Noise attack

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days Features Contributors Various Artists Format CD Release date 20110502

ANGEL CITY - NIGHT ATTACK - USA - VG / VG ALL RECORDS ARE SOLD WITH NEW PLASTIC OUTER SLEEVES, CLEANED AND SENT IN PROFESSIONAL HARD CARDBOARD MAILERS. PAYMENTS ARE TO BE COMPLETED WITHIN 7 DAYS OF AUCTION END.   COVER (SLEEVE) GRADING: (1st) SEALED: Still Sealed. EX (Excellent): Like new    VG+ (Very Good): May have light corner wear or a sticker    VG: Rougher corners and seams may have some light splitting VG-: Some splitting or wear.  G+: Rougher overall appearance with heavier splitting.   VINYL GRADING: (2nd) EX: Pretty much like a new LP but it isn't sealed. VG+: Very Good +. Looks relatively flawless, with only superficial signs of use. VG: Very Good.  May exhibit minor surface marks with some mild surface noise. VG-: Very Good-.  May have numerous light scratches or marks that will affect music quality some, but quite readily playable. G+: Good.  Heavier Wear, usually from improper storage, This record will definitely have some noise due to its markings, but could be worthwhile buy for sentimental reasons. (Most vinyl conditions are visually graded, not play tested.)      

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. NS-2 NOISE SUPPRESSOR The NS-2 effectively eliminates noise and hum of the input signal while preserving the original sound's tonality. The natural attack and envelope are unaffected thanks to BOSS's unique noise detection circuit that precisely separates the guitar sound and the noise components. Regler: THRESHOlD, DECAY, MODE (MUTE, REDUCTION)

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instruments natural tone. Its the perfect pedal to quiet down any pedalboard or effects setup. Compact noise suppression pedal for eliminating noise and hum in guitar and bass effects and amplifier setups Unique noise detection circuit preserves the natural attack and envelope of an instruments sound Threshold and Decay knobs allow for shaping the elimination/suppression as desired BOSS 5-year warranty

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The representation of classic Ross with very low noise. It has Sustain, Attack and level knobs. True bypass design to minimize the tone loss. Material: Aluminium alloy with stoving vanish What is in boxIJ 1*Guitar Effects Pedal

Sleeve: G (not original generic) Vinyl: G (light hairlines/scuffs, plays through both sides with surface noise. But if you crank up the volume it isn't that much of an issue. Black koki mark on label as per photos (and Koos wrote his name on it) SHIPPING: Post Office R45  

JOYO JF - 10 True Bypass Design Dynamic Compressor Guitar Effect Pedal with 3 Adjustable Knobs JOYO JF - 10 Dynamic Compressor Pedal is a recreation of the classic compressor, with very low noise. Use the Sustain, Attack, and Level knobs to find your ideal tone. Get one and make your own music. 3 Adjustable Knobs: Sustain: To control the delaying time of compressing. Attack: To control the starting time of compressing effect. Level: To control the output level. Features: A recreation of the classic compressor, with very low noise. Use the Sustain, Attack, and Level knobs to find your ideal tone. The Attack adjustment is especially designed for bass or high-output active pickup. True bypass design minimizes tone loss. Aluminum alloy casing with stove varnish finish. Power: 9V Package weight: 0.448 kg Product size (L x W x H): 1 x 2 x 3 cm / 0.39 x 0.79 x 1.18 inches Package size (L x W x H): 2 x 3 x 4 cm / 0.79 x 1.18 x 1.57 inches Package Contents: 1 x JOYO JF - 10 Dynamic Compressor Guitar Effect Pedal

The S-com plus is a highly adaptable stereo compressor/limiter in an efficient single rackspace design. It is intended for situations where extra flexibility is required to optimize signal levels. It delivers essential control along with simplicity of operation. S-com plus's comprehensive and wide-ranging controls provide extensive manipulation of audio dynamics, even in the most complex situations.Each channel features a wide range of variable control. A feature-rich Compressor section includes variable Threshold, Ratio, Attack and Release controls. Samson's SKD (Smart Knee Detector) circuit dynamically adjusts the compression curve to ensure a musical result. Our exclusive AEG (Auto Envelope Generator) function simplifies optimum settings by constantly analyzing the audio input and automatically adjusting the attack and release parameters based on the changing level. Key Inputs and Outputs are included for externally processing the control voltage.The Expander/Gate features a variable threshold level and switchable release time (fast or slow). The Gate switch changes the downward expander ratio from "light" to "hard" gating for control ranging from subtle to an obvious effect. A dedicated Peak/Limiter with variable control provides protection against peak and overload independently of the compressor. When used in combination with the Compressor the Peak/Limiter offers even more precise control over dynamic levels.A functional De-esser improves audio quality by removing "S" from vocals and sibilance from overly bright signal sources such as cymbals. The Enhancer switch engages the EFR (Enhanced Frequency Recovery) circuit, which restores high frequencies that are sometimes diminished by heavy compression. Extensive metering includes Input/Output, Gain Reduction, De-esser Level, Gate Open/Close and Limit.Compressor/Limiter, Expander/Gate, De-Esser with Peak Limiter Expander/Gate with Variable Trigger Control and Switchable Fast/Slow Release Peak Limiter with Independent Threshold Control and Peak LED Adjustable De-Esser with independent LED Meter for Reducing Sibilance Advanced Circuit Design Utilizing Low Noise Operational Amplifiers and High Quality VCA's Servo Balanced Inputs and Outputs on XLR and 1/4" Connectors SKD (Smart Knee Detector) Circuit Switches from Soft to Hard Knee Based on the Level of Input Signal Applied AEG (Auto Envelope Generator) Mode Constantly Adjusts the Compressors Attack and Release Times

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features: Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4" TRS and XLR connectors Side Chain insert Classic dbx® "Auto" mode Specifications: Input Connectors    1/4" TRS and female XLR (pin 2 hot) Input Type    Electronically balanced/unbalanced, RF filtered Input Impedance    40kΩ balanced/unbalanced Max Input    >+22dBu Balanced or Unbalanced Output Connectors    1/4" TRS, female XLR (pin 2 hot) Output Type    Impedance-balanced/unbalanced, RF filtered Output Impedance    +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced Max Output    >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) Sidechain    1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) Sidechain Impedance    Tip = >10kΩ (Input), Ring = 2kΩ (Output) Sidechain Max Input Level    Tip = >+22dBu (Input) Sidechain Max Output Level    Ring = >+20dBu (Output) Compressor Threshold Range    -40dBu to +20dBu Compressor Threshold Characteristic    Selectable OverEasy® or hard knee Compressor Ratio    1:1 to Infinity:1 Compressor Attack Time    Scalable Program-Dependent AutoDynamic™ Compressor Release Time    Scalable Program-Dependent AutoDynamic™ Expander/Gate Threshold Range    -60dBu to +15dBu Expander/Gate Ratio    1:1 to 4:1 Expander/Gate Attack Time    Expander/Gate Release Time    Program-dependent Bandwidth    0.35Hz - 90kHz, +0/-3dB Frequency Response    Flat: 20Hz-20kHz, +0, -0.5dB Noise    THD+Noise    Typically IMD    Typically Dynamic Range    >114 dB, unweighted Interchannel Crosstalk    CMRR    >40dB, typically >55dB at 1kHz Stereo Coupling    True RMS Power Summing™ Power Consumption    15 Watts Maximum Operating Voltage    100VAC Hz; 120VAC 60Hz; 230VAC Hz Operating Temperature    0°C to 45°C (32°F to 113°F) Dimensions    1.75" x 5.75" x cm x 14.6 cm x cm) Unit Weight    4.84 lbs (2.19 kg) Shipping Weight    6.6 lbs (2.99 kg) Reference    0dBu = Vrms 1 year limited guarantee For more info on this product please click here

The Mackie QUAD Comp/Gate is a state-of-the-art four-channel rackmount digital compressor/gate designed for world-class sound. Its compression/limiting and gating/expansion algorithms were written by the digital gurus at Acuma Labs to provide a very wide range of high-quality, instantly usable settings. With 99 user definable snapshots for calling up, say, a favorite bass or vocal compression sound, the QUAD Comp/Gate makes it much easier to get consistently fast, great-sounding mixes than with analog compressor/gates. FULL-FEATURED, SURGICALLY PRECISE DYNAMICS: The QUAD Comp/Gate offers more parameters with wider ranges than most stand alone analog processors, providing the absolute control to Compress or Gate signals for any application, from a snare drum to a broadcast announcer. Use the compressor for compression or limiting; it also provides threshold, ratio, attack, release, make-up gain, soft knee curve, and auto attack and release. The gate can be used as a noise gate or expander with threshold, ratio, attack, release, hold time, and a range control. Features: 4 channels of 24-bit digital compression/limiting and gate/expansion Custom algorithms developed by Acuma Labs Individual gain reduction and output metering per channel Individual Key Filtering per comp and gate channels 99 snapshots for instant storage and recall of settings Stereo Linking of channels A and B, C and D Intuitive, easy to use front panel Professional input/output connections (XLR & TRS) Additional external side chain connections "Planet Earth" Power Supply (VAC Hz) 1 year limited guarantee for more info on this product please click here

Samson SCOMPLUS Stereo Compressor Limiter - The S com plus is a highly adaptable stereo compressor/limiter in an efficient single rackspace design. It is intended for situations where extra flexibility is required to optimize signal levels. It delivers essential control along with simplicity of operation. S com plus's comprehensive and wide-ranging controls provide extensive manipulation of audio dynamics, even in the most complex situations. Each channel features a wide range of variable control. A feature-rich Compressor section includes variable Threshold, Ratio, Attack and Release controls. Samson's SKD (Smart Knee Detector) circuit dynamically adjusts the compression curve to ensure a musical result. Our exclusive AEG (Auto Envelope Generator) function simplifies optimum settings by constantly analyzing the audio input and automatically adjusting the attack and release parameters based on the changing level. Key Inputs and Outputs are included for externally processing the control voltage. The Expander/Gate features a variable threshold level and switchable release time (fast or slow). The Gate switch changes the downward expander ratio from "light" to "hard" gating for control ranging from subtle to an obvious effect. A dedicated Peak/Limiter with variable control provides protection against peak and overload independently of the compressor. When used in combination with the Compressor the Peak/Limiter offers even more precise control over dynamic levels. A functional De-esser improves audio quality by removing "S" from vocals and sibilance from overly bright signal sources such as cymbals. The Enhancer switch engages the EFR (Enhanced Frequency Recovery) circuit, which restores high frequencies that are sometimes diminished by heavy compression. Extensive metering includes Input/Output, Gain Reduction, De-esser Level, Gate Open/Close and Limit. Other S com plus features Compressor/Limiter, Expander/Gate, De-Esser with Peak Limiter Expander/Gate with Variable Trigger Control and Switchable Fast/Slow Release Peak Limiter with Independent Threshold Control and Peak LED Adjustable De-Esser with independent LED Meter for Reducing Sibilance Advanced Circuit Design Utilizing Low Noise Operational Amplifiers and High Quality VCA's Servo Balanced Inputs and Outputs on XLR and 1/4" Connectors SKD (Smart Knee Detector) Circuit Switches from Soft to Hard Knee Based on the Level of Input Signal Applied AEG (Auto Envelope Generator) Mode Constantly Adjusts the Compressors Attack and Release Times Three-year Extended Warranty *

Samson SCOMPLUS Stereo Compressor Limiter – The S com plus is a highly adaptable stereo compressor/limiter in an efficient single rackspace design. It is intended for situations where extra flexibility is required to optimize signal levels. It delivers essential control along with simplicity of operation. S com plus’s comprehensive and wide-ranging controls provide extensive manipulation of audio dynamics, even in the most complex situations. Each channel features a wide range of variable control. A feature-rich Compressor section includes variable Threshold, Ratio, Attack and Release controls. Samson’s SKD (Smart Knee Detector) circuit dynamically adjusts the compression curve to ensure a musical result. Our exclusive AEG (Auto Envelope Generator) function simplifies optimum settings by constantly analyzing the audio input and automatically adjusting the attack and release parameters based on the changing level. Key Inputs and Outputs are included for externally processing the control voltage. The Expander/Gate features a variable threshold level and switchable release time (fast or slow). The Gate switch changes the downward expander ratio from "light" to "hard" gating for control ranging from subtle to an obvious effect. A dedicated Peak/Limiter with variable control provides protection against peak and overload independently of the compressor. When used in combination with the Compressor the Peak/Limiter offers even more precise control over dynamic levels. A functional De-esser improves audio quality by removing "S" from vocals and sibilance from overly bright signal sources such as cymbals. The Enhancer switch engages the EFR (Enhanced Frequency Recovery) circuit, which restores high frequencies that are sometimes diminished by heavy compression. Extensive metering includes Input/Output, Gain Reduction, De-esser Level, Gate Open/Close and Limit. Other S com plus features Compressor/Limiter, Expander/Gate, De-Esser with Peak Limiter Expander/Gate with Variable Trigger Control and Switchable Fast/Slow Release Peak Limiter with Independent Threshold Control and Peak LED Adjustable De-Esser with independent LED Meter for Reducing Sibilance Advanced Circuit Design Utilizing Low Noise Operational Amplifiers and High Quality VCA’s Servo Balanced Inputs and Outputs on XLR and 1/4" Connectors SKD (Smart Knee Detector) Circuit Switches from Soft to Hard Knee Based on the Level of Input Signal Applied AEG (Auto Envelope Generator) Mode Constantly Adjusts the Compressors Attack and Release Times Three-year Extended Warranty *

Professional digital compressor / limiter based on 32bit DSP technology Can be used for all kinds of applications: improve sound quality and dynamics, protection of speaker cabinets, reduce peaks (radio) Compressor mode with adjustable parameters: Threshold: -24dB ~ 12dB Attack: 0.1ms ~100ms Release: 10ms ~ 5s Ratio: Gain compensation: x1 x2 x4 x8 Limiter mode with adjustable parameters: Threshold: -53dB ~ 10dB Attack: 20us ~ 3ms Release: 10ms ~ 5s Frequency response: Hz (+/-1dB) Noise gate threshold: -66dB ~ -24dB

The S com is a dual-channel, single rack space stereo compressor designed to control signal levels in a variety of applications. S com's logical design and layout make it simple to understand and easy to use. Its sonic integrity offers clean, distortion free audio, and a predictable, usable range of control from undetectable to clearly identifiable. Each channel combines an Expander/Gate, a Compressor/Limiter and a fully adjustable Enhancer. This unique circuit reduces noise, increases loudness and recovers high frequencies that might otherwise be compromised when audio is heavily compressed. The Spectra switch adds a mid-band boost to the detector circuit to help smooth out harsh vocals. The Expander/Gate features a variable Threshold control and switchable (fast/slow) Release time. The Gate's operation is easily visible with twin (open and closed) LEDs. The S com's Compressor/Limiter controls include Threshold, Ratio, Attack, Release, and Output. The Auto function continuously analyzes the audio input, and automatically adjusts the attack and release parameters based on the changing level. A Key input and Key Listen feature provides for external triggering, or EQ, of dynamically processed signals.

Dynamic Compresso r A re-creation of the classic Ross compressor, with a very low noise. Use the Sustain, Attack, and Level knobs to findyour ideal tone. Tweek the Attack to boost your bottom end and level off the high-output pickups. True bypass design minimizes tone loss.  Aluminum design minimizes tone loss.  Dimensions: 11.8(L)X6.4(W)X3.8(H)cm   We, 'Spark(SA) stage Equipment' is the Sole Agent for all JOYO branded products in the Republic of South Africa

A re-creation of the classic Ross compressor, with very low noise. Use the Sustain, Attack, and Level knobs to find your ideal tone. The Attack is especially designed for Bass or high-output active pickup. True bypass design minimizes tone loss. Package inclued: 1 * Effect Pedal JOYO JF-10 Dynamic Compressor Guitar Effect Pedal

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Analog synth with step sequencer Analog VCO,VCF (MS-20 filter) and VCA Versatile lFO, Rate, Inten-sity, 1shot (EG) mode Advanced ribbon keyboard chromatic, continuous and wide modes 3-part analog drums 8-steps sequencer Selectable OSC-waveforms Rhythm function Noise generator Auto-tuning Sync In/Out mini-jacks Active Flux mode Controls VCO: Waveshape (Saw, Triangle, Square), Octave Range (), Noise Generator (Amount), Key Range (Wide, Narrow, Key) VCF: 12 dB/Oct low Pass Filter, Cutoff (Frequency), Peak (Resonance) VCA: Gain knob: EG Select (Decay, Gate, Attack) lFO: Rate (Speed), Intensity (Depth), Target Switch (VCO, VCF, VCO+VCF), Mode Switch (Fast, Slow, 1-Shot), Shape (Saw, Triangle, Square) External audio input/output, headphones output Internal speaker Battery powered (optional adaptator)

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Preamplifier Joemeek optical compressor Equalizer Fader Input impedances Mic 1.2kohm - line 20kohm Pre-amp overall gain 0dB to 60dB Common mode rejection 70dB Equivalent input noise -dBu (unweighted) Distortion % (below Compressor threshold) Frequency response 10Hz to 70kHz (-3dB) Maximum input before clipping Mic: +19.5dBu; line: +44.5dBu Headroom before clipping +19.5dBu Compressor threshold +¿dBu to -20dBu (variable) Compressor ratio 5:1 (typical) Compressor attack time 1 msec to 100 msec (adaptive) Compressor release time 0.1 sec to 3 sec (adaptive) EQ Boost and Cut +/-15dB (zero phase-shift bell response) lF Frequency 80Hz (fixed) MID Frequency 300Hz to 5kHz variable HF Frequency 12kHz (fixed) EQ "Q" octaves) Output Gain -¿dBu to +16dBu (variable) Nominal output levels +4dBu/-10dBv (selectable) Output impedance 75ohm Output level switch 12dB attenuation Noise Floor -85dBu (typical, with ~40dB mic gain) VU Meter 8 segment bargraph Power supply 12V ac mains adaptor Power consumption 12W Dimensions 8.66 x 1.73 x x 44 x 180mm) Poids 2.20lbs (1kg)

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Interactive Reference-Class 2-Channel Expander/Gate/Compressor/ Peak limiter with Integrated De-Esser, Dynamic Enhancer, Tube Simulation and low Contour Filter Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics Integrated de-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable dynamic enhancer for brilliant, lively audio even with heavy compression IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Switchable tube simulation for the extra warmth and transparency of classic tube circuitry Automatically or manually adjustable attack and release times Switchable low contour filter prevents pumping due to low-frequency dominated compression Stereo couple function with independent output level settings Switchable side chain input with side chain monitor function Ultra low-noise operational amplifiers and state-of-the-art VCA's Separate 12-segment lED meters for input/output levels and gain reduction Dedicated traffic light threshold and de-esser level displays High-quality detented potentiometers and illuminated switches Servo-balanced inputs and outputs with ¼ TRS and gold-plated XlR connectors Relay-controlled hard bypass switch with auto bypass function in case of power failure Conceived and designed by BEHRINGER Germany

Reference-Class 2-Channel Expander/Gate/Compressor/Peak Limiter with Integrated Dynamic Enhancer, De-Esser and Low Contour Filter Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics Adjustable dynamic Enhancer with level meter for brilliant, lively audio even with heavy compression IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable De-esser removes excessive sibilance from your vocal tracks IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Automatically or manually adjustable attack and release times Switchable Low contour filter prevents "pumping" due to low-frequency dominated compression Stereo couple function with independent output level settings Switchable side chain input with monitor function Separate 12-segment LED meters for input/output levels and gain reduction Dedicated "traffic light" Threshold and Enhancer level displays Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

Reference-Class 2-Channel Expander/Gate/Compressor/Peak Limiter with Integrated De-Esser, Dynamic Enhancer and Tube Simulation Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics Integrated De-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Switchable Tube simulation for the extra warmth and transparency of classic tube circuitry Automatically or manually adjustable attack and release times Switchable Low contour filter prevents "pumping" due to low-frequency dominated compression Stereo couple function with independent output level settings Switchable side chain input with monitor function Separate 12-segment LED meters for input/output levels and gain reduction Dedicated "traffic light" Threshold and De-esser level displays Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors Relay-controlled hard bypass switch with auto bypass function in case of power failure High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

ST8 Claude Salmieri drum mic pack was designed to restore your playing with as much accuracy as possible. The pack consists of 8 microphones: •x1 NEXT GENERATION dynamic uni-directional bass drum mic that goes even further down into the bass notes for optimum recording and restitution. •x3 dynamic, unidirectional and ultra-versatile mics for toms – you can also use them with other percussion instruments such as congas, bongos, etc. •x1 dynamic uni-directional mic for the snare drum to accurately transcribe what is essential in playing snare drums - attack and finesse. •x3 microphones PROA1 overheads (static condenser mics) perfectly adapted to capture the different moods of drums and percussion instruments, but also ideal for the Charleston drum. You can also use them with any acoustic instrument. The ST-8 set is supplied in a durable carrying case and includes 3 SHIELDS and 3 HOLDER MOUNTS to use with the overheads.ST8 - SD (Snare Drum) •Transducer Principle: Dynamic •Frequency Response: 80Hz-12kHz •Directivity Characteristic: Cardioid •Sensitivity: -54±3dB 0dB=1V/Pa at 1kHz •Output Impedance: % (at1kHz) ST8 – KD (Kick Drum) •Transducer Principle: Dynamic •Frequency Response: 30Hz-12kHz •Directivity Characteristic: Cardioid •Sensitivity: -64±3dB 0dB=1V/Pa at 1kHz •Output Impedance: %(at 1KHz) ST8 - PRO A1 (Overhead) •Transducer Principle: True Electrostatic Condenser •Directivity Characteristic: Cardioid •Frequency Response: 30Hz-20KHz •Sensitivity: -36±3dB0dB=1V/Pa at 1kHz •Output Impedance: %(at1KHz) •Load Impedance: ≥Ω •Equivalent Noise Level: ≤22dB AIEC •Max. Input SPL: 130dBTHD≤1.0% at 1KHz •Bass Filter: 12dB/octave at 100 kHz •Power Requirement: 48V DC Phantom Power •Body Dimension: 22X132mm •Net Weight: 112g The ST-8 set is supplied in a durable carrying case and includes 3 SHIELDS and 3 HOLDER MOUNTS to use with the overheads.

DBX Compressor After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the Stereo Compressor/Limiter/Gate. Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio. For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard" limiters. Selectable Hard-Knee or OverEasy characteristics make the ideal for your gain control needs, whether you're looking for "heavy" almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the both very easy to read and much easier to operate. In the studio, broadcast facility or on the road with a P.A. system, the is designed for perfectly simple operation. The allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the is our new dbx V2 VCA. Developed especially for the and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx perform better than compressors selling for hundreds more. State-of-the art-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx is the latest in a long line of pedigreed dbx signal processors.

SM Pro Audio 500 Series MBC502 Optical Compressor The MBC502 is a custom-designed, optical multi-band compressor in a dual-slot 500-series format. Each channel—low-frequency and high-frequency—offers control over level, compression amount, and attack and release times. Switches allow you to mute one of the compression channels so that the other can act as a filter, with the filter’s center frequency determined by the setting of the front panel Frequency selector knob. The VU meter displays the master output level, while gain reduction is shown on the LED meters. Editing is performed via a complement of dedicated oil damped rotary controls, with each compression band sporting independent controls. The exception is the Master Level knob, which gives you convenient, simultaneous control over the output levels of both compressor bands. Finally, like the Tubebox, the MBC502 audio circuit uses the LME ultra-low distortion/low noise Op Amps, for uncompromised audio output. Whether you’re taming vocal peaks, getting a bass to sit in the pocket, or looking to do serious sound-sculpting, our MBC502 is more than ready to lend a hand.

SM Pro Audio 500 Series Tubebox Mic Preamp Tubebox — a single-slot 500-series tube microphone preamp that boasts pristine audio output, superior-quality high-end design, and a value price. The small but mighty device features a Class A tube preamplifier, switchable phantom power, phase invert, selectable -20dB pad, and a super fast in-line optical compressor. The front panel includes a TRS microphone input—a standout feature typically not found on 500-series preamps. The easy-access interchangeable 12AX7 preamp tube allows you to experiment with a variety modern and vintage tubes to customize the Tubebox’s sound and performance to your taste. The switchable (in/out) compressor provides adjustable attack and release, and when it’s in use, the on-board VU meter automatically changes from displaying master level to amount of gain reduction, so you can view the exact results of the compression being applied. Editing is done using our smooth, responsive (and eye-catching!) hand-machined controls. And last but not least: The Tubebox audio circuit uses LME ultra-low distortion/low noise Op Amps, for suberb audio output. Think you can’t get a full-featured, great-sounding 500-series mic pre for an exceptional price? Think again!

Farmers in South Africa are being targeted....Attacked, tortured and murdered. Often this happens when the farmer goes outside the farm house to investigate why the dogs are barking non-stop, or a strange noise. This should be done from inside, with the CCTV that is covering the entire area outside his home. A well fortified house/bedroom is pointless without being able to have eyes on the outside. Be pro- active. Have layered security in place. Being prepared for a farm attack will always be in your favour.  Monitor gates/points of interest that are far away with the use of wireless cameras (which can also be powered with a solar panel)  Monitor diesel tanks  Be prepared in case of Farm Attacks  Monitor storage areas Install a CCTV surveillance system. Call Prenay Moodliar: to arrange for a quote to be done. Find out just how affordable quality CCTV can be. DUZI CCTV is a subsidiary of the Cool Force Group. We are an owner operated business.

Sennheiser - E908 B Condenser Microphone The high-end sound of a condenser microphone is combined with the features of professional stage equipment to make the e 908 a small, highly flexible marvel. With an open and high-definition character, it creates surprisingly forceful sounds. It transmits the attack in a very clear and defined manner while structure-borne noise is reliably suppressed. Thanks to its shock-mounted head, gooseneck and special clips, the e 908 can be quickly attached and precisely oriented to the sound source. Despite its delicate form, the microphone is ruggedly constructed and easily takes even hard hits.

Behringer MDX2600 2 Channel Compressor/Limiter - Whether you¿re recording, mixing or mastering, the COMPOSER PRO-XL MDX2600 gives you total dynamic control. It includes all of the features you would expect from a reference class compressor¿plus a voice-adaptive de-esser, a new dynamic enhancer, authentic tube emulation and much more. These are some of the indispensable tools for producing clean, consistent audio with virtually no loss in signal quality. Features Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics Integrated de-esser with switchable male/female voice recognition removes excessive sibilance from your vocal tracks IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable dynamic enhancer for brilliant, lively audio even with heavy compression IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Switchable tube simulation for the extra warmth and transparency of classic tube circuitry Automatically or manually adjustable attack and release times Switchable low contour filter prevents "pumping" due to low-frequency dominated compression Stereo couple function with independent output level settings Switchable side chain input with side chain monitor function Ultra low-noise 4580 operational amplifiers and state-of-the-art VCA's Separate 12-segment LED meters for input/output levels and gain reduction Dedicated "traffic light" threshold and de-esser level displays High-quality detented potentiometers and illuminated switches Servo-balanced inputs and outputs with ¼" TRS and gold-plated XLR connectors Relay-controlled hard bypass switch with auto bypass function in case of power failure Conceived and designed by BEHRINGER Germany *

Audio Technica - ATM250DE Dual-Element Instrument Microphone The ATM250DE dual-element instrument microphone features cardioid condenser and hypercardioid dynamic capsules combined in a single housing. Audio-Technica¿s innovative use of two polar patterns is ideal for kick drum: the hypercardioid dynamic element focuses tightly on the aggressive attack of the beater, while the condenser captures the round tonalities of the shell. The elements are positioned in a perfect phase relationship, something practically impossible to achieve with two separate microphones. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

Specifications: - Supply Voltage: 2.7v-5.5v @ 3mA current - Output: 2Vpp on 1.25V bias - Frequency Response: 20Hz - 20KHz - Programmable Attack and Release Ratio - Automatic gain, selectable max from 40dB, 50dB or 60dB - Low Input-Referred Noise Density of 30nV/ - Low THD: 0.04% (typ) - Low Power Shutdown Mode - Built-in 2V low-noise microphone bias - -40°C ~ +85°C extended temperature range Package included: 3 x Microphone AGC Amplifier Module