Stage microphone

The e 835 is a cardioid lead vocal stage microphone specially designed to perform under pressure. Features: Rugged metal body Excellent feedback rejection High sound pressure handling capability Shock-mounted capsule provides excellent suppression of handling noise Uniform on- and off-axis response Cardioid pick-up pattern provides isolation from other on-stage signals Hum compensating coil Delivery Includes 1 e microphone clip 1 pouch

The e 835 is a cardioid lead vocal stage microphone specially designed to perform under pressure. Features: Rugged metal body Excellent feedback rejection High sound pressure handling capability Shock-mounted capsule provides excellent suppression of handling noise Uniform on- and off-axis response Cardioid pick-up pattern provides isolation from other on-stage signals Hum compensating coil Delivery Includes 1 e 835 1 microphone clip 1 pouch

Buy Planet Waves PWAMSM25 American Stage Microphone Cable for R1,039.00

All-in-One kit includes a high-performance microphone, sturdy metal adjustable tripod microphone stand with clip, and a 20 ft. cable (XLR to connectors) Dynamic microphone provides professional sound quality with rich, full-frequency audio. Advanced high-output neodymium cartridge provides clarity and definition, even in noisy environments, while cardioid pattern reduces feedback Withstands high sound pressure levels without overload or distortion Rugged, all-metal construction - External on/off switch on handle Microphone stand features tripod base and adjustable height (34-60), and folding legs for easy transport and storage.

Brand new in box. Never unboxed or used, sold by Dealer. Technical Specs: • Neodymium Capsule • Polar Pattern: Supercardioid • Frequency Response: 50Hz ~ 18KHz • Impedance: 300Ω ± 30% • Sensitivity: -74 ± 3dBV/µbar • Dimension (LxW): 2” x 7.25” / 52 x 182mm • Weight (w/o cable):.6 lbs. /.28 kg. What’s Inside: 1x VPS-60 Microphone 1x Microphone Clip 1x Microphone 15-foot (4.5M) XLR to XLR Cable 1x Storage Bag

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. 1-channel low-noise microphone preamplifier, for mains operation or battery operation. 1 microphone input, XlR, bal. Gain, 11 steps dB lED green/red for operation/peak Phantom power +24V, can be switched on additionally Switchable microphone phase lo cut 100Hz, hi cut 12kHz, 12dB/oct., switchable 1 preamplifier output 1 stereo line input 1 stereo line output level control and panorama control for mixing the microphone signal to the stereo line channel Technical Specification Frequency range: HzInput sensitivity: mV, switchableInput impedance: Mic: 2.2k¿ Stereo line: 10k¿Outputs: line, bal.: 1V/V max. Stereo line: 1V/Vmax. Stereo master: -Filter, low cut: 100Hz/-3dB, 12dB/oct.Filter, high cut: 12kHz/-3dB, 12dB/oct.Filter, subsonic: Gain, mic: dBGain, stereo line: 0dBS/N ratio, mic: > 66dB (unweighted)S/N ratio, line: 80dB (unweighted)THD:

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. 2-channel low-noise microphone preamplifier 2 microphone inputs, XlR, bal. Gain, 11 steps dB 2 level controls ±5dB lED green/red for operation/peak Phantom power +12V, can be switched on additionally Microphone phase can be switched for each channel lo cut Hz, continuously adjustable Subsonic filter 15Hz, 18dB/oct. 2 line outputs, XlR bal. 2 line outputs, RCA unbal. PC&Music "The MPA-202 provides a clear signal of low noise without any noticeable colouring. This two-channel unit is suitable for everyone looking for a clear sound and a favourable price." Technical Specification Frequency range: HzInput sensitivity: mV, switchableInput impedance: Mic: 4.4k¿ bal., 2.2k¿ unbal. Stereo line: -Outputs: line, bal.: 1V/Vmax. Stereo line: 1V/Vmax. Stereo master: -Filter, low cut: Hz, 6dB/oct.Filter, high cut: -Filter, subsonic: 15Hz, 18dB/oct.Gain, mic: dBGain, stereo line: -S/N ratio, mic: > 68dB (unweighted) > 87dB (weighted)S/N ratio, line: -THD:

A Must-have Mic for Studio and Stage! Pick up a Shure SM57, and you've got a great dynamic microphone for life. Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. What's also true about the SM57 is that it sounds great on a wide variety of sources. Probably more than 90% of the snare drums and a good chunk of the guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the SM57. Pick one up, and you'll find out why more live sound professionals and seasoned studio engineers swear by the Shure SM57 than any other microphone on the planet Shure SM57 Dynamic Microphone at a Glance: Clear and present sound that's great for a wide range of sources Exceptional versatility onstage and in the studio Built to withstand a lifetime of serious abuse Clear and present sound that's great for a wide range of sources From the biggest live stages, to the top recording studios world wide, to the presidential podium, the Shure SM57 is one of the most widely used microphones the world over. One of the things that defines the Shure SM57 as the quintessential workhorse microphone is its signature frequency response and presence boost. This natural presence boost brings out clarity in vocals, snap in snare drums, and bite in guitar amps. In general, you'll be able to use your SM57 on anything. In fact, it's common practice in many studios and on virtually every live stage to use the SM57 as a default microphone for everything. Exceptional versatility onstage and in the studio The sound of the SM57 isn't the only thing that makes it a fantastic workhorse microphone. Its tight cardioid polar pattern gives you exceptional isolation. In fact, one of the reasons the the Shure SM57 is such a popular snare drum microphone is that you can easily position it so that it rejects the sound of the nearby hi-hat. But the SM57's stellar off-axis noise rejection isn't just great in the studio. Onstage, it's easy to position the SM57 so that it doesn't pick up the sound of the PA, allowing you to get maximum gain before feedback. Built to withstand a lifetime of serious abuse Of course, you can't talk about Shure's SM57 without mentioning its heroic toughness. There are epic videos on YouTube and countless stories of people running SM57s over with trucks, dropping them off of buildings, submerging them in salt water, and burying them in the Earth for months - all without so much as affecting their frequency responses. What that translates into for you is that the typical day-after-day, show-after-show abuse of any studio or stage microphone is simply no match for this mighty mic. The only reason you'll ever have for buying another Shure SM57 is because you want more than one. Shure SM57 Dynamic Microphone Features: The most popular dynamic microphone on the planet Great workhorse microphone live or in the studio

Planet Waves - PWAMSM25 American Stage Mic cable 25' Rely on Planet Waves American Stage microphone cables! Even if you gig every night, American Stage microphone cables will take years of abuse, thanks to heavy-duty Neutrik connectors and state-of-the-art crimped connector technology. With 22-gauge twisted-pair conductors, signal transfer is optimized, and the 98% copper braid shielding virtually eliminates noisy interference. Made in the USA and built to last, you can count on Planet Waves American Stage microphone cables.

Best Gift Choise: this musical toy is perfect for toddlers learning to music for the first time! With bright and fun colors along with easy controls, this toy helps your child with hand-eye coordination, musical theory and fine motor skills among other important skills! Not only will you and your youngsters have hours of fun with this karaoke microphone set for kids, the stage microphone set adds extra effects for even more laughs! Mobile Phone Connect & Height Control: This 2 Karaoke Microphones machine supports to connect to any Mobile devices for music; the height adjustable stand help kids easier to control, the High-definition stereo microphone speakers andd cool bright LED light makes kids feel like they're on their favorite performance reality show, or like they're a bona fide pop star. Material and size: made of eco-friendly plastic with bright color, sturdy and non-toxic, safe for your children to play. This stand up microphone toy play set can be adjustable height up to 85cm tall. EDUCATIONAL FUN: Let your child express him or herself with original with this fun toy! From an early age music help with child development, brain power, memory, confidence, patience, socially and fosters creativity! Throughout life, music is wonderful to express, create, dance, sing, and let out your inner voice! 100% Customer Satisfction and high quality product as our purpose, if you had any question or concerns, Don't hesistate to contact us, we will find the best solution to solve Specifications: Color: Pink Material: Plastic + Electronic Components Height: 85cm Product Size: 47*47*85cm Product Weight: 1000g Package Size: 36*7*18cm Package Weight: 1000g Packing: Carton Box Package Content: 1 Set x Stand 1 x Control Panel Button 2 x Wired Microphones 1 x Mobile Phone USB Cable 1 x Phone Connect Cabled high Color Pink Batteries included? No Brand name JoysoulEU    

Sennheiser - E935 Vocal Microphone The e 935 is a cardioid vocal stage microphone specially designed to perform under pressure while cutting through the mix with its high output. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies. Dynamic cardioid vocal microphone offering a smooth, natural sound. Fast transient response ensures no details are missed. Low handling noise. 100% metal casing for tough on-stage use.

The e 835 is a cardioid lead vocal stage microphone specially designed to perform under pressure. Features Rugged metal body Excellent feedback rejection High sound pressure handling capability Shock-mounted capsule provides excellent suppression of handling noise Uniform on- and off-axis response Cardioid pick-up pattern provides isolation from other on-stage signals Hum compensating coil

The KMS 104 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

The KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Rode - RODM1-S Stage Dynamic Vocal Microphone With rock-solid build quality and a high-power neodymium capsule, the RØDE M1-S switchable live dynamic microphone is designed to provide the very best performance, night after night. Its durability is backed-up by a lifetime warranty, following registration of purchase. The M1's ergonomically designed all-metal body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being heavy, and handling noise is almost completely eliminated by the microphone's internal design. Featuring a warm response that is incredibly defined for a dynamic microphone, the M1's smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback. The addition of an on/off switch adds versatility for artists, engineers and presenters that prefer control while on stage. A flush-mounted lock ensures the microphone cannot be accidentally switched. For additional security the M1-S features an XLR lock that can be used to fix the microphone to the cable. Renowned as one of the industry's best live vocal microphones, the M1 is an equally strong performer on guitar amplifiers as well as kick drum, snare drum, toms and percussion.

Rode S1 Stage Condenser Large Diaphragm Mic - The RØDE S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability. At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise. Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response. The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording. The RØDE S1 live condenser vocal microphone is covered by RØDE Microphones' industry leading 10 year warranty. *

On Stage QK2B Microphone Clip Quick Release Product Description The On Stage Quick Release snaps on to your mic stand to instantly connect and disconnect mic holders and boom attachments. Simply screw the 2-piece Quick Release to the top of your mic stand, then attach your microphone holder to the Quick Release. During performance, you can push a button on the quick release to remove the mic and clip from the stand instantly so you can rule the stage! The Quick Release can also be attached between your mic stand and the mic boom for quick tear-down at the end of the gig. It's compatible with all mic stands, booms and mic holders with standard threads. | Standard 5/8" -27 solid ends | Push button release

On Stage - MY500 Stereo Mic Bar The On Stage MY500 stereo microphone bar is made ideal for multiple microphone applications in both live and studio recording settings! Microphone bar fits most standard stands, booms and microphone clips and features brass 5/8 inch - 27 insert threads. The MY500 bar can hold up to three microphones!

Blue Microphones Yeti USB Microphone - Silver Edition Microphone Stand Pop filter On Stage microphones stand Mac and PC compatible Perfect for vocals, musical instruments, podcasting, voiceovers, interviews, field recordings and conference calls Important - Please read before placing an order! All 'Import It All' products are order on request items, and as such will take roughly working days once payment has been recieved to be delivered. All stock is sourced from the USA, and is designed for use in the USA. If the item is powered, a transformer will be needed if the item lists as 110V only. If the item lists as V - only a simple adapter is needed. If you are unsure please check with us/the manufacturer before placing your order. Once your order has been processed, we will confirm the order and send you our banking details. Once paymant has been received, we will process your order accordingly. We will keep you updated during the process, and advise you each step of the way (Once the order has been confirmed, arrived at USA office, arrived at SA Customs, arrived at SA offices and despatched to customer with tracking details). Please note you will receive automatic feedback requests from BoB before the order is delivered, please wait for the order to be delivered before rating us. Pricing displayed includes all customs charges (VAT/DUTIES/PORT HEALTH etc), insurance and international shipping - there are no surprises or any extra costs when the item arrives in the country. We use a door to door courier for all our deliveries and do not use the Post Office. As all orders are placed as a special request, orders cannot be cancelled/returned once the order has been placed and confirmed. All items come with the standard warranty issued by the manufacturer in the USA. If a warranty claim needs to be submitted, the item would need to be returned to the USA. The authorized SA distributor of our products are under no obligation to honour the manufacturer's warranties or to provide after sales service. If you have any queries, or need more information about any of our products, please use the 'Ask the Seller a Question' facility and we will get back to you straight away!

AKG D5 C PROFESSIONAL DYNAMIC VOCAL MICROPHONE THE AUDIENCE IS YOURS for stage and installed applications The D5 C is a dynamic vocal microphone that you can depend on, from small live gigs to large concert halls. The cardioid shaped polar pattern makes it your most versatile companion giving you freedom on stage while ensuring minimum feedback. Since the D5 C can withstand massive pressure levels up to 160 dB and the internal dual shock mount eliminates handling noise, you will hit the stage with confidence. The D5 CS has the same mechanical, electrical, and acoustic characteristics as the D5 C and features a noiseless on/off switch. Patented laminated Varimotion diaphragm for crisp sound that cuts through every mix Cardioid polar pattern for a wide variety of applications Dual shock mount of microphone capsule eliminates any kind of handling noise Integrated pop filter for elimination of pops and wind noise Spring-steel wire-mesh grille withstands every live performance

The new AKG HC 577 L has been designed to be invisible in the limelight. It is so small it will virtually disappear on stage or on camera, while providing perfect mobility and pristine audio quality. It is also skin coloured to hide away the microphone from a distance A patented body design protects the microphone's dual-diaphragm transducer from moisture and perspiration. Mechanical noise, cable noise, etc. are reduced to a minimum. The microphone uses a CK 77 omnidirectional transducer that has been an industry standard for lavalier capsules for years and ensures superior audio performance. The HC 577 L uses dual-ear temple pieces for extreme stability and optimum comfort. A wonderful microphone for speech and singing, and well hidden too The HC577 L is an extremely small reference head-worn microphone, designed for on-stage use. The microphone uses a CK77 omnidirectional transducer that has been an industry standard for lavaliere capsules for years and ensures superior audio performance. A patented body design protects the microphone from moisture and perspiration. The capsule uses the signal of two vertical diaphragms mounted back to back, mixed out of phase to cancel out mechanical and cable noise. The HC577 L provides a professional three-pin mini XLR connector that fits the body-pack transmitters of all AKG wireless microphone systems Adjustable headband and left/right selectable boom For maximum comfort and flexibility Dual-diaphragm transducer For suppression of cable noise Resistant to moisture, perspiration and salts Withstands sudorific stage performances Interchangeable capsule module For quick and easy service Omnidirectional polar pattern For unchanging sound quality in all directions

Rode - S1 Stage Large Diaphragm Condenser Microphone The RØDE S1 Pro Vocal Condenser Mic is a professional-quality microphone, specifically designed for live vocal performance. It employs a true condenser transducer for optimal sound reproduction. The frequency response is tailored to ensure clear vocals while reducing handling noise. The unidirectional (super cardioid) pickup pattern limits background noise and reduces the susceptibility to feedback. The 5-piece mesh head provides filtering of breath, wind, and plosive noises while not interfering with the RØDE S1's sensitivity or frequency response. The hardened mesh head also protects the precision condenser transducer from airborne contaminants and possible impact during performance and transit. The ergonomic design of the S1 also makes it extremely comfortable to hold and control during performance. The S1 mic requires P48V phantom supply and will work with most professional mixing consoles that incorporate this standard. The high-level output of the S1 is electronically balanced to reduce loss over long cable runs with the additional benefit of high-level rejection of electromagnetic interference.

On Stage - TM01 TM-01 Mic Mount The On-Stage TM01 Microphone Table & Stand Clamp is an adjustable c-clamp with a 5/8"-27 threaded stud for a microphone adapter. The TM01 easily clamps onto desk edges, tubing, the shaft sections of microphone stands, instrument stands, percussion instruments and more. The removable mic-clip adapter can be placed in 3 different hole locations. The mounting block is removable and features a flat side to clamp to flat surfaces, and a v-groove side to clamp onto microphone stands.

Large diaphragm, side-address cardioid condenser microphone for stage and studio applications. The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone. It has low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. Equally comfortable on stage or in the studio. Features Uniform cardioid pattern for superior off axis rejection Superior transient response from a low-mass large Mylar diaphragm Flat, neutral frequency response for natural reproduction on stage or in the studio 3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect for consistent, extended low-end Durable metal construction. Three separate mesh layers reduces wind and breath noise. 15dB pad for performance consistency across a wider range of high SPL sources

THE AUDIENCE IS YOURS for stage and installed applications The D5 C is a dynamic vocal microphone that you can depend on, from small live gigs to large concert halls. The cardioid shaped polar pattern makes it your most versatile companion giving you freedom on stage while ensuring minimum feedback. Since the D5 C can withstand massive pressure levels up to 160 dB and the internal dual shock mount eliminates handling noise, you will hit the stage with confidence. The D5 CS has the same mechanical, electrical, and acoustic characteristics as the D5 C and features a noiseless on/off switch. Patented laminated Varimotion diaphragm for crisp sound that cuts through every mix Cardioid polar pattern for a wide variety of applications Dual shock mount of microphone capsule eliminates any kind of handling noise Integrated pop filter for elimination of pops and wind noise Spring-steel wire-mesh grille withstands every live performance

Introduction: If you are a professional magician When you are at the time of your magic shows Your both hands aren't idle You don't have the 3rd hands to hold the microphone You need a microphone hands free brace right now! Don't be tied down by a microphone stand! Hands Free for Magicians You can hang the mic on your chest Very practical to every professional magician Fully adjustable! Special professional also can be used,Such as teachers,the commander,VJ,Dj... Descriptions: Name: Microphone Neck Hanging Stand Material: Nylon + Metal Color:Black Package includes: 1x Microphone Neck Stand (Not include Microphone)

Professional All-In-One Microphone Stand Pack The Microphone Pro-Pak offers musicians all the gear they need to start rocking! Great for beginners or pros, this pack is perfect for just about anyone eager to have their voices heard. Features: Pack Includes: Tripod boom stand Height Adjustable: ) MY200 Microphone clip (1) 20 ft XLR - XLR Cable (1) AS400 Dynamic handheld microphone 1 year limited guarantee For more info on this product please click here

GOLD-PLATED SOUND for lead and backing vocals With the C5 professional condenser vocal microphone, your voice will cut through the loudest mix - on any stage. Its cardioid polar pattern ensures maximum gain before feedback and has been optimized for use with in-ear monitor systems. An attachable presence boost adapter offers the unique choice of two sound flavors for a superior audio performance. A gold-plated transducer case protects the capsule from corrosion and humidity. The solid die-cast housing and its extremely rugged grille construction make the C5 an easy to use, reliable companion for tough stage jobs.Delicate cardioid condenser capsule for detailed pickup of unique individual acoustic color 24-carat gold-plated transducer case for maximum resistance to corrosion and humidity Unique presence boost adapter offers a choice of two different sound flavors Integrated shock absorber system effectively eliminates unwanted handling noises Robust zinc-alloy housing and spring steel grille provide extreme ruggedness for a long stage life

SOUND IN MOTION for drums, percussion, wind instruments and guitar amps on stage The D40 professional instrumental microphone with its solid all-metal body will stand up to the hardships of night-after-night onstage use “with a smile.” Its patented Varimotion diaphragm uses a unique laminated material to damp high resonance peaks, leading to a quantum leap in audio performance. The transducer is protected by a sturdy wire-mesh cap and can take extremely high sound pressure levels with ease. An integrated stand adapter in combination with the included H440 mounting bracket makes the D40 a highly versatile tool for use on drums, percussion, wind instruments and guitar amps.Dual-thickness Varimotion diapraghm provides crisp, powerful sound in all frequency ranges Highest sound pressure levels up to 156dB for extreme situations without any distortion Cardioid polar pattern for trouble-free use in narrow stage environments Rugged wire-mesh cap and sturdy die-cast metal body withstand tough day-by-day stage use Integrated stand adapter and external bracket for easy mounting on drums and mic stands

Rode - RODM1 Stage Dynamic Vocal Microphone 100% Rock 'n' Roll in a can! With a rock solid die-cast body and sturdy dynamic capsule the Rode M1 can take all the abuse you or your Roadie can throw at it, without showing signs of age or neglect. You can rely on the M1 to offer reliable high quality performance, day after day, gig after gig.