Tri line stereo trim

The PA12 is a robust, compact 12 input (8 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA12 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp Socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The PA28 is a robust, compact 28 input (24 mono, 2 dual stereo) mixer with a straightforward layout and extensive functionality. With a design and build quality that mirrors our professional touring desks, PA28 is an essential addition to any band, school, theatre, or hire inventory. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. A+B Output Channels The main XLR outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

The H5 Handy recorder from Zoom is a compact, portable handheld digital recorder that is capable of four-track recording and has an interchangeable, modular microphone system. The recorder ships with an XY microphone capsule and is compatible with the existing line of H6 modules including the optional shotgun mic and XLR/TRS input modules. The included XY stereo mic module provides two matched unidirectional condenser microphones set at a 90 degree angle, and features a built-in shockmount system and a maximum SPL of 140dB. Additionally, the recorder is equipped with two inputs for external sources, allowing you to record simultaneously with the included stereo XY mic for a total of four input channels. Each input is controllable by its own analog gain knob, and also has a -20dB pad. The recorder also has an LCD screen and a side-mounted toggle control for navigating through the menu options. It gives you fast access to transport functions, offering physical control buttons right underneath the screen, and conveniently stores its recorded audio to external SD cards. In addition to the detachable X/Y capsule, the recorder also ships with a foam windscreen, a 2GB SD card, two AA batteries, a USB cable, WaveLab LE (download), Cubase LE (download), and a hard plastic case. Features: Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted microphones for reduced handling noise Compatible with Zoom H6 input capsules and optional capsules including the SGH-6 shotgun mic capsule and the EXH-6 dual XLR/TRS combo input capsule Four-track simultaneous recording Large backlit LCD display Records directly to SD and SDHC cards up to 32GB Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad Analog-style gain controls for each input Protective "roll-bar" type covers prevent accidental movement of gain controls Plug-in power (2.5 volts) Built-in effects, including low-cut filtering, compression and limiting Chromatic tuner and metronome Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take MS decoding Multitrack to stereo internal mixdown Normalize, Divide and Trim editing Voice memo and up to 99 marks per recording A/B loop playback Variable playback speed and variable pitch without affecting playback speed Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter Uses two standard AA alkaline or NiMH rechargeable batteries Over 15 hours of operation with alkaline batteries General Recording Media SD card: 16MB to 2GB SDHC card: 4GB to 32GB Display Backlit LCD (128 x 64 pixels) Power Requirements AA size (LR6) battery x 2 AC adapter (AD-17 (DC5V/1A/USB-type, optional) USB bus power I/O Inputs L/R [XYH-5 X/Y mic]: Mic Type: Unidirectional Sensitivity: -45 dB, 1 kHz at 1 Pa Input Gain: -¿ to 52 dB Max Sound Pressure Input: 140 dB SPL Mic/Line In: Connector: 1/8" stereo mini jack Input Gain: -¿ to 52 dB Input Impedance: 2 k¿ or more Plug-In Power: 2.5V supported Backup Recording: -12 dB lower than set L/R input gain Inputs 1/2: Connectors: XLR / TRS combo jacks (XLR: Pin 2 hot / TRS: Tip hot) Input Gain (PAD OFF): -¿ to 55.0 dB Input Gain (PAD ON): -¿ to 35.0 dB Input Impedance: 1.8 k¿ or more Max Input Level: +22 dBu (PAD ON) Phantom Power: +12V /+24V /+48V Equivalent Input Noise (EIN): -120 dBu or less Outputs Line Out: Connector: 1/8" stereo mini jack Rated Output Level: -10 dBm Output Load Impedance: 10 k¿ or more Phone Out: Connector: 1/8" stereo mini jack Output Level: 20 W + 20 W into 32 ¿ load Built-in speaker: 400 mw 8 ¿ mono USB Mass Storage Class Operation: Class: USB 2.0 high speed Audio Interface Operation: Multitrack Mode: Class: USB 2.0 high speed Sampling Frequency: 44.1/48 kHz Bit Rate: 16-/24-bit Inputs / Outputs: 4 / 2 Stereo Mode: Class: USB 2.0 full speed Sampling Frequency: 44.1/48 kHz Bit Rate: 16-bit Inputs / Outputs: 2 / 2 USB Bus Powered Operation: Yes iPad Operation: Supported in stereo mode only Recording Recording Formats Stereo Mode: WAV (BWF-compliant) Sampling Frequency: 44.1/48/96 kHz Bit Rate: 16-/24-bit (Stereo) Maximum Simultaneous Recording Tracks: 2 MP3 Sampling Frequency: 44.1 kHz Bit Rate: 48/56/64/80/96/112/32/160/192/224/256/320 kbps Multi-Track Mode: WAV (BWF-compliant) Sampling Frequency: 44.1/48 kHz Bit Rate: 16-/24-bit (mono/stereo) Maximum Simultaneous Recording Tracks: 6 (L/R + INPUT 1/2 + L/R backup) Physical Specifications Dimensions H5: 2.3 x 5.3 x 1.7" (66.8 x 135.2 x 42.1 mm) XYH-5 X/Y mic:2.6 x 2.4 x 1.6" (65.5 x 62.2 x 41 mm) Weight H5: 6.2 oz (176.0 g) XYH-5 X/Y mic: 3.3 oz (94.0 g) In The Box XYH-5 Microphone Capsule Plastic Case 2 GB SD Card Foam Windscreen USB Cable Steinberg WaveLab LE Software (Download) Steinberg Cubase LE Software (Download) 2 x AA Batteries Limited 1-Year Warranty

The Problem Solver “Turn my headphones up!” “More me, I can’t hear myself!” “Turn down that click!” It gets old. Change that tune with the HP60 headphone distribution system. The HP60 is more than just a half-dozen headphone amps, it’s a field-tested solution to a host of common headphone-monitoring problems. Let’s start with “turn my headphones up.” Each of the HP60’s six headphone amps has its own level control and puts out 150 mW, which is loud enough to drive the alligators out of the Louisiana swamps. If they can’t hear this headphone system, they’re stone deaf. More likely they’ll scream, “turn it down, you’re killing me!” Problem solved. Now let’s solve “turn down that click.” The HP60 features two sets of line-level, stereo inputs that are routed to all six headphones; a Mix control that sets their relative levels for each headphone output. So you can feed the main control-room mix to channel A and the click to channel B and use the Mix controls to individually raise or lower the click relative to the main mix for each musician. Problem solved. As for “more me,” in addition to the two pairs of main stereo inputs, you get an external stereo input pair with level control for each headphone channel. A Mono switch lets you sum the left and right inputs. Additionally, a mute switch is provided for each headphone output. So you can send each person a feed of just their instrument or voice and can control the level separately for each. Problem solved. Take Command With the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and your favorite dynamic mic to tell ‘em what to do. You can even use a footswitch to control the talkback hands-free. Each channel also has stereo line outputs that can send a copy of the line-level headphone-channel mix to additional headphone amplifiers or monitor systems. So if you have a large band and need more than six headphones, you can chain two or more HP60s. So get the problem solver, the most flexible and advanced headphone-mixing system in its price class: the PreSonus HP60.Input/Output 6 screaming-loud (150 mW/channel) headphone outputs (front panel) 6 unbalanced stereo ¼” line outputs (1 per channel); carries a copy of the channel mix 6 unbalanced stereo ¼” external analog line inputs (1 per channel) for “more me,” with trim controls 4 balanced ¼” analog line inputs (L/R Mix input pairs A and B) 1 balanced XLR Talkback input for external dynamic microphone 1 ¼” footswitch jack for hands-free Talkback operation Meters, Controls, and Features 2 stereo input channels (A and B) Channel controls External input level Headphone level control for each headphone output Mix A/B control (blends signals from input pairs A and B) Mono switch for external input Mute switch (mutes input pairs A and B) Master controls Input A level Input B level Talk button (momentary switch) Talkback-mic level Physical 1U 19” rack-mountable, rugged steel chassis Internal power supply with standard IEC connector

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. MG102C is the ideal choice for small music production or live sound applications, offering sonic quality that will satisfy the most critical listener, surprising flexibility and ease-of-use, and some advanced features you normally wouldn't find in this type of compact mixer. The Yamaha MG102C features two mono microphone/line channels and four stereo line channels. Two of the stereo channel can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input. Top-mounted input and output connectors make setting up and re-patching your system quick and easy. The Yamaha MG102C features high-quality Neutrik balanced XlR connectors on both mono microphone/line channels and two of the stereo channels. The XlR-equipped stereo channels can accept mono microphone input either via the XlR or phone jack connectors. The remaining two stereo channels on the MG102C provide phone jack and pin jack connectors for compatibility with a wide range of sources. The two mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source. Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All four microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all four channels.

I am selling 2 mixers, 1 for R or 2 for R...... there is only 1 power supply for both however.... The MX 802A has six basic input channels including four mono XLR/LINE (i.e., HiZ/LoZ) inputs and two stereo line-level inputs. Each channel has its own three bands of EQ, Aux send and return, stereo pan, and level contols. The first four channels also have a low-frequency cut switch and (critically handy) an input gain control. The unit also has the phantom power necessary for my condensor mics............................................................... The Yamaha 10-Input stereo mixer offers sonic quality that will satisfy the most critical listener, surprising flexibility and ease-of-use, and some advanced features you normally wouldn't find in this type of compact mixer. Flexible 10-Input Channel Configurations The Yamaha mixer has a total of 10 input channels consisting of two mono microphone/line channels and four stereo line channels. The stereo channel can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Gain trim covers a wide -60dB - -16dB range for microphone input, and -34dB - +10dB for line input.

HD 1080P VIDEO CAPTURE DEVICE - HDMI, YPBPR INPUT, USB, ONE BUTTON RECORD - A566 At a Glance... Capture video content in high definition Record your gameplay and share it with the world Quick and easy capture with the hot button for recording Video pass-through (HDMI or Component input) Want the whole world to see your cool video game moves? Go right ahead! With the HD 1080P video capture device, you can record high definition video and audio via HDMI/ YPBPR Input to your computer or laptop using the USB 2.0 port. HD 1080P VIDEO CAPTURE DEVICE The video capture device will let you get all your video content in 1080p HD, so that you can review your footage in great quality both on a small and big screen. The recording itself is super easy, thanks to the device’s smart design featuring a hot button for one-click recording. The device is a perfect gadget for gamers – letting you capture all your gameplay on video and then share with the world. You can upload the recorded videos directly to YouTube, sit back, relax and watch as the number of “likes” for your high quality video keeps going up. With the video pass-through feature, you can also watch the video as it’s being recorded on an eternal display - whether a TV screen, another computer or other. The HD 1080P video capture device is compatible with Windows 8, Windows 7 and Windows Vista operating systems and can record footage from a variety of gaming devices, including Xbox, PS, Wii and others. Manufacturer Specifications General Operating System: Windows 8 (32/64 bit), Windows 7 (32/64 bit), Windows Vista (32/64 bit) CPU: Intel Core 2 Duo 2.8GHz, AMD Athlon 64X2 Dual Core 3.0GHz Graphics Card: VGA card with support for DirectX 10.0c and above Function: Upload to YouTube Portable Device: iPod, iPhone, iPod Touch, Apple TV, PSP, PS3, Xbox Video Input Digital: HDMI Analog: Component Video Audio Input Digital: HDMI, YPBPR Analog: RCA L / R, 3.5mm Line In, 3.5mm Mic In Note: 3.5mm Line In and 3.5mm MIC In is only for Component Video Video Output Digital: HDMI (Pass-through from HDMI or Component Input) Audio Output Digital: HDMI (Pass-through from HDMI or Audio RCA L / R Input) Analog: 3.5mm Stereo (Pass-through from HDMI or Audio RCA L / R Input) HDMI: WiiU, Xbox 360, Xbox One, PS4 Component: WiiU, Xbox 360, PS3 HDCP contents can't be recorded Codec: Hardware MPEG4 encoder Decoding On-board Hot Button for one-click recording / streaming LED indicator for working status Storage Media USB Flash Disk, Portable Hard Disk Not Support exFAT format Recording Format Video: AVI MPEG4 Audio: AAC Stereo File: MPEG 1/2/4, WMV HD, QuickTime (MOV) Recording Quality 18Mbps/1080P 30fps Recordings 2GB/Per File Recording Capacity 140MB/Minute, 8.4GB/Hour Power Supply DC 5V / 2A Acquisition Format Video: AVI, MPEG4 Audio: AAC, Stereo Software Software: Arc soft Showbiz File Editor: Timeline, Storyboard edit, Split, Divide Scenes, Multi Trim Scenes Ports USB Line In Line Out MIC HDMI Out HDMI In YPbPr In DC In Dimensions Main Product Dimensions: 110 x 76 x 25 mm (L x W x D) Main Product Weight: 101g Package Contents HD Video Capture Power Adapter CD User Manual HDMI Cable AV Cable

Allen and Heath GLD080 - GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLives acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.GLD-80 FEATURESGLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixers local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.The GLD-80 connects to a range of plug n play I/O racks to build 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heaths ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDs extensive soft-patching.FEATURE SUMMARYCompact digital mixer with scalable, remote I/OSystems from 4 to 44 mics1Easy to use, quick to access, analogue style interfacedSNAKE Cat5 digital snakeup to 120m cable length8.4 inch colour touchscreen for graphical view and setup20 faders, 4 layers, 80 channel strips in a freely customizable layout48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs8 stereo RackFX engines* with dedicated short returns with 4-band PEQFull processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delayFull processing on all outputs including insert, PEQ, GEQ, compressor and delayLR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes16 DCAs / mute groupsBuilt-in Talkback, RTA and Signal GeneratorI/O module options for FOH/Monitor split, multitrack recording, link to iLive and moreMIDI In/Out and Ethernet Network portAviomTM Pro16 compatible Monitor port on main AudioRackHigh end 1dB step recallable mic/line preampsUser definable channel names and coloursEngineers mono Wedge and stereo IEM stripsInput, output and insert soft patchbaysQuick copy, paste and reset of mixes and parametersLibraries, Scenes and Show memories with USB transferGet started quickly with Template Shows.(020)

Table top design stage mixer with built-in amplifier and many attractive features. Features include mute and solo switches on every channel, built-in USB player with digital display and BT receiver. 4 Balanced mono microphone-/line input (Combi XLR/Jack) 2 Balanced stereo line inputs (6.3mm Jack) 2 Balanced stereo line inputs (RCA) +48V phantom power with individual preamp per channel 75Hz Low cut filter per channel Adjustable FX, Pan, Trim per channel Aux send per channel Solo switch per channel (PFL) Mute switch per channel Dual Multi-FX processor with both 99 presets Built-in 2x 350W RMS Amplifier Stereo balanced main outputs (XLR + 6.3mm Jack) 9-Band Equalizer Separate control room and headphones outputs Built-in USB player with digital display BT-receiver for audio streaming LED VU meter and Peak LED's

Table top design stage mixer with built-in amplifier and many attractive features. Features include mute and solo switches on every channel, built-in USB player with digital display and BT receiver. 8 Balanced mono microphone-/line input (Combi XLR/Jack) 2 Balanced stereo line inputs (6.3mm Jack) 2 Balanced stereo line inputs (RCA) +48V phantom power with individual preamp per channel 75Hz Low cut filter per channel Adjustable FX, Pan, Trim per channel Aux send per channel Solo switch per channel (PFL) Mute switch per channel Dual Multi-FX processor with both 99 presets Built-in 2x 350W RMS Amplifier Stereo balanced main outputs (XLR + 6.3mm Jack) 9-Band Equalizer Separate control room and headphones outputs Built-in USB player with digital display BT-receiver for audio streaming LED VU meter and Peak LED's

Table top design stage mixer with built-in amplifier and many attractive features. Features include mute and solo switches on every channel, built-in USB player with digital display and BT receiver. 12 Balanced mono microphone-/line input (Combi XLR/Jack) 2 Balanced stereo line inputs (6.3mm Jack) 2 Balanced stereo line inputs (RCA) +48V phantom power with individual preamp per channel 75Hz Low cut filter per channel Adjustable FX, Pan, Trim per channel Aux send per channel Solo switch per channel (PFL) Mute switch per channel Dual Multi-FX processor with both 99 presets Built-in 2x 350W RMS Amplifier Stereo balanced main outputs (XLR + 6.3mm Jack) 9-Band Equalizer Separate control room and headphones outputs Built-in USB player with digital display BT-receiver for audio streaming LED VU meter and Peak LED's

If you're looking for old-school analog handling in a package armed to the teeth with modern reliability, the search is over. This mixer's British EQ, 24 mic inputs (each with its own built-in studiograde XENYX preamp), 8 stereo inputs and 8 buses give you enough leeway to craft the recording of your dreams or create the perfect mix for a live show. What the Heck is "British EQ"? British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio. The EQ's on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they're kind, gentle and above all, musical. It's like drinking a fine scotch instead of fortified wineor maybe receiving a warm hug instead of a kick to the crotch. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled. The Ins and Outs Some manufacturers make what they call 32-input mixers that count features like CD/TAPE IN as an input. But the SX really gives you 24 mono channels and four stereo channels (with two 1/4" inputs apiecean additional 8 inputs), making it easy to accommodate a wide variety of studio or live performance configurations. That means you can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards, for example). You also get eight buses, allowing you to assign multiple channelssay all the mics on a drum kit or all the backup singers' micsto a single fader. Best of all, you don't need a black belt in engineering to operate the SX. The mono channels are grouped along two-thirds of the board, featuring dials in uniform primary colors (Gain in white; EQ in blue; AUX in red; Pan in black). Sub groups are located next door to the Main and Mono faders in the bottom right corner. Directly above, there's a handy built-in talkback mic that sends signal to your AUX 1-2 monitors via a push button, as well as a multi-purpose 13-LED master level meter to give you a dynamic visual gauge of the selected output. The SX's intuitive patch bay makes it equally at home in the club or studio. You get two balanced XLR MAIN outputs as well as a two 1/4" TRS MAIN outs. There's also a 1/4" MONO OUT (perfect for a subwoofer output). Eight SUBGROUP OUT jacks allow you to send your buses to an external recording device. This section also includes AUX SEND jacks for connection to monitors, CD/ TAPE input and output jacks, and FX send/return jacks for use with outboard effects processors. Directly below, you'll fi nd the 1/4" headphone/ control room out jack. A Million Ways To Change The Channel At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics. Each mono channel has a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling noise occur. The eight AUX dials control the volume of the AUX SEND 1/4" output signals (more on that below). Stereo channels feature the same functions, but a with dual 1/4" inputs and a different EQ. Instead of sweepable mids, stereo channels feature High Mid and Low Mid dials, both with bell center frequencies set at 8 kHz and 800 Hz, respectively. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Near every mono channel's fader you'll find a and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the and 7-8 buttons. A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listendepending on whether the signal has been included in a subgroup. Finally, each of the eight buses feature an independent fader, Solo switch, and Left and Right buttons to assign them to Left or Right stereo channels. Buy it now. Teach your great grandkids how to run it. BEHRINGER mixers last and last. We use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. We have 20 years of experience figuring out how to compensate for clumsy loadins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night. Hitch Your Art to the AUX The SX has eight AUX SEND outputs as well as eight AUX return inputs, giving you more routing options than a Los Angeles road map. AUX SEND 1-8 allow you to send the signal governed by an individual channel to an outboard FX unit or EQ. Meanwhile, the AUX returns can be thought of as eight extra line inputs working as four stereo pairs. You can apply up to 20 dB of gain to these inputs. AUX returns 1, 2, 7 and 8 allow returning FX to be sent to tape, and, along with 5 and 6, are also good for cuing artists via headphones. AUX returns 3 and 4 are always assigned to the main bus. Take On The World Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're miles from home. With the SX, this is never an issue. The internal auto-range power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption. Why Do You Need This Mixer? Built-in pristine XENYX mic preamps British-style EQ dials give you the sound and control preferred by top studio engineers Awesomely complete I/O everything from bus inserts to mono output Product Features: Behringer SX Mixer

PA12-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 12 input (8 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA12-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA12-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

PA20-CP is a sturdy ‘walk up and go’ powered mixer, guaranteed to deliver loads of weighty power from its Constant Power amplifier. This well thought out 20 input (16 mono, 2 dual stereo) mixer offers operational flexibility for any live sound situation and engineers of any experience. Features: Easy-to-Mix Controls The control surface is laid out in an uncomplicated format and the operator can easily see all connections for patching. Pre-fade sends (FB) and post-fade sends (FX) are clearly labelled and colour coded, and there are generous 100mm fader masters with a LED mute button, identical to the channel controls. There is a selection of 16 digital FX to complete the professional design. Stereos 2 dual stereo channels with RCA and TRS connectors and independent gain controls are included for FX returns and stereo sources, such as CD players and backing tracks. The RCA inputs can feed straight to LR, so providing extra returns. The stereo channels are furnished with 2 band EQ, and can be routed to all 4 auxiliary sends. Built-in Amplifier The PA20-CP contains a built-in amplifier, delivering an impressive 1 kiloWatt, able to run a regular stereo PA system with very little external equipment. Our objective was to produce a powerful, great sounding amplifier in a compact package for the high-end audio market. The result is not only a well voiced amp with loads of weighty power but also clear, transparent audio quality. Our unique ‘Constant Power’ system ensures that all available power is converted into useable speaker power so we can guarantee the full 500W RMS per side into 4 ohms OR 8 ohms. A+B Output Channels The main amplifier outputs derive their source from a selectable combination of LR (stereo), L+R (mono), FB1 and FB2, and provide master level trim, meters, slave outputs, patch point for external processors, and the very precise 4 band semi-parametric equalisers. This is extremely flexible and means that the PA can be operated in many different ways. For example, the user may want to run a stereo house system with separate left and right speakers and no monitors, or a mono system with a foldback monitor. Alternatively, you may patch into a bigger house system and use the built-in amplifier to provide a pair of equalised stage monitors. The PA20-CP takes the concept of a ‘PA in a box’ a versatile step further. High Performance Preamp The mic preamp is probably the most important stage in the console’s signal path and its performance is often the measure of the quality of the console. The PA Series uses a high grade dualstage design, developed from our acclaimed ML and GL consoles. This ensures optimum matching and very low noise when connecting mic or line sources. Parametric Output EQ A 4 band equaliser with swept frequency on each band provides more precise optimisation of the speaker system and control of feedback than the typical fixed frequency graphic type EQ found on similar consoles. Filter Each mono input channel is equipped with a 100Hz high-pass filter, an invaluable tool for cleaning up the mix. The majority of live sound sources have very little content below 100Hz, and modern microphones have wide frequency response and can pick up bleed from nearby low frequency sources such as bass and kick drums. The filter can be used: on vocal channels to reduce mic handling noise and close proximity ‘popping’; on drum overhead mics to reduce kick and bass pick up; on higher frequency instruments such as flute and acoustic guitar; and on stage mics to reduce foot noise. Recording Outputs There is a digital SPDIF 2-track output available from a RCA phono socket for recording direct to digital media, such as PC soundcards, DAT and digital audio processors. The recording send can be switched pre-fade if desired. An analogue recording output is also available. 4 Band Channel EQ The 4 band input EQ is every bit a pro tool. The low [60Hz] and high [12kHz] bands have shelving response, while the high-midrange band is sweepable from 350Hz to 6 kHz. Low-midrange EQ has a bell response at 250Hz - a frequency chosen to provide reduction of ‘muddy’ sounds and enhance ‘warmth’. Lamp socket A 4 pin lamp connector is provided on the rear of the control surface. 1 year limited guarantee For more info on this product please click here

Capture Stunning HD Video and Audio It's never been this convenient! You'll be amazed at what you can produce with the Zoom Q2HD Handy Video Recorder. Never before has high-definition p video recording been combined with professional stereo recording capabilities – let alone at this affordable price. Factor in the enhanced user interface and increased battery life, and you'll see why the Q2HD is Zoom's best handy recorder yet! What Makes the Q2HD Handy Video Recorder So Amazing? •It puts HD video and studio-quality audio in the palm of your hand. •Capture incredibly spacious stereo sound via Mid-side recording. •It's very easy to use, with an intuitive interface and large color display. •You can use it to stream HD video and audio to the Web in real time. •You can capture ultra-fluid video at 60 frames per second (up to 720p).Recording Media SD/SDHC/SDXC card (up to 64GB) Imaging Device 1/3.2-inch 5M pixels CMOS sensor Optics Lens Fixed Focus (1.23m to infinity), F3.2 Video Format MPEG-4 AVC / H.264 iMOVj Video Resolution HDp 30fpsAHD720p 60fpsAHD720p 30fpsAWVGA 60fpsAWVGA 30fps Audio Format PCM (Quantization: bit, Sampling Frequency: kHz) AAC (Bit Rate: 64 to 320kbps, Sampling Frequency: 48kHz) Sound Functions Lo-cut filter, Auto Gain (Concert / Solo / Meeting) Video Functions 4x digital zoom, Scene select (Auto / Concert Lighting / Night) Editing Functions Divide, Trim Display 2.0-inch full color LCD (320 x 240 pixels) Built-in Mic Mid-Side stereo (MONO / ) Maximum Sound Pressure Level: 120dB SPL Input GainF +1 to +39dB Built-in Speaker Monaural, 400mW 8 ohms @ Outputs PHONES / LINE OUT (1/8" Stereo phone jack) USB miniB iUSB2.0 High Speedj, USB-VIDEO, USB-AUDIO Power Requirements 2 x AA batteries (LR6 or Ni-MH) AC adapter AD-17 (DC5V/1A/center positive) Battery Life 2 hours (Movie mode), 4 hours (Audio mode) Dimensions 51iWjx iDjx 35iHjmm Weight 85.4g (without batteries) Accessories SD memory card (2GB), 2 x AA/LR6 batteries (for testing the unit)

[embed]https://youtu.be/q33T2ucKbYU[/embed] The ultra-compact XB-10 is perfect for small radio or internet broadcast studios, college and university radio stations, podcasting, content creation and more. Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the 'Talk' feature. XB-10's preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more. XB-10 FEATURES USB XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. MUSIQ XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources. OUTPUT LIMITER A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered. COMPACT COMPRESSOR XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited. FEATURE SUMMARY 3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recording or auditioning

The ultra-compact XB-10 is perfect for small radio or internet broadcast studios, college and university radio stations, podcasting, content creation and more. Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the 'Talk' feature. XB-10's preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more. XB-10 FEATURES USB XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. MUSIQ XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources. OUTPUT LIMITER A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered. COMPACT COMPRESSOR XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited. FEATURE SUMMARY 3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recording or auditioning

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Recording The R-05 provides pristine, uncompressed stereo recording directly to SD card IJ up to 24-bit/96kHz resolution. Whether recording directly with the built-in stereo mic or capturing sounds from an externally connected microphone or stereo line input, youIJll be impressed with the R-05IJs detail and clarity. And for worry-free recording, the convenient Rehearsal mode ensures that you wonIJt overload the input. Onboard Editing Even though the R-05 integrates fluidly with computers via USB 2.0, this new-generation recorder doesnIJt require a PC for editing. For speed and convenience, you can trim, divide, and combine within the R-05. And for those whoIJd like to apply a high-gloss finish to their recordings, the R-05 is equipped with built-in reverb. Rehearsal Mode In a rehearsal studio, you can make clear recordings of your band, even at high volume levels. The R-05 can automatically set the optimum recording level, and can split the songs for you automatically. ItIJs also possible to simultaneously record a high-quality WAV file for CD production and an MP3 file for file sharing. Music-Practice Partner The R-05 can help you practice your instrument or vocals. You can repeatedly loop a specified region of audio, or change the playback speed without changing the pitch. You can play back a difficult phrase slowly or play back at high speed to grasp the overall structure of a song in a short time. For Non-Musicians Too! Musicians will naturally gravitate to the R-05, but this portable recorder is great for many non-musical applications as well. Record lectures, speeches, and meetings, for example. The high-sensitivity, built-in microphone will clearly capture all of the voices in a room. The included windscreen and tripod mount enhance optimal placement and cleaner recordings as well. Affordable Pocket Recorder with Advanced Features The compact R-05 is easy to use, affordable, and packed with big-ticket features that raise the bar in...

Rane 62 mixer in excellent condition. The Sixty-Two is the ultimate plug-and-play package supporting two-deck digital vinyl simulation, software controls, two USB ports for easy DJ transitions, onboard beat effects, software effects insert and all the record and playback channels you need. The Sixty-Two Mixer supports both analog and Digital Vinyl Simulation (DVS) playback. Serato DJ software and a printed manual are included, and the mixer is backwards-compatible with Serato Scratch Live. It includes Rane's ASIO and Core Audio drivers to use with all the other popular DJ and DAW programs. Two Serato Control Vinyl Records and two Serato Control CDs are included. Direct control of over 40 Serato DJ or Scratch Live software controls.Each of the two USB ports supports six stereo record and four stereo playback channels.Two DJs can share the mixer, each running different software, for seamless set changes.32-bit floating point audio processing sampled at 48 kHz.Mic/line input on XLR/TRS jack with gain trim, two-band EQ, Flex FX assign and On/Over controls.Internal Effects Engine with Filter, Flanger, Phaser, Echo, Robot and Reverb effects.External analog inserts for analog effects processor and USB Insert for software effects.USB Aux Input for SP-6 sample playback with HP/LP Filter, Headphone Cue, and Flex FX assign.Magnetic crossfader and channel faders with reverse and contour controls.

zoom h6 groundbreaking handheld recorder • interchangeable input capsules that can be swapped out as easily as the lens of a camera • six-track simultaneous recording • four mic/line inputs with xlr/trs combo connectors • gain controls (real knobs!) and -20db pads for each input • phantom power for all main inputs: +12/+24/+48v • large full-color lcd display, angled so it's easy to read in all environments • records directly to sd, sdhc and sdxc cards up to 128gb • up to 24-bit/96khz audio in bwf-compliant wav or a variety of mp3 formats • auto-record, pre-record and backup-record functions mean that you'll never miss that perfect take • multitrack to stereo internal mixdown • independent monitor and playback mixes • virtual vu meters • voice memo and up to 99 marks per recording • overdubbing, up to 99 takes • built-in effects, including low-cut filtering, compression and limiting • onboard ms decoding • normalize, divide and trim editing • chromatic tuner and metronome • loop playback with user-defined start and stop points • variable playback speed, from 50% to 150% • variable pitch per track without affecting playback speed • usb port for data exchange to and from computer • multichannel and stereo usb audio interface for pc/mac/ipad • camera strap mounts • mounts directly to dslr or camcorder with optional hs-1 hot shoe mount adapter • accepts standard aa alkaline or nimh rechargeable batteries • over 20 hours of operation with 4 aa alkaline batteries

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. Eight-channel mixer with mic, line, and guitar-level inputs 16-bit, kHz stereo USB output for easy recording and playback from your computer XlR inputs with gain trim, switchable high-pass filters, and 48V phantom power 1/4-inch line-level inputs for instruments and high-impedance guitar input for direct-connecting guitars Powerful EQ: three-band with sweepable parametric mids on channels 1 and 2, three-band on 3 and 4, two-band on 5 - 8 Built-in DSP effects with footswitch bypass control and Aux buss for external processing Multicolor lED metering for visual level feedback Main and headphone outputs with independent level controls Class compliant, plug-and-play USB for Mac and PC interface without installing drivers Includes Cubase lE software

Estimated delivery time: working days (Imported from the UK) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The DJ PRE II (formerly named the Phono MicroPRE) acts as an interface between your turntable and your audio recording / playback system. The analog input capacitance can be switched between 100pF and 200pF to optimize your phono cartridge response. A switchable low cut filter removes turntable rumble while leaving the audio pristine. The front gain trim control and signal/clip lED allow you to optimize the preamp's gain for a wide range of input sources. The built-in low noise phono preamp circuitry is highly accurate and precisely conforms to the RIAA standard. The line output jacks are low impedance and can be used with any sound card. Housed in an all aluminum black anodized case, the DJ PRE II can be powered by a wide variety of external supplies. If you need to amplify and EQ your vinyl records to interface with your audio workstation, sound card, home stereo system or main monitor system, the DJ PRE II gives you flawless audio reproduction in a rugged and reliable package. Specifiactions - Signal To Noise Ratio: > 90dB below clipping - Frequency Bands: FIlTER TYPE: Switchable, low Cut, -3dB at 22Hz - Maximum Gain: 45dB at 1KHz - Input Impedance: 47k Ohms in parallel with either 100pF or 200pF - Maximum Input level: 40mVrms at 1KHz - Maximum Output level: +6dBu (1.4Vrms) - Input Connectors: RCA - Output Connectors: RCA - Total Harmonic Distortion:.01% Typical at 1KHz - Frequency Response: 10Hz -50KHz, +/-.5dB - Power: 7-12V DC or 9-12V AC at 150mA - Dimensions: 1.75H x 4.2W x 3.5D - Weight: 1.25 lbs (.57kg)

A full size music mixer with 8 channels. Comes standard with built-in BT receiver and 24-bit Multi-FX processor with 16 presets. Ideal for usage in small to medium sized studio's and recording setups. 8 Balanced mono microphone-/line input (Combi XLR/Jack) +48V phantom power Multi-FX processor with 16 presets Hi, Mid and Low control for each channel Adjustable FX, Pan, Trim per channel Adjustable headphone output Stereo balanced main outputs (6.3mm Jack) Separate control room and headphones outputs Built-in USB player with digital display BT-receiver for audio streaming LED VU meter and Peak LED's