Akg c

akg c 214 condenser microphone *brand new* with full year guarantee www.nxtleveltech.co.zaseen as the more affordable cousin of the company’...169107699

A SOUND INVESTMENT FOR EVERY STUDIO a studio and on-stage standard for vocals, guitar, drums and brass instruments The C high-performance, large-diaphragm condenser microphone has been a standard for live applications and studio recording for almost two decades. It is an excellent choice for vocals, electric and acoustic guitars, drum overhead and brass instrument miking. The switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect. The redesigned C presents itself as a cost-effective, rugged workhorse with a sleek and classy finish.Proven performance for more than 15 years the standard for live applications and studio recording Ultralow-noise electronics and switchable attenuation pad enable high dynamic range and allow SPL up to 150dB Switchable low-cut filter eliminates proximity effect Classic sound made affordable gold-sputtered one-inch capsule tuned in the tradition of AKG´s sonic expertise Heavy-duty die-cast metal housing provides maximum protection on stage and in the studio

MELLOW FELLOW the best-kept secret for thin vocals and instruments The C is a high-performance multipattern large-diaphragm microphone with exceptionally high headroom and extremely low self-noise. It is among the condenser microphones with the widest dynamic range available today, and it will give equally excellent results in the studio and on stage. Due to its warm and dark-sounding character, it is known in the pro-audio world as an insider’s tip for thin vocals, bright brass instruments and acoustic guitars. Beyond that, it is designed for miking a broad range of instruments from electric guitar to kick drum.Genuine one-inch dual-diaphragm condenser transducer for a warm and dark-sounding character Selectable polar patterns (cardioid, hypercardioid and omni) for a wide range of applications due to dual-capsule design One of the quietest condenser microphones available today by the use of ultralow-noise electronic components Transformerless electronic design for high SPL capability and low distortion Switchable 10dB attenuation pad allows close-in miking at extremely high sound pressure levels

Discover the Power of a Reinvented Classic Condenser! From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C 414 multi-pattern condenser microphone needs little introduction. There are few microphones that are as widely accepted as a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C 414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C 414 XL II this famous line. The C 414 XL II (the successor of the famous C 414 B-TL II) differs from the C 414 XLS by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C 12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a densely packed mix. This signature up-front sound is also excellent for distant miking applications making the C 414 XL II ideal for classic music recording or drum ambience miking. And because of its 9-pattern design, leading-edge technology, state-of-the-art components, and reference-quality results, the AKG C 414 XL II ushers in a new standard in microphone versatility. The C414 XL II offers nine pickup patterns which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C 414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure eight), you also get four intermediate settings that let you dial in the best pattern to suite your environment. It also features an astoundingly low noise floor and a 152dB dynamic range, making the C 414 XL II ideal for any musical environment. A locking mode allows you to disable all of the C 414 XL II's controls for live-sound applications and permanent installations, and a special "Peak Hold" LED displays even shortest overload peaks. AKG C 414 XL II Multi-pattern Condenser Microphone Features at a Glance: Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns Lock Mode disables all controls easily for live and installation use Incredible Dynamic Range of 152 dB Three different bass cut filters and three pre-attenuation levels Peak Hold LED even detects shortest overload peaks Includes carrying case, pop filter, windscreen, and spider-type shock mount Frequency range: Hz Sensitivity: 20 mV/Pa (-34 dBV) ± 0.5 dB Max. SPL: Pa = dB ( dB) for 0.5% THD Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC ) Signal/noise ratio: 88 dB Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Impedance: Recommended load impedance: >= ohms Supply voltage: 48 V phantom power to DIN/IEC Powering: approximately 4 mA Connector: 3-pin XLR to IEC Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight: 300g (10.6oz.)

AKG C451B Integrated Cardioid Condenser Microphone Stereo-Pair Responding to Growing Demand, AKG Decided to Make the C 451 B With the Same Acoustic Performance as the Popular Original C 451 EB + CK 1, with Dramatically Improved Specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions. The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead miking. Also available as a matched stereo pair C 451 B/ST with complete accessories in a carrying case (Sound-tool case, middle size).

AKG - AKGP-CGN99 CS Cardioid condenser microphone The CGN99 C/S and CGN99 C/L, part of the DAC Series, are condenser gooseneck microphones with a cardioid polar pattern. They are specially designed for inexperienced speakers who talk into the microphone from widely varying angles. The rugged gooseneck is available in two different lengths (C/S: 30cm (12in); C/L: 50cm (20in) and ideal for fixed and mobile installations. CGN99 C/S and CGN99 C/L come with an integrated XLR phantom power adapter with 250Hz bass rolloff. The phantom power adapter connects to any standard mixer input with 9V to 52V power supply.

AKG D5 C PROFESSIONAL DYNAMIC VOCAL MICROPHONE THE AUDIENCE IS YOURS for stage and installed applications The D5 C is a dynamic vocal microphone that you can depend on, from small live gigs to large concert halls. The cardioid shaped polar pattern makes it your most versatile companion giving you freedom on stage while ensuring minimum feedback. Since the D5 C can withstand massive pressure levels up to 160 dB and the internal dual shock mount eliminates handling noise, you will hit the stage with confidence. The D5 CS has the same mechanical, electrical, and acoustic characteristics as the D5 C and features a noiseless on/off switch. Patented laminated Varimotion diaphragm for crisp sound that cuts through every mix Cardioid polar pattern for a wide variety of applications Dual shock mount of microphone capsule eliminates any kind of handling noise Integrated pop filter for elimination of pops and wind noise Spring-steel wire-mesh grille withstands every live performance

AKG C414B XLS & XLII Capacitor Microphones --- One of the all-time classic microphones gets a 21st-century makeover. as rated on sound on sound: www.soundonsound.com/sos/nov04/articles/akgmics.htm --- Artist/Music Producers who have the same Mic: - Timbaland (produces for Justin Timberlake, Nelly Furtado and many more) - ATB (German DJ who made big hits in the 90s and early years s) -... --- The C414 is probably the best-known microphone that AKG make, alongside the legendary C12. Nevertheless, the C414 has undergone a number of evolutionary changes over its long lifetime, changing shape, adding and discarding transformers, and now, in its latest incarnation, sprouting LEDs! Although the overall shape of the new versions is unmistakably C414, virtually everything about the microphone has been redesigned in an effort to retain the original sound, while at the same time improving the technical performance. AKG cite 15 improved features, though one of these relates to the depth of engraving and the colour of the infill, so clearly some are of more importance than others!  

AKG - AKGP-CGN99 HS Hypercardioid The CGN99 H/S and CGN99 H/L, part of the DAC Series, are condenser gooseneck microphones with a hypercardioid polar pattern. They are a good choice for all situations when unwanted noise arrives from the sides or where people talk into the microphone from greater distances. The rugged gooseneck is available in two different lengths (C/S: 30cm (12in); C/L: 50cm (20in) and ideal for fixed and mobile installations. CGN99 H/S and CGN99 H/L come with an integrated XLR phantom power adapter with 250Hz bass rolloff. The phantom power adapter connects to any standard mixer input with 9V to 52V power supply.

AKG C411PP Condenser Pick-Up Microphone Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.

AKG C214 perfect condition hardly used, had it for two years only used it a handful of times for voice overs. Available Immediately More Info: http://www.akg.com/C.html?pid=

AN EASY JOB for use in houses of worship, conference rooms and theatres The CGN99 C/S and CGN99 C/L, part of the DAC Series, are condenser gooseneck microphones with a cardioid polar pattern. They are specially designed for inexperienced speakers who talk into the microphone from widely varying angles. The rugged gooseneck is available in two different lengths (C/S: 30cm (12in); C/L: 50cm (20in) and ideal for fixed and mobile installations. CGN99 C/S and CGN99 C/L come with an integrated XLR phantom power adapter with 250Hz bass rolloff. The phantom power adapter connects to any standard mixer input with 9V to 52V power supply.Compact solution for plug and play Cardioid polar pattern eliminates noise from the rear Two different gooseneck lengths 30cm (C/S) or 50cm (C/L) available

THE AUDIENCE IS YOURS for stage and installed applications The D5 C is a dynamic vocal microphone that you can depend on, from small live gigs to large concert halls. The cardioid shaped polar pattern makes it your most versatile companion giving you freedom on stage while ensuring minimum feedback. Since the D5 C can withstand massive pressure levels up to 160 dB and the internal dual shock mount eliminates handling noise, you will hit the stage with confidence. The D5 CS has the same mechanical, electrical, and acoustic characteristics as the D5 C and features a noiseless on/off switch. Patented laminated Varimotion diaphragm for crisp sound that cuts through every mix Cardioid polar pattern for a wide variety of applications Dual shock mount of microphone capsule eliminates any kind of handling noise Integrated pop filter for elimination of pops and wind noise Spring-steel wire-mesh grille withstands every live performance

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. AKG MINI WMS40 ISM 3 Frequency UHF ISM MHz (Free to use all over Europe) Instrumental Set IJ Up to 30h playtime with one single AA battery IJ Plug & Play IJ Gain control on pocket transmitter IJ Compatible with all AKG MicroMics IJ low battery indicator IJ Smallest and lightest bodypack transmitter in its class All WMS 40 MINI vocal and instrumental systems share the same brilliant sound and ease of use. Unique HDAP (High Definition Audio Performance) technology ensures the best possible, realistic sound at any time. The status lEDs of the receiver SR40 mini show following information: ON/OFF, link lED RF OK and audio clip lED AF clip. The output gain from the 6,3mm jack output is controlled via the volume gain switch. The included SMPS (switched mode power supply) works from V and features EU/UK/US adapters. The rugged handheld transmitter HT40 Mini offers a metal microphone cap and an ON/OFF/MUTE switch. The dynamic microphone capsule features a cardioids polar pattern.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. AKG MINI WMS40 ISM 3 Frequency UHF ISM MHz (Free to use all over Europe) VocalSet IJ Up to 30h playtime with one single AA battery IJ Plug & Play IJ Gain control on pocket transmitter IJ Compatible with all AKG MicroMics IJ low battery indicator IJ Smallest and lightest bodypack transmitter in its class All WMS 40 MINI vocal and instrumental systems share the same brilliant sound and ease of use. Unique HDAP (High Definition Audio Performance) technology ensures the best possible, realistic sound at any time. The status lEDs of the receiver SR40 mini show following information: ON/OFF, link lED RF OK and audio clip lED AF clip. The output gain from the 6,3mm jack output is controlled via the volume gain switch. The included SMPS (switched mode power supply) works from V and features EU/UK/US adapters. The rugged handheld transmitter HT40 Mini offers a metal microphone cap and an ON/OFF/MUTE switch. The dynamic microphone capsule features a cardioids polar pattern.

PERFECT TWINS for stereo recording of any acoustic instruments in studio and on stage The C214 large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.The C214 Matched Pair Stereo Set Package includes: 2 x C x Elastic spider suspensions 2 x Windscreen 1 x Aluminum carrying case Measurement documents

Ideal for use with pianos, drums and wind instruments, the Instrument Reflexion Filter 2 (IRF2) is an evolution of the critically acclaimed Instrument Reflexion Filter. Using the same acoustic principles as the Reflexion Filter PRO, the IRF2 is a small curved wall of punched Aluminium, with 3 layers of polyester fibreboard separated with air gaps. These layers combine to help reduce room ambience and isolate the mic from ambient noise. If you wish to know more about our 'multi-layer technology' and why the sE Reflexion Filter series works and other brands of 'portable vocal booths' don't, watch this video featuring sE Electronics' James Ishmaev-Young: The IRF2 has a hole punched through it to allow a pencil mic or other 'end fire' mic to be fixed through it (for example, AKG C, Shure SM, sE4, sE1a, H1). The main applications of the IRF2 include close micing of drums (to help with track separation) or overhead micing. The IRF2 is coloured black for use in either a studio or live environment. Product features; •Black colour (ideal for live use) •Large diameter hole (fits all major mic products including; AKG C, Shure SM, sE4, sE1a, H1) •Screw thread adjustable mic-clamp allows secure fixing of even the smallest pencil mics •Rubber lined aperture to help grip the mic and protect it from scratches •Tiltable stand clamp for direct attachment and adjustment on any mic or drum stand "The IRF2's reduce spillover for the recording as well as for the front of house and monitors, I put them on guitar amps. The keyboardist plays a lot of Fender Rhodes [piano] through a Fender Twin, so I put one on his amp, as there's also a wedge blowing back into it. There's a bass amp, because it's usually pretty close to the drummer's ride cymbal away by the nuance and girth coming from the VR1's on the guitar amps!" - Ryan Pickett (My Morning Jacket) on the IRF2