Rca noise

Connectors: RCA Female Plug to 3.5 mm Mono Plug. Please Note:This Cable has only video, no audio. Constructed with corrosion-resistant, gold-plated connectors for optimal signal clarity. SinLoon Gold Plated Connector cable engineered with molded strain relief connectors for durability and grip treads for easy plugging and unplugging.Shielded cable reduces radio frequency interference (RFI) and electromagnetic interference (EMI) and excess noise. High quality video cable, professional Carcorder, surveillance camera equipment SinLoon 3.5mm RCA Video Cable,for car DVR,Carcorder,surveillance camera equipment specification 1.Connectors:gold-plated RCA Female Plug to 3.5 mm Mono Plug. 2.Cable Length: 10inch/25cm. NOTE:This Cable has only video, no audio. Package: 1pcs*RCA Female Plug to 3.5 mm Mono Plug cable

        V/GOOD  GOOD- WEAR ON THE BACK COVER VINYL GRADING: (2nd)           EX (Excellent): Pretty much like a new LP but it isn't sealed.           VG+ (Very Good +): Looks relatively flawless, with only superficial signs of use.           VG (Very Good): May exhibit minor surface marks with some mild surface noise.           VG- (Very Good -): May have numerous light scratches or marks that will affect music quality some, but readily playable.           G (Good): Heavier wear and surface noise, but will likely still play. Most vinyl conditions are visually graded, not play tested.) COVER (SLEEVE) GRADING: (1st)           SEALED: Still Sealed.           EX: Like new.           VG+: May have light corner bumps or very minor scuffmarks.           VG: Rougher corners, creasing to cover and may have some light splitting at the seams and ringwear.           VG-: The defects as described under VG are exacerbated.           G: Not really good enough.          

        V/GOOD V/GOOD- CENTRE SHOWS OVERPRINT FROM BEING STUCK VINYL GRADING: (2nd)           EX (Excellent): Pretty much like a new LP but it isn't sealed.           VG+ (Very Good +): Looks relatively flawless, with only superficial signs of use.           VG (Very Good): May exhibit minor surface marks with some mild surface noise.           VG- (Very Good -): May have numerous light scratches or marks that will affect music quality some, but readily playable.           G (Good): Heavier wear and surface noise, but will likely still play. Most vinyl conditions are visually graded, not play tested.) COVER (SLEEVE) GRADING: (1st)           SEALED: Still Sealed.           EX: Like new.           VG+: May have light corner bumps or very minor scuffmarks.           VG: Rougher corners, creasing to cover and may have some light splitting at the seams and ringwear.           VG-: The defects as described under VG are exacerbated.           G: Not really good enough.          

        V/GOOD  V/GOOD + BOOKLET VINYL GRADING: (2nd)           EX (Excellent): Pretty much like a new LP but it isn't sealed.           VG+ (Very Good +): Looks relatively flawless, with only superficial signs of use.           VG (Very Good): May exhibit minor surface marks with some mild surface noise.           VG- (Very Good -): May have numerous light scratches or marks that will affect music quality some, but readily playable.           G (Good): Heavier wear and surface noise, but will likely still play. Most vinyl conditions are visually graded, not play tested.) COVER (SLEEVE) GRADING: (1st)           SEALED: Still Sealed.           EX: Like new.           VG+: May have light corner bumps or very minor scuffmarks.           VG: Rougher corners, creasing to cover and may have some light splitting at the seams and ringwear.           VG-: The defects as described under VG are exacerbated.           G: Not really good enough.          

        V/GOOD- V/GOOD- WITH SPLITS IN THE SEAM VINYL GRADING: (2nd)           EX (Excellent): Pretty much like a new LP but it isn't sealed.           VG+ (Very Good +): Looks relatively flawless, with only superficial signs of use.           VG (Very Good): May exhibit minor surface marks with some mild surface noise.           VG- (Very Good -): May have numerous light scratches or marks that will affect music quality some, but readily playable.           G (Good): Heavier wear and surface noise, but will likely still play. Most vinyl conditions are visually graded, not play tested.) COVER (SLEEVE) GRADING: (1st)           SEALED: Still Sealed.           EX: Like new.           VG+: May have light corner bumps or very minor scuffmarks.           VG: Rougher corners, creasing to cover and may have some light splitting at the seams and ringwear.           VG-: The defects as described under VG are exacerbated.           G: Not really good enough.          

Planet Waves - PWMP05 5' DL RCA TO 1/8" Stereo Male Planet Waves Custom Series cables utilize ultra-pure, oxygen-free copper conductors for low capacitance and pure tone. Encapsulated and impenetrable soldering points with double-molded strain relief provide maximum durability and worry-free reliability. Two layers of shielding provide 100% coverage for superior insulation and noise rejection, making this the ultimate, high-performance cable.

             SIDE 1: BEG OF YOU TREAT YOU NICE   SIDE 2: ALL SHOOK UP DON' V/GOOD  V/GOOD - WITH 1 TEAR ON THE FRONT OPENING EDGE   VINYL GRADING: (2nd)           EX (Excellent): Pretty much like a new LP but it isn't sealed.          VG+ (Very Good +): Looks relatively flawless, with only superficial signs of use.          VG (Very Good): May exhibit minor surface marks with some mild surface noise.          VG- (Very Good -): May have numerous light scratches or marks that will affect music quality some, but readily playable.      (Most vinyl conditions are visually graded, not play tested.) COVER (SLEEVE) GRADING: (1st)          SEALED: Still Sealed.           EX: Like new.          VG+: May have light corner bumps or very minor scuff marks.           VG: Rougher corners, creasing to cover and may have some light splitting at the seams and ringwear.           

Two sound cards and USB ports enable two computers to be connected at the same time. A dedicated A/B button on each side of the controller enables DJs to split the controller and assign each half between the two USB ports for seamless DJ handovers with no more awkward gaps in the music. DJs can enjoy even more creative freedom thanks to a high/low pass filter on every channel, including the two MIC channels and sampler, plus Master channel, while each effects can be fine-tuned using the large rotary parameter dial. High-quality FX include the new Oscillator– Noise, Siren, Cymbal and Horn – as well as popular Sound Color FX – Pitch, Echo, Jet and Filter The DDJ-SZ is equipped with an “OSCILLATOR” that emits four types of sound (NOISE, SIREN, CYMBAL, HORN). Simply select the type of sound you want to output and turn the knob to produce new developments in the music by overlaying sounds on top of the music being played, further emphasizing exciting parts of the music, and so on. The DDJ-SZ includes four types of “SOUND COLOR FX” functions (PITCH, JET, ECHO, FILTER), which are a popular part of the DJM series. Various effects can be added to the music simply by turning the knob, opening up the possibility of a diverse range of remixes. It is also possible to synchronize ECHO to the BPM of the music being played by obtaining BPM information from “Serato DJ”. The four external inputs allow DJs to connect CDJs and turntables and use the DDJ-SZ as a stand-alone four-channel mixer. In addition, the unit has two dedicated MIC inputs with Hi/Low EQ, enabling voice MCing without sacrificing mixer channels. Plus two Master Out ports (balanced and RCA) and one balanced Booth Out port mean DJs can connect to a variety of PA set-ups. The four external inputs allow DJs to connect CDJs and turntables and use the DDJ-SZ as a stand-alone four-channel mixer. In addition, the unit has two dedicated MIC inputs with Hi/Low EQ, enabling voice MCing without sacrificing mixer channels. Plus two Master Out ports (balanced and RCA) and one balanced Booth Out port mean DJs can connect to a variety of PA set-ups. The DDJ-SZ is equipped with Pioneer’s own magnetic crossfader for smooth, steady control. Two metal shafts support the fader knobs, while the robust contact-free magnetic system can be used more than 10 million times. The operational load, fader curve and cut lag can be adjusted to suit the DJ’s preference. All buttons and knobs, as well as the soundcard*2, are “PLUG AND PLAY” – configured in advance to work with “Serato DJ”. Top plate and jog wheels built with an aluminum stylish finish Slip Mode for precision scratching: Slip Mode silently continues track playback during a loop, reverse or scratch, and brings the music back at the right point when the DJ exits the performance. It also adds a further level to the Performance Pads, enabling tricks such as Slip Hot Cue Needle Search: touch strip for intuitive, fast searches P-LOCK Fader Caps are impossible to pull off in the heat of a mix. Auto Standby” function switches to standby mode when a state of no use or no input continues for a certain period of time. SoftwareSerato DJ Number of channels4 audio channels, 2 mic channels Input portsCD/LINE×4 (RCA), PHONO×2 (RCA) MIC x 2 (XLR & 1/4 inch combined PHONE x 1, 1/4 inch PHONE x 1) Output portsMASTER OUT×2 (RCA×1, XLR×1) BOOTH OUT×1 (1/4 inch PHONE) HEADPHONE MONITOR OUT×2 (front panel 1/4 inch PHONE, Φ3.5mm MiniPin) Other portsUSB x 2 (Type B) Sampling rate44.1 kHz D/A converter24 bit A/D converter24 bit Frequency response20 Hz - 20 kHz Total Harmonic Distortion ratio% or less (USB) S/N ratio111 dB or above (USB) Head room19 dB Maximum dimensions870 mm (W) × mm (D) × 98.4 mm (H) Unit weight10.4 kg For more info on this product click here

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Concerto Features Two pairs XLR input connectors for balanced system configurations. Three pairs RCA input connectors for unbalanced system configurations. Two pairs of parallel, high-current, balanced line level preamplifier outputs to allow driving of external amplifiers, subwoofers, zones, etc. Fully-balanced transformer-coupled inputs provide universal compatibility with other components and eliminate ground loop noise and EMI. Fully-balanced circuit topology implemented on all inputs and outputs. Bypass function allows for transparent use in combination audio/home theater systems. Regulated, high-current, linear power supply provides stable operating voltage with the lowest possible noise and distortion artifacts under all operating and line conditions. Low power consumption permits constant power-up operation to eliminate warm-up time. Optical encoder type volume control maintains quiet, trouble-free performance and accuracy over the entire lifetime of the product. Dual range volume control allows large volume level changes when knob is rotated abruptly, yet allows small, precise volume level changes when knob is rotated slowly. Six function, hand-held infrared remote transmitter. Ultra-low resonance, structurally rigid chassis, precision-machined from a solid block of aircraft grade 6061-T6 aluminum. Optional plug-in phono cards (installed internally) convert Line Input 2 to high performance phono inputs. Three gain and loading options can accommodate moving magnet (MM), moving coil (MC) cartridge types and high output moving coil cartridge types. Concerto Specifications Overall Gain 20 dB Gain Range 99.5 dB, 199 Equal Increments Gain Resolution 0.5 dB, +/- 0.03 dB Over Entire Range Frequency Response 10 Hz – 280 kHz, -3 dB Maximum Input Level 15 volts RMS @ 0 dB Gain Maximum Output Level 13.5 volts RMS CCIF Intermodulation Distortion, 19/20 kHz b' Output Noise Level 43 Microvolts, Unweighted 20 Hz – 20 kHz Bandwidth, 0 dB Gain Common Mode Rejection Ratio b'>' 90 dB, 20 Hz – 20 kHz Input Impedance 40K ohms Balanced or Unbalanced Channel Separation b'>' 90 dB, 20 Hz – 20 kHz Inputs 2 pair Balanced (XLR) 1 pair Unbalanced (RCA) Unity Gain (Bypass) 3 pair Unbalanced (RCA) Outputs 2 pair Balanced (XLR) Line Level Power Consumption 7 watts Preamplifier Weight 21 lbs. / 9.8 kg Overall Preamplifier Dimensions (H) x (W) x (D) 3.2” x 17.3” x 12.9” 80mm x 440mm x 328mm

Features:     Powerful Tube sound for Audio players     Class A Headphone Amplifier with Aluminum case to help dissipate heat.     All required input/output jacks for connection to any audio source (ipod, laptop, iphone etc)     Small and powerful. Looks great as well !     Multiple input output option, no more adapters. Bravo Audio has been talked about in Audiophile blogs and forums recently and this offering is for the Bravo Ocean which is their flagship offering in their lineup with 12AU7 tube power and performance features normally found in much more expensive Audio products. In this age of MP3's and compressed digital music files, a lot of what the artist intended you to hear from the original master tapes on have been lost with thin sound replications of the original sound. With the warmth and power of the the tube driven Bravo Audio lineup, many of these lost frequencies will come to life through a good pair of headphones to match it with. Hear what you have been missing in your favorite music! Bravo Ocean..... a beautiful looking desktop amp! Pure Class A amplifier! No Crossover distortion! This is a beautiful looking Tube Class A Headphone Amplifier with Aluminum case to help dissipate heat. The Bravo Ocean has 2 x input ports: 3.5mm jack RCA jacks. You can use either of them connect to audio source (ipod, laptop, iphone etc) Also features 3 x output ports: 3.5mm jack 6.35mm jack RCA jacks. You can use either of them connect to Headphone (3.5 or 6.35mm) or to power amp (RCA jacks). Specifications: Input Power: DC24V Input Sensitivity: 100mV Input Impedance: 100KOhm Out-Put Impedance: Ohm Gain: 30dB Frequency response: 10Hz-60KHz +/-0.25dB Signal/Noise Ratio: >90dB Dynamic range: 84.6dBA(300 ohm) 89.8dBA(33 ohm) THD: ohm) ohm) IMD + Noise: ohm) ohm) What's in Package: 1 x Bravo Ocean Headphone Amplifier 1 x Brand new Shuguang 12AU7 tube 1 x Switching Power Supply Universal AC 100V-240V / Hz to 24V DC 1A out put 1 x Power cable with AC wall plug   This item is shipped from Hong Kong.    

Features:     Powerful Tube sound for Audio players     Class A Headphone Amplifier with Aluminum case to help dissipate heat.     All required input/output jacks for connection to any audio source (ipod, laptop, iphone etc)     Small and powerful. Looks great as well !     Multiple input output option, no more adapters. Bravo Audio has been talked about in Audiophile blogs and forums recently and this offering is for the Bravo Ocean which is their flagship offering in their lineup with 12AU7 tube power and performance features normally found in much more expensive Audio products. In this age of MP3's and compressed digital music files, a lot of what the artist intended you to hear from the original master tapes on have been lost with thin sound replications of the original sound. With the warmth and power of the the tube driven Bravo Audio lineup, many of these lost frequencies will come to life through a good pair of headphones to match it with. Hear what you have been missing in your favorite music! Bravo Ocean..... a beautiful looking desktop amp! Pure Class A amplifier! No Crossover distortion! This is a beautiful looking Tube Class A Headphone Amplifier with Aluminum case to help dissipate heat. The Bravo Ocean has 2 x input ports: 3.5mm jack RCA jacks. You can use either of them connect to audio source (ipod, laptop, iphone etc) Also features 3 x output ports: 3.5mm jack 6.35mm jack RCA jacks. You can use either of them connect to Headphone (3.5 or 6.35mm) or to power amp (RCA jacks). Specifications: Input Power: DC24V Input Sensitivity: 100mV Input Impedance: 100KOhm Out-Put Impedance: Ohm Gain: 30dB Frequency response: 10Hz-60KHz +/-0.25dB Signal/Noise Ratio: >90dB Dynamic range: 84.6dBA(300 ohm) 89.8dBA(33 ohm) THD: ohm) ohm) IMD + Noise: ohm) ohm) What's in Package: 1 x Bravo Ocean Headphone Amplifier 1 x Brand new Shuguang 12AU7 tube 1 x Switching Power Supply Universal AC 100V-240V / Hz to 24V DC 1A out put    Headphone is not included in the package. This item is shipped from Hong Kong.        

Total Harmonic Distortion: Less than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dB 600 (ST OUT) Frequency Response: 0 +1, -3 dB 20 Hz - 20 kHz @ +4 dB 600 (ST OUT) Input Hum & Noise*dB 20 Hz - 20 kHz, Rs=150, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB Crosstalk: -70dB @ 1kHz CH Input Mic: 16+1 (Input A 1 - 16, Talk Back: XLR) Line: 16 (Input B 1 - 16: TRS) Stereo: 2 (Ch :TRS) * Ch:L (MONO) 2 (Ch : TRS/RCA) Insert I/O: 16 (Ch 1 - 16: TRS T: Out, R: In, S: Gnd) AUX Send: 6 (1 - 2/Post-Pre selectable, 3 - 4/Post-Pre selectable, 5 - 6/Post: TRS) Return: 2 Stereo Sub In (L/MONO, R: TRS) EFFECT: Send 2 (1, 2: TRS) 2TR: In 1 Stereo (L, R: RCA) STEREO: Insert 1 Stereo (L, R: TRS) GROUP: Insert 4 (1 - 4: TRS) REC: Out 1 Stereo (L, R: RCA) ST: Out 1 Stereo (L, R: XLR) MONO: Out 1 (XLR) ST SUB: Out 1 Stereo (L, R: TRS) GROUP: Out 4 (1 - 4: TRS) Phones: 1 (TRS Stereo) Phantom Power: + 48 V CH & ST Ch Input Gain Control: 44 dB valiable CH & ST High Pass Filter: 80 Hz 12 dB/Octave CH EQ (MONO)*2 -15 dB (Max.) High: 10 kHz (Shelving) Mid: kHz (Peaking) Low: 100 Hz (Shelving) CH EQ (STEREO)*2 -15 dB (Max.) High 10 kHz (Shelving) Hi-Mid: 3 kHz (Peaking) Low-Mid: 800 Hz (Peaking) Low: 100 Hz (Shelving) MONO Out Low Pass Filter: Hz 12dB/octave Internal Digital Effect: SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs:Parameter Control) Dimensions Width: in. Depth: in. Height: 5.90 in. Weight lbs. Power Requirements: UL/CSA: 60 W 120 V/60 Hz *1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation. *2 Turn over /roll-off frequency of shelving: 3 dB below maximum variable level.

The XGA- amplifier offers clean, reliable power in a durable, lightweight enclosure. If you demand professional amplification performance, the XGA- is perfect for delivering pure, consistent wattage night after night.   With watts of Instant Peak Power ( watts RMS), the XGA- is ideal for powering PA systems and DJ rigs. To ensure seamless, reliable performance, the amp features front-to-rear airflow and a variable-speed cooling fan for thermal stability, along with a limiter circuit switch, DC output protection and short circuit protection.   For true connecting convenience, the XGA- boasts XLR and ¼-inch balanced inputs, as well as RCA unbalanced inputs and three Speakon outputs. The unit also provides front panel indicators for Signal, Clip, Protect and Bridge, plus level controls for channels 1 and 2. Selectable modes for Stereo and Mono Bridge give you even more flexibility, while its sleek, lightweight design ensures total portability.   With clean, dependable power in a resilient, 26-pound enclosure, the XGA- offers unmatched value for anyone who is serious about sound.   Watt IPP* High Power output to drive professional loudspeakers without clipping Front-to-rear airflow and cooling fan for thermal stability and reliability XLR and ¼” (6.5mm Jack) balanced and RCA unbalanced inputs Limiter circuit switch for amp output protection Stereo and Mono Bridge Variable speed fan for low noise Comprehensive front panel indicators including signal, clip, protect and bridge 3 Speakon outputs for Channels A/B/Bridge 5-way binding banana plug channel outputs Bridge control switch DC output protection and Short circuit protection Frequency response 10Hz – 50kHz at 1.5 dB Ground lift switch Total Harmonic Distortion: Less than 0.1% Input sensitivity & Impedance: 0.77v Signal to Noise (20 Hz – 20 kHz) > 100dB * Instant Peak Power Dimensions (WxDxH) 19” x 13.8” x x 350 x 88mm) Weight: Lbs ( kgs)   Frequency Response 10Hz ~ 50kHz ±1.5dB Signal to Noise (LF / HF) >90dB THD (LF / HF) > 0.1% Input Sensitivity 0.77v Maximum Input Level 21dBv/9v Damping Factor (F=1kHz Input Impedance 20K Ω Fuse 5mm x 20mm AC 115v/230v Hz Output Stereo 8 Ω 2 x 400W RMS Output Stereo 4 Ω 2 x 550W RMS Output Bridged W RMS Dimensions (WxDxH) 19” x 13.8” x mm x 350mm x 88mm) Net Weight 26.8 lbs (12.1 kg)

The XGA- amplifier offers clean, reliable power in a durable, lightweight enclosure. If you demand professional amplification performance, the XGA- is perfect for delivering pure, consistent wattage night after night. With watts of Instant Peak Power ( watts RMS), the XGA- is ideal for powering PA systems and DJ rigs. To ensure seamless, reliable performance, the amp features front-to-rear airflow and a variable-speed cooling fan for thermal stability, along with a limiter circuit switch, DC output protection and short circuit protection. For true connecting convenience, the XGA- boasts XLR and ¼-inch balanced inputs, as well as RCA unbalanced inputs and three Speakon outputs. The unit also provides front panel indicators for Signal, Clip, Protect and Bridge, plus level controls for channels 1 and 2. Selectable modes for Stereo and Mono Bridge give you even more flexibility, while its sleek, lightweight design ensures total portability. With clean, dependable power in a resilient, 26-pound enclosure, the XGA- offers unmatched value for anyone who is serious about sound. Watt IPP* High Power output to drive professional loudspeakers without clipping Front-to-rear airflow and cooling fan for thermal stability and reliability XLR and ¼” (6.5mm Jack) balanced and RCA unbalanced inputs Limiter circuit switch for amp output protection Stereo and Mono Bridge Variable speed fan for low noise Comprehensive front panel indicators including signal, clip, protect and bridge 3 Speakon outputs for Channels A/B/Bridge 5-way binding banana plug channel outputs Bridge control switch DC output protection and Short circuit protection Frequency response 10Hz – 50kHz at 1.5 dB Ground lift switch Total Harmonic Distortion: Less than 0.1% Input sensitivity & Impedance: 0.77v Signal to Noise (20 Hz – 20 kHz) > 100dB * Instant Peak Power Dimensions (WxDxH) 19” x 13.8” x x 350 x 88mm) Weight: Lbs ( kgs Frequency Response 10Hz ~ 50kHz ±1.5dB Signal to Noise (LF / HF) >90dB THD (LF / HF) > 0.1% Input Sensitivity 0.77v Maximum Input Level 21dBv/9v Damping Factor (F=1kHz Input Impedance 20K Ω Fuse 5mm x 20mm AC 115v/230v Hz Output Stereo 8 Ω 2 x 400W RMS Output Stereo 4 Ω 2 x 550W RMS Output Bridged W RMS Dimensions (WxDxH) 19” x 13.8” x mm x 350mm x 88mm) Net Weight 26.8 lbs (12.1 kg)

Features No. of Channels 4 Sampling Rate / Depth 96kHz / 24-bit Channels Channel EQ 3 band EQ Range -26 ~ +6 Input CD/LINE Input (RCA) 6 PHONO (RCA) Input 2 MIC Input (1/4 inch Jack) 1 MIC Input (XLR/Jack Combo) 1 RETURN (1/4 inch Jack) 1 Output Master Output (XLR) 1 Master Output (RCA) 1 Control Out (Mini-jack) 4 Booth Output (1/4 inch Jack) 1 (T.R.S.) Rec Out (RCA) 1 Digital Out (Coaxial) 1 Digital Out (RCA) 1 x (SP/DIF) (48kHz or 96kHz) Send (1/4 inch Jack) 1 USB-B 1 Midi Info MIDI Out (DIN) 1 (5P DIN) Specifications Dimensions (W x H x D) 320 x 108 x 381 mm Weight 7,7 kg Power Consumption 30 Watt SN Ratio: Line Min. 106 dB Sampling Rate 96 kHz A/D Converter 24 Frequency Response 20 Hz – 20 kHz Harmonic Distortion Headroom 19 dB 4 channels. 100 effect combinations. Endless creative possibilities. Built-in 4-stereo-channel sound card Integrated high-performance sound card and simultaneous input and output ensures there is no deterioration of sound quality. 3 sampling rates enables music recording, production and DJing. Connect to a PC or laptop with one USB cable and start mixing stored music immediately. The utility tool launches as soon as the DJM-850 is connected to a computer, allowing you to configure the mixer, sound card and audio routing according to personal preferences. Beat Colour Effect The power of ‘sidechaining‘ adds a new element to the Colour Effects. Improved Beat Effects with new FX Boost 13 enhanced Beat Effects along with Reverb and Spiral Effect, Up Echo produces a more controllable mix (exclusive to the DJM-850). FX Boost function allows the Level/Depth knob to work more proactively than a standard Wet/Dry Control. EQ isolator on each channel Each channel has a 3-band equalizer (+6 dB to -26 dB) or 3-band isolator (+6 dB to -26 dB) with a range from -26 kill to complete kill. High-quality sound and familiar, industry-standard layout Pristine sound reproduction with reduced noise interference is guaranteed thanks to top-of-the-range components. A user-friendly layout for ultimate familiarity. Built for DJs who love to play The internal parts of the high-performance faders are nestled well out of harm’s way, so drink spillages aren’t a disaster. P-Lock Fader Caps prevent faders from slipping off accidentally during rough use. Fully MIDI assignable, the DJM-850 also serves as a MIDI controller. The USB port is conveniently located on top of the mixer so you can easily switch between connectable devices. The mixer automatically reverts to standby mode if not used for a set period of time. Free delivery on orders over a R in Gauteng. Delivery 1-3 days depending on area Warranty Type: Manufacturer 12 Months Warranty. All goods are subject to supplier discretion Replacement Guarantee: 30 Days: All goods are subject to supplier discretion

Features Directly record to USB devices Enhance remixing capabilities with four types of effects Isolated 3-band equalizer Digital conversion for higher fidelity sound Selectable Mic/AUX channel GENERAL SPECIFICATIONS Number of Channels: 2 Power requirements: AC 120V, 60Hz Power consumption: 17 W Weight: 7.1lbs Dimensions: 8.58in(W) x 11.85in(D) x 4.19in(H) Headroom: 19dB A/D, D/A Converter: 48kHz/24bit Frequency Response: 20Hz to 20kHz Total Harmonic Distortion: 0.007% or less Signal-to-Noise Ratio: 97 dB (LINE) INPUT TERMINALS CD x 2 (RCA) PHONO x 2 (RCA) Mic x 1 (quarter-inch PHONE x 1) AUX x 1 (RCA) OUTPUT TERMINALS MASTER OUT x 2 (RCA) HEADPHONE Monitor OUT x 1 (quarter-inch PHONE) REC OUT x 1 (RCA) OTHER TERMINALS CONTROL OUT x 2 (3.5mm mini-jack) USB A Port x 1 Take a step towards professional DJ mixing. With features found on our high-end club products such as powerful creative effects and new unique ones such as USB recording, the DJM-350 is the perfect entry-level DJ mixer. Effects include Crush, Jet, Gate and a High/Low-pass filter. Intuitive controls allow you to alter sounds so you can add personal, original arrangements to your mixes. The 3-band Isolator type EQ gives you channel-independent, broad-range control in HI, MID and LOW. This means you stay in charge of your sound for every channel. Record directly to USB Does your mix deserve to live on? With the USB port featured on the DJM-350, you can record directly to a USB storage device without having to use a computer or recording device. Music is stored as high quality WAV files and you can add track marks as you play directly on the mixer. When youre done, you can easily import and edit your mix in your computer afterwards. Experience the high fidelity design of the DJM series. The analogue signal is converted to digital via the shortest of circuits, and all signal processing is performed by a high-performance DSP that minimises noise. This gives you clear and clean sound. Other features include: Connection for portable audio players Peak level meters per channel Crossfader Curve Adjustment

M4 is a three-channel tabletop mixer designed for any DJ who needs maximum flexibility. It features a replaceable crossfader with reverse and slope controls, a 1/4" microphone input with EQ, and plenty of routing for phono and line level devices. Where M4 really shines is its impressive input section. Two switchable phono/line inputs plus four more dedicated line inputs give you a total of SIX inputs! Add Master and Record outputs, and steep three-band EQ/rotary kills on each channel, and you've a powerhouse package that's ready to handle whatever the gig throws at you. M4 has the inputs, controls, and features to turn what would be a problem for the average mixer into a simple plug-in. Don't get stuck without enough inputs at your next gig. Upgrade to M4 – you'll be glad you did! Features: Three-channel tabletop mixer Inputs: two phono/line switchable (RCA), four line (RCA), mic (1/4") Outputs: Master (RCA), Record (RCA), headphone (1/4" stereo) Steep three-band EQ/rotary kills on each channel Microphone input with EQ Six-segment LED display for monitoring signal strength Toggle for master and PFL metering Replaceable crossfader with reverse and slope controls Specifications: Inputs: Line: 10K ohm input impedance; 80mV RMS sensitivity for 0dB output Mic: 600 ohm input impedance unbalanced; 1.5mV RMS sensitivity for 0dB output; 400mV RMS max input Phono: 47k ohm input impedance; 1.3mV RMS sensitivity @ 1kHz for 0dB output Outputs: Line: 7V RMS max Headphone: 0.5W into 47ohm Signal to Noise Ratio (maximum output JIS-A weighted): Line: Better than 100dB Mic: Better than 95dB Phono: Better than 85dB Distortion: Less than 0.05% Frequency response: Line: Hz ±0.5dB Mic: Hz ±0.5dB Phono: ±1dB; -3dB attenuation at 20 Hz to reduce rumble and feedback Channel Equalizer: Bass: +dB at 20 Hz Mid: +dB at 1.3 kHz Treble: +dB at 15 kHz Channel fader kill: Better than 90dB at 1 kHz Crossfader kill: Better than 75dB Crosstalk: Better than 80dB at 1 kHz 1 year limited guarantee For more info on this product please  click here

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The DJ PRE II (formerly named the Phono MicroPRE) acts as an interface between your turntable and your audio recording / playback system. The analog input capacitance can be switched between 100pF and 200pF to optimize your phono cartridge response. A switchable low cut filter removes turntable rumble while leaving the audio pristine. The front gain trim control and signal/clip lED allow you to optimize the preamp's gain for a wide range of input sources. The built-in low noise phono preamp circuitry is highly accurate and precisely conforms to the RIAA standard. The line output jacks are low impedance and can be used with any sound card. Housed in an all aluminum black anodized case, the DJ PRE II can be powered by a wide variety of external supplies. If you need to amplify and EQ your vinyl records to interface with your audio workstation, sound card, home stereo system or main monitor system, the DJ PRE II gives you flawless audio reproduction in a rugged and reliable package. Specifiactions - Signal To Noise Ratio: > 90dB below clipping - Frequency Bands: FIlTER TYPE: Switchable, low Cut, -3dB at 22Hz - Maximum Gain: 45dB at 1KHz - Input Impedance: 47k Ohms in parallel with either 100pF or 200pF - Maximum Input level: 40mVrms at 1KHz - Maximum Output level: +6dBu (1.4Vrms) - Input Connectors: RCA - Output Connectors: RCA - Total Harmonic Distortion:.01% Typical at 1KHz - Frequency Response: 10Hz -50KHz, +/-.5dB - Power: 7-12V DC or 9-12V AC at 150mA - Dimensions: 1.75H x 4.2W x 3.5D - Weight: 1.25 lbs (.57kg)

Features:     Powerful Tube sound for Audio players     Parallel 3.5mm and RCA stereo inputs     High-quality Shuguang 12AU7 tube, Pure Class A Tube amp, No op amp IC     Cute and Beautiful looking     Powerful dynamic and sweet TUBE sound In Put Power: DC24V Input Sensitivity: 100mV Input Impedance: 100KOhm Out-Put Impedance: Ohm Gain: 30dB Frequency response: 10Hz-60KHz +/- 0.25dB Signal/Noise Ratio: >90dB Dynamic range: 84.6dBA(300 ohm) 89.8dBA(33 ohm) THD: ohm) ohm)I MD + Noise: ohm) ohm) Dimension: 79mm (D) X 79mm (W) X 44mm (H) Input: Stereo RCA x1, Stereo 3.5mm x1 Outpu: Stereo 6.35mm x1 Package Include: Bravo V2 Tube Headphone Amp x1 ShuGuang 12AU7 Tube x1 AC Power Adapter V/ Hz, 24V1A x1 6.5mm to 3.5mm Headphone Jack adapter x1 Power Cable w/ wall plug x1 This item is shipped from Hong Kong.        

Features:     Powerful Tube sound for Audio players     Parallel 3.5mm and RCA stereo inputs     High-quality Shuguang 12AU7 tube, Pure Class A Tube amp, No op amp IC     Cute and Beautiful looking     Powerful dynamic and sweet TUBE sound In Put Power: DC24V Input Sensitivity: 100mV Input Impedance: 100KOhm Out-Put Impedance: Ohm Gain: 30dB Frequency response: 10Hz-60KHz +/- 0.25dB Signal/Noise Ratio: >90dB Dynamic range: 84.6dBA(300 ohm) 89.8dBA(33 ohm) THD: ohm) ohm)I MD + Noise: ohm) ohm) Dimension: 79mm (D) X 79mm (W) X 44mm (H) Input: Stereo RCA x1, Stereo 3.5mm x1 Outpu: Stereo 6.35mm x1 Package Include: Bravo V2 Tube Headphone Amp x1 ShuGuang 12AU7 Tube x1 AC Power Adapter V/ Hz, 24V1A x1 6.5mm to 3.5mm Headphone Jack adapter x1 Headphone is not included in the package. This item is shipped from Hong Kong.          

The XGA- amplifier offers clean, reliable power in a durable, lightweight enclosure. If you demand professional amplification performance, the XGA- is perfect for delivering pure, consistent wattage night after night. With watts of Instant Peak Power (700 watts RMS), the XGA- is ideal for powering PA systems and DJ rigs. To ensure seamless, reliable performance, the amp features front-to-rear airflow and a variable-speed cooling fan for thermal stability, along with a limiter circuit switch, DC output protection and short circuit protection. For true connecting convenience, the XGA- boasts XLR and ¼-inch balanced inputs, as well as RCA unbalanced inputs and three Speakon outputs. The unit also provides front panel indicators for Signal, Clip, Protect and Bridge, plus level controls for channels 1 and 2. Selectable modes for Stereo and Mono Bridge give you even more flexibility, while its sleek, lightweight design ensures total portability. With clean, dependable power in a resilient, 23-pound enclosure, the XGA- offers unmatched value for anyone who is serious about sound. Watt IPP* High Power output to drive professional loudspeakers without clipping Front-to-rear airflow and cooling fan for thermal stability and reliability XLR and ¼” (6.5mm Jack) balanced and RCA unbalanced inputs Limiter circuit switch for amp output protection Stereo and Mono Bridge Variable speed fan for low noise Comprehensive front panel indicators including signal, clip, protect and bridge 3 Speakon outputs for Channels A/B/Bridge 5-way binding banana plug channel outputs Bridge control switch DC output protection and Short circuit protection 10Hz – 50kHz frequency response at 1.5 dB Ground lift switch Total Harmonic Distortion: Less than 0.1% Input sensitivity & Impedance: 0.77v Signal to Noise (20 Hz – 20 kHz) > 90dB  

The XGA- amplifier offers clean, reliable power in a durable, lightweight enclosure. If you demand professional amplification performance, the XGA- is perfect for delivering pure, consistent wattage night after night. With watts of Instant Peak Power (700 watts RMS), the XGA- is ideal for powering PA systems and DJ rigs. To ensure seamless, reliable performance, the amp features front-to-rear airflow and a variable-speed cooling fan for thermal stability, along with a limiter circuit switch, DC output protection and short circuit protection. For true connecting convenience, the XGA- boasts XLR and ¼-inch balanced inputs, as well as RCA unbalanced inputs and three Speakon outputs. The unit also provides front panel indicators for Signal, Clip, Protect and Bridge, plus level controls for channels 1 and 2. Selectable modes for Stereo and Mono Bridge give you even more flexibility, while its sleek, lightweight design ensures total portability. With clean, dependable power in a resilient, 23-pound enclosure, the XGA- offers unmatched value for anyone who is serious about sound. Watt IPP* High Power output to drive professional loudspeakers without clipping Front-to-rear airflow and cooling fan for thermal stability and reliability XLR and ¼” (6.5mm Jack) balanced and RCA unbalanced inputs Limiter circuit switch for amp output protection Stereo and Mono Bridge Variable speed fan for low noise Comprehensive front panel indicators including signal, clip, protect and bridge 3 Speakon outputs for Channels A/B/Bridge 5-way binding banana plug channel outputs Bridge control switch DC output protection and Short circuit protection 10Hz – 50kHz frequency response at 1.5 dB Ground lift switch Total Harmonic Distortion: Less than 0.1% Input sensitivity & Impedance: 0.77v Signal to Noise (20 Hz – 20 kHz) > 90dB

  V/GOOD     SEVEN SINGLE SUPPLIED IN RCA VICTOR SLEEVE       VINYL GRADING: (2nd)           EX (Excellent): Pretty much like a new LP but it isn't sealed.          VG+ (Very Good +): Looks relatively flawless, with only superficial signs of use.          VG (Very Good): May exhibit minor surface marks with some mild surface noise.          VG- (Very Good -): May have numerous light scratches or marks that will affect music quality some, but readily playable.           G (Good): Heavier wear and surface noise, but will likely still play. (Most vinyl conditions are visually graded, not play tested.)  

Features Recording to CD-R/RW or SD/SDHC memory card Uncompressed PCM recording (CD/SD) MP3 recording (SD) Long duration recording capabilities (MP3 format) Copy function dubs from SD card to CD, and from CD to SD card Four built-in high quality condenser microphones for 360-degree recording Built-in 10W stereo sound system Simple operation with dedicated knobs and keys Variable speed audition with key control Loop playback Metronome and chromatic tuner Over-dub recording Powered through 8 x AA batteries or AC power adapter 2 x XLR mic inputs with +48V phantom power Stereo pair of RCA line input jacks for connecting external devices Stereo pair of RCA line output jacks for connecting external devices Compatible with SD cards up to 2 GB in size and SDHC cards up to 32 GB in size Wireless remote control unit included Specifications Frequency response: kHz (±1 dB) Distortion (THD+N): 0.05 percent (1 kHz LPF 20 kHz) Signal to noise ratio: 85 dB (1 kHz, LPF 20 kHz A-weighted) Battery life (continuous operation): Up to 1.5 hours of CD playback Up to 2.5 hours of SD record/playback, speaker output mode Up to 4.5 hours of SD record/playback, headphone output mode Line input (L/R, unbalanced): Nominal input level: -10 dBV Maximum input level: + 6 dBV Minimum input level: -22 dBV Input impedance: 20 k¿ External mic (L/R, balanced): Connector: XLR-: GND 2: Hot 3: Cold) Nominal input level: -13 dBV Maximum input level: + 3 dBV Minimum input level: -55 dBV Input impedance: 2.4 k¿ Line output (L/R, unbalanced): Connector: RCA pin jack Nominal output level: -10 dBV Maximum output level: + 6 dBV Output impedance: 200 k¿ Speakers: 3 inches x 2 Amplifiers: 5W + 5W Dimensions: x 8.06 x 4.21 inches Weight: 7.5 pound

The ZED60-14FX Live and Studio Mixer from Allen & Heath is a 10-channel mixer with 16 built-in effects that is designed for an array of live and studio applications. Channels 1 through 6 have Neutrik XLR connectors for mic level signals, and 1/4" TRS inputs for balanced or unbalanced line level signals. Channels 7 and 8 also have Neutrik XLRs, but feature Class A FET Hi-Z instrument-level inputs for direct connection of electric guitars and basses. Additionally, channels 1 through 8 are all equipped with 3-band EQ and 48V phantom power. The mixer also features two stereo inputs (ST1 & ST2) that have 1/4" TS and RCA jacks (ST1 only) for connecting line level outputs from devices such as keyboards, samplers or iPods. Each of the stereo channels feature a 2-band EQ. All 10 channels can be routed to a "record" buss that can be output to a computer running DAW software via the USB port, or routed into a hardware recording device via the RCA record out jacks. Each channel also features a "listen" button, that when engaged takes the corresponding signal off the master and recording busses and sends it to the headphone buss. This can be useful in a live recording scenario for making discrete EQ adjustments to a channel before adding it to the master or record busses. Designed with versatility in mind, the ZED60-14FX's master section is equipped with balanced XLR left and right main outputs with 1/4" inserts on each channel. These inserts can be useful for inserting outboard gear such as EQs or limiters at the end of your signal chain before the master mix is output to your speakers. Also, there is a balanced 1/4" aux output for connecting additional sound reinforcement components such as a sub-woofer, and an FX bus out that can be used to send the FX mix to additional gear such as an external effects unit. While you can connect an external effects unit via the FX bus out jack, the mixer also features sixteen built-in digital effects that include multiple delays, reverbs, a doubler, flanger, and chorus. The DSP engine, which uses the same effects algorithms as Allen & Heath's flagship digital consoles, is designed for low-noise and low-distortion signal processing. Rugged Design Designed with durability in mind for live gigging and recording, the ZED60-14FX uses many of the same exact components used in Allen & Heath's larger, high-end mixers. The vertically mounted, per-channel circuit boards make servicing much easier should it be required, with the ability to remove one particular channel from the mixer at a time Low Noise, High Gain Microphone Pre-Amps Based on the pre-amps from the Allen & Heath MixWizard series consoles. Designed to maximize sound quality with high gain, low-noise and consistent output Hi-Z Guitar Inputs Channels 7 and 8 include high impedance FET circuits running in Class A mode for use with low output electric guitars and basses. Designed to emulate the type of circuits used in valve guitar combos and head amplifiers, the input circuit has a soft overdrive characteristic, giving a warm 2nd harmonic character to the sound if desired Per-Channel EQ Channels 1-8 are equipped with a 3-band equalizer with sweepable mids and a high pass filter. The 2 stereo channels have 2-band low and high frequency shelving Onboard Digital Effects Processor Sixteen built-in digital effects that include multiple delays and reverbs, a doubler, flanger and chorus. The digital effects algorithms are the same as those used on the flagship Allen & Heath digital consoles Recording Buss All channels, including the effects buss, have switchable routing to the recording buss that is sent to the stereo RCA recording out and the USB out, useful for dropping or adding in microphones or effects to tape during a live recording scenario USB Connectivity When used in tandem with your Mac or PC running DAW software, the mixer can send and/or receive up to 16-bit, 48 kHz audio via the USB port

Features: Main chip is SP3306AL, can play the APE, FLAC,etc. format music, the real nondestructive quality output A digital optical signal output, digital coaxial output signal, a set of simulated RCA signal output, can be connected with a fiber optic signal, coaxial signal input audio equipment A group of analog signal input, also can convert digital signals (optical fiber, coaxial) output Can be used as an analog signal input digital signal output of the decoder used DAC, multi-usage, usb flash drive input and analog signal input can remote control switch freely Support lossy compression format MP3 (MPEG1/2/2.5Layer1/2/3) WMA (7.0/8.0/9.0 WMA) supported by lossy compression format Supports lossless compression format APE 3.95 or more versions of Fast (C1000), Normsl (C2000), High (C3000) Support lossless compression format FLAC Support WAV IMA format (ADPCM INTEL, ADPCM PCM,) Support CUE file player (ANSI format) Support 32G USB-Disk storage, format cannot be NTFS, must be the FAT32 format Hardware audio processing EQ1. EQ2 With single cycle and sequence playback function Playback mode: USB Play format: WAV FLAC MP3 Output: 6.3mm headphone jack, RCA, coaxial, optical fiber Input: USB, RCA The two major parameters Distortion: THD+N: 0.004% (RL > 10 K) Distortion: THD+N: 0.020% (RL = 32) Signal to noise ratio: dB >99 Dynamic range: dB >99 Voltage input DC:5V T9 size: 13.5 x 9 x 4 (CM) Key instructions: 4 buttons, respectively, ST standby key, S sound source key switch, volume +. key. Remote control buttons: The AUX analog signal input keys Input key USB flash drive MODE of two sets of audio switch button RPT single cycle and sequence switch button Two sound key EQ. Note: The following format can not be played normally Encoding as "Higf Extra" APE. The bit rate over WAV. 4608kpbs DTS encoding APE/WAV. AAC/OGG/MPC format. Damaged music format Package Included: 1 x Zhilai T9 HIFI DAC 1 x Remote Control 1 x Headphone Connection Plug 1 x US Power Adapter