Warwick stage cable m

High quality reliable snake cable Stage Cable 24-4 send-return 50m-165ft, XLR male-female description: XLR (male) or XLR (male and female) plug, black and available in different lengths. Features: - XLR (male) or XLR (male and female) plug - stage cable: or 32/8, send/return - available lengths: 15 m / 50 ft., 30 m / 100 ft. and 50 m / 165 ft. - colour: black

High quality reliable snake Cable Stage Cable 12-4 send-return 30m-100ft, XLR male-female. description: XLR (male) or XLR (male and female) plug, black and available in different lengths. Features: - XLR (male) or XLR (male and female) plug - stage cable: or 32/8, send/return - available lengths: 15 m / 50 ft., 30 m / 100 ft. and 50 m / 165 ft. - colour: black

High quality reliable snake cable Stage Cable 16-4 send-return 50m-165ft, XLR male-female description: XLR (male) or XLR (male and female) plug, black and available in different lengths. Features: - XLR (male) or XLR (male and female) plug - stage cable: or 32/8, send/return - available lengths: 15 m / 50 ft., 30 m / 100 ft. and 50 m / 165 ft. - colour: black

High quality reliable snake cable Stage Cable 32-8 send-return 30m-100ft, XLR male-female description: XLR (male) or XLR (male and female) plug, black and available in different lengths. Features: - XLR (male) or XLR (male and female) plug - stage cable: or 32/8, send/return - available lengths: 15 m / 50 ft., 30 m / 100 ft. and 50 m / 165 ft. - colour: black

High quality reliable snake cable Stage Cable 16-4 send-return 30m-100ft, XLR male-female description: XLR (male) or XLR (male and female) plug, black and available in different lengths. Features: - XLR (male) or XLR (male and female) plug - stage cable: or 32/8, send/return - available lengths: 15 m / 50 ft., 30 m / 100 ft. and 50 m / 165 ft. - colour: black

High quality reliable snake cable Stage Cable 24-4 send-return 30m-100ft, XLR male-female description: XLR (male) or XLR (male and female) plug, black and available in different lengths. Features: - XLR (male) or XLR (male and female) plug - stage cable: or 32/8, send/return - available lengths: 15 m / 50 ft., 30 m / 100 ft. and 50 m / 165 ft. - colour: black

Stage Cable 12-4 send-return 15m-50ft, XLR male-female description: XLR (male) or XLR (male and female) plug, black and available in different lengths. Features: - XLR (male) or XLR (male and female) plug - stage cable: or 32/8, send/return - available lengths: 15 m / 50 ft., 30 m / 100 ft. and 50 m / 165 ft. - colour: black

XLR (male) or XLR (male and female) plug, black and available in different lengths. Features: XLR (male) or XLR (male and female) plug stage cable: 8/0, 12/4, 16/4, 24/4 or 32/8, send/return colour: black

Microphone cable, OD 6 mm / 0.24", on drum, 100 m / 328 ft., black Description: Microphone cable, 100m / 328 ft., on drum, different colours. Features: available outer diameter: 6 mm / 0.24" or 7 mm / 0.28" 100 m / 328 ft on plastic drum available colours: black, blue, red, yellow and green

Stage Cable 16/4 (send/return), length: 30 m / 100 ft., XLR (male and female)

Warwick's first entry into the field of lightweight Bass Amps is the W LWA. This convenient package of 2 input channels with full Eq section and compressor on each channel combined with a power amp stage that is designed using the latest advances in so called Class D technology gives you a chameleon that can be used in pretty much any situation. The configuring of the Amp to give 500W at 8 Ohms and W at 4 Ohms makes it possible to have the power you need for the gig regardless of the size of the venue. The 2 inputs lets you have 2 Basses plugged in and ready to go with their own unique settings already dialed in. The Pre amp is based on Warwick signature Class A/Low Z circuitry made famous with the WA and BC series of amps. This technology makes sure you have the warm huge distortion free sound you desire without disturbing noise. The advancement in Power supply technology and error correction circuitry in the Class D power amp used in the LWA allows for tighter and stronger bass response than previously possible in this type of amps. Making it comparable in sound to much heavier Class A/B amps. Watt Bass Amplifier Head Delivers Watts of power at less than 1% THD Lightweight and ultra-portable Noise-free Class A preamp circuitry Class D power amp section Two independent channels Channels can be selected remotely with footswitch Separate Input Gain control for each channel Mute function (separate for each channel) 4-Band equalizer (separate for each channel) Adjustable Compressor with bypass function (separate for each channel) Compression knob simultaneously controls the compression amount and make-up gain. Stereo auxiliary input jack for connecting MP3 player, CD player etc. Headphone out with Integrated stereo headphone amplifier Serial FX Loop Tuner Output Line Output Studio quality balanced DI output with Pre/Post and Ground Lift switches Combined Neutrik / ¼" jack lockable speaker connector. Internal temperature regulating fan control circuitry Dimensions (W/H/D): 270mm x 98mm x 146mm (10.6" x 3.86") Weight: 2.75 kg (5.95 lbs.) Including a metal Footswitch for switching between channels and TRS foot switch cable Available in Aluminium and Black Amp Bag (W A RB ) and Rack Ears (W A LWA RE BLACK, W A LWA RE SILVER) also available

m audio keystation 88 www.sbrprosound.co.za if you appreciate the full range of a piano keyboard in a lightweight package, the 88-note keystation 88es is for you. you get great-feeling, semi-weighted action that’s velocity sensitive to convey all the nuances of your playing to your computer and most popular music education and studio software. the pitch and modulation wheels plus slider and buttons make it a great controller for playing and programming synths, samplers, drum sounds and more. at just 22 lbs., the keystation 88es is equally at home on stage and in the studio. class compliancy with windows xp, vista (32 bit), and mac os x ensures easy plug-and-play setup. it’s even bus-powered, so one simple usb cable is the only connection you need. features 88 semi-weighted and velocity-sensitive keys. assignable modulation wheel for vibrato and filter effects. pitch bend wheel for expressive performancesoctave/transpose buttons to change the note range and key. midi output routes the usb midi computer data to midi devicesassignable volume slider. sustain pedal and volume pedal jacks (pedals sold separately). usb powered—input for optional power supply. includes ableton live lite. includes ignite music creation software. on/off switch.

The RockBoard RBO Power LT XL is a rechargeable power station for effects pedals, independent from the wall outlet. No more worrying about your 9V batteries dying mid song. You can also forget about searching for a wall outlet on stage to power your pedal board. The RockBoard RBO Power LT XL is equipped with powerful and long-lasting, rechargeable lithium-ion batteries, to supply effects pedals up to approx. 50 hours or more with hum free 9V DC current. Recharge time for the unit is approximately 7 hours. Features: Mobile rechargeable power station for effect pedals Rechargeable while in use 2 x separate 9V-DC-outputs with 1,000 mA each Additional USB-output (5V) to charge mobile phones and smartphones Input for charger Battery charge level indicator with 4 LEDs Includes power supply/charger (5V 2,000 mA), 5 x 50 cm connection cables, 1 x polarity change adaptor cable 10 cm, 1 x daisy-chain cable 155 cm (5 outputs), 1 x EU power cable 1.2 m Batteries capacity 6600 mAh Input charging time: about 7 hrs Color: black Dimensions (W x H x D): 114.5 mm 22 mm x 58 mm Weight: 230 g

Digital mixing has revolutionized virtually everything in the live-entertainment production workflow. Now weve come up with the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world the ultra-cool and ultra-affordable SD8 Stage Box! The SD8 provides 8 MIDAS -designed remote-controllable mic preamps, 8 balanced analog XLR returns at the stage end, plus an integrated 2-port ULTRANET distribution hub for direct connection to our P16-M personal monitor mixers without any additional hardware required. Plus the SD8 is extremely compact and comes with rugged protective bumpers, so you can toss them directly on stage wherever you need them. The best part all it takes is a single shielded CAT5e cable per stage box (up to 330 ft / 100 m length). And If you need more inputs, or just want to keep your cable runs short and tidy, putting an SD8 at stage front and another behind the drum riser gives you an additional 8 inputs for drum and guitar/ bass amp micing. When used as part of a complete X32 system, as many as six SD8 Stage Boxes can be cascaded via the built-in AES50 ports to provide up to 48 balanced XLR Combo inputs and 48 balanced XLR outputs. An onboard ULTRANET distribution hub provides power and 16 channels of audio to 2 BEHRINGER POWERPLAY P16-M personal monitor mixers per SD8, all via inexpensive shielded CAT5e cabling and without any additional hardware. Two of the programmable inputs are also compatible with Hi-Z sources, so you can connect keyboards, acoustic and bass guitars, etc., with no DI box required. The SD8 also features a USB port for fast and easy system updates via your PC.

Digital mixing has revolutionized virtually everything in the live-entertainment production workflow. The DL32 is the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world the I/O packed and highly affordable DL32 digital stage box. The DL32 provides 32 MIDAS PRO Series remote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end and all it takes is a single Cat 5e cable (up to 100 m / 328'). While KLARK TEKNIK, the industry-leader in high-end digital audio processing, invented the AES50 SuperMAC technology that made it all possible our superb scale of production makes the DL32 so very affordable