Twentieth international salon

Buy The Twentieth International Salon of Cartoons - Lapalme, Robert 1.50kg for R100.00

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 13 working days A concise and accessible history of decolonization in the twentieth century The end of colonial rule in Asia, Africa, and the Caribbean was one of the most important and dramatic developments of the twentieth century. In the decades after World War II, dozens of new states emerged as actors in global politics. Long-established imperial regimes collapsed, some more or less peacefully, others amid mass violence. This book takes an incisive look at decolonization and its long-term consequences, revealing it to be a coherent yet multidimensional process at the heart of modern history. Jan Jansen and Jurgen Osterhammel trace the decline of European, American, and Japanese colonial supremacy from World War I to the 1990s. Providing a comparative perspective on the decolonization process, they shed light on its key aspects while taking into account the unique regional and imperial contexts in which it unfolded. Jansen and Osterhammel show how the seeds of decolonization were sown during the interwar period and argue that the geopolitical restructuring of the world was intrinsically connected to a sea change in the global normative order. They examine the economic repercussions of decolonization and its impact on international power structures, its consequences for envisioning world order, and the long shadow it continues to cast over new states and former colonial powers alike. Concise and authoritative, Decolonization is the essential introduction to this momentous chapter in history, the aftershocks of which are still being felt today. Features Summary "First published in German as Dekolonisation by Jan C. Jansen and Jeurgen Osterhammel, A Verlag C.H. Beck oHG, Meunchen 2013"--Title page verso. Author Jan C Jansen (Author), Jurgen Osterhammel (Author), Jeremiah Riemer (Translator) Publisher Princeton University Press Release date 20170124 Pages 272 ISBN 0-691-16521-1 ISBN 13 978-0-691-16521-9

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days Post-war Cinema and Modernity explores the relationship between film and modernity in the second half of the twentieth century. It begins with essays analyzing new post-war forms of film narrative and responses to the filmic innovations of the 1960s and the question of modernism. Pasolini's landmark polemic on the cinema of poetry is a vital springboard for the later critiques of time and the image, subjectivities and their narrative transformation, and the topical question of film and postmodernity. A discussion of changes in film technology and cinematic perception extend to the questions of film documentary. Finally, there is a focus on cinematographers and their filmic collaboration. The second section, International Cinema, places filmmaking and filmmakers in a social and a national context. It brings together landmark essays which contextualize feature films historically, yet also highlight their aesthetic power and their wider cultural importance. Filmmakers discussed include Ozu, Welles, Bresson, Hitchcock, Godard, Egoyan, Fassbinder and Zhang Yimou. Contributors include: Nestor Almendros, Jacques Aumont, Andre Bazin, Noel Burch, Scott Bukatman, Michael Chapman, Rey Chow, Terry Comito, Timothy Corrigan, Angela Della Vacche, Gilles Deleuze, Peter Harcourt, Frederic Jameson, Bruce Kawin, Krzystof Kieslowski, Vassiliki Kolocotroni, Teresa de Lauretis, Colin MacCabe, Christian Metz, Tania Modleski, Laura Mulvey, Bill Nicholls, John Orr, David Pascoe, Pier Paolo Pasolini, Duncan Petrie, Donald Richie, Larry Salvato, Dennis Schaefer, Paul Schrader, Susan Sontag, Andrei Tarkovsky, J.P. Telotte, Paul Virilio, Peter Wollen, Ismail Xavier, Denise Youngblood. Features Summary Post-war Cinema and Modernity explores the relationship between film and modernity in the second half of the twentieth century. It begins with essays analyzing new post-war forms of film narrative and responses to the filmic innovations of the 1960s and the question of modernism... Author John Orr (Editor), Olga Taxidou (Editor) Publisher New York University Press Release date 20010301 Pages 464 ISBN 0-8147-6202-6 ISBN 13 978-0-8147-6202-8

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 15 working days The artists of the influential Rorstrand porcelain factory in Sweden created some of the most beautiful decorative objects of the Art Nouveau style. In his fascinating and authoritative text, Bengt Nystrom focuses on the Rorstrand factory's designers and their revolutionary forms during the period 1865 to 1915, when the firm successfully competed artistically with Tiffany and Galle in the great international expositions that showcased and helped to propagate the Art Nouveau style. Inspired by late 19th-century crafts movements fathered by William Morris, the artists of the Rorstrand factory took nationalistic pride in incorporating their indigenous flora and fauna into their exquisite designs, transforming wintry berry springs and northern sea creatures into elegant three-dimensional works of art that appealed to a sophisticated European clientele. Illustrated with objects from Robert Schreiber's outstanding collection, supplemented with craftsmen's drawings and archival documents, Nystrom's thoroughly researched text includes engaging glimpses of the culture surrounding Rorstrand (a former castle), especially the close-knit community of insightful administrators, talented designers and inventors, and artisans. The book chronicles not only the company's artistic achievements but the day-to-day personalities and decisions behind the emergence of this once-utilitarian factory as the birthplace of some of Sweden's most beautiful decorative objects. Features Summary At the turn of the twentieth century, the artists of the Swedish Rorstrand porcelain factory created some of the most beautiful decorative objects of the Art Nouveau period... Author Bengt Nystrom Publisher Abbeville Press Inc.,U.S. Release date 19940610 Pages 190 ISBN 1-55859-844-8 ISBN 13 978-1-55859-844-7

(This title is available on demand: expected date of dispatch will be 7-10 working days once ordered) With an introduction by Will Self A classic work of psychology, this international bestseller provides a groundbreaking insight into the human mind. If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self - himself - he cannot know it, because he is no longer there to know it. In this extraordinary book, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognize everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities; who have been dismissed as autistic or retarded, yet are gifted with uncanny artistic or mathematical talents. If inconceivably strange, these brilliant tales illuminate what it means to be human. A provocative exploration of the mysteries of the human mind, The Man Who Mistook His Wife for a Hat is a million-copy bestseller by the twentieth century's greatest neurologist. Format:Paperback Pages:272

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days H. G. Wells' revolutionary human rights manifesto is reissued by Penguin with a new introduction by fellow novelist and human rights campaigner Ali Smith'Penguin and Pelican Specials are books of topical importance published within as short a time as possible from receipt of the manuscript. Some are reprints of famous books brought up-to-date, but usually they are entirely new books published for the first time.' H. G. Wells wrote The Rights of Man in 1940, partly in response to the ongoing war with Germany. The fearlessly progressive ideas he set out were instrumental in the creation of the UN's Universal Declaration of Human Rights, the EU's European Convention on Human Rights and the UK's Human Rights Act.When first published, this manifesto was an urgently topical reaction to a global miscarriage of justice. It was intended to stimulate debate and make a clear statement of mankind's immutable responsibilities to itself. Seventy-five years have passed and once again we face a humanitarian crisis. In the UK our human rights are under threat in ways that they never have been before and overseas peoples are being displaced from their homelands in their millions. The international community must act decisively, cooperatively and fast. The Rights of Man is not an 'entirely new book' - but it is a book of topical importance and it has been published, now as before, in as short a time as possible, in order to react to the sudden and urgent need. With a new introduction by award-winning novelist and human rights campaigner Ali Smith, Penguin reissues one of the most important humanitarian texts of the twentieth century in the hope that it will continue to stimulate debate and remind our leaders - and each other - of the essential priorities and responsibilities of mankind. Features Summary Sets some ideas instrumental in the creation of the UN's Universal Declaration of Human Rights, the EU's European Convention on Human Rights and the UK's Human Rights Act. Author H. G. Wells Publisher Penguin Books Release date 20151126 Pages 176 ISBN 0-241-97676-6 ISBN 13 978-0-241-97676-0

2012 paperback with 235 pages in good condition. R50 postage in SA. Seedlings is a collection of his essays from journals and magazines on South African topics not covered in his books and includes a new study of children's verse of the first half of the twentieth century. Chapters include entertaining, broad-ranging discussions of familiar and obscure books and writers both past and present, placing them in national and international context. His historical studies provide new insights into the cultural history of English-speaking white South Africans. Two innovative chapters examine published collections of writing by young people from the apartheid era through to the present, ending with the testimonies of young refugees. He concludes with two chapters on researching South African children's literature.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 11 working days From the acclaimed author of The Information and Chaos, a mind-bending exploration of time travel: its subversive origins, its evolution in literature and science, and its influence on our understanding of time itself.Gleick's story begins at the turn of the twentieth century with the young H. G. Wells writing and rewriting the fantastic tale that became his first book, an international sensation, The Time Machine. A host of forces were converging to transmute the human understanding of time, some philosophical and some technological - the electric telegraph, the steam railroad, the discovery of buried civilisations, and the perfection of clocks. Gleick tracks the evolution of time travel as an idea in the culture - from Marcel Proust to Doctor Who, from Woody Allen to Jorge Luis Borges. He explores the inevitable looping paradoxes and examines the porous boundary between pulp fiction and modern physics. Finally, he delves into a temporal shift that is unsettling our own moment: the instantaneous wired world, with its all-consuming present and vanishing future. Features Summary From the acclaimed author of The Information and Chaos, a mind-bending exploration of time travel: its subversive origins, its evolution in literature and science... Author James Gleick Publisher Fourth Estate Release date 20170223 Pages 336 ISBN 0-00-754443-X ISBN 13 978-0-00-754443-1

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 4 - 8 working days `A riveting account of the pre-First World War years... The Age of Decadence is an enormously impressive and enjoyable read.' Dominic Sandbrook, Sunday Times `A magnificent account of a less than magnificent epoch.' Jonathan Meades, Literary Review The folk-memory of Britain in the years before the Great War is of a powerful, contented, orderly and thriving country. She commanded a vast empire. She bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamt of, and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence is familiar from Elgar's Pomp and Circumstance marches, newsreels of George V's coronation and the London's great Edwardian palaces. Yet things were very different below the surface. In The Age of Decadence Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation's massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century's gravest constitutional crisis and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists' public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press and the science fiction of H. G. Wells, but also the Arts and Crafts of William Morris and the nostalgia of A. E. Housman. And he concludes with the crisis that in the summer of 1914 threatened the existence of the United Kingdom - a looming civil war in Ireland. He lights up the era through vivid pen-portraits of the great men and women of the day - including Gladstone, Parnell, Asquith and Churchill, but also Mrs Pankhurst, Beatrice Webb, Baden-Powell, Wilde and Shaw - creating a richly detailed panorama of a great power that, through both accident and arrogance, was forced to face potentially fatal challenges. `A devastating critique of prewar Britain... disturbingly relevant to the world in which we live.' Gerard DeGroot, The Times `You won't put it down... A really riveting read.' Rana Mitter, BBC Radio 3 Free Thinking Features Summary `A riveting account of the pre-First World War years... The Age of Decadence is an enormously impressive and enjoyable read.' Dominic Sandbrook, Sunday Times `A magnificent account of a less than magnificent epoch... Author Simon Heffer Publisher Windmill Books Release date 20181030 Pages 912 ISBN 0-09-959224-X ISBN 13 978-0-09-959224-2

About the product With a supplementary chapter by John L. Comaroff, and a supplementary bibliography by Adam Kuper. 233 x 155 mm; card wrappers; pp. 93, incl. index; map; tables. Wrappers and edges foxed, occasional fox spot elsewhere; earlier bookseller's ink stamp to half-title. Good."Originally published as part of the Ethnographic Survey of Africa by the International African Institute, this study of the Tswana, now in its seventh reprint, has proved one of the most respected and popular in the series. Succinctly written, it is a thorough study of a major division of the Sotho group of the Bantu-speaking peoples of Southern Africa. The Tswana, whose main homeland is Botswana, have been much written about in the twentieth century; this study, together with Professor Schapera's other writings on the Tswana, forms a very significant section of our knowledge and understanding of an important group. Continually referred to by other leading anthropologists, it remains a classic."