Yamaha mgp32x mixing

Yamaha - MGP32X Mixing Console The MGP32X is a 32-channel mixing console with iPhone®/iPod® connectivity, compression and digital effects. This mixer is appropriate to a wide range of professional applications from portable P.A. to fixed installation. The MGP32X features: 24 Mic Inputs with 48V Phantom Power and HPF per Channel, 32 Line Inputs (24 mono and 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out, and 1 Mono out. Great sounding microphone preamps, detailed EQ, quality digital effects and broad digital connectivity.

Yamaha MG24 Mixing Desk for sale. Our church upgraded, selling our old desk plus 16 channel 30m snake (12+4)

32-Channel Premium Mixing Console 24 Mic Inputs with 48V Phantom Power and HPF per Channel 32 Line Inputs (24 mono and 4 stereo) 6 AUX Sends + 2 FX Sends 4 GROUP Buses + ST Bus 2 Matrix out 1 Mono out

Yamaha - MGP12X Mixing Console¿ Rugged and durable from the outside in and sonically sweet from the inside out, the new Yamaha MGP12X mixer is the perfect solution for venues that need a reliable, great sounding console to ensure that all of their presentations sound clear and full. The MGP12X possesses all of the features necessary to handle a wide variety of input requirements. The buit-in rack railing and included mounting kit make this mixer a perfect choice for any small to medium sized nightclub or function hall.

Yamaha - MGP24X Mixing Console Not just for live bands and DJ's, the MG Series mixing consoles can easily adapt to a truly impressive range of applications from portable PA to fixed installation. Now with the newly added digital functions and superior sound of the MGP, the possibilities are endless.

Yamaha - MG16XU Mixing Console 16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX)

Yamaha MG24/16 FX mixing console In good working condition Case for mixer can be bought at an additional R2500 WhatsApp Reinhardt Le Roux

Yamaha 02Rv2 digital Studio recording mixing console for sale R showroom mint condition,with 3 ADAT Expansion cards Digital motor faders 1x Tascam digital audio interface tdif1 cd8-td2 2x Aes / Ebu cd8-ae-s expansion card 40 input channels (24 analog and 16 digital) 8 output busses (analog/digital) 16 direct outputs 8 aux sends perfect for church, place of worship,studio,or live sound or recording studios Brand new faders all round, Will do fader calibration for you to show you its new faders with Sony Dm100 sleek fader buttons with spare fader buttons add will be removed if desk is sold. DETAILS OF THE MIXER HERE...... http://usa.yamaha.com/products/live_sound/mixers/digital-mixers/02r/

Yamaha mixing console MG24/14 FX Case can be bought at an additional R1500 The top of the MG live-sound mixer series, with outstanding sound quality and an extensive range of powerful features. 24 Input channels (16 Mic inputs, 4 Stereo line inputs, 16 Insert I/O) Dual SPX Digital Effects Versatile EQ for Effective Sound Shaping Six Aux Sends & Two Stereo Aux Returns 14 Buses In All For Flexible Signal Routing

Yamaha APX-3 acoustic guitar. Value R4500 but will accept R3800 because of a cosmetic chip. Please zoom in to see the chip and marks. The chip is very repairable. The guitar has been serviced, the action has been set and it has new strings. Buyers from port elizabeth and surrounds please w'app me on 0824405527 to view.

Save R.Your price new with Yamaha guarantee: R . In-store PRICE R Line Inputs (24 mono and 4 stereo) 24 Mic Inputs with 48V Phantom Power and HPF per Channel, 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 2 Matrix out,1 Mono out. On-board processors: FX1:REV-X(8 PROGRAM, PARAMETER control)/ FX2:SPX(16 PROGRAM, PARAMETER control) USB Device, iPod / iPhone,

8" bass-reflex powered subwoofer delivers solid 30Hz - 120Hz frequency response. 150 watts dynamic power. XLR and TRS phone jack inputs accept balanced or unbalanced signals. Balanced XLR L and R outputs connect to the main left and right speakers. L/R mix output connects to a second subwoofer if required. Level control facilitates precise overall system level matching. Phase switch simplifies phase alignment. Low-pass filter control and high-pass filter control with ON/OFF switch. Full magnetic shielding. When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound "good" on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive. The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike "monitor" speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M. Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems … which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too. If Your Mixes Sound Good on These, They Sound Good on Anything The new HS Series powered monitors were designed to be true studio reference monitors in the tradition of the famous NS10Ms. When choosing your next pair of near field reference monitors, remember it's not just important that they sound good; they have to be an honest reference for your mix. The new HS Series of reference monitors were designed to give you exceptionally flat response so you can really trust what you hear. That means that mixes that sound good on Yamaha HS speakers will sound good on anything. In fact, that's the ultimate test of a reference monitor. Even better than that, HS series speakers not only sound good, they look great, too. The HS Series is a two-way, internally powered speaker system designed to provide affordable, high quality reference monitoring for all types of recording and multimedia applications ¿ home studios, computer-based music production, gaming systems, keyboards rigs and personal computer systems. All products are sold and packaged individually, making it easy to build flexible monitor setups and 5.1 systems. The 70-watt HS50M (5-in. cone and 3/4-in. dome tweeter) and 120-watt HS80M (8-in. cone and 1-in. dome tweeter) are housed in bass reflex-type cabinets, and reproduce surprisingly tight low end and smooth, high frequency response to beyond 20 kHz. Inputs include a balanced XLR and 1/4-in. phone jack. In addition to master level controls, each speaker has trim switches that allow you to custom-tailor low, mid and high frequency response for different applications. The HS10W powered subwoofer contains a long-stroke, 8-in. 120-watt woofer and bass reflex design cabinet that maintains high efficiency and low distortion. Connections include dual XLR and 1/4-in. inputs, and three balanced XLR outputs (Mix, L&R). Controls include master level, phase and low/high cutoff frequency. The HS10W complements the HS speakers, and easily handles today's bass-enhanced music or the most dramatic surround effects. HS Series cabinets look as great as they sound. Enclosures are constructed of high-quality MDF material and a multiple layer finish that minimizes resonance. Design elements include a black finish and lighted Yamaha tuning fork logo. White polypropylene woofer cones recall the look of the classic Yamaha NS10M, and include low-damping rubber surrounds and full magnetic shielding.

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. MG102C is the ideal choice for small music production or live sound applications, offering sonic quality that will satisfy the most critical listener, surprising flexibility and ease-of-use, and some advanced features you normally wouldn't find in this type of compact mixer. The Yamaha MG102C features two mono microphone/line channels and four stereo line channels. Two of the stereo channel can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input. Top-mounted input and output connectors make setting up and re-patching your system quick and easy. The Yamaha MG102C features high-quality Neutrik balanced XlR connectors on both mono microphone/line channels and two of the stereo channels. The XlR-equipped stereo channels can accept mono microphone input either via the XlR or phone jack connectors. The remaining two stereo channels on the MG102C provide phone jack and pin jack connectors for compatibility with a wide range of sources. The two mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source. Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All four microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all four channels.

With high input capacity and fader count, the powerful TF5 from Yamaha is ideal for larger applications. The Yamaha TF5 is a 48-input digital mixing console with 33 motorized faders and 32 XLR-1/4 combo inputs that is part of their TF Series of live digital mixing consoles. Yamaha digital consoles have always been designed with input from leading engineers worldwide to ensure that the most efficient, intuitive operation is achieved. 30meters snake cable with 32channels

Selling a Yamaha 03D Fully Automated Digital Mixer in good condition Including a TDIF 1 Expansion Card CASH ONLY - R Contact Paul - -Inputs and 18-Outputs with Highly Flexible Digital I/O The 03D's flexible configuration of analog and digital inputs and outputs makes it suitable for a wide range of professional mixing applications. Included are 24 input channels and a fully-featured stereo input - for a total of 26 inputs plus 4 bus outputs, 4 auxiliary effect sends, a main stereo bus and a solo bus. Stereo digital inputs and outputs, plus 8 digital inputs and outputs (optional, via a YGDAI slot), provide a total of 10 digital inputs and 10 digital outputs. Input channels Input channels 1-8 have mic preamps, XLR and balanced stereo 1/4" phone connectors, individual phantom power switches, and can accept input levels from -60dB to +10dB. Inputs 9-16 feature balanced stereo 1/4" connectors, support line level signals between -20 and +10dB. All 16 channel inputs feature input gain controls with 30 detents for precise and repeatable setting. Channels 1-2 include analog inserts for connecting external dynamics processors. Outputs Aux sends and bus outputs can be paired together for stereo operation and can be routed to the control room monitors for cue mixes, with onboard effects returns included. The four bus and four aux send signals are output via balanced stereo 1/4" connectors. Coaxial and AES/EBU Stereo Digital I/O Connectors Coaxial and AES/EBU stereo digital I/O connectors permit direct connection to DAT recorders and other compatible digital devices. The stereo digital input signals can be routed to the stereo bus for submixing, or to the stereo input channel for mixing and processing. The number of inputs can be increased by digitally cascading two 03D's together, with both sharing bus, aux, stereo and solo busses. The 03D can also be digitally cascaded with an 02R