Throat microphone two

Estimated delivery time: working days (Imported from America) - T&C's Apply Please note that all Christmas gift orders need to be placed before the 14th of November to ensure that they are delivered to you in time. This item includes free delivery within South Africa. The PDWM features a base unit with RF and AF level indicators, four volume dials for each microphone, two wireless microphones, and two wireless belt-clip transmitters with headset microphones Click here for a larger image The PDWM includes mixed XLR and 1/4-inch ouputs and 1/4-inch unbalanced outputs Click here for a larger image Experience the Freedom of Wireless Microphones, Now Easier than Ever The Pyle PDWM is a wireless microphone system featuring a rack mountable VHF base unit and includes two wireless microphones. This system is perfect for professional engagements, religious events, and is also a great way to have fun with friends and family: you can start your own karaoke nights, and thanks to the two included microphones, smooth R&B duets are now easier than ever. The wireless microphones give you the freedom and mobility needed for active, energetic performances. They're especially great for events with multiple speakers, since handing off the microphones is a breeze. The system is also rack mountable, making it perfect for DJs who want to install it on their racks, or other users with similar set ups. Two Wireless Microphones Mean Twice the Fun This unit comes with two microphones which are great for performances involving two people. Each microphone has its own volume dial on the base unit so you can balance the vocals as desired. Each microphone is on its own channel so you can control them individually, and are color coded for easy reference. Accessories include rack mounts, 1/4-inch audio cable, and two lavelier microphones Use Lavaliers and Wireless Headsets with the Two Included Belt-Pack Transmitters Also included are two lavalier wireless headset microphones. These headsets let you wear your microphone over your head so can be heard loud and clear while keeping your hands free. Perfect for stage performances: singers, dancers, magicians, etc. Featres Mixed XLR Output for Professional Quality Sound The PDWM features a mixed XLR output, giving you the highest quality sound possible. The mixed ouput lets you hook up all four microphones to one input on your mixer. This unit also features a mixed 1/4-inch output. Individual Channel Outputs Give You the Most Control Possible Over Your System Individual channels let you hook up each microphone to four different inputs on a mixer so you can adjust different sounds from your mixer board for each microphone. Power On / Stand by / Power Off Each microphone includes a standby mode which lets you shut the microphone off without completely cutting the circuit, meaning you can turn it back on instantly without any noise or waiting time. Use Your System All Over the World This unit can be used in America, Europe, and other compatible countries since it features a switch that lets you change between 110v-60hz and 220v-50hz. Other Great Features Four RF indicators let you know the signal strength of each microphone Four AF level meters let you know the audio levels of each microphone

Estimated delivery time: working days (Imported from America) - T&C's Apply This item includes free delivery within South Africa. The PDWM features a base unit with RF and AF level indicators, four volume dials for each microphone, two wireless microphones, and two wireless belt-clip transmitters with headset microphones Click here for a larger image The PDWM includes mixed XLR and 1/4-inch ouputs and 1/4-inch unbalanced outputs Click here for a larger image Experience the Freedom of Wireless Microphones, Now Easier than Ever The Pyle PDWM is a wireless microphone system featuring a rack mountable VHF base unit and includes two wireless microphones. This system is perfect for professional engagements, religious events, and is also a great way to have fun with friends and family: you can start your own karaoke nights, and thanks to the two included microphones, smooth R&B duets are now easier than ever. The wireless microphones give you the freedom and mobility needed for active, energetic performances. They're especially great for events with multiple speakers, since handing off the microphones is a breeze. The system is also rack mountable, making it perfect for DJs who want to install it on their racks, or other users with similar set ups. Two Wireless Microphones Mean Twice the Fun This unit comes with two microphones which are great for performances involving two people. Each microphone has its own volume dial on the base unit so you can balance the vocals as desired. Each microphone is on its own channel so you can control them individually, and are color coded for easy reference. Accessories include rack mounts, 1/4-inch audio cable, and two lavelier microphones Use Lavaliers and Wireless Headsets with the Two Included Belt-Pack Transmitters Also included are two lavalier wireless headset microphones. These headsets let you wear your microphone over your head so can be heard loud and clear while keeping your hands free. Perfect for stage performances: singers, dancers, magicians, etc. Featres Mixed XLR Output for Professional Quality Sound The PDWM features a mixed XLR output, giving you the highest quality sound possible. The mixed ouput lets you hook up all four microphones to one input on your mixer. This unit also features a mixed 1/4-inch output. Individual Channel Outputs Give You the Most Control Possible Over Your System Individual channels let you hook up each microphone to four different inputs on a mixer so you can adjust different sounds from your mixer board for each microphone. Power On / Stand by / Power Off Each microphone includes a standby mode which lets you shut the microphone off without completely cutting the circuit, meaning you can turn it back on instantly without any noise or waiting time. Use Your System All Over the World This unit can be used in America, Europe, and other compatible countries since it features a switch that lets you change between 110v-60hz and 220v-50hz. Other Great Features Four RF indicators let you know the signal strength of each microphone Four AF level meters let you know the audio levels of each microphone

Features: Designed for use with DSLR cameras, camcorders, Gopro, smartphone; Compact, lightweight design; Adjusted sound attenuation (0dB,+10dB); Low-cut filter switch;   Description: The Video and audio grip is designed to work with DSLRs, camcorders, For GoPro and Smartphones to provide high-quality video recordings. Unlike traditional heavy video handles and recording equipment, this grip combines both audio and video functions for less than half the weight, effectively relieving fatigue, especially on long shoots. Combines a built-in stereo microphone which provides high quality pick-up while shooting. With the versatility of a low-angle grip and top mounted universal cold shoe for attaching accessories like LED lights and LCD monitors.   Specifications: Power: one 1.5V AA battery Frequency response: 35-20,000HZ+/-3dB Sensitivity: -35dB+/-1dB/0dB=1V/Pa, 1kHz Signal-to-noise ratio: 78dB or more Microphone: two 9.7mm condenser mics; Output impedance: 2000 ohm or less;   Package Included: 1 x DV Microphone  1 x Phone Clip 1 x Base for Gopro  1 x Camera Connector Cable  1 x Phone Connector Cable  1 x Connector Cable for Gopro Packaging Details Unit Type: piece Package Weight: 0.9kg (1.98lb.) Package Size: 26cm x 13cm x 24cm (10.24in x 5.12in x 9.45in) Dimensions & Weight Dimensions 10.24 in x 9.45 in x 5.12 in (26 cm x 24 cm x 13 cm) Weight 31.75 oz (900 g) Packing List Product

Two Conductive Microphone Cable 50m Roll Available in Black, Blue, Red, Green and Yellow For more info on this product please click here

Two Conductive Microphone Cable 100m Roll Available in Black, Blue, Red, Green and Yellow For more info on this product please click here

Buy Adjustable Throat Mic Earphone Microphone Suitable for Yaesu VX-6RYAESU VX-7R for R253.87

The P Audio philosophy of continuous improvement requires constant research and development efforts aimed at upgrading critical performance parameters. The BM-D 446 high performance compression driver presents many improvements in both amplitude and time domain response. These technological advances represent additional improvements in the very successful BM-D series of high performance compression drivers. The BM-D 446 magnet gap geometry has been redesigned to improve both the time domain and amplitude domain response in the critical upper vocal range between1kHz and 3kHz. These performance improvements translate into superior vocal range intelligibility and clarity. Additional improvements in the phase plug spacing and rear volume have yielded substantial improvements in the10kHz range that translate into superior ultra high frequency accuracy. The BM-D 446 is ideal for use in high output two way professional audio system designs. The driver may be integrated into systems utilizing 8 inch (203 mm) high output woofer or larger and is ideal for very high performance systems using 12 inch (305 mm) and 15 inch (381mm) low frequency sections. The rated frequency range of the BM-D 446 driver is1kHz to 20kHz. Passive crossovers with 2nd order (12dB/Oct) or higher slopes will produce ideal band limiting and crossover frequencies of higher then 1kHz are recommended for very high output designs. The BM-D 446 utilizes a 1.75 inch (44.5mm) diaphragm assembly of commercially pure titanium. The diaphragm assembly features P Audios ultra high thermal stability adhesives and is coupled to a precision voice coil assembly designed to maximize conversion efficiency. The circumferential slot phase plug provides very wide bandwidth coupling of the diaphragm to the 1 inch (25.4mm) industry standard exit. Close spacing of the diaphragm and phase plug insure excellent bandwidth and acoustic damping. The mounting geometry is a standard bolt on style that is compatible with P Audio and many other standard high frequency horns and wave guides. The BM-D 446 is a Ferrite based permanent magnetic system that has been computer optimized to yield maximum magnetic energy and conversion efficiency. Finite Element Modeling has produced a very high magnetic energy field while maintaining a very compact geometry and reduced weight.

The Azden SMX-30 Stereo-/Mono-Switchable Video Microphone is a battery-powered microphone with separate stereo- and shotgun-style microphone units that can be switched between mono and stereo recording modes. It can be used to produce pro-quality sound for DSLRs and other compact cameras in applications for interviews, weddings, presentations, and more.Housed inside an innovative casing, the SMX-30 is two microphones packaged into one. The stereo microphone is positioned at the top and consists of two cardioid polar patterns spaced apart at a 120° angle. The mono microphone uses a supercardioid polar pattern to focus on sound in front of the camera. It has the same high-quality element as Azden's SGM-250 shotgun microphone.Using the built-in +20 dB gain booster to get a strong clean audio signal into your camera, the SMX-30 minimizes the need to turn up noisy preamps usually associated with DSLRs, and also includes a -10 dB pad to protect against distortion when recording in loud environments such as live concerts and motorsport events.Furthermore, the microphone has a wide frequency response of 40 Hz to 20 kHz and has a full, natural sound. There is a low-cut filter switch for reducing low frequencies below 120 Hz, which is useful for mitigating noise caused by air conditioners, wind, and traffic.Powered by two AA batteries, you can operate the SMX-30 microphone for approximately 24 hours with no degradation of sound quality. The battery-indicator LED light lets you know when it's time to change batteries with up to a 1-hour warning beforehand.Finally, an integrated shock-absorbing shoe mount isolates the SMX-30 microphone from camera-motor/handling noise. The mount is designed to fit the standard camera shoe and comes with 1/4"-20 threads at the bottom for mounting to boom poles and other camera accessories. A foam windscreen is also included. Stereo or Mono? Why Choose? If you only have the budget to buy one microphone for your camera, why should you have to choose between mono and stereo? The SMX-30 is stereo-/mono-switchable, so you don't have to be. Gain Control The audio controls on DSLR cameras are limited, if they exist at all. And DSLRs are notoriously known to have low-quality microphone preamps that add noise to the video soundtrack when the gain is turned up. Azden's SMX-30 has a +20 dB gain booster so you can get a strong, clean audio signal into your camera, minimizing the need to turn up the noisy preamp.Frequency ResponseThe SMX-30 has a wide frequency response ranging from 40 Hz to 20 kHz, so the audio you capture will sound full and natural. Power Powered by two AA batteries, which is a lower-cost option than the 9V battery used in some competitor microphones, the SMX-30 can achieve 24 hours of operation with a single set of batteries with absolutely no degradation of sound quality. Maximize Battery Life Maximize battery life by using the unique "Auto" power setting. When set to Auto, the Azden SMX-30 can detect when a camera is on and will automatically power on and off with the camera (requires a mic input that provides plug-in power). Ever leave your microphone on by accident to discover that the batteries are dead the next time you try to use it? Eliminate that possibility by always leaving the Azden SMX-30 in "Auto" mode. Integrated Shock-Absorbing Shoe Mount Integrated into the design of the Azden SMX-30 is a custom-made, shock-absorbing shoe mount to isolate the microphone from camera-motor/handling noise. SPECIFICATIONS Polar Pattern: Mono - Supercardioid Polar Pattern: Stereo - 2 x Cardioid Frequency Response: 40 Hz - 20 kHz Sensitivity: -36 dB @ 1 kHz (0 dB=1V/Pa) Dynamic Range (Typical): 118 dB Signal-to-Noise Ratio: 82 dB, 1 kHz @ 1Pa Maximum Input Level: 130 dB SPL (1 kHz @ 1% T.H.D.) Maximum Output Level: +6.2 dB Output Impedance: 50 Ohms Power Requirements: 2 x AA batteries Output Connectors: 1/8" (3.5 mm) stereo mini-plug Power Switch: Off, Battery, Auto Gain Control: -10, 0, +20 dB Low Cut Filters: Selectable @ 120 Hz, 3 dB/octave Dimensions (L x W x D): 1.9 x 4.2 x 5.7" (47 x 107 x 145 mm) Weight: 5.1 oz (145 g)

The H5 Handy recorder from Zoom is a compact, portable handheld digital recorder that is capable of four-track recording and has an interchangeable, modular microphone system. The recorder ships with an XY microphone capsule and is compatible with the existing line of H6 modules including the optional shotgun mic and XLR/TRS input modules. The included XY stereo mic module provides two matched unidirectional condenser microphones set at a 90 degree angle, and features a built-in shockmount system and a maximum SPL of 140dB. Additionally, the recorder is equipped with two inputs for external sources, allowing you to record simultaneously with the included stereo XY mic for a total of four input channels. Each input is controllable by its own analog gain knob, and also has a -20dB pad. The recorder also has an LCD screen and a side-mounted toggle control for navigating through the menu options. It gives you fast access to transport functions, offering physical control buttons right underneath the screen, and conveniently stores its recorded audio to external SD cards. In addition to the detachable X/Y capsule, the recorder also ships with a foam windscreen, a 2GB SD card, two AA batteries, a USB cable, WaveLab LE (download), Cubase LE (download), and a hard plastic case. Features: Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted microphones for reduced handling noise Compatible with Zoom H6 input capsules and optional capsules including the SGH-6 shotgun mic capsule and the EXH-6 dual XLR/TRS combo input capsule Four-track simultaneous recording Large backlit LCD display Records directly to SD and SDHC cards up to 32GB Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad Analog-style gain controls for each input Protective "roll-bar" type covers prevent accidental movement of gain controls Plug-in power (2.5 volts) Built-in effects, including low-cut filtering, compression and limiting Chromatic tuner and metronome Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take MS decoding Multitrack to stereo internal mixdown Normalize, Divide and Trim editing Voice memo and up to 99 marks per recording A/B loop playback Variable playback speed and variable pitch without affecting playback speed Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter Uses two standard AA alkaline or NiMH rechargeable batteries Over 15 hours of operation with alkaline batteries General Recording Media SD card: 16MB to 2GB SDHC card: 4GB to 32GB Display Backlit LCD (128 x 64 pixels) Power Requirements AA size (LR6) battery x 2 AC adapter (AD-17 (DC5V/1A/USB-type, optional) USB bus power I/O Inputs L/R [XYH-5 X/Y mic]: Mic Type: Unidirectional Sensitivity: -45 dB, 1 kHz at 1 Pa Input Gain: -¿ to 52 dB Max Sound Pressure Input: 140 dB SPL Mic/Line In: Connector: 1/8" stereo mini jack Input Gain: -¿ to 52 dB Input Impedance: 2 k¿ or more Plug-In Power: 2.5V supported Backup Recording: -12 dB lower than set L/R input gain Inputs 1/2: Connectors: XLR / TRS combo jacks (XLR: Pin 2 hot / TRS: Tip hot) Input Gain (PAD OFF): -¿ to 55.0 dB Input Gain (PAD ON): -¿ to 35.0 dB Input Impedance: 1.8 k¿ or more Max Input Level: +22 dBu (PAD ON) Phantom Power: +12V /+24V /+48V Equivalent Input Noise (EIN): -120 dBu or less Outputs Line Out: Connector: 1/8" stereo mini jack Rated Output Level: -10 dBm Output Load Impedance: 10 k¿ or more Phone Out: Connector: 1/8" stereo mini jack Output Level: 20 W + 20 W into 32 ¿ load Built-in speaker: 400 mw 8 ¿ mono USB Mass Storage Class Operation: Class: USB 2.0 high speed Audio Interface Operation: Multitrack Mode: Class: USB 2.0 high speed Sampling Frequency: 44.1/48 kHz Bit Rate: 16-/24-bit Inputs / Outputs: 4 / 2 Stereo Mode: Class: USB 2.0 full speed Sampling Frequency: 44.1/48 kHz Bit Rate: 16-bit Inputs / Outputs: 2 / 2 USB Bus Powered Operation: Yes iPad Operation: Supported in stereo mode only Recording Recording Formats Stereo Mode: WAV (BWF-compliant) Sampling Frequency: 44.1/48/96 kHz Bit Rate: 16-/24-bit (Stereo) Maximum Simultaneous Recording Tracks: 2 MP3 Sampling Frequency: 44.1 kHz Bit Rate: 48/56/64/80/96/112/32/160/192/224/256/320 kbps Multi-Track Mode: WAV (BWF-compliant) Sampling Frequency: 44.1/48 kHz Bit Rate: 16-/24-bit (mono/stereo) Maximum Simultaneous Recording Tracks: 6 (L/R + INPUT 1/2 + L/R backup) Physical Specifications Dimensions H5: 2.3 x 5.3 x 1.7" (66.8 x 135.2 x 42.1 mm) XYH-5 X/Y mic:2.6 x 2.4 x 1.6" (65.5 x 62.2 x 41 mm) Weight H5: 6.2 oz (176.0 g) XYH-5 X/Y mic: 3.3 oz (94.0 g) In The Box XYH-5 Microphone Capsule Plastic Case 2 GB SD Card Foam Windscreen USB Cable Steinberg WaveLab LE Software (Download) Steinberg Cubase LE Software (Download) 2 x AA Batteries Limited 1-Year Warranty

For capturing audio the QLXD24/B87A Handheld Wireless Microphone System by Shure is a good choice. It can be used for mid-size events and installations in businesses, hotels, government offices, schools, houses of worship, live performance spaces, and more. It features 24-bit digital audio, network control, and AES-256 encryption. The QLX-D wireless system is built with switching diversity and automatic channel scan, and has IR sync capabilities to make finding an open frequency quick. Featuring a frequency range of 20 Hz to 20 kHz, it offers more than 60 available channels per frequency band. The handheld also has a backlit LCD display to allow for navigation though the menus and controls. With clearly defined performance the QLX-D delivers clean audio and provides professional features for demanding live sound events and installations. The QLXD24/B87A system includes a QLXD4 receiver, QLXD2 Transmitter with Beta 87A capsule, PS23 power supply, two 1/2 wave antennas, two 2' BNC cables with bulkhead adapters, zipper bag, two AA Alkaline batteries, and rackmount hardware. Specs: Interchangeable Beta 87A microphone cartridge 120 dB dynamic range Digital predictive switching diversity 64 MHz tuning bandwidth Up to 17 compatible systems per 6 MHz TV band, and 22 systems per 8 MHz band Easy pairing of transmitters and receivers over IR scan and sync Automatic channel scan Selectable display mode showing group/channel, frequency, or battery runtime Rugged metal construction RF Carrier Frequency Range G50: 470 to 534 MHz Working Range 328' (100 m) Note: Actual range depends on RF signal absorption, reflection and interference RF Tuning Step Size: 25 kHz, varies by region Image Rejection Greater than 70 dB, typical RF Sensitivity -97 dBm at 10-5 BER Latency Less than 2.9 ms Audio Frequency Response QLXD1: 20 Hz - 20 kHz (±1 dB) QLXD2: Dependent on microphone type Audio Dynamic Range System Gain @ +10: Greater than 120 dB, A-weighted, typical Total Harmonic Distortion (THD) -12 dBFS Input, System Gain @ +10: Less than 0.1% Polarity System Audio: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 1/4" (6.35 mm) output Operating Temperature Range 0 to 122°F (-18 to 50°C) Note: Battery characteristics may limit this range Storage Temperature Range -20 to 165°F (-29 to 74°C) Note: Battery characteristics may limit this range. Receiver Housing Steel Power Requirement 12 VDC @ 0.4 A, supplied by external power supply (tip positive) RF Input Spurious Rejection: Greater than 80 dB, typical Connector Type: BNC Impedance: 50 ohms Audio Output Gain Adjustment Range: -18 to +42 dB in 1 dB steps Configuration: 1/4" (6.35 mm), Impedance balanced (Tip=audio, Ring=no audio, Sleeve=ground) XLR: Balanced (1=ground, 2=audio +, 3=audio -) Impedance 1/4" (6.35 mm), 100 ohms (50 ohms Unbalanced) XLR: 100 ohms Full Scale Output: 1/4" (6.35 mm), +12 dBV XLR: LINE setting= +18 dBV, MIC setting= -12 dBV Mic/Line Switch: 30 dB pad Phantom Power Protection: 1/4" (6.35 mm), Yes XLR: Yes Networking Network Interface: Single Port Ethernet 10/100 Mbps Network Addressing Capability: DHCP or Manual IP address Maximum Ethernet Cable Length: 328' (100 m) Dimensions (H x W x D) 1.63 x 7.75 x 5.94" (41 x 197 x 151 mm) Weight 1.71 lb (777 g) Handheld Transmitter Housing Machined aluminum Mic Offset Range 0 to 21 dB (in 3 dB steps) Battery Type Shure SB900 rechargeable Li-Ion or AA batteries 1.5 V Battery Runtime At 10 mW: Shure SB900: up to 10 hours Alkaline: up to 9 hours Audio Input Configuration: Unbalanced RF Output Antenna Type: Integrated Single Band Helical Occupied Bandwidth: Less than 200 kHz Modulation Type: Shure proprietary digital Power: 1 mW or 10 mW Varies by region Dimensions (L x Diam) 10.1 x 2.0" (256 x 51 mm) Weight 12.2 oz (347 g) Mic Capsule Type Beta 87A: Electret Condenser Frequency Response 20 Hz to 20 kHz Polar Pattern Super Cardioid

For capturing audio, the QLXD24/B58 Handheld Wireless Microphone System by Shure is a good choice. It can be used for mid-size events and installations in businesses, hotels, government offices, schools, houses of worship, live performance spaces, and more. It features 24-bit digital audio, network control and AES-256 encryption. The QLXD wireless system is built with switching diversity and automatic channel scan, and has IR sync capabilities to make finding an open frequency quick. Featuring a frequency range of 20 Hz to 20 kHz, it offers more than 60 available channels per frequency band. The handheld also has a backlit LCD display to allow for navigation though the menus and controls. With clearly defined performance, the QLX-D delivers good clean audio and provides professional features for demanding live sound events and installations. The QLXD24/B58A system includes a QLXD4 receiver, QLXD2 Transmitter with Beta58A capsule, PS23 power supply, two 1/2 wave antennas, two 2' BNC cables with bulkhead adapters, zipper bag, two AA alkaline batteries, and rackmount hardware. Specs: Interchangeable Beta58A microphone cartridge 120 dB dynamic range Digital predictive switching diversity receiver to capture the clearest sound 64 MHz tuning bandwidth Up to 17 compatible systems per 6 MHz TV band, and 22 systems per 8 MHz band Easy pairing of transmitters and receivers over IR scan and sync Automatic channel scan Selectable display mode showing group/channel, frequency, or battery runtime Rugged metal construction RF Carrier Frequency Range G50: 470-534 MHz Working Range 328' (100 m) Note: Actual range depends on RF signal absorption, reflection and interference RF Tuning Step Size: 25 kHz, varies by region Image Rejection Greater than 70 dB, typical RF Sensitivity -97 dBm at 10-5 BER Latency Less than 2.9 ms Audio Frequency Response QLXD1: 20 Hz - 20 kHz (±1 dB) QLXD2: Dependent on microphone type Audio Dynamic Range System Gain @ +10: Greater than 120 dB, A-weighted, typical Total Harmonic Distortion (THD) -12 dBFS Input, System Gain @ +10: Less than 0.1% Polarity System Audio: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 1/4" (6.35 mm) output Operating Temperature Range 0 to 122°F (-18 to 50°C) Note: Battery characteristics may limit this range Storage Temperature Range -20 to 165°F (-29 to 74°C) Note: Battery characteristics may limit this range. Mic Capsule Type Beta 58A Frequency Response 20 Hz to 20 kHz Polar Pattern Cardioid Receiver Housing Steel Power Requirement 12 VDC @ 0.4 A, supplied by external power supply (tip positive) RF Input Spurious Rejection: Greater than 80 dB, typical Connector Type: BNC Impedance: 50 ohms Audio Output Gain Adjustment Range: -18 to +42 dB in 1 dB steps Configuration: 1/4" (6.35 mm), Impedance balanced (Tip=audio, Ring=no audio, Sleeve=ground) XLR: Balanced (1=ground, 2=audio +, 3=audio -) Impedance 1/4" (6.35 mm), 100 ohms (50 ohms Unbalanced) XLR: 100 ohms Full Scale Output: 1/4" (6.35 mm), +12 dBV XLR: LINE setting= +18 dBV, MIC setting= -12 dBV Mic/Line Switch: 30 dB pad Phantom Power Protection: 1/4" (6.35 mm), Yes XLR: Yes Networking Network Interface: Single Port Ethernet 10/100 Mbps Network Addressing Capability: DHCP or Manual IP address Maximum Ethernet Cable Length: 328' (100 m) Dimensions (H x W x D) 1.63 x 7.75 x 5.94" (41 x 197 x 151 mm) Weight 1.71 lb (777 g) Handheld Transmitter Housing Machined aluminum Mic Offset Range 0 to 21 dB (in 3 dB steps) Battery Type Shure SB900 rechargeable Li-Ion or AA batteries 1.5 V Battery Runtime At 10 mW: Shure SB900: up to 10 hours Alkaline: up to 9 hours Audio Input Configuration: Unbalanced RF Output Antenna Type: Integrated Single Band Helical Occupied Bandwidth: Less than 200 kHz Modulation Type: Shure proprietary digital Power: 1 mW or 10 mW Note: See Frequency Range and Ouput Power table, varies by region Dimensions (L x Diam) 10.1 x 2.0" (256 x 51 mm) Weight 12.2 oz (347 g)

For capturing audio, the QLXD24/SM58 Handheld Wireless Microphone System by Shure is a good choice to get the job done. It can be used for mid-size events and installations in businesses, hotels, government offices, schools, houses of worship, live performance spaces, and more. It features 24-bit digital audio, network control, and AES-256 encryption. The QLXD wireless system is built with switching diversity and automatic channel scan and has IR sync capabilities to make finding an open frequency quick. Featuring a frequency range of 20 Hz to 20 kHz, it offers more than 60 available channels per frequency band. The handheld also has a backlit LCD display to allow for navigation though the menus and controls. With clearly defined performance the QLXD delivers good clean audio and provides professional features for demanding live sound events and installations. The QLXD24/SM58 system includes a QLXD4 receiver, QLXD2 Transmitter with SM58 capsule, PS23 power supply, two 1/2 wave antennas, two 2' BNC cables with bulkhead adapters, a zipper bag, two AA Alkaline batteries, and rackmount hardware. Specs: Interchangeable SM58 microphone cartridge 120 dB dynamic range Digital predictive switching diversity receiver to capture the clearest sound 64 MHz tuning bandwidth Up to 17 compatible systems per 6 MHz TV band, and 22 systems per 8 MHz band Easy pairing of transmitters and receivers over IR scan and sync Automatic channel scan Selectable display mode showing group/channel, frequency, or battery runtime Rugged metal construction RF Carrier Frequency Range G50: 470 to 534 MHz Working Range 328' (100 mm) Note: Actual range depends on RF signal absorption, reflection and interference RF Tuning Step Size: 25 kHz, varies by region Image Rejection > 70 dB, typical RF Sensitivity -97 dBm at 10-5 BER Latency Audio Frequency Response QLXD2: Dependent on microphone type Audio Dynamic Range System Gain @ +10: Greater than 120 dB, A-weighted, typical Total Harmonic Distortion (THD) -12 dBFS Input, System Gain @ +10: Less than 0.1% Polarity System Audio: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 1/4" (6.35 mm) output Operating Temperature Range 0 to 122°F (-18 to 50°C) Note: Battery characteristics may limit this range Storage Temperature Range -20 to 165°F (-29 to 74°C) Note: Battery characteristics may limit this range. Receiver Housing Steel Power Requirement 12 VDC @ 0.4 A, supplied by external power supply (tip positive) RF Input Spurious Rejection: > 80 dB, typical Connector Type: BNC Impedance: 50 ohms Audio Output Gain Adjustment Range: -18 to +42 dB in 1 dB steps Configuration: 1/4" (6.35 mm), Impedance balanced (Tip=audio, Ring=no audio, Sleeve=ground) XLR: Balanced (1=ground, 2=audio +, 3=audio -) Impedance: 1/4" (6.35 mm): 100 ohms (50 ohms Unbalanced), XLR: 100 ohms Full Scale Output: 1/4" (6.35 mm), +12 dBV XLR: LINE setting= +18 dBV, MIC setting= -12 dBV Mic/Line Switch: 30 dB pad Phantom Power Protection: 1/4" (6.35 mm), Yes XLR: Yes Networking Network Interface: Single Port Ethernet 10/100 Mbps Network Addressing Capability: DHCP or Manual IP address Maximum Ethernet Cable Length: 328' (100 m) Dimensions (H x W x D) 1.63 x 7.75 x 5.94" (41 x 197 x 151 mm) Weight 1.71 lb (777 g) Handheld Transmitter Housing Machined aluminum Mic Offset Range 0 to 21 dB (in 3 dB steps) Battery Type Shure SB900 rechargeable Li-Ion or AA batteries 1.5 V Battery Runtime At 10 mW: Shure SB900: up to 10 hours Alkaline: up to 9 hours Audio Input Configuration: Unbalanced Maximum Input Level: 145 dB SPL (SM58), typical (1 kHz @ 1% THD) RF Output Antenna Type: Integrated Single Band Helical Occupied Bandwidth: Modulation Type: Shure proprietary digital Power: 1 or 10 mW Dimensions (L x Diam) 10.1 x 2.0" (256 x 51 mm) Weight 12.2 oz (347 g) without batteries Mic Capsule Type SM58 Frequency Response 20 Hz to 20 kHz Polar Pattern Cardioid

Product Details   Product Information A quality microphone is crucial for any audio performance whether it is a live concert by your band, a business presentation, or simply karaoke. The Nady DKW-DUO Dynamic Wireless Professional Microphone that can be handheld offers you both professional sound quality and the convenience of a wireless system. This wireless handheld microphone was built with two preset VHF frequency channels in order to improve reliability and reduce interference output. This Nady wireless mic features two DM-20 cardioid capsules and advanced audio processing circuitry that ensure crystal-clear clarity by blocking out noise in the surrounding environment. The special circuitry helps reduce on/off “pop” noise. All the extra features are designed to give you the best performance possible. These wireless microphones have a maximum transmit range of 300 feet and a 15-hour battery giving you both longer and stronger signal range that can last even through day-long conferences. The mic only needs a single 9V alkaline battery and you won’t have to worry about recharging throughout the day. The Nady dual system also has a conveniently placed on/off switch and an LED indicator that lights up when the battery is low, making its operation complication-free. The Nady DKW-DUO handheld system is easy to use: just plug into your audio mixer or amplifier and you are ready to go. VHF wireless microphones are a more economic choice than pro-audio microphones with UHF frequency but without sacrificing quality. VHF wireless mic systems also have a longer battery life. Systems with a VHF channel also have larger dropout zones. The Nady DKW-DUO Dynamic Wireless Professional Microphone weighs a little over 5 ounces. This dynamic wireless dual handheld microphone has unidirectional directivity with a frequency response ranging from 80 to 1400 hertz and can connect right into your video camera. The dynamic range of this dual system is 95 decibels. The system comes with a receiver and a handheld transmitter. The transmitter can be operated on a separate single frequency in the VJF 170-216 megahertz band and can be used individually or together. The sound quality of this dual interference-free system will impress everyone at karaoke. For the next event that you need a microphone, try the Nady DKK-DUO Dynamic Wireless Professional Microphone. You will love the practicality of the design, the flexibility of being a wireless system, and its strong dynamic range. From presentations to musical performances, the Nady DK-DUO is the smart choice for your needs. Shipping is R95 via courier anywhere in SA

Product Details   Product Information A quality microphone is crucial for any audio performance whether it is a live concert by your band, a business presentation, or simply karaoke. The Nady DKW-DUO Dynamic Wireless Professional Microphone that can be handheld offers you both professional sound quality and the convenience of a wireless system. This wireless handheld microphone was built with two preset VHF frequency channels in order to improve reliability and reduce interference output. This Nady wireless mic features two DM-20 cardioid capsules and advanced audio processing circuitry that ensure crystal-clear clarity by blocking out noise in the surrounding environment. The special circuitry helps reduce on/off “pop” noise. All the extra features are designed to give you the best performance possible. These wireless microphones have a maximum transmit range of 300 feet and a 15-hour battery giving you both longer and stronger signal range that can last even through day-long conferences. The mic only needs a single 9V alkaline battery and you won’t have to worry about recharging throughout the day. The Nady dual system also has a conveniently placed on/off switch and an LED indicator that lights up when the battery is low, making its operation complication-free. The Nady DKW-DUO handheld system is easy to use: just plug into your audio mixer or amplifier and you are ready to go. VHF wireless microphones are a more economic choice than pro-audio microphones with UHF frequency but without sacrificing quality. VHF wireless mic systems also have a longer battery life. Systems with a VHF channel also have larger dropout zones. The Nady DKW-DUO Dynamic Wireless Professional Microphone weighs a little over 5 ounces. This dynamic wireless dual handheld microphone has unidirectional directivity with a frequency response ranging from 80 to 1400 hertz and can connect right into your video camera. The dynamic range of this dual system is 95 decibels. The system comes with a receiver and a handheld transmitter. The transmitter can be operated on a separate single frequency in the VJF 170-216 megahertz band and can be used individually or together. The sound quality of this dual interference-free system will impress everyone at karaoke. For the next event that you need a microphone, try the Nady DKK-DUO Dynamic Wireless Professional Microphone. You will love the practicality of the design, the flexibility of being a wireless system, and its strong dynamic range. From presentations to musical performances, the Nady DK-DUO is the smart choice for your needs. FREE SHIPPING   anywhere in SA

TOUGH Condenser Microphone Hard Case with Dense Foam for MXL Microphones - Fits MXL 770 / 990 / 550, 551R / 440 / 4000 / MCA-SP1 / MXL USB 006, USB 008, USB 009, MXL Studio 24 USB / V67G / V87 / V250 / V69MEDT - Fits Microphone and Accessories Product Description TOUGH Condenser Microphone Hard Case with Dense Foam - Built TOUGH This hard shell case's exterior is made of a dense, injection composite plastic for superior external protection against blunt forces, drops, dings and other unforeseen mishaps that can befall your high value possessions. Interior protection consists of a Tri-Layer arrangement of a Solid Ester Foam Layer(Bottom, 0.5"), a Dense Pick & Pluck Foam Layer(Middle, 2.0") and a Convoluted Egg-Crate Foam Layer(Top Lid, 0.75"). With the combination of a highly durable exterior and dense foam interior, you can be sure your equipment has reliable storage and protection. The locking mechanism accommodates 2 padlocks for keeping your devices secure. Compact Travel and Storage This hard case is made for microphones and is easy to transport using its convenient carrying handle or placing it inside a larger bag for travel. Measuring 12.0" x 9.5" x 3.5" in exterior dimensions, and internally fitting devices and accessories with maximum dimensions of 11.0" x 7.25" x 3.25", this case is perfect for on-the-go traveling or storage. Unlimited Customization The Pick & Pluck 2.0" thick middle layer of foam consists of individually pluckable cubes. Customize your foam layer to fit snugly around your microphone and accessories. Fits MXL Studio and USB Microphones and Accessories MXL DX-2 / CR20 / 440 / 550 / 551R / 770 / 990 Cardioid Condenser Microphones MXL V67G / V87 / V250 / 2006 / V69MEDT / MCA-SP1 Large Capsule and Studio Condenser Microphones MXL USB 006 / USB 008 / USB 009 / MXL Studio 24 USB / MXL TEMPO KR / MXL-STUDIO 1 USB Cardioid Condenser Microphones | MXL Genesis HE, Genesis FET | CASEMATIX 12" Condenser Microphone Case protects against impacts, drops, dings and dust, ideal for storing and protecting your MXL microphone and accessories | CASEMATIX MXL Condenser Case is designed with a hard exterior made of durable composite injection plastic while the internal tri-layer foam cushioning and Pick and Pluck customizable middle layer protects and organizes your studio recording equipment | The Vocal Microphone Tough Condenser Mic Case is built with two sliding-lock mechanisms and two padlock slots for added theft deterrent | CASEMATIX MXL Mics Case Easily Fits Devices and Accessories with Maximum Dimensions: 11.0" x 7.25" x 3.25"; External Dimensions: 12.0" x 9.5" x 3.5" | The CASEMATIX MXL Kit case is recommended for the MXL 770, MXL 990, MXL Genesis HE, CR-89, MXL D-X2, MXL 770X, MXL V67G, MXL V69M, MXL V6G, MXL R144, MXL V67, MXL V69, MXL V67G / V87 / V250 / V400 / V700 / 2006 / V69MEDT / MCA-SP1 / DX-2 / CR20 / 440 / 550 / 551R / 770 / 990 / and More