Stage asvs6gb microphone pop

Forget All About Embarrassing Plosives!Recording vocals? Don't even think about putting up a microphone without a pop filter in front of it. The On-Stage AXVS6-GB pop filter is designed to do one thing: filter the pops, consistently, while letting your vocals come through to the mic like they're supposed to. If you've ever had a vocal take ruined by a huge blast of air on a "P" that seemed so harmless on the lyric sheet, you'll know just how important this detail is! Don't Record Vocals Without It!Okay, so you've written some songs that rock. You got yourself a USB interface, a working knowledge of your chosen DAW, and a microphone. Your cables are all labeled and plugged in. Your vocalist's poised in front of the mic, lyric sheet in hand. As the progress bar scans across the screen, you find yourself pushed back in your chair as a look of horror works its way across your previously confident mug. The "P's" and "T's" that you so cleverly used to rhyme "power" with "tower" are popping everywhere. Vocal track ruined! As you sulk in the corner of your basement studio, head in hands, your cries are heard form miles away. Cries of, "Why? Why didn't anyone remind me about the plosives?" Plosives are Easy to PreventEditing plosives out of vocal takes is a chore. Why not use a pop filter like the On-Stage ASVS-6GB, and prevent htem in the first place. A pop screen is a small detail that makes a world of difference. And no, an old stocking stretched across a coat hanger will not suffice. You need a quality pop filter. One that's easily adjustable, but doesn't slip. You need a pop filter that will...filter the pops, consistently. You need the On-Stage ASVS-6GB. Features:- Prevents blasts of air on plosive sounds from reaching your vocal microphone - Attaches to mic stands or booms up to 7/8" in diameter - Easy Grip Clamp and V-shaped bracket - Includes 6-inch bar and 13-inch steel gooseneck for exact placement in front of your mic

On-Stage ASVS6GB Microphone Pop Filter -new. On-Stage ASVS6GB Microphone Pop Filter -new

STUDIO DYNAMIC MICROPHONE Element: Dynamic Polar Pattern: Uni-directional Frequency Response: 60Hz-16kHz Sensitivity: -54dB±3dB(0dB=1V/Pa at 1kHz) Output Impedance: 250Ω±30%(at 1kHz) Net Weight: 655g · cardioid polar pattern → to effectively reduce all the feedback · easy in use magnetic-reed → to avoid the pop noise · locking function → to unable any unexpected pausing while performing · spray painted Zinc-die casting housing

On Stage - ASVS6-GB 6"Pop Blocker W/Clamp This improved Music People Microphone Pop Filter easily connects to any mic stand or boom with an Easy Grip Clamp and V-shaped bracket attachment that fits onto any shaft up to 7/8 diameter. Includes 6 bar and 13 steel gooseneck for proper placement in front of microphones.

Audio Technica - AE4100 Cardioid Dynamic Microphone Audio-Technica¿s high-performance AE4100 cardioid dynamic vocal microphone delivers aggressive sound that stays up-front in the mix. Optimized for the stage, the microphone features superior anti-shock engineering for minimum handling noise. Its rugged construction is engineered to stand up to the rigors of touring. For ultimate protection against vocal plosives, the mic¿s hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam. A foam disk positioned on top of the element assembly provides the final layer of ¿pop¿ protection.

The KMS 104 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

The KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems. The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field. The user can thus select the version that is optimally suited to the specific application. Acoustic features The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection, sibilants and S sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 vocal microphones when they are used with a stage sound system. Electrical features Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (-3 dB, measured in a free sound field). The dynamic range of the KMS microphones is 132 dB, and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound. Mechanical features Microphones designed for use on stage require a particularly robust construction. The KMS 104 have thick-walled metal housings, which also provide effective protection against handling noise. The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters. Delivery Range The KMS 104 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Blue Microphones Yeti USB Microphone - Silver Edition Microphone Stand Pop filter On Stage microphones stand Mac and PC compatible Perfect for vocals, musical instruments, podcasting, voiceovers, interviews, field recordings and conference calls Important - Please read before placing an order! All 'Import It All' products are order on request items, and as such will take roughly working days once payment has been recieved to be delivered. All stock is sourced from the USA, and is designed for use in the USA. If the item is powered, a transformer will be needed if the item lists as 110V only. If the item lists as V - only a simple adapter is needed. If you are unsure please check with us/the manufacturer before placing your order. Once your order has been processed, we will confirm the order and send you our banking details. Once paymant has been received, we will process your order accordingly. We will keep you updated during the process, and advise you each step of the way (Once the order has been confirmed, arrived at USA office, arrived at SA Customs, arrived at SA offices and despatched to customer with tracking details). Please note you will receive automatic feedback requests from BoB before the order is delivered, please wait for the order to be delivered before rating us. Pricing displayed includes all customs charges (VAT/DUTIES/PORT HEALTH etc), insurance and international shipping - there are no surprises or any extra costs when the item arrives in the country. We use a door to door courier for all our deliveries and do not use the Post Office. As all orders are placed as a special request, orders cannot be cancelled/returned once the order has been placed and confirmed. All items come with the standard warranty issued by the manufacturer in the USA. If a warranty claim needs to be submitted, the item would need to be returned to the USA. The authorized SA distributor of our products are under no obligation to honour the manufacturer's warranties or to provide after sales service. If you have any queries, or need more information about any of our products, please use the 'Ask the Seller a Question' facility and we will get back to you straight away!

On Stage - ASVS6-B 6"Mic Pop Blocker Use the On-Stage Stands Pop Blocker to immediately improve the sound of your vocal recordings! Plosive sounds such as "p" and "b" create a sudden burst of air pressure that can create a bassy "pop" in your vocal recordings, ruining what could have been the perfect performance. Our Sales Engineers recommend this inexpensive Pop Blocker because it easily attaches to any mic stand, and breaks up plosive bursts without affecting your overall sound quality. Whether you're recording voiceovers or pop vocals, safeguard your microphone with an On-Stage Stands Pop Blocker from Sweetwater!

Studio Sound, Stage Presence for worry-free lead and backing vocals The AKG C7 reference handheld condenser microphone delivers premium studio-quality condenser sound and hassle-free operation on any stage. With pristine clarity and sparkling high end, the C7 allows lead and background vocals to shine through. And thanks to specially engineered circuitry and custom-designed components, C7 prevents feedback, spill, handling noise, and pop noise from interfering with your performance. No matter where youre performing, C7 delivers premium, worry-free vocal reproduction so you can focus on what really matters. Custom-tuned supercardioid condenser capsule with high SPL handling Worry-free performance with multi-layer pop noise filtering system Mechano-pneumatic shock absorber suspension eliminates handling noise Open-space capsule technology for reduced feedback and spill Rugged zinc alloy housing and spring steel grill 24-karat gold-plated capsule

AKG D5 C PROFESSIONAL DYNAMIC VOCAL MICROPHONE THE AUDIENCE IS YOURS for stage and installed applications The D5 C is a dynamic vocal microphone that you can depend on, from small live gigs to large concert halls. The cardioid shaped polar pattern makes it your most versatile companion giving you freedom on stage while ensuring minimum feedback. Since the D5 C can withstand massive pressure levels up to 160 dB and the internal dual shock mount eliminates handling noise, you will hit the stage with confidence. The D5 CS has the same mechanical, electrical, and acoustic characteristics as the D5 C and features a noiseless on/off switch. Patented laminated Varimotion diaphragm for crisp sound that cuts through every mix Cardioid polar pattern for a wide variety of applications Dual shock mount of microphone capsule eliminates any kind of handling noise Integrated pop filter for elimination of pops and wind noise Spring-steel wire-mesh grille withstands every live performance

THE AUDIENCE IS YOURS for stage and installed applications The D5 C is a dynamic vocal microphone that you can depend on, from small live gigs to large concert halls. The cardioid shaped polar pattern makes it your most versatile companion giving you freedom on stage while ensuring minimum feedback. Since the D5 C can withstand massive pressure levels up to 160 dB and the internal dual shock mount eliminates handling noise, you will hit the stage with confidence. The D5 CS has the same mechanical, electrical, and acoustic characteristics as the D5 C and features a noiseless on/off switch. Patented laminated Varimotion diaphragm for crisp sound that cuts through every mix Cardioid polar pattern for a wide variety of applications Dual shock mount of microphone capsule eliminates any kind of handling noise Integrated pop filter for elimination of pops and wind noise Spring-steel wire-mesh grille withstands every live performance

P5 High-performance dynamic vocal microphone Get the lead for lead vocals The Perception P5 high-performance dynamic vocal microphone delivers powerful sound for lead vocals. Its supercardioid polar pattern ensures utmost gain before feedback and ambient noise suppression, even on the noisiest stage. The Perception P5 comes in a heavy-duty metal body to withstand tough stage performances. An integrated windscreen efficiently eliminates pop and wind noise. The microphone is available with (P5 S) or without (P5) on/off switch. The package includes a stand adapter and a zip bag. Technical Specification General Polar Pattern supercardioid Audio Frequency bandwidth 40 to Hz Sensitivity 2.5 mV/Pa Electrical Impedance 580 Ohms Recommended Load Impedance Ohms Audio Output Type Balanced XLR Gender Male Contacts 3-pin Design Body Metal Finish black Dimensions / Weight Length 190 mm Diameter 51 mm Net Weight 320 g

Audix - CX212B Studio Condenser Microphone The CX212B is a multi-pattern, dual diaphragm condenser microphone with a contemporary design and excellent performance characteristics. It is an exceptional tool for professional audio production, project studios and live stage performances. Delivering a smooth, uniform frequency response from 20 Hz - 20 kHz, the CX212B offers a choice of three polar patterns: cardioid, omni-directional, and figure 8. Additionally, the CX212B is equipped with a bass roll-off filter to help eliminate rumble in the lower frequencies. The CX212B can handle sound pressure levels up to 132 dB and is ideal for a wide variety of acoustic instruments, vocals, string sections, ensembles and ambient room miking. The CX212B is designed with low noise preamp circuitry and operates on phantom power. For optimum results use the CX212B with a high quality mic preamplifier and microphone cable. SUPPLIED ACCESSORIES MC112B - Mic stand adapter. Includes thumb screw and threaded adapter that securely holds mic in place. SMTCX112 - Heavy-duty aluminum caged shock mount system with nylon cable. CASEDPA - Aluminum flight carrying case OPTIONAL ACCESSORIES WSCX - Optional external foam windscreen for reducing wind, sibilance, and pop noise. APS2 - Two-channel 48 V phantom power supply. 110 V switchable to 240 V. Detachable power cord. PD133 - Optional two-layer mesh pop diffuser for controlling acoustic plosives. CBL20 - 20' premium XLR-XLR balanced mic cable. Quad conductor, twisted pair with braded shield for conductivity. 6 mm PVC jacketed.

1X SHURE PG1 TRANSMITTER 1X SHURE PG 4 Internal Antenna Diversity receiver (Balanced and unbalanced output) 1X SHURE PG 30 Headset Microphone (With Pop cap) 1X SHURE PG 185 Lapel Microphone (With Pop cap) 1x SHURE PS21E Powersupply 1X Carry Case Items are in new condition Great for on stage work, schools, churches, singers,bands,Mobile Dj's Function venues etc. Courier can be arranged