Range of 152 dB Three different bass cut filters and three pre-attenuation levels Peak Hold LED even detects shortest overload peaks Includes carrying case, pop filter, windscreen, and spider-type shock mount Frequency range: Hz Sensitivity: 20 mV/Pa (-34 dBV) ± 0.5 dB Max. SPL: Pa = dB ( dB) for 0.5% THD Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC ) Signal/noise ratio: 88 dB Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Impedance: Recommended load impedance: >= ohms Supply voltage: 48 V phantom power to DIN/IEC Powering: approximately 4 mA Connector: 3-pin XLR to IEC Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight: 300g (10.6oz.)

The D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers are thrilled with the D112´s ability to handle up to 160dB SPL without any distortion. The diaphragm has a very low resonance frequency to maintain a solid and powerful response below 100Hz. A narrow band presence boost at 4kHz punches through dense mixes with forceful impact - no additional EQ needed! The D112 is also an excellent choice for use with bass cabinets and trombones For all styles of music a D112 is a must buy ….. General Polar Pattern cardioid Audio Frequency bandwidth 20 to Hz Sensitivity 1.8 mV/Pa Electrical Impedance 200 Ohms Recommended Load Impedance Ohms Polar Pattern cardioid Audio Frequency bandwidth 20 to Hz Sensitivity 1.8 mV/Pa Electrical Impedance 200 Ohms Recommended Load Impedance Ohms

A SOUND INVESTMENT FOR EVERY STUDIO a studio and on-stage standard for vocals, guitar, drums and brass instruments The C high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect. The redesigned C presents itself as a cost-effective, rugged workhorse with a sleek and classy finish.Proven performance for more than 15 years the standard for live applications and studio recording Ultralow-noise electronics and switchable attenuation pad enable high dynamic range and allow SPL up to 150dB Switchable low-cut filter eliminates proximity effect Classic sound made affordable gold-sputtered one-inch capsule tuned in the tradition of AKG´s sonic expertise Heavy-duty die-cast metal housing provides maximum protection on stage and in the studio

GIMME SOME BASS for kick drum, deep brass and bass amp miking The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone. The Perception P2 comes in a rugged, all-metal housing to withstand tough on-the-road conditions. An integrated stand adapter makes the microphone very easy to use. The package also includes a carrying case for safe transport and storage.Powerful sound with profound bass range especially tuned for low-pitched instruments High-performance capsule withstands extreme sound pressure levels Built-in hum compensation coil rejects EMC noise for the cleanest sound Rugged wire-mesh cap and sturdy die-cast metal body withstand tough day-to-day stage use Integrated stand adapter for easy mounting on mic stand

KICK THE HAMMER for bass drum live and recording applications The D12 VR is a reference large-diaphragm dynamic microphone with cardioid polar pattern. Designed specifically for kick-drum recording applications, the microphone has a thin diaphragm to enhance the low frequency performance. Its warm sound is realized by the original C414 transformer, especially impressive at high signal levels. The D12 VR features three active filter presets to match its sound shape with the kick drums character. When activated, the output level is automatically reduced by 10 dB. The filter settings can be controlled using a switch on the microphone body. Without phantom power, the microphone operates in passive mode and delivers the instruments pure sound.Ultra thin diaphragm for accurate reproduction of the instruments sound Optimized bass chamber for enhanced low frequency performance Patented switchable active-filter presets three sound shapes to match the drums character Original C414 transformer delivers a warm sound especially at high signal levels Cardioid polar pattern rejects overspill from nearby instruments

MELLOW FELLOW the best-kept secret for thin vocals and instruments The C is a high-performance multipattern large-diaphragm microphone with exceptionally high headroom and extremely low self-noise. It is among the condenser microphones with the widest dynamic range available today, and it will give equally excellent results in the studio and on stage. Due to its warm and dark-sounding character, it is known in the pro-audio world as an insider’s tip for thin vocals, bright brass instruments and acoustic guitars. Beyond that, it is designed for miking a broad range of instruments from electric guitar to kick drum.Genuine one-inch dual-diaphragm condenser transducer for a warm and dark-sounding character Selectable polar patterns (cardioid, hypercardioid and omni) for a wide range of applications due to dual-capsule design One of the quietest condenser microphones available today by the use of ultralow-noise electronic components Transformerless electronic design for high SPL capability and low distortion Switchable 10dB attenuation pad allows close-in miking at extremely high sound pressure levels

A SOUND INVESTMENT FOR EVERY STUDIO a studio and on-stage standard for vocals, guitar, drums and brass instruments The C3000 high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect. The redesigned C3000 presents itself as a cost-effective, rugged workhorse with a sleek and classy finish.

GIMME SOME BASS for kick drum, deep brass and bass amp miking The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone. The Perception P2 comes in a rugged, all-metal housing to withstand tough on-the-road conditions. An integrated stand adapter makes the microphone very easy to use. The package also includes a carrying case for safe transport and storage.